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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Giulia Marsili;

    The paper aims to investigate the relationship between Venantius Fortunatus’ De Virginitate and the mosaics of St. Apollinare Nuovo basilica in Ravenna. In the premise of the research is the hypothesis that the formative genesis of the poem and its contents owes much more to the new mosaic cycle of the Palatine Basilica in Ravenna, sponsored by Archbishop Agnellus in the aftermath of the Byzantine retaking, than pointed out so far. This assumption seems supported not only by the similarities between some mosaic details and Venantius’ narrative, but mainly by the symbolic and ideological significance of the female procession in the northern nave. Thus, an attempt is made to offer an original interpretation of the decorative cycle, relying on references of written sources and peculiar iconographic choices made by Agnellus as a patron. It’s likely that Agnellus opted for the formulation of an unprecedented decorative cycle focused on a procession of martyrs precisely envisioned as sponsae Christi on their way to meet the heavenly Bridegroom. It can be assumed that Venantius, just as being commissioned of a poem on ascetic ideology and virginal consecration, found inspiration in the visual imagery evoked by the new mosaic cycle of the Palatine basilica, which he had most likely been able to visit before his departure for Gaul. Being it occurred in the last months of 565 , a terminus ante quem for the completion of Agnellus’ mosaic repairs can be inferred, and hence for the rededication of the church to the Orthodox cult, too.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bandt, Cordula; Risch, Franz Xaver; Villani, Barbara;

    Mit Beginn der frühesten christlichen Psalmenkommentierung entstanden eine Reihe von kurzen einleitenden Texten zum Psalter, deren Wirkung bis in die Neuzeit anhält. Der Band enthält die Texte von Origenes und Eusebius, deren Entstehungs- und Überlieferungsgeschichte eng miteinander verbunden ist. Sie behandeln die Psalmenüberschriften, den Aufbau und die Struktur des Psalters, die Verfasserfrage, hexaplarische Fragen und andere Besonderheiten. Die Texte werden in neuer, kritischer Edition mit Übersetzung und Anmerkungen geboten. Zwei themenverwandte Essays und farbige Abbildungen ergänzen diese erstmals vollständig zusammengetragene Sammlung.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Het beeld van het verleden heeft altijd en onvermijdelijk politieke dimensies. Dat geldt voor de herinneringscultuur rond de Tweede Wereldoorlog in het Rusland van Poetin, maar ook voor de manier waarop in Nederland, Duitsland of de VS naar deze jaren wordt gekeken. Niet alleen de publieke herinneringscultuur, ook de wetenschappelijke geschiedschrijving kan zich door haar aard onmogelijk aan deze politieke dimensie onttrekken. Dit afscheidscollege onderzoekt de grenzen tussen herinnering en geschiedwetenschap als onderdelen van dezelfde historische cultuur en hoe zij elkaar beïnvloeden. Herinneringen fungeren als mentale kaders waarbinnen wij handelen en hebben dus ook effect op het werk van de historicus die streeft naar een kritische en zo aannemelijk mogelijke interpretatie van het verleden, volgens het beginsel van objectiviteit als methode. Centraal argument in de lezing is, dat een doorleefd besef van de onvermijdelijke politieke dimensies van zijn/haar werkzaamheid de geschiedschrijver niet minder 'objectief' maakt, maar hem/haar kennistheoretisch zelfs vooruit kan helpen om tot een meer aannemelijke interpretatie van het verleden te komen. - The image of the past always and inevitably has political dimensions. Not only the public remembrance culture, but also academic historiography, by its very nature, cannot escape this political dimension. This valedictory lecture examines the boundaries between memory and historiography as components of the same historical culture. The central argument of the lecture is that a lived awareness of the unavoidable political dimensions of his or her work does not make the historian less ‘objective’, but can even help him or her to reach a more plausible interpretation of the past, from a theoretical point of view.

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    Other literature type . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ramos Huapaya, Daniel Antonio;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LAReferencia - Red F...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: de Boer, N.; Michel, B.; Nieuwenhuis, A.; Reestman, J.-H.;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Vilnius University I...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Vilnius University I...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fischer, Theodor; Alnaem, Feras Zaher; Kaltenbach, Jonas; Mohr, Marisa; +2 Authors

    Kölner Beiträge zur technischen Informatik - Cologne Contributions to Computer Engineering Ergebnisse des Workshops vom 26.11.2021 des Forschungsschwerpunkts Vernetzte intelligente Infrastrukturen und mobile Systeme (VIMS)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cologne Open Science...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cologne Open Science...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Romano, Rosa (author); Konstantinou, T. (author); Fiorito, Francesco (author);

    Starting from the results of the COST RESTORE research, the paper promotes the adoption of a new methodological approach to sustainable design capable of ensuring the energy efficiency of a building and the psychological well-being and health of its users by re-establishing harmony with nature. More specifically, it presents some of the most innovative technological envelope and system solutions used to create restorative environments, identifying existing connections between the design and implementation of regenerative building systems. The aim is to define a project idea that increasingly features typological and morphological contaminations of the environment. Building Product Innovation

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCIS; TU Delft Rep...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Book . 2020
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Book . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vidal, Tiago Barra; Rocha, Suelen Alves; Harzheim, Erno; Hauser, Lisiane;

    OBJETIVO: Avaliar se o modelo de agendamento influencia a percepção do usuário sobre a qualidade dos serviços da atenção primária à saúde. MÉTODOS: Estudo transversal de base populacional que mediu a qualidade dos serviços pelo instrumento Primary Care Assessment Tool (PCATool-Brasil), aplicado aos usuários adultos (n = 409) de 11 centros de saúde em Florianópolis, SC. A análise multinível foi utilizada para verificar a relação entre o escore de qualidade geral da atenção primária à saúde e o modelo de agendamento. As variáveis independentes (idade, cor da pele, modelo de agendamento, população por equipe de saúde da família, proporção de pobreza como proxy de renda, número de equipes de saúde da família, presença de áreas de interesse social, número de consultas médicas em um ano por equipe de saúde da família, número de pessoas atendidas em um ano por equipe de saúde) com p < 0,20 foram selecionadas para o modelo multinível, que foi ajustado com agregados de informações dos usuários e dos centros de saúde. RESULTADOS: O centro de saúde que utilizava acesso avançado apresentou o escore geral 7,04, enquanto os que utilizavam carve-out semanal tiveram escore 6,26, carve-out quinzenal escore 5,87 e tradicional escore 6,29. CONCLUSÕES: O modelo de agendamento acesso avançado teve um efeito positivo na qualidade da atenção primária à saúde, na percepção dos usuários. OBJECTIVE: To evaluate whether the scheduling model influences the perception of the user about the quality of primary health care centers. METHODS: This is a cross-sectional and population-based study that measured the quality of centers by the Primary Care Assessment Tool (PCATool-Brazil), applied to adult users (n = 409) from 11 health centers in Florianópolis, state of Santa Catarina. Multilevel analysis was used to verify the relationship between the score of general quality of the primary health care and the scheduling model. The independent variables (age, skin color, scheduling model, panel size by primary health team, poverty ratio as income proxy, number of health teams, presence of economically interest areas, number of medical appointments in one year per primary health team, number of people treated in one year per health team), with p < 0.20 were selected for the multilevel model, which was adjusted with aggregates of information from users and health centers. RESULTS: The health center that used advanced access had a general score of 7.04, while those using a weekly carve-out had a score of 6.26; the carve-out every 15 days, score of 5.87; and the traditional carve-out, score of 6.29. CONCLUSIONS: The scheduling model of advanced access had a positive effect on the quality of primary health care, in the perception of users.

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    Authors: Giulia Marsili;

    The paper aims to investigate the relationship between Venantius Fortunatus’ De Virginitate and the mosaics of St. Apollinare Nuovo basilica in Ravenna. In the premise of the research is the hypothesis that the formative genesis of the poem and its contents owes much more to the new mosaic cycle of the Palatine Basilica in Ravenna, sponsored by Archbishop Agnellus in the aftermath of the Byzantine retaking, than pointed out so far. This assumption seems supported not only by the similarities between some mosaic details and Venantius’ narrative, but mainly by the symbolic and ideological significance of the female procession in the northern nave. Thus, an attempt is made to offer an original interpretation of the decorative cycle, relying on references of written sources and peculiar iconographic choices made by Agnellus as a patron. It’s likely that Agnellus opted for the formulation of an unprecedented decorative cycle focused on a procession of martyrs precisely envisioned as sponsae Christi on their way to meet the heavenly Bridegroom. It can be assumed that Venantius, just as being commissioned of a poem on ascetic ideology and virginal consecration, found inspiration in the visual imagery evoked by the new mosaic cycle of the Palatine basilica, which he had most likely been able to visit before his departure for Gaul. Being it occurred in the last months of 565 , a terminus ante quem for the completion of Agnellus’ mosaic repairs can be inferred, and hence for the rededication of the church to the Orthodox cult, too.

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    Authors: Bandt, Cordula; Risch, Franz Xaver; Villani, Barbara;

    Mit Beginn der frühesten christlichen Psalmenkommentierung entstanden eine Reihe von kurzen einleitenden Texten zum Psalter, deren Wirkung bis in die Neuzeit anhält. Der Band enthält die Texte von Origenes und Eusebius, deren Entstehungs- und Überlieferungsgeschichte eng miteinander verbunden ist. Sie behandeln die Psalmenüberschriften, den Aufbau und die Struktur des Psalters, die Verfasserfrage, hexaplarische Fragen und andere Besonderheiten. Die Texte werden in neuer, kritischer Edition mit Übersetzung und Anmerkungen geboten. Zwei themenverwandte Essays und farbige Abbildungen ergänzen diese erstmals vollständig zusammengetragene Sammlung.

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    Het beeld van het verleden heeft altijd en onvermijdelijk politieke dimensies. Dat geldt voor de herinneringscultuur rond de Tweede Wereldoorlog in het Rusland van Poetin, maar ook voor de manier waarop in Nederland, Duitsland of de VS naar deze jaren wordt gekeken. Niet alleen de publieke herinneringscultuur, ook de wetenschappelijke geschiedschrijving kan zich door haar aard onmogelijk aan deze politieke dimensie onttrekken. Dit afscheidscollege onderzoekt de grenzen tussen herinnering en geschiedwetenschap als onderdelen van dezelfde historische cultuur en hoe zij elkaar beïnvloeden. Herinneringen fungeren als mentale kaders waarbinnen wij handelen en hebben dus ook effect op het werk van de historicus die streeft naar een kritische en zo aannemelijk mogelijke interpretatie van het verleden, volgens het beginsel van objectiviteit als methode. Centraal argument in de lezing is, dat een doorleefd besef van de onvermijdelijke politieke dimensies van zijn/haar werkzaamheid de geschiedschrijver niet minder 'objectief' maakt, maar hem/haar kennistheoretisch zelfs vooruit kan helpen om tot een meer aannemelijke interpretatie van het verleden te komen. - The image of the past always and inevitably has political dimensions. Not only the public remembrance culture, but also academic historiography, by its very nature, cannot escape this political dimension. This valedictory lecture examines the boundaries between memory and historiography as components of the same historical culture. The central argument of the lecture is that a lived awareness of the unavoidable political dimensions of his or her work does not make the historian less ‘objective’, but can even help him or her to reach a more plausible interpretation of the past, from a theoretical point of view.

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    Authors: Ramos Huapaya, Daniel Antonio;
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    Authors: de Boer, N.; Michel, B.; Nieuwenhuis, A.; Reestman, J.-H.;
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    Authors: Fischer, Theodor; Alnaem, Feras Zaher; Kaltenbach, Jonas; Mohr, Marisa; +2 Authors

    Kölner Beiträge zur technischen Informatik - Cologne Contributions to Computer Engineering Ergebnisse des Workshops vom 26.11.2021 des Forschungsschwerpunkts Vernetzte intelligente Infrastrukturen und mobile Systeme (VIMS)

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    Authors: Romano, Rosa (author); Konstantinou, T. (author); Fiorito, Francesco (author);

    Starting from the results of the COST RESTORE research, the paper promotes the adoption of a new methodological approach to sustainable design capable of ensuring the energy efficiency of a building and the psychological well-being and health of its users by re-establishing harmony with nature. More specifically, it presents some of the most innovative technological envelope and system solutions used to create restorative environments, identifying existing connections between the design and implementation of regenerative building systems. The aim is to define a project idea that increasingly features typological and morphological contaminations of the environment. Building Product Innovation

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao NARCISarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      Book . 2020
      Data sources: NARCIS
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