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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Romary, Laurent; Chambers, Sally;

    DARIAH, the Digital Research Infrastructure for the Arts and Humanities, is committed to advancing the digital revolution in the arts and humanities across Europe, by connecting resources and tools with the emerging next generation of digital scholars. National audience

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ INRIA a CCSD electro...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Rodrigo, Javier; Flecha, Ainhoa; Kasprowicz, Dominika; Hess, Karolina; +4 Authors

    Storytelling tools aim to leverage the technological restraints of creating and sharing digital narratives, allowing non-expert users to deploy projects and populate them with custom-made content. In other words, storytelling tools aim at giving space for diverse narratives to emerge and spread in the digital sphere. As facilitators of imagining and communicating ideas, they may also be considered incubators of rethinking societal challenges. The three storytelling tools developed in the framework of the HORIZON2020 SO-CLOSE project allow users to create and publish multimedia, multilingual and accessible digital cultural heritage projects. In this demonstration, we present the three tools: the interactive story map, the immersive web doc and the participatory virtual exhibition. We showcase the publishing interfaces (front-end), the authoring and content management system (back-end) and a use-case application (project). The present prototypes will be publicly released by the end of the project (December 2022). SO-CLOSE is a three-year project that aims at enhancing social cohesion through sharing the cultural heritage of forced migrations. Based on theories of cultural heritage-making, the project works towards exposing the commonalities of past and present experiences with the mediation of innovative digital tools and collaborative approaches. The act of storytelling becomes a premise for the potential of a better understanding between local communities and newcomers. In this context, the three tools are conceived and developed to empower cultural institutions and communities in building and publishing their digital stories. To achieve this, end-users were intensively involved in the design process, through participatory methodologies. Starting from a state-of-the-art tools analysis, the project collaborated with cultural institutions, NGOs, refugees and asylum seekers, local communities, researchers and policy makers in the requirements elicitation process (interviews and focus groups), co-design workshops and validation surveys. Overall, the users of the storytelling tools can create projects based on journeys, chapters or exhibitions, use modules that can be selected, shuffled and repeated, populate them with their own content – including 360 videos and images and 3D models – and carry out crowdsourcing calls. The projects are published online, with integrated features for accessibility, interactivity and data interoperability with other repositories. The use-case that will illustrate the tools application will be a pilot project of Greek Forum of Refugees, co-created together with three different refugee communities living in Greece and the Contemporary Social History Archives. posters & demos: 142

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    Conference object . 2022
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    Other literature type . Article . Conference object . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fišer, Darja; Krauwer, Steven; Chambers, Sally; Bernadou, Agiatis; +1 Authors

    While remote collaboration is not new in DH, it has had a profound impact on the DH research, education and community in the past couple of years due to the health, security and financial crises. If absorbed appropriately, it can also prove beneficial in overcoming the various environmental, geographical, mobility and other barriers in the future, making DH more resilient, inclusive and diverse. This is why the main objective of the proposed workshop is to develop a better understanding of the dynamics on the Digital Humanities work floor when researchers, teachers and/or professionals with different areas of competence engage in remote collaboration to solve humanities research questions, and to explore how education and training of humanities scholars, cultural heritage professionals and technical experts can help making remote collaboration across disciplines more efficient and effective, more creative and innovative, and more inclusive and rewarding for all participants. To this end, we invite submissions reporting on all aspects and stages of engaging in remote collaborative research and teaching in DH, including the obstacles encountered and solutions found. We are also welcoming position papers on the role of research infrastructures to better facilitate remote collaboration in DH.

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    Article . 2023
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      Article . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Umerle, Tomasz; Colavizza, Giovanni; Herden, Elżbieta; Jagersma, Rindert; +15 Authors

    This report has been prepared by the “Bibliographical Data” Working Group of the DARIAH-ERIC consortium, which develops public digital research infrastructure for the arts and humanities. The Group consists of more than 30 members from 15 countries, most of whom are researchers and curators in the public sector who are engaged in bibliographical data (“bibliodata”) research and curation. This report is aimed at all active stakeholders in the humanities bibliodata landscape,especially public sector entities who may benefit from the Group’s insights and engage in cooperation to identify common interests, shape joint agendas, and achieve common goals. Those goals include creating shared infrastructure solutions, harmonising existing standards, and building partnerships to meet major challenges for contemporary bibliodata stakeholders. The bibliodata landscape is a dynamic ecosystem including the many stakeholders who produce, process, and use diverse bibliographical resources (datasets, tools, services). Following the digital revolution, this landscape has been reconfigured and a critical era is now upon us that demands closer investigation. This report analyses the state of the art by defining current bibliodata (Chapter 1), mapping the contemporary landscape (Chapter 2), identifying crucial stakeholder challenges and opportunities (Chapter 3), and offering recommendations for future cooperation (Chapter 4). This report presents an overview of issues in the bibliodata landscape. It is intended to provide a foundation for more detailed reports and case studies on the issues identified in this document.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Baunvig, Katrine F; Nielbo, Kristoffer L.;

    Entertainment is important. Stories and narration are constants in, if not a prerequisite for, human culture. Running on myths and their recitation in ritual settings, religions hinge on this fact. Nevertheless, this is a circumstance that has been sought glossed over within certain religious traditions dominated by intellectual guilds. Not least within specific Christian traditions. Christianity’s manyfold Protestant variations are, for instance, characterized by an intellectual proclivity for hermeneutically complex and challenging theories, while suppressing straightforwardly enjoyable stories. This proclivity could, further, be said to have fueled a so-called ‘disenchantment’ impetus imbued in processes going by the names of ‘secularization’ and ‘rationalization’. Such terms seek to catch the deep-rooted tendency among changing Christian clerisies to adapt to a naturalist worldview at the expense of stories about the fantastic. That is to say that myriads of theologians, pastors, and poets throughout history have aspired to prune and ‘demythologize’ the core Christian narratives. Though this trend is deep-rooted, it broadened and accelerated remarkably in Europe through the course of the eighteenth century. But, seemingly, stories and storytelling will out. The rise of the narratively enthusiastic Romantic Movement appears to have run on this hydraulic logic. Affected by this current, the highly influential Danish poet, pastor, and politician N.F.S. Grundtvig (1783-1872) re-enchanted Danish Christianity. At least he aimed to re-introduce an appreciation of wonder and storytelling – of an oral, narrative, fantastical culture – within Danish church life. The manifold fantastic beasts roaming his works are the residue of this aspiration. Word embeddings of these creatures tell the tale of a man laboring to reintegrate agency, plotlines, and narrative engagement into Christianity. This study combines simple neural embeddings and graph theory to represent the bestiary arising from Grundtvig’s 1073 publications in their tokenized, lemmatized, ‘algorithmifyed’ avatar. It is based on the digital scholarly edition Grundtvig’s Works. We have computed the distance between a set of so-called seed terms and the corpus lexicon. The catalogue of seed terms have been established following the 2538 entries of the so-called Mythological Register developed by Grundtvig’s Works. For each seed, the algorithm excerpted a pre-set number of primary associations of size m. These are the terms with the shortest distance to the seed term. For each of the m-terms the algorithm, furthermore, extracted a pre-set number of secondary associations. The next step was to compute the distance between these respective categories of terms; subsequently they were connected based on their distance under a threshold estimated from the distance variance structure. At the final stage, semantic clusters were unearthed by way of the Louvain method. These clusters are ripe with verbs, agents, and places whispering of glorious deeds and enchanting tales: of a revival of storytelling.

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    Presentation . 2022
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    Authors: Kumpulainen, Sanna; Peltonen, Jaakko; Sendra Toset, Anna; Late, Elina; +1 Authors

    This document includes the UX questionnaire developed within the DARIAH-FI research infrastructure. The questionnaire was created and updated in several phases between 2022-2023 from semi-structured interviews, a literature review and tests with end-users.

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  • Authors: Chambers, Sally; Deroo, Katrien; Wout, Dillen; Dozo, Björn-Olav; +2 Authors

    International audience; Digital Humanities is thriving in Belgium. As a Founding Member of DARIAH-EU, the Digital Research Infrastructure for the Arts and Humanities, our aim is to offer a sustainable portfolio of services enabling digital scholarship in the arts and humanities. To realise this DARIAH partner institutions are encouraged to establish Digital Humanities Research Centres which together form a humanities-specific digital ecosystem, offering services both within their own institutions and to other institutions in Belgium and beyond. This poster presents four DH centres in Belgium: three existing centres; the Centre Informatique de Philosophie et Lettres (CIPL, Université de Liège), the University of Antwerp’s Platform for Digital Humanities (platform{DH}, UA) and the Ghent Centre for Digital Humanities (GhentCDH, Ghent University) plus the Leuven Centre for Digital Humanities (LCDH, KU Leuven) which is currently being established. Finally, we share our experiences and lessons learned from establishing digital humanities centres in our own institutions and interconnecting them via the DARIAH network.

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    Authors: Schöch, Christof; Dudar, Julia; Fileva, Evgeniia;

    Edited by Christof Schöch, Julia Dudar and Evgeniia Fileva. With contributions by Joanna Byszuk, Julia Dudar, Evegniia Fileva, Andressa Gomide, Lisanne van Rossum, Christof Schöch, Artjoms Šeļa and Karina van Dalen-Oskam. The aim of this publication is to document and describe current, widespread research practices in CLS, based on a large collection of publications that have been published in this field over the last approximately ten years. The perspective of this survey is primarily descriptive: it aims to document current, widespread practices as the authors were able to observe them in the published literature. In this sense, the survey can also serve as an annotated bibliography of sorts and as a guide to further reading. Despite the fact that this survey is not intended as an introductory textbook, it can nevertheless also serve as an introduction to several research areas or issues that are prominent within CLS as well as to several key methodological concerns that are of importance when performing research in CLS.

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    ZENODO
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    With the rise of digital humanities and research infrastructures many tools and services have become available for linguistic research. However, often these tools and services come with their own dedicated environments, e.g., a specific programming or user interface. In the CLARIAH project (CLARIAH-NL, 2019) a Virtual Research Environment (VRE) is constructed, which unifies the access to these dedicated environments and thus lowers the barier for linguists to apply the new methods coming available in the field of Digital Humanities to their own research. This VRE stands in a tradition to provide researchers with an environment that brings together different services and tools necessary for a researcher to perform her work. An important discussion platform is the RDA VRE Interest Group (RDA, 2018). The main features of this linguistics VRE will include: easy up- and download of a researcher’s own resources; automatic analysis for known resource types; automatic indexing of linguistic resources; profile matching of services and resources; hide invocation details of different types of services; storing the provenance track of the resources; gradually eliciting the resource’s metadata; persist a resource into a repository.

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    Authors: Nury, Elisa;

    This interview has been performed by Elisa Nury for the WP 6.5 of the H2020 project OPERAS-P, at DH+, SIB, DARIAH partner. Male interviewee, age 40-49, Switzerland, researcher/manager.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Romary, Laurent; Chambers, Sally;

    DARIAH, the Digital Research Infrastructure for the Arts and Humanities, is committed to advancing the digital revolution in the arts and humanities across Europe, by connecting resources and tools with the emerging next generation of digital scholars. National audience

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    Authors: Rodrigo, Javier; Flecha, Ainhoa; Kasprowicz, Dominika; Hess, Karolina; +4 Authors

    Storytelling tools aim to leverage the technological restraints of creating and sharing digital narratives, allowing non-expert users to deploy projects and populate them with custom-made content. In other words, storytelling tools aim at giving space for diverse narratives to emerge and spread in the digital sphere. As facilitators of imagining and communicating ideas, they may also be considered incubators of rethinking societal challenges. The three storytelling tools developed in the framework of the HORIZON2020 SO-CLOSE project allow users to create and publish multimedia, multilingual and accessible digital cultural heritage projects. In this demonstration, we present the three tools: the interactive story map, the immersive web doc and the participatory virtual exhibition. We showcase the publishing interfaces (front-end), the authoring and content management system (back-end) and a use-case application (project). The present prototypes will be publicly released by the end of the project (December 2022). SO-CLOSE is a three-year project that aims at enhancing social cohesion through sharing the cultural heritage of forced migrations. Based on theories of cultural heritage-making, the project works towards exposing the commonalities of past and present experiences with the mediation of innovative digital tools and collaborative approaches. The act of storytelling becomes a premise for the potential of a better understanding between local communities and newcomers. In this context, the three tools are conceived and developed to empower cultural institutions and communities in building and publishing their digital stories. To achieve this, end-users were intensively involved in the design process, through participatory methodologies. Starting from a state-of-the-art tools analysis, the project collaborated with cultural institutions, NGOs, refugees and asylum seekers, local communities, researchers and policy makers in the requirements elicitation process (interviews and focus groups), co-design workshops and validation surveys. Overall, the users of the storytelling tools can create projects based on journeys, chapters or exhibitions, use modules that can be selected, shuffled and repeated, populate them with their own content – including 360 videos and images and 3D models – and carry out crowdsourcing calls. The projects are published online, with integrated features for accessibility, interactivity and data interoperability with other repositories. The use-case that will illustrate the tools application will be a pilot project of Greek Forum of Refugees, co-created together with three different refugee communities living in Greece and the Contemporary Social History Archives. posters & demos: 142

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    Authors: Fišer, Darja; Krauwer, Steven; Chambers, Sally; Bernadou, Agiatis; +1 Authors

    While remote collaboration is not new in DH, it has had a profound impact on the DH research, education and community in the past couple of years due to the health, security and financial crises. If absorbed appropriately, it can also prove beneficial in overcoming the various environmental, geographical, mobility and other barriers in the future, making DH more resilient, inclusive and diverse. This is why the main objective of the proposed workshop is to develop a better understanding of the dynamics on the Digital Humanities work floor when researchers, teachers and/or professionals with different areas of competence engage in remote collaboration to solve humanities research questions, and to explore how education and training of humanities scholars, cultural heritage professionals and technical experts can help making remote collaboration across disciplines more efficient and effective, more creative and innovative, and more inclusive and rewarding for all participants. To this end, we invite submissions reporting on all aspects and stages of engaging in remote collaborative research and teaching in DH, including the obstacles encountered and solutions found. We are also welcoming position papers on the role of research infrastructures to better facilitate remote collaboration in DH.

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    Authors: Umerle, Tomasz; Colavizza, Giovanni; Herden, Elżbieta; Jagersma, Rindert; +15 Authors

    This report has been prepared by the “Bibliographical Data” Working Group of the DARIAH-ERIC consortium, which develops public digital research infrastructure for the arts and humanities. The Group consists of more than 30 members from 15 countries, most of whom are researchers and curators in the public sector who are engaged in bibliographical data (“bibliodata”) research and curation. This report is aimed at all active stakeholders in the humanities bibliodata landscape,especially public sector entities who may benefit from the Group’s insights and engage in cooperation to identify common interests, shape joint agendas, and achieve common goals. Those goals include creating shared infrastructure solutions, harmonising existing standards, and building partnerships to meet major challenges for contemporary bibliodata stakeholders. The bibliodata landscape is a dynamic ecosystem including the many stakeholders who produce, process, and use diverse bibliographical resources (datasets, tools, services). Following the digital revolution, this landscape has been reconfigured and a critical era is now upon us that demands closer investigation. This report analyses the state of the art by defining current bibliodata (Chapter 1), mapping the contemporary landscape (Chapter 2), identifying crucial stakeholder challenges and opportunities (Chapter 3), and offering recommendations for future cooperation (Chapter 4). This report presents an overview of issues in the bibliodata landscape. It is intended to provide a foundation for more detailed reports and case studies on the issues identified in this document.

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    Authors: Baunvig, Katrine F; Nielbo, Kristoffer L.;

    Entertainment is important. Stories and narration are constants in, if not a prerequisite for, human culture. Running on myths and their recitation in ritual settings, religions hinge on this fact. Nevertheless, this is a circumstance that has been sought glossed over within certain religious traditions dominated by intellectual guilds. Not least within specific Christian traditions. Christianity’s manyfold Protestant variations are, for instance, characterized by an intellectual proclivity for hermeneutically complex and challenging theories, while suppressing straightforwardly enjoyable stories. This proclivity could, further, be said to have fueled a so-called ‘disenchantment’ impetus imbued in processes going by the names of ‘secularization’ and ‘rationalization’. Such terms seek to catch the deep-rooted tendency among changing Christian clerisies to adapt to a naturalist worldview at the expense of stories about the fantastic. That is to say that myriads of theologians, pastors, and poets throughout history have aspired to prune and ‘demythologize’ the core Christian narratives. Though this trend is deep-rooted, it broadened and accelerated remarkably in Europe through the course of the eighteenth century. But, seemingly, stories and storytelling will out. The rise of the narratively enthusiastic Romantic Movement appears to have run on this hydraulic logic. Affected by this current, the highly influential Danish poet, pastor, and politician N.F.S. Grundtvig (1783-1872) re-enchanted Danish Christianity. At least he aimed to re-introduce an appreciation of wonder and storytelling – of an oral, narrative, fantastical culture – within Danish church life. The manifold fantastic beasts roaming his works are the residue of this aspiration. Word embeddings of these creatures tell the tale of a man laboring to reintegrate agency, plotlines, and narrative engagement into Christianity. This study combines simple neural embeddings and graph theory to represent the bestiary arising from Grundtvig’s 1073 publications in their tokenized, lemmatized, ‘algorithmifyed’ avatar. It is based on the digital scholarly edition Grundtvig’s Works. We have computed the distance between a set of so-called seed terms and the corpus lexicon. The catalogue of seed terms have been established following the 2538 entries of the so-called Mythological Register developed by Grundtvig’s Works. For each seed, the algorithm excerpted a pre-set number of primary associations of size m. These are the terms with the shortest distance to the seed term. For each of the m-terms the algorithm, furthermore, extracted a pre-set number of secondary associations. The next step was to compute the distance between these respective categories of terms; subsequently they were connected based on their distance under a threshold estimated from the distance variance structure. At the final stage, semantic clusters were unearthed by way of the Louvain method. These clusters are ripe with verbs, agents, and places whispering of glorious deeds and enchanting tales: of a revival of storytelling.

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    Other literature type . 2022
    License: CC BY
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    Presentation . 2022
    License: CC BY
    Data sources: Datacite
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