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U povodu pridruživanja Hrvatske Europskoj uniji Nacionalna i sveučilišna knjižnica u Zagrebu odabrana je kao knjižnica mjeseca u zajednici Europske knjižnice, koja obuhvaća 48 nacionalnih i brojne europske znanstvene knjižnice. Europska knjižnica (The European Library) besplatna je online usluga utemeljena 2005. godine, kada joj se među prvim knjižnicama pridružila i Nacionalna i sveučilišna knjižnica u Zagrebu, radi objedinjavanja zbirki i kataloga europskih nacionalnih i znanstvenih knjižnica, odnosno stvaranja skupnoga kataloga europske kulturne baštine, kao i pronalaženja i dohvaćanja više od 200 milijuna izvora te pružanja pristupa digitaliziranoj građi iz fondova knjižnica zemalja članica.

11. sastanak Međunarodnoga centra za arhivska istraživanja, APEx-Building Infrastructures for Archives in a Digital World, 25-28. lipnja 2013.12. sastanak, Madrid, Španjolska, 25-26. studenog 2013.

Research and development are facilitated by sharing knowledge bases, and the innovation process benefits from collaborative efforts that involve the collective utilization of data. Until now, most companies and organizations have produced and collected various types of data, and stored them in data silos that still have to be integrated with one another in order to enable knowledge creation. For this to happen, both public and private actors must adopt a flexible approach to achieve the necessary transition to break data silos and create collaborative data sharing between data producers and users. In this paper, we investigate several factors influencing cooperative data usage and explore the challenges posed by the participation in cross-organizational data ecosystems by performing an interview study among stakeholders from private and public organizations in the context of the project IDE@S, which aims at fostering the cooperation in data science in the Austrian federal state of Styria. We highlight technological and organizational requirements of data infrastructure, expertise, and practises towards collaborative data usage.

The paper introduces into a new Science Gateway, developed in the framework of the European Horizon 2020 project EGI Engage - DARIAH Competence Centre, which started in March 2015 co-funded by the European Union, with the participation of about 70 (research) units in over 30 countries. In this paper the authors focus on trans-disciplinary collaboration in the framework of explorative lexicography in cultural context. On the one hand, they give a short overview of the architecture of the Science Gateway, used techniques, and specific applications and services developed during the DARIAH Competence Centre. On the other they mainly focus on possible added value and changes concerning work flow for Lexicographers and researchers on Lexical resources. This is exemplified on the European network of COST action IS 1305 “European Network of electronic lexicography (ENeL)”.

The poster presents the EGI Engage DARIAH Competence Centre mini-project and its objectives. The objective of EGI DARIAH CC is to widen the usage of the e-Infrastructures for Arts and Humanities research by developing and providing a workflow-based science gateway based on the generic-purpose WS-PGRADE and gLibrary technologies, adapted and tailored to the needs of users coming from the field of Arts and Humanities. The gateway will provide access and compute services for data residing in distributed grid and cloud storage.

In the framework of the H2020 INDIGO-DataCloud project, we have implemented an advanced solution for the automatic deployment of digital data repositories based on Invenio, the digital library framework developed by CERN. Exploiting cutting-edge technologies, such as Docker and Apache Mesos, and standard specifications to describe application architectures such as TOSCA, we are able to provide a service that simplifies the process of creating and managing repositories of various digital assets using cloud resources. An Invenio-based repository consists of a set of services (e.g. database, message queue, cache, workers and frontend) that need to be properly installed, configured and linked together. These operations, along with the provisioning of the resources and their monitoring and maintenance, can be challenging for individual researchers or small-to-moderate-sized research groups. To this purpose, the INDIGO-DataCloud platform provides advanced features for orchestrating the deployment of complex virtual infrastructures on distributed cloud environments: it is able to provision the required resources automatically over heterogeneous and/or hybrid cloud infrastructures and to configure them automatically ensuring dynamic elasticity and resilience. This approach has been successfully adapted to support the needs of the researchers and scholars in the domain of the Digital Arts and Humanities.

The field of digital humanities, a convergence of humanities and computer sciences, has recently become a growing focus of interest. The aim of this paper is to present basic concepts of digital humanities as they relate to music and musicology, as well as the term digital musicology, in order to encourage in Croatia a greater use of the new possibilities of research provided by this field. Based on A Companion to Digital Humanities (chapter Music by I. Fujinaga and S. Forscher Weiss), this overview includes the following subjects: notation software and optical music recognition (OMR); MIDI and MP3 as technical standards; databases; computer applications for music scholars; and music information retrieval (MIR) systems. For each subject, some basic sources and materials are offered and some (more or less) current activities and projects are presented, with special consideration of Croatian perspectives. Cilj je ovoga članka predstaviti osnovne pojmove digitalne humanistike u vezi s glazbom i muzikologijom, kao i pojam digitalne muzikologije, kako bi se potaknulo korištenje novih istraživačkih mogućnosti koje ovo područje nudi. U pregled su uključena sljedeća područja: programi za pisanje nota, uključujući optičko prepoznavanje glazbenih zapisa; tehnički standardi MIDI i MP3; baze podataka; računalne aplikacije za istraživanje glazbe; te sustavi za pristupanje podacima o glazbi. Za svako područje ponuđeni su osnovni izvori i materijali te su predstavljene neke od aktualnih aktivnosti i projekata.

International audience; Published in OA on RESSI (http://www.ressi.ch/) at the end of Octobre 2021. We present here highlights from an enquiry on the innovations in scholarly writing in the Humanities and Social Sciences in the H2020 project OPERAS-P. This article explores the theme of Open Research Data and its role in the emergence of new models of scholarly writing. We examine more closely the obstacles and fostering conditions to the publication of research data, both from a social and a technical perspective.

This report discusses the scholarly communication issues in Social Sciences and Humanities that are relevant to the future development and functioning of OPERAS. The outcomes collected here can be divided into two groups of innovations regarding 1) the operation of OPERAS, and 2) its activities. The “operational” issues include the ways in which an innovative research infrastructure should be governed (Chapter 1) as well as the business models for open access publications in Social Sciences and Humanities (Chapter 2). The other group of issues is dedicated to strategic areas where OPERAS and its services may play an instrumental role in providing, enabling, or unlocking innovation: FAIR data (Chapter 3), bibliodiversity and multilingualism in scholarly communication (Chapter 4), the future of scholarly writing (Chapter 5), and quality assessment (Chapter 6). Each chapter provides an overview of the main findings and challenges with emphasis on recommendations for OPERAS and other stakeholders like e-infrastructures, publishers, SSH researchers, research performing organisations, policy makers, and funders. Links to data and further publications stemming from work concerning particular tasks are located at the end of each chapter.