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  • 2018-2022
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  • University of Southern Denmark Research Output
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ledstrup, Martin;

    Unless they are luxurious, one rarely stares at cars. Unless they are broken, one rarely reflects about them. Cars pass by. They are driven. They take us from A to B and back. The car, because it is such a habitual vehicle, surrounding us with its unremarkable ubiquity, seems like an obvious metaphor for ordinary life.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    University of Southern Denmark Research Output
    Part of book or chapter of book . 2018
    License: Springer TDM
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      University of Southern Denmark Research Output
      Part of book or chapter of book . 2018
      License: Springer TDM
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Stina Teilmann-Lock; Trine Brun Petersen;

    This article investigates fashion theoretical perspectives on European and US litigation over Louboutin’s red sole mark. It argues that fashion has logics that make it a special case with respect to intellectual property law.In recent disputes over Louboutin’s red sole mark including cases heard by the Court of Justice of the European Union and the US Second Circuit Court of Appeals a number of assumptions as to how fashions emerge and are disseminated are made. We test these assumptions against current fashion theory. In a fashion theoretical perspective the red sole is a polysemic gesture involving both branding and aesthetic communication through specific design features, which endows the shoe with aesthetic, social and economic value on the high fashion market. Accordingly, Louboutin’s red sole may be said to serve an aesthetic purpose and to work as an indicator of source at the same time.In our view, fashion is a special case in relation to intellectual property law for two reasons in particular: (i) the temporal logic of fashion is different from that of most other products because fashion is change and (ii) fashion has logics where design features are utterly self-referential: for example, one purpose of the red sole is to announce that ‘this is fashion’. Strong protection of fashion stifles both of these logics and is, therefore, not good for the fashion market as a whole.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Intellectual Property Law & Practice
    Article . 2018
    License: OUP Terms of Use and Content Access Policy
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Intellectual Property Law & Practice
      Article . 2018
      License: OUP Terms of Use and Content Access Policy
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bainton, Henry;

    This article explores why Herbert of Bosham (d. ca. 1194) claimed that writing history and expressing emotion were inherently incompatible activities. Focusing on the Historia that Bosham wrote (ca. 1184–ca. 1189) about the life and death of his close friend, Thomas Becket, I begin by situating Bosham’s claim within the wider framework of history-writing’s disavowal of the emotions. I then go on to unpack Bosham’s definition of historia as a literary genre and to explain his understanding of emotional expression, using the frameworks of medieval grammar, rhetoric, and biblical exegesis to do so. While Bosham understood history-writing as a genre policed by strict “laws,” I argue, he understood the emotions as inherently lawless—and thus unable to be contained by the normal rules of discourse. This means that when Bosham periodically abandoned the chronological progression that normative historical writing demanded, he was not just being the poor historian that modern scholarship has often made him out to be. Rather, he was being daringly experimental, quite deliberately using rhetoric’s most emotional techniques (especially amplificatio, apostrophe, and enargaeia) in order to give his Historia a lyrical complexion. I argue here that the Historia’s alternation between lyrical stasis and historiographical progression was both personal and political. On the one hand, it mirrored Bosham’s own alternation between mourning and consolation. On the other, by refusing the demands of narrative progress, the Historia refuses to close the Becket conflict down and to bring it safely to a conclusion.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Viator; University o...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Viator
    Article . 2018
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Viator; University o...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Viator
      Article . 2018
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pedersen, Jannik S.; Laursen, Martin S.; Soguero-Ruiz, Cristina; Savarimuthu, Thiusius R.; +2 Authors

    Bleeding can be a life-threatening condition which occurs for 3.2% of medical patients. Information about previous bleeding and bleeding site is used to predict the risk of future bleeding and guide anticoagulant treatment. However, obtaining this information is a time-consuming task as it is contained in the free text of electronic health records. Previous research has mainly been focused on extracting bleeding events but does not classify the bleeding site which is important for assessing the severity of the bleeding. This study creates the first dataset for developing and evaluating machine learning models for classification of bleeding site. The dataset consists of sentences annotated by medical doctors as belonging to one of ten bleeding sites. The sentences were annotated in 149,523 electronic health record notes from 1,533 patients of Odense University Hospital, Denmark, between 2015 and 2020. We compare different deep learning models on classifying bleeding site and find that a ∼13M parameter ELECTRA model pretrained on clinical text achieves higher accuracy (0.905 - 0.002) than a ∼110M parameter general BERT model (0.884 + 0.001) on a balanced test set of 1,500 sentences. We furthermore test different methods for dealing with unbalanced data without finding any significant differences between methods.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao https://doi.org/10.1...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1109/bhi561...
    Conference object . 2022
    License: STM Policy #29
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao https://doi.org/10.1...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1109/bhi561...
      Conference object . 2022
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Naemi, Amin; Mansourvar, Marjan; Naemi, Mostafa; Damirchilu, Bahman; +2 Authors

    A vast amount of text data is available today on the Internet due to the extensive use of social media. Valuable information can be extracted from this data through natural language processing. However, the process of information extraction can be difficult due to the informal forms of these texts. This paper aims to address this challenge by focusing on the conversion of Persian informal words to formal words by using the spell-checking approach. For this purpose, two datasets for formal and informal words were extracted from the four most visited news websites in Persian. Then Persian informal words were divided into multiple categories based on the level of changes required to build the formal equivalents. These were then converted to the formal forms according to their features. Statistical analyses combined with correction rules were used to produce a "candidate list"to find the best formal candidate equivalents. The performance of our conversion system was evaluated through people's comments extracted from the four most visited Persian (Farsi) news agencies. Results show that our proposed system can detect approximately 94% of the Persian informal words, with the ability to detect 85% of the best equivalent formal words. In addition, the comparison between the proposed system and two well-known Persian spell-checkers, Virastyar and Vafa, shows that in terms of detection and correction, the proposed system outperforms significantly. Further analysis shows that the time complexity of the proposed system is linear.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    University of Southern Denmark Research Output
    Contribution for newspaper or weekly magazine . 2021
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      University of Southern Denmark Research Output
      Contribution for newspaper or weekly magazine . 2021
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Kluge, Sofie;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Nevers, Jeppe;

    This article investigates how Danish industrialists responded to the rise of the modern state in the decades up until the Second World War, a period in which many of the basic principles of liberal capitalism were called into question, and in which the relationship between the state and the economy underwent major changes in all Western societies. It argues that the industrialists remained firm believers in classical liberalism and, on that ground, opposed growing state intervention as a slide towards socialism. The article has an emphasis on their reactions to calls for social policy initiatives, and it shows that the industrialists typically opposed such initiatives, either on pure ideological grounds or as conflicting with the economic competitiveness of Danish firms. When accommodation to selected demands for a stronger state did take place, it was typically in periods of crisis, the most important being the years just after the First World War. The interwar years did, however, see some approbation to increasing state intervention in the economy, and in the 1930s the idea of cooperation with the state entered their rhetoric. Thus, the article argues that the rhetoric and narratives gradually changed, while the ideological core did not.Capitalism, Industry, The State, Denmark, Interwar Period

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jung, Dietrich; Abou El Zalaf , Ahmed;

    AbstractThe Muslim Brotherhood represents an exemplary case for the discussion of Islam and modernity. Founded in 1928 in Egypt by Hasan al-Banna, it developed from a religious movement into a well-organized institution and a cadre party with mass appeal. The Muslim Brotherhood assumed the role of a major social vehicle for the promotion of a specifically Islamic imagination of modernity and related forms of modern Muslim subjectivity. This article explores the ideas of Hasan al-Banna and their historical context from a distinct theoretical perspective. It poses questions with regard to ways in which he constructed an Islamic modern social order and meaningful Muslim selfhoods. Thereby, it understands the Muslim Brotherhood as an inherent part of the emergence of global modernity as “world history.”

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lind, J.;

    The author demonstrates that it is a specific feature of Scandinavian historiography of the Viking Age and early Middle Ages to ignore East-European and Byzantine influences first and foremost on Eastern Scandinavia by historians and especially historians of religion in spite of abundance of archaeological materials. The article discusses in details the causes of this historiographic situation and the results of the one-sided approaches to the problems of early history of Scandinavia. The author notes the awakening of interest to eastern connections of Scandinavian countries in the last decades of the 20th century and the appearance of a number of collections of articles that deal with this versatile theme.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Istoriya
    Article . 2019
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Istoriya
      Article . 2019
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Rodríguez Porto, Rosa María;

    Despite the wealth of scholarly work that has been done –and is being done– on the ‘Biblias romanceadas’, a systematic survey of the pictorial cycles found in MSS Escorial, I.I.3, I.I.4, I.I.5, I.I.7, Ajuda 52-XIII-1, and the Biblia de Alba remains still lacking. Admittedly, the miniatures of the famous Arragel BibleArragel Bibl have attracted considerable attention since the manuscript was first published by Paz y Meliá in 1922, but in most of cases only inasmuch as their striking features were to be linked to rabbinic traditions. For the rest of the manuscripts, the divide created along the lines of art history and philology has turned them into fragmentary realities devoid of any coherent meaning, further isolating these works from the complex visual culture they belonged to. Besides, both art historians and philologists alike seem to have been more concerned with a search for origins and sources than with an engaged analysis of the subtle interplay of text and images in each individual manuscript. However, the scrutiny of Escorial, I.I.3 [E3] proves to be controversial in more than one sense. Its 65 illustrations display a visual narrative that has nothing to do with the iconographic programme designed for the Biblia de Alba. Even if the biblical version copied in E3 can be considered as ‘the closest textual witness to the traditional Sephardic translation procedures’ (Pueyo – Enrique-Arias, 2013: 203), the accompanying miniatures reveal no significant trace of midrashic elements or any detail akin to the illustrated Haggadot whatsoever. In fact, comparison with the biblical compilation copied and illustrated for Queen María of Portugal after Alfonso X’s General Estoria (Évora, BM, MS CXXV2-3 and Escorial, I.I.2; ca. 1340) points out to the existence of some common trends in the depiction of Old Testament episodes in Late Medieval Castile. Regardless, the patrons of this lavish Bible –certainly Christian and pertaining to the upper nobility– have not been identified yet. There is no agreement on the date of the manuscript, either (ca. 1425-1450 for Avenoza; ca. 1487-1501 for Marchena and Villaseñor), although the miniaturists involved seem to have been worked in the illustration of other religious books for the Cathedral of Seville and the Catholic Kings.Several questions can be posed, then, when looking at E3: To what extent was the ‘Jewishness’ of the text highlighted/nuanced/neutralised by the images (and by appending the deuterocanonical Book of the Maccabees)? Were any of the features of the manuscript perceived as particularly ‘Jewish’ by the audience? In sum, did this manuscript stage any kind of religious dispute or, conversely, did it evince that biblical text could be turned in just historia sagrada?

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ledstrup, Martin;

    Unless they are luxurious, one rarely stares at cars. Unless they are broken, one rarely reflects about them. Cars pass by. They are driven. They take us from A to B and back. The car, because it is such a habitual vehicle, surrounding us with its unremarkable ubiquity, seems like an obvious metaphor for ordinary life.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    University of Southern Denmark Research Output
    Part of book or chapter of book . 2018
    License: Springer TDM
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      University of Southern Denmark Research Output
      Part of book or chapter of book . 2018
      License: Springer TDM
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Stina Teilmann-Lock; Trine Brun Petersen;

    This article investigates fashion theoretical perspectives on European and US litigation over Louboutin’s red sole mark. It argues that fashion has logics that make it a special case with respect to intellectual property law.In recent disputes over Louboutin’s red sole mark including cases heard by the Court of Justice of the European Union and the US Second Circuit Court of Appeals a number of assumptions as to how fashions emerge and are disseminated are made. We test these assumptions against current fashion theory. In a fashion theoretical perspective the red sole is a polysemic gesture involving both branding and aesthetic communication through specific design features, which endows the shoe with aesthetic, social and economic value on the high fashion market. Accordingly, Louboutin’s red sole may be said to serve an aesthetic purpose and to work as an indicator of source at the same time.In our view, fashion is a special case in relation to intellectual property law for two reasons in particular: (i) the temporal logic of fashion is different from that of most other products because fashion is change and (ii) fashion has logics where design features are utterly self-referential: for example, one purpose of the red sole is to announce that ‘this is fashion’. Strong protection of fashion stifles both of these logics and is, therefore, not good for the fashion market as a whole.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Intellectual Property Law & Practice
    Article . 2018
    License: OUP Terms of Use and Content Access Policy
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao University of Southe...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Intellectual Property Law & Practice
      Article . 2018
      License: OUP Terms of Use and Content Access Policy
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bainton, Henry;

    This article explores why Herbert of Bosham (d. ca. 1194) claimed that writing history and expressing emotion were inherently incompatible activities. Focusing on the Historia that Bosham wrote (ca. 1184–ca. 1189) about the life and death of his close friend, Thomas Becket, I begin by situating Bosham’s claim within the wider framework of history-writing’s disavowal of the emotions. I then go on to unpack Bosham’s definition of historia as a literary genre and to explain his understanding of emotional expression, using the frameworks of medieval grammar, rhetoric, and biblical exegesis to do so. While Bosham understood history-writing as a genre policed by strict “laws,” I argue, he understood the emotions as inherently lawless—and thus unable to be contained by the normal rules of discourse. This means that when Bosham periodically abandoned the chronological progression that normative historical writing demanded, he was not just being the poor historian that modern scholarship has often made him out to be. Rather, he was being daringly experimental, quite deliberately using rhetoric’s most emotional techniques (especially amplificatio, apostrophe, and enargaeia) in order to give his Historia a lyrical complexion. I argue here that the Historia’s alternation between lyrical stasis and historiographical progression was both personal and political. On the one hand, it mirrored Bosham’s own alternation between mourning and consolation. On the other, by refusing the demands of narrative progress, the Historia refuses to close the Becket conflict down and to bring it safely to a conclusion.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Viator; University o...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Viator
    Article . 2018
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Viator; University o...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Viator
      Article . 2018
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