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This edited volume collects together peer-reviewed papers that initially emanated from presentations at Digital Classicist seminars and conference panels.\ud \ud This wide-ranging volume showcases exemplary applications of digital scholarship to the ancient world and critically examines the many challenges and opportunities afforded by such research. The chapters included here demonstrate innovative approaches that drive forward the research interests of both humanists and technologists while showing that rigorous scholarship is as central to digital research as it is to mainstream classical studies.\ud \ud As with the earlier Digital Classicist publications, our aim is not to give a broad overview of the field of digital classics; rather, we present here a snapshot of some of the varied research of our members in order to engage with and contribute to the development of scholarship both in the fields of classical antiquity and Digital Humanities more broadly.

Wie in allen Bereichen gibt die Digitalisierung auch in den Geistes- und Sozialwissenschaften den Takt an: Schlüsselfaktoren sind der Zugang und die Wiederverwendung von Daten. Dies erfordert eine langfristige Sicherung, Regeln für die Verwertung, neue Methodologien sowie die Definition von Standards und Formaten. In Dossier dieses Bulletins setzen sich die Autorinnen und Autoren mit Fragen des Datenzugangs und der Datennutzung auseinander. Cite as: Schweizerische Akademie der Geistes- und Sozialwissenschaften (2018): Open Data und Big Data: Neue Herausforderungen, SAGW Bulletin 3/2018. Zenodo. http://doi.org/10.5281/zenodo.1314028

This first discussion paper, produced by the UK-Ireland Digital Humanities Network in consultation with the wider Digital Humanities (DH) community in the two countries and beyond, summarises the findings of a) the first workshop organised by the network and b) the post-workshop survey and offers recommendations based on these findings.

International audience; With this White Paper, which gathers contributions from more than 25 experts of 3D imaging, modellng and processing, as well as professionals concerned with the interoperability and sustainability of research data, the PARTHENOS project aims at laying the foundations of a comprehensive environment centered on the researchers' practices concerning 3D digital objects.The topics addressed in the document are meant to help to ensure the development of standardized good practices relating to the production, the handling, the long-term conservation and the reuse of 3D objects. Therefore, even if the focus is put on technical questions (formats, processing, and annotation), the White Paper also identifies the need to clarify the legal status of 3D objects, in order to facilitate their reuse(s) in non-research contexts, in particular in Museums.

This is the second discussion paper produced by the UK-Ireland Digital Humanities Network in consultation with the wider Digital Humanities (DH) Community in the two countries and beyond. It summarises the findings of the second workshop organised by the network, and offers recommendations based on these findings.

Das Digitale hat seinen Einzug in die Kulturwissenschaften gehalten. Aber was kann es zur Deutung von Bildern, gar von Kunstwerken beitragen? Eine Antwort darauf versucht das Buch „Digitale Bildwissenschaft“. Sein Autor behauptet nicht zuallererst, dass man mit dem Computer viel schneller wissenschaftliche Fragen abhandeln kann, sondern dass sich vor allem Methodiken des Analysierens, Publizierens und Bewertens ändern. Für klassische Geisteswissenschaftler sind solche Wandlungen nicht leicht zu verdauen. Wird eine digitale Bildgeschichte überhaupt noch Geschichtsschreibung sein?

The 12th Supplement to the international open access journal ‘Archeologia e Calcolatori’ is dedicated to the history of archaeological research in the digital age, with particular reference to the evolution of electronic publishing from 1955 until today. In the first part of the volume, the Author, Ingénieur de recherche at the CNRS (équipe ArScAn - Monde grec et systèmes d'information), focuses on the history of applications in France in the second half of the 20th century, starting from the earliest experiments of classification and automation of documentary analysis, which then led to the creation of archaeological databases. The second part of the volume examines the development of electronic publishing in archaeology, with particular reference to the changes brought about by the advent of the Internet and the Open Access movement. Through a careful evaluation of the websites of reference for the dissemination of monographs and journals, the analysis focuses on the different digitization and online dissemination policies for archaeological publications. The results of this systematic survey offer a series of interesting ideas to better understand and satisfy the needs of the archaeological community.

International audience; Ecritures digitales aims to demonstrate how digital writing contributes to the emergence of “a new relationship between the human body and the machine” as Jacques Derrida proposed when he considered the effects of new technologies. This reconfigured relationship, not surprisingly, is also influencing the digital future of the Jewish-Christian textual corpus referred to as “the Scriptures”. The French title brings together this duality in one expression: Ecritures digitales. The English subtitle makes explicit the double meaning of the unique French word Ecritures: Digital writing, digital Scriptures. With a full French version and an abbreviated English version, this monograph analyzes the main challenges and opportunities for both writing and the Scriptures in the transition to digital culture.; Ecritures digitales souhaite démontrer de quelle manière l’écriture digitale contribue à l’émergence d’une « nouvelle relation du corps humain aux machines », selon le diagnostique posé par Jacques Derrida à propos des effets des nouvelles technologies. Cette relation innovante influence également l’avenir numérique du corpus textuel judéo-chrétien désigné comme «les Ecritures». Le titre français rassemble en une seule expression ces deux thématiques: Ecritures digitales. Le sous-titre anglais rend sa double signification explicite: Digital writing, digital Scriptures. Avec une version française complète et une version anglaise brève, cette monographie analyse les principaux défis des métamorphoses digitales de l’écriture et des Ecritures.

Годишњице су неретко референтна тачка за сагледавање резултата и постигнућа рада појединаца и колектива. За делатност научних институција, природно, везује се и објављивање монографија, зборника, часописа и сличних издања која доносе резултате проистекле из научноистраживачког рада и међуинституционалне сарадње. У години када Институт за српски језик САНУ улази у последњу четврт првог века свога постојања, дакле, када обележава свој дијамантски јубилеј, лепа је прилика да сагледамо издавачку делатност Института у претходних седам и по деценија као сведочанство његове досадашње делатности и темељ његове будућности.

International audience; In recent years, European governments and funders, universities and academic societies have increasingly discovered the digital humanities as a new and exciting field that promises new discoveries in humanities research. The funded projects are, however, often ad hoc experiments and stand in isolation from other national and international work. What is lacking is an infrastructure to leverage these pioneering projects into systematic investigations, with methods and technical environments that can be taken up by others. The editors of this special issue are both directors of Digital Research Infrastructure for the Arts and Humanities (DARIAH), which aims to set up a virtual bridge between the many digital arts and humanities projects across Europe. DARIAH is being developed with an understanding that infrastructure does not need to imply a seemingly generic and neutral set of technologies, but should be based upon communities.