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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Melander, Victor Niels Love; Andreeff, Alexander; Sjöstrand, Alexander;

    This report presents the documentation and summarises the preliminary results from the 2016 excavation season at Buttle Änge, Buttle parish, Gotland. The surveys of 2016 was conducted as a direct continuation of the 2014 and 2015 excavations, focusing on the Iron Age settlement site surrounding Raä Buttle 43:1-5. Five larger trenches and eight test pits, covering an area of a 160 square meters, was opened and excavated down to sterile soil. The excavations were partaken between the 26 th of April and 27th of May 2016. The fieldwork was led by Alexander Andreeff, Alexander Sjöstrand, Paul Wallin (all Uppsala University) and Victor Niels Love Melander (The Australian National University).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hrólfsdóttir, Þórey;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från U...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Papmhel-Dufay, Ludvig; Stilborg, Ole; Lindahl, Anders; Isaksson, Sven;

    This paper presents results of technical, functional and stylistic analyses on pottery from two Early Neolithic sites on Öland – Resmo and Runsbäck. Analyses include thin sections and XRF of clays and wares, lipid residue analysis and recording of stylistic attributes. The two sites are situated 15 km apart on the west side of the island. C14 dates place the activities at the sites at c. 3900–3600 BC and 3600–3100 BC respectively. While overall similarities are obvious, some structured differences are noted in the design as well as in the wares whereas vessel use patterns are strikingly similar between the two assemblages. In general, the Resmo assemblage is characterised by great homogeneity while the Runsbäck pottery displays more variation. It is suggested that the observed differences reflect differences in function and duration between the analysed sites. Dieser Beitrag präsentiert Ergebnisse technologischer, funktionaler und stilistischer Analysen von Keramik zweier frühneolithischer Fundplätze auf Öland- Resmo und Runsbäck. Die Analysen enthalten Dünnschliffuntersuchungen und Röntgenfluoreszenzanalyen von Rohtonen und Keramik, ebenso wie Lipidanalysen und stilistische Untersuchungen. Die beiden Fundplätze liegen 15 km voneinander entfernt auf der Westseite der Insel. C14-Daten weisen jeweils auf Aktivitäten im Zeitraum von ca. 3900-3600 BC und 3600-3100 BC. Trotz genereller Ähnlichkeiten sind einige Unterschiede in Stil und Warenart zu verzeichnen, wogegen die Gebrauchsmuster der Gefäße auf den beiden Fundplätzen auffallend ähnlich sind. Grundsätzlich ist für das Resmo-Inventar charakterisiert durch eine große Homogenität, wogegen die Runsbäck Keramik größere Variabilität zeigt. Die beobachteten Unterschiede werden auf unterschiedliche Funktionen und Belegungsdauer der beiden Fundplätze zurückgeführt.

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    Authors: Ait Lahmouch, Nadir;

    Uppgifter för behandling av naturliga språk (NLP) har under de senaste åren visat sig vara särskilt effektiva när man använder förtränade språkmodeller som BERT. Det enorma kravet på datorresurser som krävs för att träna sådana modeller gör det dock svårt att använda dem i verkligheten. För att lösa detta problem har komprimeringsmetoder utvecklats. I det här projektet studeras, genomförs och testas några av dessa metoder för komprimering av neurala nätverk för textbearbetning. I vårt fall var den mest effektiva metoden Knowledge Distillation, som består i att överföra kunskap från ett stort neuralt nätverk, som kallas läraren, till ett litet neuralt nätverk, som kallas eleven. Det finns flera varianter av detta tillvägagångssätt, som skiljer sig åt i komplexitet. Vi kommer att titta på två av dem i det här projektet. Den första gör det möjligt att överföra kunskap mellan ett neuralt nätverk och en mindre dubbelriktad LSTM, genom att endast använda resultatet från den större modellen. Och en andra, mer komplex metod som uppmuntrar elevmodellen att också lära sig av lärarmodellens mellanliggande lager för att utvinna kunskap. Det slutliga målet med detta projekt är att ge företagets datavetare färdiga komprimeringsmetoder för framtida projekt som kräver användning av djupa neurala nätverk för NLP. Natural language processing (NLP) tasks have proven to be particularly effective when using pre-trained language models such as BERT. However, the enormous demand on computational resources required to train such models makes their use in the real world difficult. To overcome this problem, compression methods have emerged in recent years. In this project, some of these neural network compression approaches for text processing are studied, implemented and tested. In our case, the most efficient method was Knowledge Distillation, which consists in transmitting knowledge from a large neural network, called teacher, to a small neural network, called student. There are several variants of this approach, which differ in their complexity. We will see two of them in this project, the first one which allows a knowledge transfer between any neural network and another smaller bidirectional LSTM, using only the output of the larger model. And a second, more complex approach that encourages the student model to also learn from the intermediate layers of the teacher model for incremental knowledge extraction. The ultimate goal of this project is to provide the company’s data scientists with ready-to-use compression methods for their future projects requiring the use of deep neural networks for NLP. 

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lindskog, Åsa;

    This essay examines the disability movement in Värmland from 1956 to 1962, through a case study of the association RBU Värmland. Focusing on the starting point of the association, it explores whether their initial purpose and ambitions were fulfilled. RBU Värmland's main purpose was to promote the improved care and treatment of children with Cerebral Palsy, as well as to provide information and support to their parents. The association meant to work with these particular issues because of the disadvantages that these children and their families faced in the society of this time. For example, the healthcare in Sweden did not have the resources to provide satisfactory treatment for the children, and parents had to struggle to take care of them. During the association’s first ten years, it succeeded in improving both these aspects of the lives of children with Cerebral Palsy and their families. They carried out treatment periods where these children received much needed care, while their parents acquired knowledge and support through courses, amongst other things. In the essay, the interpretation of these actions draws on both Michel Foucault's perspective on power, as well as feminist theory. In light of Foucault’s ideas, the association is interpreted as a tool of power, where everyone involved were exercising power on various occasions. Sometimes the motif was to help the children in different ways, and sometimes the purpose was a different one, but either way power was exercised and redistributed. Denna uppsats undersöker handikapprörelsen i Värmland från 1952 till 1962, genom en fallstudie av föreningen RBU Värmland. I fokus ligger föreningens startpunkt, och om deras initiala syfte och ambitioner blev uppfyllda. RBU Värmland hade som sitt huvudsakliga syfte att verka för CP-skadade barns förbättrade vård och behandling, samt att stötta och ge upplysning till deras föräldrar. Föreningen menade att arbeta för just dessa frågor eftersom de var eftersatta i den tidens samhälle, då vården saknade resurser för att bereda en tillfredsställande vård för barnen, samtidigt som föräldrarna fick slita mycket hårt för sina barns omsorg. Föreningen lyckades under sina första tio år att förbättra båda dessa aspekter av de CP-skadade barnens samt deras anhörigas liv, då de bland annat genomförde behandlingsperioder där barnen fick välbehövlig vård, samtidigt som föräldrarna fick hjälp genom kurser, ekonomiskt stöd och dylikt. Dessa gärningar tolkas i uppsatsen både utifrån Michel Foucaults maktperspektiv, samt feministiska teoribildningar. I ljus av Foucaults idéer tolkas föreningen som ett maktredskap, där samtliga aktörer vid olika tillfällen utövade makt. Ibland var motivet att på olika sätt hjälpa de CP-skadade barnen, och ibland var motivet något annat, men oavsett utövades och omfördelades makt. 

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    Authors: Edquist, Samuel; Gustafson, Jörgen; Johansson, Stefan; Linderborg, Åsa;
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    Authors: Lidén, Anne;

    Denna Vetenskapliga bilaga till boken Sven Ljungberg, målare (Bonniers 1986) innehåller noter till alla bokens kapitel med de källor som åberopas samt en förteckning av de källor och den litteratur, som ligger till grund för Anne Lidéns forskning om Sven Ljungbergs konst. Dessutom innehåller bilagan även en bildförteckning med titel och årtal över de 200 konstverk som presenteras i bokens illustrationer. I denna version även en kronologi över åren 1913-1985 i Sven Ljungbergs liv (1913- 2010). Den Vetenskapliga bilagan har framlagts som doktorandrapport vid Konstvetenskaliga institutionen, Stockholms universitet, HT 1986, som ett vetenskaplig komplement till boken när den publicerades. Anne Lidén, Boken Sven Ljungberg målare, Bonniers 1986

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    Authors: Nygren, Thomas;

    Media Places

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    Authors: Lidman, Charlotte;

    The aim of my thesis is to study the release and the project of Litografiskt Allehanda, an art magazine covering contemporary Swedish art and artists, published from 1859 to 1865. My purpose is to look at the choice of the published material for Litografiskt Allehanda, the influence the contributing artists, how the work with advertisement and subscriptions was made and if it fulfilled its own purpose. Through a social and communicative perspective I am studying the relations between the different actors like the publicists, the artists, the subscribers and also the interaction between the lithographs and the texts. Litografiskt Allehanda was the first successful lithographic work produced in Sweden, and the release lasted for six years. The printer and lithographer Axel Jacob Salmson, who was the founder of the magazine, led the printing work for two years before Sigfrid Flodin, a bookseller, took over and continued the work for another four years. The idea with Litografiskt Allehanda was to reach out to people all over Sweden and give everyone an opportunity to enjoy art, something that usually was exclusively for the upper class in the big cities. The analysis shows that there were people in smaller cities that subscribed to the magazine and also that the amount increased every year. Every volume contained 48 lithographic posters with a diversity of genres, from portraits and landscapes to some with more ethnographic character and ancient Nordic motives. The content became more Swedish with every year and letters show that the participating artists had quite a big influence over the published material. Every poster was accompanied by a text, which didn’t necessary had anything to do with the image, but was meant to create some entertainment for the reader. Some of these essays were written by special authors, while some were written by the artists themselves. Even if Litografiskt Allehanda is mentioned in almost every reference as being of great importance for the development of lithography and its proliferation in Sweden, there is nothing written that is just about the magazine.

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    Authors: Kolsgård, Svante;

    Det stora intresset för "den egna historien" i form av släktforskning, gårds- och bybistoria och hembygdsforskning, har skapat ett brett behov av god handledningslitteratur. Författaren Sven Lindqvist försökte 1978 med "Gräv där Du står" att vidga "barfotaforskarnas" verksambetsfält från släktforskning och traditionell hembygdsforskning till studiet av den egna arbetsplatsens historia. Ett vällovligt irutiativ. "Verktyget" som "barfotaforskaren" behövde var just Lindqvists egen bok, enligt författaren själv. Man behöver dock inte vara särdeles väl bevandrad ilokalhistoriskt material för att inse att Lindqvists "verktyg" helt saknade skärpa. "Verktyget" för att nå "arbetarnas sanna historia" var slött redan innan "barfotaforskaren" ens hann hugga i sten, vilket naturligtvis blev det självklara resultatet om enkom Lindqvists bok användes som handledning. Till skillnad från Lindqvists "Gräv där Du står" har Thomas Aurelius med Gårdens och hembygaens historia. Del 1 och 2 Uppsala 1988 arbetat fram en verkligt kunnig och användbar handledning för den lokalhistoriskt intresserade. Tidskriften Kronos: historia i skola och samhälle gavs ut vid Linköpings univeristet mellan åren 1988-1991.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Melander, Victor Niels Love; Andreeff, Alexander; Sjöstrand, Alexander;

    This report presents the documentation and summarises the preliminary results from the 2016 excavation season at Buttle Änge, Buttle parish, Gotland. The surveys of 2016 was conducted as a direct continuation of the 2014 and 2015 excavations, focusing on the Iron Age settlement site surrounding Raä Buttle 43:1-5. Five larger trenches and eight test pits, covering an area of a 160 square meters, was opened and excavated down to sterile soil. The excavations were partaken between the 26 th of April and 27th of May 2016. The fieldwork was led by Alexander Andreeff, Alexander Sjöstrand, Paul Wallin (all Uppsala University) and Victor Niels Love Melander (The Australian National University).

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    Authors: Hrólfsdóttir, Þórey;
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    Authors: Papmhel-Dufay, Ludvig; Stilborg, Ole; Lindahl, Anders; Isaksson, Sven;

    This paper presents results of technical, functional and stylistic analyses on pottery from two Early Neolithic sites on Öland – Resmo and Runsbäck. Analyses include thin sections and XRF of clays and wares, lipid residue analysis and recording of stylistic attributes. The two sites are situated 15 km apart on the west side of the island. C14 dates place the activities at the sites at c. 3900–3600 BC and 3600–3100 BC respectively. While overall similarities are obvious, some structured differences are noted in the design as well as in the wares whereas vessel use patterns are strikingly similar between the two assemblages. In general, the Resmo assemblage is characterised by great homogeneity while the Runsbäck pottery displays more variation. It is suggested that the observed differences reflect differences in function and duration between the analysed sites. Dieser Beitrag präsentiert Ergebnisse technologischer, funktionaler und stilistischer Analysen von Keramik zweier frühneolithischer Fundplätze auf Öland- Resmo und Runsbäck. Die Analysen enthalten Dünnschliffuntersuchungen und Röntgenfluoreszenzanalyen von Rohtonen und Keramik, ebenso wie Lipidanalysen und stilistische Untersuchungen. Die beiden Fundplätze liegen 15 km voneinander entfernt auf der Westseite der Insel. C14-Daten weisen jeweils auf Aktivitäten im Zeitraum von ca. 3900-3600 BC und 3600-3100 BC. Trotz genereller Ähnlichkeiten sind einige Unterschiede in Stil und Warenart zu verzeichnen, wogegen die Gebrauchsmuster der Gefäße auf den beiden Fundplätzen auffallend ähnlich sind. Grundsätzlich ist für das Resmo-Inventar charakterisiert durch eine große Homogenität, wogegen die Runsbäck Keramik größere Variabilität zeigt. Die beobachteten Unterschiede werden auf unterschiedliche Funktionen und Belegungsdauer der beiden Fundplätze zurückgeführt.

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    Authors: Ait Lahmouch, Nadir;

    Uppgifter för behandling av naturliga språk (NLP) har under de senaste åren visat sig vara särskilt effektiva när man använder förtränade språkmodeller som BERT. Det enorma kravet på datorresurser som krävs för att träna sådana modeller gör det dock svårt att använda dem i verkligheten. För att lösa detta problem har komprimeringsmetoder utvecklats. I det här projektet studeras, genomförs och testas några av dessa metoder för komprimering av neurala nätverk för textbearbetning. I vårt fall var den mest effektiva metoden Knowledge Distillation, som består i att överföra kunskap från ett stort neuralt nätverk, som kallas läraren, till ett litet neuralt nätverk, som kallas eleven. Det finns flera varianter av detta tillvägagångssätt, som skiljer sig åt i komplexitet. Vi kommer att titta på två av dem i det här projektet. Den första gör det möjligt att överföra kunskap mellan ett neuralt nätverk och en mindre dubbelriktad LSTM, genom att endast använda resultatet från den större modellen. Och en andra, mer komplex metod som uppmuntrar elevmodellen att också lära sig av lärarmodellens mellanliggande lager för att utvinna kunskap. Det slutliga målet med detta projekt är att ge företagets datavetare färdiga komprimeringsmetoder för framtida projekt som kräver användning av djupa neurala nätverk för NLP. Natural language processing (NLP) tasks have proven to be particularly effective when using pre-trained language models such as BERT. However, the enormous demand on computational resources required to train such models makes their use in the real world difficult. To overcome this problem, compression methods have emerged in recent years. In this project, some of these neural network compression approaches for text processing are studied, implemented and tested. In our case, the most efficient method was Knowledge Distillation, which consists in transmitting knowledge from a large neural network, called teacher, to a small neural network, called student. There are several variants of this approach, which differ in their complexity. We will see two of them in this project, the first one which allows a knowledge transfer between any neural network and another smaller bidirectional LSTM, using only the output of the larger model. And a second, more complex approach that encourages the student model to also learn from the intermediate layers of the teacher model for incremental knowledge extraction. The ultimate goal of this project is to provide the company’s data scientists with ready-to-use compression methods for their future projects requiring the use of deep neural networks for NLP. 

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    Authors: Lindskog, Åsa;

    This essay examines the disability movement in Värmland from 1956 to 1962, through a case study of the association RBU Värmland. Focusing on the starting point of the association, it explores whether their initial purpose and ambitions were fulfilled. RBU Värmland's main purpose was to promote the improved care and treatment of children with Cerebral Palsy, as well as to provide information and support to their parents. The association meant to work with these particular issues because of the disadvantages that these children and their families faced in the society of this time. For example, the healthcare in Sweden did not have the resources to provide satisfactory treatment for the children, and parents had to struggle to take care of them. During the association’s first ten years, it succeeded in improving both these aspects of the lives of children with Cerebral Palsy and their families. They carried out treatment periods where these children received much needed care, while their parents acquired knowledge and support through courses, amongst other things. In the essay, the interpretation of these actions draws on both Michel Foucault's perspective on power, as well as feminist theory. In light of Foucault’s ideas, the association is interpreted as a tool of power, where everyone involved were exercising power on various occasions. Sometimes the motif was to help the children in different ways, and sometimes the purpose was a different one, but either way power was exercised and redistributed. Denna uppsats undersöker handikapprörelsen i Värmland från 1952 till 1962, genom en fallstudie av föreningen RBU Värmland. I fokus ligger föreningens startpunkt, och om deras initiala syfte och ambitioner blev uppfyllda. RBU Värmland hade som sitt huvudsakliga syfte att verka för CP-skadade barns förbättrade vård och behandling, samt att stötta och ge upplysning till deras föräldrar. Föreningen menade att arbeta för just dessa frågor eftersom de var eftersatta i den tidens samhälle, då vården saknade resurser för att bereda en tillfredsställande vård för barnen, samtidigt som föräldrarna fick slita mycket hårt för sina barns omsorg. Föreningen lyckades under sina första tio år att förbättra båda dessa aspekter av de CP-skadade barnens samt deras anhörigas liv, då de bland annat genomförde behandlingsperioder där barnen fick välbehövlig vård, samtidigt som föräldrarna fick hjälp genom kurser, ekonomiskt stöd och dylikt. Dessa gärningar tolkas i uppsatsen både utifrån Michel Foucaults maktperspektiv, samt feministiska teoribildningar. I ljus av Foucaults idéer tolkas föreningen som ett maktredskap, där samtliga aktörer vid olika tillfällen utövade makt. Ibland var motivet att på olika sätt hjälpa de CP-skadade barnen, och ibland var motivet något annat, men oavsett utövades och omfördelades makt. 

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    Authors: Edquist, Samuel; Gustafson, Jörgen; Johansson, Stefan; Linderborg, Åsa;
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    Authors: Lidén, Anne;

    Denna Vetenskapliga bilaga till boken Sven Ljungberg, målare (Bonniers 1986) innehåller noter till alla bokens kapitel med de källor som åberopas samt en förteckning av de källor och den litteratur, som ligger till grund för Anne Lidéns forskning om Sven Ljungbergs konst. Dessutom innehåller bilagan även en bildförteckning med titel och årtal över de 200 konstverk som presenteras i bokens illustrationer. I denna version även en kronologi över åren 1913-1985 i Sven Ljungbergs liv (1913- 2010). Den Vetenskapliga bilagan har framlagts som doktorandrapport vid Konstvetenskaliga institutionen, Stockholms universitet, HT 1986, som ett vetenskaplig komplement till boken när den publicerades. Anne Lidén, Boken Sven Ljungberg målare, Bonniers 1986

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    Authors: Nygren, Thomas;

    Media Places

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    Authors: Lidman, Charlotte;

    The aim of my thesis is to study the release and the project of Litografiskt Allehanda, an art magazine covering contemporary Swedish art and artists, published from 1859 to 1865. My purpose is to look at the choice of the published material for Litografiskt Allehanda, the influence the contributing artists, how the work with advertisement and subscriptions was made and if it fulfilled its own purpose. Through a social and communicative perspective I am studying the relations between the different actors like the publicists, the artists, the subscribers and also the interaction between the lithographs and the texts. Litografiskt Allehanda was the first successful lithographic work produced in Sweden, and the release lasted for six years. The printer and lithographer Axel Jacob Salmson, who was the founder of the magazine, led the printing work for two years before Sigfrid Flodin, a bookseller, took over and continued the work for another four years. The idea with Litografiskt Allehanda was to reach out to people all over Sweden and give everyone an opportunity to enjoy art, something that usually was exclusively for the upper class in the big cities. The analysis shows that there were people in smaller cities that subscribed to the magazine and also that the amount increased every year. Every volume contained 48 lithographic posters with a diversity of genres, from portraits and landscapes to some with more ethnographic character and ancient Nordic motives. The content became more Swedish with every year and letters show that the participating artists had quite a big influence over the published material. Every poster was accompanied by a text, which didn’t necessary had anything to do with the image, but was meant to create some entertainment for the reader. Some of these essays were written by special authors, while some were written by the artists themselves. Even if Litografiskt Allehanda is mentioned in almost every reference as being of great importance for the development of lithography and its proliferation in Sweden, there is nothing written that is just about the magazine.

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    Authors: Kolsgård, Svante;

    Det stora intresset för "den egna historien" i form av släktforskning, gårds- och bybistoria och hembygdsforskning, har skapat ett brett behov av god handledningslitteratur. Författaren Sven Lindqvist försökte 1978 med "Gräv där Du står" att vidga "barfotaforskarnas" verksambetsfält från släktforskning och traditionell hembygdsforskning till studiet av den egna arbetsplatsens historia. Ett vällovligt irutiativ. "Verktyget" som "barfotaforskaren" behövde var just Lindqvists egen bok, enligt författaren själv. Man behöver dock inte vara särdeles väl bevandrad ilokalhistoriskt material för att inse att Lindqvists "verktyg" helt saknade skärpa. "Verktyget" för att nå "arbetarnas sanna historia" var slött redan innan "barfotaforskaren" ens hann hugga i sten, vilket naturligtvis blev det självklara resultatet om enkom Lindqvists bok användes som handledning. Till skillnad från Lindqvists "Gräv där Du står" har Thomas Aurelius med Gårdens och hembygaens historia. Del 1 och 2 Uppsala 1988 arbetat fram en verkligt kunnig och användbar handledning för den lokalhistoriskt intresserade. Tidskriften Kronos: historia i skola och samhälle gavs ut vid Linköpings univeristet mellan åren 1988-1991.

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