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513 Research products

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  • 2017-2021
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  • Authors: Davidović, Davor; Cetinić, Eva; Skala, Karolj;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nataša Jermen; Zdenko Jecic;

    Professionally edited open access online encyclopaedias enable a systemic and reliable orientation within the ever-increasing amount of data and information on the Internet. Providing access to scientifically verified information, they represent an important part of the research and didactic infrastructure. This paper demonstrates the activities of Croatia’s Miroslav Krleža Institute of Lexicography aimed at exploring the new encyclopaedic concept in the digital age. The Institute’s digital transformation is shown, which involves the digitisation and online publishing of archival editions, publishing of the permanently updated online general encyclopaedia, and the transformation of specialised encyclopedias to the encyclopaedic portals. Encyclopaedic portals could represent a new concept of encyclopaedias in the digital realm by serving as platforms for data networking and sharing, a sort of ‘junction points’ that connect diverse digital content on a specific topic. Institute’s publicly available repository of encyclopaedic knowledge enables the linking to the digital data and collections of other research and cultural institutions; therefore the collaborative projects aimed at reinforcing digital research and cultural infrastructure will be described. Thanks to the properties of the digital media and increasing connectivity, a closer collaboration Towards a New Concept of Open Access Online Encyclopaedia : A Case Study from... between professionally edited online encyclopaedias across Europe (and beyond) is enabled. This paper elaborates a range of initiatives seeking to build connections across individual European and North American national encyclopaedias, focusing on the role that Croatian encyclopaedistics plays in this endeavour.

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    https://doi.org/10.4000/procee...
    Conference object . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
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      https://doi.org/10.4000/procee...
      Conference object . 2020
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    Authors: Buddenbohm, Stefan; Moranville, Yoann;

    The DDRS - or Data Deposit Recommendation Service - recommends research data repositories to humanities researchers searching for deposit services for their research data, which comply to criteria such as PIDs, funders’ requirements, disciplinary scope or language preferences. The presentation shows the DDRS as re3data use case and explains how the relation between the web service (DDRS) and re3data for the information retrieval is implemented. The DDRS is a demonstrator has been delivered in 2017 within the Humanities at Scale project, a DARIAH-EU undertaking, funded by the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 675570. {"references": ["https://hal.archives-ouvertes.fr/hal-03020703v1"]}

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    Authors: Legré, Yannick;

    European Open Science Cloud EOSC: a vision of the future

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    Authors: Antonis Bikakis; Eero Hyvönen; Stéphane Jean; Béatrice Markhoff; +1 Authors

    Cultural Heritage and Digital Humanities have become major application fields of Linked Data and Semantic Web technologies. This editorial introduces the special issue of the Semantic Web (SWJ) journal on Semantic Web for Cultural Heritage. In total 30 submissions for the call of papers were received, of which 11 were selected for publication. The papers cover a wide spectrum of modelled topics related to language, reading and writing, narratives, historical events and cultural artefacts, while describing reusable methodologies and tools for cultural data management. This issue indicates and demonstrates the high potential of Semantic Web technologies for applications in the Cultural Heritage domain.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Semantic Webarrow_drop_down
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    Semantic Web
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    Semantic Web
    Article . 2021
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      Semantic Web
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      Article . 2021
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    Authors: Legré, Yannick;

    European Open Science Cloud EOSC: a vision of the future

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    Other literature type . 2018
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  • Authors: Sessa, Carlo; Galvini, Giorgia;

    SHAPE-ID has been funded by the European Commission to explore the challenge of how to better support the integration of Arts, Humanities and Social Sciences (AHSS) perspectives into interdisciplinary research with Science, Technology, Engineering and Mathematics (STEM) and other scientific disciplines, including Medicine, particularly in the context of addressing societal challenges. In this context, SHAPE-ID Work Package 3 (WP3) organised a series of workshops to learn directly from the experiences of researchers from across disciplines, as well as policy makers, funders and representatives from research performing organisations, industry and the cultural sector. This deliverable comprises two parts: Section A illustrates the matrix for integration of learning cases and the framework of analysis that was co-designed with the SHAPE-ID partners at the Co-Design Workshop, held at ISINNOVA, in Rome, on 13-14 June 2019. Section B illustrates a challenge-oriented research evaluation framework, criteria and tools proposed to evaluate research projects, as well as an evaluation methodology proposed for the learning workshops.

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    Authors: Giles Bergel; Pip Willcox; Guyda Armstrong; James Baker; +9 Authors

    The Sustaining Digital Humanities in the UK report is timely for the UK Digital Humanities (DH) landscape. The establishment of UK Research and Innovation (UKRI) has created an opportune moment for the strategic planning of research infrastructure between and across all the research areas. Led by Giles Bergel and Pip Willcox, this report is based on the findings of a workshop held at the University of Oxford’s e-Research Centre (OeRC) on 21 June 2018 and sponsored by the Software Sustainability Institute. The workshop was led by an advisory board of Digital Humanities practitioners, representing a range of career stages, roles, and disciplines. The workshop’s organisers and advisory board are the joint authors of this report, with contributions from workshop participants. The mission of the Software Sustainability Institute (SSI) is to cultivate better, more sustainable, research software to enable world-class research. Currently celebrating its 10th year, the SSI has achieved broadening engagement across academic communities including humanities – for example as a longstanding supporter of the Digital Humanities at Oxford Summer School (DHOxSS), and with SSI Fellows in the arts and humanities areas. This report was commissioned by the SSI with the aim of advancing its mission within the humanities. Digital Humanities, a broad intersection of models, methods, tools, materials, career paths and affiliations, in both established and novel disciplines was identified as the area within the humanities that most closely aligns with the SSI’s role. The Software Sustainability Institute is supported by the UK Research Councils through Grants EP/H043160/1, EP/N006410/1, and EP/S021779/1.

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    This edited volume collects together peer-reviewed papers that initially emanated from presentations at Digital Classicist seminars and conference panels.\ud \ud This wide-ranging volume showcases exemplary applications of digital scholarship to the ancient world and critically examines the many challenges and opportunities afforded by such research. The chapters included here demonstrate innovative approaches that drive forward the research interests of both humanists and technologists while showing that rigorous scholarship is as central to digital research as it is to mainstream classical studies.\ud \ud As with the earlier Digital Classicist publications, our aim is not to give a broad overview of the field of digital classics; rather, we present here a snapshot of some of the varied research of our members in order to engage with and contribute to the development of scholarship both in the fields of classical antiquity and Digital Humanities more broadly.

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    Authors: Stefan Bornhofen; Marten Düring;

    AbstractThe paper presents Intergraph, a graph-based visual analytics technical demonstrator for the exploration and study of content in historical document collections. The designed prototype is motivated by a practical use case on a corpus of circa 15.000 digitized resources about European integration since 1945. The corpus allowed generating a dynamic multilayer network which represents different kinds of named entities appearing and co-appearing in the collections. To our knowledge, Intergraph is one of the first interactive tools to visualize dynamic multilayer graphs for collections of digitized historical sources. Graph visualization and interaction methods have been designed based on user requirements for content exploration by non-technical users without a strong background in network science, and to compensate for common flaws with the annotation of named entities. Users work with self-selected subsets of the overall data by interacting with a scene of small graphs which can be added, altered and compared. This allows an interest-driven navigation in the corpus and the discovery of the interconnections of its entities across time.

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    Applied Network Science
    Article . 2020
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  • Authors: Davidović, Davor; Cetinić, Eva; Skala, Karolj;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nataša Jermen; Zdenko Jecic;

    Professionally edited open access online encyclopaedias enable a systemic and reliable orientation within the ever-increasing amount of data and information on the Internet. Providing access to scientifically verified information, they represent an important part of the research and didactic infrastructure. This paper demonstrates the activities of Croatia’s Miroslav Krleža Institute of Lexicography aimed at exploring the new encyclopaedic concept in the digital age. The Institute’s digital transformation is shown, which involves the digitisation and online publishing of archival editions, publishing of the permanently updated online general encyclopaedia, and the transformation of specialised encyclopedias to the encyclopaedic portals. Encyclopaedic portals could represent a new concept of encyclopaedias in the digital realm by serving as platforms for data networking and sharing, a sort of ‘junction points’ that connect diverse digital content on a specific topic. Institute’s publicly available repository of encyclopaedic knowledge enables the linking to the digital data and collections of other research and cultural institutions; therefore the collaborative projects aimed at reinforcing digital research and cultural infrastructure will be described. Thanks to the properties of the digital media and increasing connectivity, a closer collaboration Towards a New Concept of Open Access Online Encyclopaedia : A Case Study from... between professionally edited online encyclopaedias across Europe (and beyond) is enabled. This paper elaborates a range of initiatives seeking to build connections across individual European and North American national encyclopaedias, focusing on the role that Croatian encyclopaedistics plays in this endeavour.

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    https://doi.org/10.4000/procee...
    Conference object . 2020
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      Conference object . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Buddenbohm, Stefan; Moranville, Yoann;

    The DDRS - or Data Deposit Recommendation Service - recommends research data repositories to humanities researchers searching for deposit services for their research data, which comply to criteria such as PIDs, funders’ requirements, disciplinary scope or language preferences. The presentation shows the DDRS as re3data use case and explains how the relation between the web service (DDRS) and re3data for the information retrieval is implemented. The DDRS is a demonstrator has been delivered in 2017 within the Humanities at Scale project, a DARIAH-EU undertaking, funded by the European Union’s Horizon 2020 research and innovation programme under grant agreement No. 675570. {"references": ["https://hal.archives-ouvertes.fr/hal-03020703v1"]}

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Legré, Yannick;

    European Open Science Cloud EOSC: a vision of the future

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Antonis Bikakis; Eero Hyvönen; Stéphane Jean; Béatrice Markhoff; +1 Authors

    Cultural Heritage and Digital Humanities have become major application fields of Linked Data and Semantic Web technologies. This editorial introduces the special issue of the Semantic Web (SWJ) journal on Semantic Web for Cultural Heritage. In total 30 submissions for the call of papers were received, of which 11 were selected for publication. The papers cover a wide spectrum of modelled topics related to language, reading and writing, narratives, historical events and cultural artefacts, while describing reusable methodologies and tools for cultural data management. This issue indicates and demonstrates the high potential of Semantic Web technologies for applications in the Cultural Heritage domain.

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    Article . 2021
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      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Legré, Yannick;

    European Open Science Cloud EOSC: a vision of the future

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    Other literature type . 2018
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  • Authors: Sessa, Carlo; Galvini, Giorgia;

    SHAPE-ID has been funded by the European Commission to explore the challenge of how to better support the integration of Arts, Humanities and Social Sciences (AHSS) perspectives into interdisciplinary research with Science, Technology, Engineering and Mathematics (STEM) and other scientific disciplines, including Medicine, particularly in the context of addressing societal challenges. In this context, SHAPE-ID Work Package 3 (WP3) organised a series of workshops to learn directly from the experiences of researchers from across disciplines, as well as policy makers, funders and representatives from research performing organisations, industry and the cultural sector. This deliverable comprises two parts: Section A illustrates the matrix for integration of learning cases and the framework of analysis that was co-designed with the SHAPE-ID partners at the Co-Design Workshop, held at ISINNOVA, in Rome, on 13-14 June 2019. Section B illustrates a challenge-oriented research evaluation framework, criteria and tools proposed to evaluate research projects, as well as an evaluation methodology proposed for the learning workshops.

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    Authors: Giles Bergel; Pip Willcox; Guyda Armstrong; James Baker; +9 Authors

    The Sustaining Digital Humanities in the UK report is timely for the UK Digital Humanities (DH) landscape. The establishment of UK Research and Innovation (UKRI) has created an opportune moment for the strategic planning of research infrastructure between and across all the research areas. Led by Giles Bergel and Pip Willcox, this report is based on the findings of a workshop held at the University of Oxford’s e-Research Centre (OeRC) on 21 June 2018 and sponsored by the Software Sustainability Institute. The workshop was led by an advisory board of Digital Humanities practitioners, representing a range of career stages, roles, and disciplines. The workshop’s organisers and advisory board are the joint authors of this report, with contributions from workshop participants. The mission of the Software Sustainability Institute (SSI) is to cultivate better, more sustainable, research software to enable world-class research. Currently celebrating its 10th year, the SSI has achieved broadening engagement across academic communities including humanities – for example as a longstanding supporter of the Digital Humanities at Oxford Summer School (DHOxSS), and with SSI Fellows in the arts and humanities areas. This report was commissioned by the SSI with the aim of advancing its mission within the humanities. Digital Humanities, a broad intersection of models, methods, tools, materials, career paths and affiliations, in both established and novel disciplines was identified as the area within the humanities that most closely aligns with the SSI’s role. The Software Sustainability Institute is supported by the UK Research Councils through Grants EP/H043160/1, EP/N006410/1, and EP/S021779/1.

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