Advanced search in
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
117 Research products

  • Publications
  • 2018-2022
  • Other literature type
  • Part of book or chapter of book
  • US
  • GB
  • IL
  • French
  • Hyper Article en Ligne
  • Hyper Article en Ligne - Sciences de l'Homme et de la Société

10
arrow_drop_down
Relevance
arrow_drop_down
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lepaulard, Camille;

    Il est établi que la Lune a eu par le passé un champ généré par une dynamo interne. Cependant, les mécanismes à l’origine et permettant le maintien de la dynamo sont encore mal connus. La durée de ce champ magnétique est encore débattue. Mon travail de thèse a consisté tout d’abord à une caractérisation magnétique (aimantation naturelle et susceptibilité magnétique) d’une grande partie de la collection Apollo avec l’étude des masses principales de 161 roches. Le contrôle de la susceptibilité magnétique par la lithologie via l’incorporation du métal météoritique a été confirmé. Le rapport aimantation naturelle sur susceptibilité a été utilisé comme indicateur grossier de la paléointensité. Ces résultats, cohérents avec les deux grandes époques du champ magnétique lunaire (époque de fort champ avant ~3.5 Ga et champ de quelques μT seulement ensuite), ont permis de faire une sélection d’échantillons pour des analyses paléomagnétiques détaillées en laboratoire qui ont constitué la seconde partie de mon travail. J’ai étudié en laboratoire l’aimantation naturelle de 25 échantillons Apollo et 2 météorites lunaires. Différentes techniques ont permis d’obtenir 8 valeurs de paléointensités (entre 1 et 47 μT) et 7 limites supérieures de paléointensités (entre 10 et 30 μT), pour des roches d’âge varié. Ces données ont été couplées aux âges radiométriques (existants et nouvellement acquis) pour retracer l’évolution du champ de surface lunaire au cours du temps. Les résultats corroborent l’existence d’une période de champ fort entre 4 et 3.5 Ga et prolonge cette période jusqu’à environ 3 Ga. Les paléointensités > 1 μT que nous obtenons à 1 Ga et jusqu’à et 0.5 Ga indiquent un arrêt très tardif de la dynamo. D’autre part, quelques paléointensités <10 μT sont également obtenues dans l’époque de champ fort, suggérant une valeur de champ moyen plus faible que proposé précédemment dans la littérature. Cette étude permet ainsi de mieux contraindre l’évolution temporelle du champ magnétique lunaire. It is admitted that the Moon used to have a magnetic field, generated by an internal dynamo. However, the mechanisms responsible for the dynamo and its preservation are still poorly known today. The lifetime of the magnetic field is also debated. My thesis was focused first on the magnetic characterization (natural magnetization and magnetic susceptibility) of a large part of the Apollo collection, with the study of 161 main masses of Apollo rocks. Control of the magnetic susceptibility by the lithology was confirmed, caused by the incorporation of meteoritic metal into the rock. In the second part, i used the ratio of the natural magnetization to the magnetic susceptibility to obtain an approximate indicator of paleointensity. Results of this ratio were coherent with the two major epochs determined in the lunar magnetic field (high field epoch before ~3.5 Ga and a weak field epoch after) and allowed me to select samples for detailed paleomagnetic analyses in another part of my thesis. Then, I studied in laboratory the natural magnetization of 25 Apollo samples and 2 lunar meteorites. Different methods were used to obtain 8 paleointensities values (between 1 and 47 μT) and 7 upper limits of paleointensity (between 10 and 30 μT), at different times of the magnetic field evolution. These data were coupled with radiometric ages to trace the evolution of the lunar surface field over time. These results corroborate the existence of a strong field epoch between 4 and 3.5 Ga and extend this epoch until ~3 Ga. Paleointensities of values > 1 μT obtained at 1 Ga and until 0.5 Ga indicates a very late interruption of the dynamo. On the other hand, weak paleointensities were obtained in the high field epoch, suggesting a value of average field lower than previously proposed in literature. This study allows to better constrain the temporal evolution of the lunar magnetic field.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Chelini-Pont, Blandine; Gayte, Marie;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2019
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2019
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Poher, Yoann; Ponel, Philippe; Guiter, Frédéric; Andrieu-Ponel, Valérie; +1 Authors

    Un carottage effectué sur un étang relictuel littoral situé sur l'île Cavallo (archipel des Lavezzi, Corse-du-Sud) a fourni de riches assemblages de Coléoptères fossiles couvrant les 7 derniers millénaires. Ces assemblages fournissent une image originale des changements environnementaux qui ont eu lieu sur cette île sous l'action combinée de l'Homme et de la remontée du niveau marin. La comparaison de la faune de Coléoptères vivant actuellement sur l'île avec celle extraite du profil sédimentaire à l'état fossile montre que 70 taxons de coléoptères aquatiques et hygrophiles associés aux eaux douces ont localement disparu, vraisemblablement en réponse à une augmentation de la salinité dans l'étang d'eau douce, liée à une remontée du niveau marin. La majeure partie de ces extinctions locales s'est produite il y a 3700 ans, lorsque le niveau relatif de la mer Méditerranée était situé 1,5±0,3 mètres en-dessous de son niveau actuel. Ces changements ont été aggravés récemment par la pression anthropique sur l'île, qui a conduit à une réduction considérable de la superficie des zones humides de l'île. Simultanément, la composition des communautés de Coléoptères terrestres paraît avoir été affectée par des phénomènes d'extinction locale d'espèces et de début de spéciation (Coléoptères du genre Percus), peut-être en réponse à un isolement accru de l'île Cavallo et à une réduction de sa superficie. Cette approche rétrospective originale fournit aussi une préfiguration des changements dans la biodiversité entomologique qui pourraient se produire dans le futur dans les écosystèmes lagunaires des côtes méditerranéennes.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ghliss, Yosra;

    À partir d’une conception dynamique et plurielle des émotions, cette thèse propose une réflexion sur l'inscription discursive des affects dans les interactions numériques de type WhatsApp. Elle s'inscrit dans le domaine de l’analyse du discours en interaction (Kerbrat-Orecchioni, 2005) en faisant dialoguer le cadre du discours numérique (Paveau, 2017) avec les propositions théoriques des sciences de l'information et la communication (Allard, 2017). Si les linguistes ont longtemps souligné l’infinité des marques langagières des émotions (Kerbrat-Orecchioni, 2000) voire même leurs hétérogénéités (Plantin, 2011 ; Micheli, 2014), ce postulat est encore plus attesté dans les écosystèmes numériques où l’expression des affects se trouve distribuée dans toute l’interface numérique intégrant indifféremment les mots et les gestes (Jeanneret et Souchier, 1999). Suite à une réflexion méthodologique autour de la constitution du corpus numérique WhatsApp, ce travail porte sur les ressources sémiotiques et discursives dans l’expression des émotions. Ces dernières se voient matérialisées dans de nouvelles formes verbales comme les émotimots lol et mdr, entendus comme un sociolecte de l'affect. Mais dans le cadre des messageries numériques, l’expression des émotions dépassent le verbal pour s’incarner dans des formes l’iconique marquées les photodiscours, où la capture photographique se tisse avec le verbal pour co-construire le sens. À partir d’analyses qualitatives des observables prélevés, cette thèse montre comment les locuteurs et locutrices renouvellent sans cesses les formes d’expression des émotions et comment ils et elles composent avec les affordances numériques du système, pour explorer des versions inédites dans la gestion interactionnelle des affects. Starting from a dynamic and plural conception of emotions, this thesis reflects on the discursive inscription of affects in digital interactions like WhatsApp. It is part of the field of analysis of discourses in interaction (Kerbrat-Orecchioni, 2005) by making the framework of digital discourse (Paveau, 2017) echo with the theoretical propositions of information and communication sciences (Allard, 2017). If linguists have long stressed the infinity of the linguistic marks of emotions (Kerbrat-Orecchioni 2000) or even their heterogeneity (Plantin, 2011 ; Micheli, 2014), this postulate is even more relevant in digital ecosystems where the expression of affects is distributed throughout the digital interface integrating words and gestures indifferently (Jeanneret and Souchier, 1999). Following a methodological reflection on the constitution of the WhatsApp digital corpus, this work focuses on the semiotic and discursive resources in the expression of emotions. The latter are materialised in new verbal forms such as the emotiwords lol and mdr, understood as a sociolect of the affect. Nevertheless, in the context of digital messaging, the expression of emotions goes beyond the verbal to be embodied in iconicforms marked by photodiscourses, where the photographic capture is woven with theverbal to co-elaborate meaning. Based on qualitative analyses of the collectedobservables, this thesis shows how the speakers constantly renew the forms ofemotional expressions and how they deal with the digital affordances of the system, toexplore new versions in the interactional management of affects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2020
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2020
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lesouef, Camille;

    Dans l’ouvrage Jardins : carnet de plans et de dessins (1920), le paysagiste J. C. N. Forestier forge la typologie des jardins « du climat de l’oranger » qui réunit des traditions hortésiennes de différents horizons historiques et géographiques (gréco-romaine, arabo-andalouse, maghrébine, italienne). Cet article se propose d’étudier la vision de la méditerranéité qui émane de cette typologie, puis de la mettre en perspective avec le modèle du jardin moderne élaboré par le paysagiste dès le début du siècle. Il s’agit de mettre en lumière la façon dont l’imaginaire de la Méditerranée inspire le renouvellement de l’art des jardins au passage du siècle.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Purdue E-Scholar
    Other literature type . 2021
    Data sources: Purdue E-Scholar
    Hyper Article en Ligne
    Other literature type . 2021
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Purdue E-Scholar
      Other literature type . 2021
      Data sources: Purdue E-Scholar
      Hyper Article en Ligne
      Other literature type . 2021
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Diaz, Delphine; Shaw, Caroline;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gheeraert-Graffeuille, Claire;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • Authors: Marino, Hélène; Granier, Gaëlle;
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vidal, Jérémie; Su, Sylvie; Cébron, David;

    Acoustic eigenmodes are often used to passively infer physical properties of the interiors of rotating planets and stars. Acoustic wave imaging has been also introduced in fluid dynamics. The experimental technique consists in observing and analysing the splitting in frequency of the acoustic modes, by solving an inverse problem. For instance, the presence of an (unknown) rotational profile disturbs the acoustic spectrum. Moreover, a topographic splitting is often superimposed on the rotational splitting. Indeed, rotating celestial objects are rather ellipsoidal than spherical at the leading order, as well as laboratory experiments which are weakly non-spherical (due to mechanical deformations). Rotation and topography should be taken into account simultaneously, but the acoustic problem does not admit exact solutions in the presence of rotation. Fully numerical solutions are often computed. However, they cannot be easily combined with inversion schemes to yield robust results. Hence, the usual approach is to consider small perturbations to non-rotating solutions. As an alternative, we present a new description of the compressible modes, relying on the method of weighted residuals. Here, we present a new spectral method to describe potential flows in triaxial ellipsoids. It relies on an explicit Galerkin expansion, made of global polynomials expressed in Cartesian coordinates. We illustrate this method by considering the canonical situation of diffusionless acoustic modes in an homogeneous, compressible and homentropic fluid ellipsoid at rest. The pressure satisfies a Dirichlet condition (sound soft boundary). We validate our results against fully numerical simulations performed with the commercial software comsol, showing a perfect quantitative agreement. This new method will be extended to include additional effects and alternative boundary conditions. Les modes acoustiques sont couramment utilisés pour déterminer les propriétés physiques de l'intérieur des planètes et des étoiles. La méthode d'imagerie par vélocimétrie acoustique a été récemment introduite en mécanique des fluides, en complément des méthodes d'imagerie existantes. Elle consiste à reconstruire l'écoulement à partir de la levée de dégénérescence des modes acoustiques, observée expérimentalement (par exemple) en présence d'un profil de rotation. Ainsi, des algorithmes d'inversion sont nécessaires pour reconstruire indirectement l'écoulement en rotation dans des expériences en géométrie quasi-sphérique. Cependant, les objets célestes et les expériences ne sont pas rigoureusement sphériques, mais plutôt ellipsoïdaux (au premier ordre). Les effets topographiques et la rotation doivent alors être pris en compte correctement dans le modèle physique. Les méthodes analytiques et numériques existantes (en géométrie déformée) ne peuvent plus alors être couplées facilement et efficacement aux algorithmes d'inversion. Pour remédier à ce problème, nous avons développé une nouvelle méthode de Galerkin semi-analytique en ellipsoïdes tri-axes. Elle repose sur une décomposition polynomiale explicite, en coordonnées cartésiennes, des écoulements potentiels en ellipsoïdes. Nous illustrons la méthode en considérant les modes acoustiques d'un fluide compressible, uniforme et homentropique, avec une condition de Dirichlet homogène à la paroi (condition isobare). Nous validons nos résultats avec des simulations numériques réalisées avec le logiciel comsol. Nous étendrons cette méthode novatrice afin de prendre en compte des effets physiques supplémentaires, afin de décrire plus précisément les conditions expérimentales.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2019
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2019
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Le Gouvello, Raphaëla;

    The years 2000 have favored the emergence of "Circular Economy" (CE) in the public debate, as opposed to the "linear economy", the dominant model that led to acknowledged economie and ecological limits. Our work is a first attempt to address the CE to a fishery-dependent socio-ecological System, the Cornouaille region in Brittany. The approach is systemic, multidimensional and dynamic. It implies the identification of marine boundaries, in which only Coastal fisheries are considered as a local production. The analysis is conducted along three main axes: an analysis of the upstream part at sea (fishing), an analysis looking at the downstream value chain, on land, and a third looking at the whole System. First, a Material Flow Cost Accounting (MFCA) analysis adapted to fisheries is proposed as a relevant tool to improve economy and environmental performance of fishers, providing evidence of hidden costs of fish discards.Second, the fish bioresource flow analysis indicates a strong dependency on importation and exportation flows to maintain land-based activities depending on sea products, albeit evidence of a significant contribution of Coastal fisheries to the local economy. Third, the exploration of the sardine sub-system through scenarii, ranging between from "business as usual" to those lined with CE, shows an alternative development trajectory, based upon a potential "basket of goods and services", a "territorial value", specifically linked to local fisheries. To achieve such a sustainable CE, we would need to not only aim at a more efficient use of local marine resources and decrease negative externalities, but also advocate for a shared governance, suited to the scale of the considered localised socio-ecological System. L'économie circulaire (EC) émerge depuis les années 2000 dans le débat public, en opposition à l'économie linéaire, modèle dominant aux limites économiques et écologiques reconnues. Cette thèse constitue une première confrontation opérationnelle de l'EC à un système socio-écologique dépendant de la pêche, le Pays de la Cornouaille en Bretagne. Le système est délimité dans sa façade maritime avec la pêche côtière, seule considérée comme production locale.L'approche est systémique, multidimensionnelle et dynamique. L'analyse comporte trois volets : le premier sur l'amont du circuit en mer, le deuxième sur l'aval du système à terre et le dernier sur le système complet. Premièrement, le coût caché des rejets est visualisé via une analyse comptable de flux de matière ("Material Flow Cost Accounting" MFCA) adaptée à la pêche, proposé comme outil pertinent pour améliorer la performance économique et environnementale des pêcheurs. Deuxièmement, l’analyse de flux révèle une forte dépendance des activités à terre vis-à-vis des importations et exportations de bioressources halieutiques malgré un apport significatif de la pêche côtière à l'économie locale. Troisièmement, des scenarii sur le sous-système Sardine, du "business as usual" a l'EC, servent à proposer une trajectoire alternative de développement basée sur un "panier" de biens et services territorialises et la construction d'une valeur territoire à partir de ressources halieutiques locales. Pour atteindre cette EC durable, il s'agira d'optimiser l'utilisation des ressources locales et diminuer les externalités négatives, en plus d'aller vers une gouvernance partagée, adaptée à l'échelle du système socio-écologique considéré.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2019
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2019
Advanced search in
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
117 Research products
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lepaulard, Camille;

    Il est établi que la Lune a eu par le passé un champ généré par une dynamo interne. Cependant, les mécanismes à l’origine et permettant le maintien de la dynamo sont encore mal connus. La durée de ce champ magnétique est encore débattue. Mon travail de thèse a consisté tout d’abord à une caractérisation magnétique (aimantation naturelle et susceptibilité magnétique) d’une grande partie de la collection Apollo avec l’étude des masses principales de 161 roches. Le contrôle de la susceptibilité magnétique par la lithologie via l’incorporation du métal météoritique a été confirmé. Le rapport aimantation naturelle sur susceptibilité a été utilisé comme indicateur grossier de la paléointensité. Ces résultats, cohérents avec les deux grandes époques du champ magnétique lunaire (époque de fort champ avant ~3.5 Ga et champ de quelques μT seulement ensuite), ont permis de faire une sélection d’échantillons pour des analyses paléomagnétiques détaillées en laboratoire qui ont constitué la seconde partie de mon travail. J’ai étudié en laboratoire l’aimantation naturelle de 25 échantillons Apollo et 2 météorites lunaires. Différentes techniques ont permis d’obtenir 8 valeurs de paléointensités (entre 1 et 47 μT) et 7 limites supérieures de paléointensités (entre 10 et 30 μT), pour des roches d’âge varié. Ces données ont été couplées aux âges radiométriques (existants et nouvellement acquis) pour retracer l’évolution du champ de surface lunaire au cours du temps. Les résultats corroborent l’existence d’une période de champ fort entre 4 et 3.5 Ga et prolonge cette période jusqu’à environ 3 Ga. Les paléointensités > 1 μT que nous obtenons à 1 Ga et jusqu’à et 0.5 Ga indiquent un arrêt très tardif de la dynamo. D’autre part, quelques paléointensités <10 μT sont également obtenues dans l’époque de champ fort, suggérant une valeur de champ moyen plus faible que proposé précédemment dans la littérature. Cette étude permet ainsi de mieux contraindre l’évolution temporelle du champ magnétique lunaire. It is admitted that the Moon used to have a magnetic field, generated by an internal dynamo. However, the mechanisms responsible for the dynamo and its preservation are still poorly known today. The lifetime of the magnetic field is also debated. My thesis was focused first on the magnetic characterization (natural magnetization and magnetic susceptibility) of a large part of the Apollo collection, with the study of 161 main masses of Apollo rocks. Control of the magnetic susceptibility by the lithology was confirmed, caused by the incorporation of meteoritic metal into the rock. In the second part, i used the ratio of the natural magnetization to the magnetic susceptibility to obtain an approximate indicator of paleointensity. Results of this ratio were coherent with the two major epochs determined in the lunar magnetic field (high field epoch before ~3.5 Ga and a weak field epoch after) and allowed me to select samples for detailed paleomagnetic analyses in another part of my thesis. Then, I studied in laboratory the natural magnetization of 25 Apollo samples and 2 lunar meteorites. Different methods were used to obtain 8 paleointensities values (between 1 and 47 μT) and 7 upper limits of paleointensity (between 10 and 30 μT), at different times of the magnetic field evolution. These data were coupled with radiometric ages to trace the evolution of the lunar surface field over time. These results corroborate the existence of a strong field epoch between 4 and 3.5 Ga and extend this epoch until ~3 Ga. Paleointensities of values > 1 μT obtained at 1 Ga and until 0.5 Ga indicates a very late interruption of the dynamo. On the other hand, weak paleointensities were obtained in the high field epoch, suggesting a value of average field lower than previously proposed in literature. This study allows to better constrain the temporal evolution of the lunar magnetic field.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Chelini-Pont, Blandine; Gayte, Marie;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2019
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2019
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Poher, Yoann; Ponel, Philippe; Guiter, Frédéric; Andrieu-Ponel, Valérie; +1 Authors

    Un carottage effectué sur un étang relictuel littoral situé sur l'île Cavallo (archipel des Lavezzi, Corse-du-Sud) a fourni de riches assemblages de Coléoptères fossiles couvrant les 7 derniers millénaires. Ces assemblages fournissent une image originale des changements environnementaux qui ont eu lieu sur cette île sous l'action combinée de l'Homme et de la remontée du niveau marin. La comparaison de la faune de Coléoptères vivant actuellement sur l'île avec celle extraite du profil sédimentaire à l'état fossile montre que 70 taxons de coléoptères aquatiques et hygrophiles associés aux eaux douces ont localement disparu, vraisemblablement en réponse à une augmentation de la salinité dans l'étang d'eau douce, liée à une remontée du niveau marin. La majeure partie de ces extinctions locales s'est produite il y a 3700 ans, lorsque le niveau relatif de la mer Méditerranée était situé 1,5±0,3 mètres en-dessous de son niveau actuel. Ces changements ont été aggravés récemment par la pression anthropique sur l'île, qui a conduit à une réduction considérable de la superficie des zones humides de l'île. Simultanément, la composition des communautés de Coléoptères terrestres paraît avoir été affectée par des phénomènes d'extinction locale d'espèces et de début de spéciation (Coléoptères du genre Percus), peut-être en réponse à un isolement accru de l'île Cavallo et à une réduction de sa superficie. Cette approche rétrospective originale fournit aussi une préfiguration des changements dans la biodiversité entomologique qui pourraient se produire dans le futur dans les écosystèmes lagunaires des côtes méditerranéennes.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ghliss, Yosra;

    À partir d’une conception dynamique et plurielle des émotions, cette thèse propose une réflexion sur l'inscription discursive des affects dans les interactions numériques de type WhatsApp. Elle s'inscrit dans le domaine de l’analyse du discours en interaction (Kerbrat-Orecchioni, 2005) en faisant dialoguer le cadre du discours numérique (Paveau, 2017) avec les propositions théoriques des sciences de l'information et la communication (Allard, 2017). Si les linguistes ont longtemps souligné l’infinité des marques langagières des émotions (Kerbrat-Orecchioni, 2000) voire même leurs hétérogénéités (Plantin, 2011 ; Micheli, 2014), ce postulat est encore plus attesté dans les écosystèmes numériques où l’expression des affects se trouve distribuée dans toute l’interface numérique intégrant indifféremment les mots et les gestes (Jeanneret et Souchier, 1999). Suite à une réflexion méthodologique autour de la constitution du corpus numérique WhatsApp, ce travail porte sur les ressources sémiotiques et discursives dans l’expression des émotions. Ces dernières se voient matérialisées dans de nouvelles formes verbales comme les émotimots lol et mdr, entendus comme un sociolecte de l'affect. Mais dans le cadre des messageries numériques, l’expression des émotions dépassent le verbal pour s’incarner dans des formes l’iconique marquées les photodiscours, où la capture photographique se tisse avec le verbal pour co-construire le sens. À partir d’analyses qualitatives des observables prélevés, cette thèse montre comment les locuteurs et locutrices renouvellent sans cesses les formes d’expression des émotions et comment ils et elles composent avec les affordances numériques du système, pour explorer des versions inédites dans la gestion interactionnelle des affects. Starting from a dynamic and plural conception of emotions, this thesis reflects on the discursive inscription of affects in digital interactions like WhatsApp. It is part of the field of analysis of discourses in interaction (Kerbrat-Orecchioni, 2005) by making the framework of digital discourse (Paveau, 2017) echo with the theoretical propositions of information and communication sciences (Allard, 2017). If linguists have long stressed the infinity of the linguistic marks of emotions (Kerbrat-Orecchioni 2000) or even their heterogeneity (Plantin, 2011 ; Micheli, 2014), this postulate is even more relevant in digital ecosystems where the expression of affects is distributed throughout the digital interface integrating words and gestures indifferently (Jeanneret and Souchier, 1999). Following a methodological reflection on the constitution of the WhatsApp digital corpus, this work focuses on the semiotic and discursive resources in the expression of emotions. The latter are materialised in new verbal forms such as the emotiwords lol and mdr, understood as a sociolect of the affect. Nevertheless, in the context of digital messaging, the expression of emotions goes beyond the verbal to be embodied in iconicforms marked by photodiscourses, where the photographic capture is woven with theverbal to co-elaborate meaning. Based on qualitative analyses of the collectedobservables, this thesis shows how the speakers constantly renew the forms ofemotional expressions and how they deal with the digital affordances of the system, toexplore new versions in the interactional management of affects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2020
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2020
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lesouef, Camille;

    Dans l’ouvrage Jardins : carnet de plans et de dessins (1920), le paysagiste J. C. N. Forestier forge la typologie des jardins « du climat de l’oranger » qui réunit des traditions hortésiennes de différents horizons historiques et géographiques (gréco-romaine, arabo-andalouse, maghrébine, italienne). Cet article se propose d’étudier la vision de la méditerranéité qui émane de cette typologie, puis de la mettre en perspective avec le modèle du jardin moderne élaboré par le paysagiste dès le début du siècle. Il s’agit de mettre en lumière la façon dont l’imaginaire de la Méditerranée inspire le renouvellement de l’art des jardins au passage du siècle.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Purdue E-Scholar
    Other literature type . 2021
    Data sources: Purdue E-Scholar
    Hyper Article en Ligne
    Other literature type . 2021
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Purdue E-Scholar
      Other literature type . 2021
      Data sources: Purdue E-Scholar
      Hyper Article en Ligne
      Other literature type . 2021
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Diaz, Delphine; Shaw, Caroline;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gheeraert-Graffeuille, Claire;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2018
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2018
  • Authors: Marino, Hélène; Granier, Gaëlle;
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vidal, Jérémie; Su, Sylvie; Cébron, David;

    Acoustic eigenmodes are often used to passively infer physical properties of the interiors of rotating planets and stars. Acoustic wave imaging has been also introduced in fluid dynamics. The experimental technique consists in observing and analysing the splitting in frequency of the acoustic modes, by solving an inverse problem. For instance, the presence of an (unknown) rotational profile disturbs the acoustic spectrum. Moreover, a topographic splitting is often superimposed on the rotational splitting. Indeed, rotating celestial objects are rather ellipsoidal than spherical at the leading order, as well as laboratory experiments which are weakly non-spherical (due to mechanical deformations). Rotation and topography should be taken into account simultaneously, but the acoustic problem does not admit exact solutions in the presence of rotation. Fully numerical solutions are often computed. However, they cannot be easily combined with inversion schemes to yield robust results. Hence, the usual approach is to consider small perturbations to non-rotating solutions. As an alternative, we present a new description of the compressible modes, relying on the method of weighted residuals. Here, we present a new spectral method to describe potential flows in triaxial ellipsoids. It relies on an explicit Galerkin expansion, made of global polynomials expressed in Cartesian coordinates. We illustrate this method by considering the canonical situation of diffusionless acoustic modes in an homogeneous, compressible and homentropic fluid ellipsoid at rest. The pressure satisfies a Dirichlet condition (sound soft boundary). We validate our results against fully numerical simulations performed with the commercial software comsol, showing a perfect quantitative agreement. This new method will be extended to include additional effects and alternative boundary conditions. Les modes acoustiques sont couramment utilisés pour déterminer les propriétés physiques de l'intérieur des planètes et des étoiles. La méthode d'imagerie par vélocimétrie acoustique a été récemment introduite en mécanique des fluides, en complément des méthodes d'imagerie existantes. Elle consiste à reconstruire l'écoulement à partir de la levée de dégénérescence des modes acoustiques, observée expérimentalement (par exemple) en présence d'un profil de rotation. Ainsi, des algorithmes d'inversion sont nécessaires pour reconstruire indirectement l'écoulement en rotation dans des expériences en géométrie quasi-sphérique. Cependant, les objets célestes et les expériences ne sont pas rigoureusement sphériques, mais plutôt ellipsoïdaux (au premier ordre). Les effets topographiques et la rotation doivent alors être pris en compte correctement dans le modèle physique. Les méthodes analytiques et numériques existantes (en géométrie déformée) ne peuvent plus alors être couplées facilement et efficacement aux algorithmes d'inversion. Pour remédier à ce problème, nous avons développé une nouvelle méthode de Galerkin semi-analytique en ellipsoïdes tri-axes. Elle repose sur une décomposition polynomiale explicite, en coordonnées cartésiennes, des écoulements potentiels en ellipsoïdes. Nous illustrons la méthode en considérant les modes acoustiques d'un fluide compressible, uniforme et homentropique, avec une condition de Dirichlet homogène à la paroi (condition isobare). Nous validons nos résultats avec des simulations numériques réalisées avec le logiciel comsol. Nous étendrons cette méthode novatrice afin de prendre en compte des effets physiques supplémentaires, afin de décrire plus précisément les conditions expérimentales.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2019
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2019
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Le Gouvello, Raphaëla;

    The years 2000 have favored the emergence of "Circular Economy" (CE) in the public debate, as opposed to the "linear economy", the dominant model that led to acknowledged economie and ecological limits. Our work is a first attempt to address the CE to a fishery-dependent socio-ecological System, the Cornouaille region in Brittany. The approach is systemic, multidimensional and dynamic. It implies the identification of marine boundaries, in which only Coastal fisheries are considered as a local production. The analysis is conducted along three main axes: an analysis of the upstream part at sea (fishing), an analysis looking at the downstream value chain, on land, and a third looking at the whole System. First, a Material Flow Cost Accounting (MFCA) analysis adapted to fisheries is proposed as a relevant tool to improve economy and environmental performance of fishers, providing evidence of hidden costs of fish discards.Second, the fish bioresource flow analysis indicates a strong dependency on importation and exportation flows to maintain land-based activities depending on sea products, albeit evidence of a significant contribution of Coastal fisheries to the local economy. Third, the exploration of the sardine sub-system through scenarii, ranging between from "business as usual" to those lined with CE, shows an alternative development trajectory, based upon a potential "basket of goods and services", a "territorial value", specifically linked to local fisheries. To achieve such a sustainable CE, we would need to not only aim at a more efficient use of local marine resources and decrease negative externalities, but also advocate for a shared governance, suited to the scale of the considered localised socio-ecological System. L'économie circulaire (EC) émerge depuis les années 2000 dans le débat public, en opposition à l'économie linéaire, modèle dominant aux limites économiques et écologiques reconnues. Cette thèse constitue une première confrontation opérationnelle de l'EC à un système socio-écologique dépendant de la pêche, le Pays de la Cornouaille en Bretagne. Le système est délimité dans sa façade maritime avec la pêche côtière, seule considérée comme production locale.L'approche est systémique, multidimensionnelle et dynamique. L'analyse comporte trois volets : le premier sur l'amont du circuit en mer, le deuxième sur l'aval du système à terre et le dernier sur le système complet. Premièrement, le coût caché des rejets est visualisé via une analyse comptable de flux de matière ("Material Flow Cost Accounting" MFCA) adaptée à la pêche, proposé comme outil pertinent pour améliorer la performance économique et environnementale des pêcheurs. Deuxièmement, l’analyse de flux révèle une forte dépendance des activités à terre vis-à-vis des importations et exportations de bioressources halieutiques malgré un apport significatif de la pêche côtière à l'économie locale. Troisièmement, des scenarii sur le sous-système Sardine, du "business as usual" a l'EC, servent à proposer une trajectoire alternative de développement basée sur un "panier" de biens et services territorialises et la construction d'une valeur territoire à partir de ressources halieutiques locales. Pour atteindre cette EC durable, il s'agira d'optimiser l'utilisation des ressources locales et diminuer les externalités négatives, en plus d'aller vers une gouvernance partagée, adaptée à l'échelle du système socio-écologique considéré.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2019
    0
    citations0
    popularityAverage
    influenceAverage
    impulseAverage
    BIP!Powered by BIP!
    more_vert
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Hyper Article en Ligne
      Other literature type . 2019