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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Balázs, Géza;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Magyar Nyelvőr : a M...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Deme, Andrea; Bartók, Márton; Gráczi Tekla, Etelka; Alexandra Markó; +1 Authors

    In our research we aim to examine this allophonic alternation of the laryngeal fricative from a phonetic point of view, in an attempt to shed more light on the phonetic and phonological factors that may facilitate or restrain the occurrence of [ɦ] in Hungarian, and thus to test previous claims of phonology and phonetics on this issue. As a first step, the present study investigated the effect of two vowel quality features, vowel openness and backness, and a phonological conditioner, pitch-accent on the ratio of voicing that occurs in intervocalic /h/ in laboratory speech. As a secondary aim we also tried to raise questions regarding the very specific type of voice quality this unique fricative exhibits, breathy voice. For this purpose, we also analyzed two more acoustic parameters, center of gravity and the harmonics- to-noise ratio, which are traditionally suggested to reliably and informatively quantify voice quality in fricatives. The results confirmed our hypothesis, that the intervocalic voicing of /h/ may be regarded as a purely phonetic process not governed or restrained by phonological processes, but only by the presence of the two flanking vowels. In a fine-grained phonetic analysis, however, we also showed that this phonetic process may be affected by the vocalic feature, openness of the flanking vowels, via coarticulation, and that front and back vowels may not be regarded as homogenous groups of vowels in the open – close dimension. We interpreted the latter results by taking into account a less simplified explanation of vowel articulation, and the complex interactions of the tongue and the larynx structures. Beszédkutatás, Évf. 26 szám 1 (2018): Beszédkutatás 2018

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    Svindt, Veronika;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Magyar Nyelvőr : a M...arrow_drop_down
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    Fóris, Ákos;
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    unknown;

    A kötet a Magyar Gyógypedagógusok Egyesületének éves szakmai konferenciáján elhangzott előadások alapján készült rövid tanulmányokat tartalmazza. A kötet bemutatja, hogy a szakemberek és segítő szervezetek közreműködésével miként lehet elősegíteni a speciális társadalmi megsegítést igényló gyermekek, fiatalok és felnőttek életminőségének javulását, esélyegyenlőségének megvalósulását.

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    Bóna, Judit; Dorottya, Gyarmathy; Boglárka, Lakatos;
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    Koncz István; Szilágyi Márton;

    This study offers a brief review of the main research directions and issues in the archaeology of identity. Discussed here are the components of identity – meaning the statuses and roles that determine the individual’s relation to, and membership in, a community as well as to other individuals, which are essentially the elements of social cohesion and social organisation – and its formation as well as the various options for categorisation and the modes of display through cultural memory and material culture.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archaeologiai Értesí...arrow_drop_down
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    Archaeologiai Értesítő
    Article . 2017
    Data sources: Crossref
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    Tóth, Katalin;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kultúra és Közösségarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Bibor, Máté;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://hdl.handle.ne...arrow_drop_down
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    Amberg, Eszter;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Balázs, Géza;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Magyar Nyelvőr : a M...arrow_drop_down
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    Deme, Andrea; Bartók, Márton; Gráczi Tekla, Etelka; Alexandra Markó; +1 Authors

    In our research we aim to examine this allophonic alternation of the laryngeal fricative from a phonetic point of view, in an attempt to shed more light on the phonetic and phonological factors that may facilitate or restrain the occurrence of [ɦ] in Hungarian, and thus to test previous claims of phonology and phonetics on this issue. As a first step, the present study investigated the effect of two vowel quality features, vowel openness and backness, and a phonological conditioner, pitch-accent on the ratio of voicing that occurs in intervocalic /h/ in laboratory speech. As a secondary aim we also tried to raise questions regarding the very specific type of voice quality this unique fricative exhibits, breathy voice. For this purpose, we also analyzed two more acoustic parameters, center of gravity and the harmonics- to-noise ratio, which are traditionally suggested to reliably and informatively quantify voice quality in fricatives. The results confirmed our hypothesis, that the intervocalic voicing of /h/ may be regarded as a purely phonetic process not governed or restrained by phonological processes, but only by the presence of the two flanking vowels. In a fine-grained phonetic analysis, however, we also showed that this phonetic process may be affected by the vocalic feature, openness of the flanking vowels, via coarticulation, and that front and back vowels may not be regarded as homogenous groups of vowels in the open – close dimension. We interpreted the latter results by taking into account a less simplified explanation of vowel articulation, and the complex interactions of the tongue and the larynx structures. Beszédkutatás, Évf. 26 szám 1 (2018): Beszédkutatás 2018

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    Svindt, Veronika;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Magyar Nyelvőr : a M...arrow_drop_down
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    Fóris, Ákos;
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    unknown;

    A kötet a Magyar Gyógypedagógusok Egyesületének éves szakmai konferenciáján elhangzott előadások alapján készült rövid tanulmányokat tartalmazza. A kötet bemutatja, hogy a szakemberek és segítő szervezetek közreműködésével miként lehet elősegíteni a speciális társadalmi megsegítést igényló gyermekek, fiatalok és felnőttek életminőségének javulását, esélyegyenlőségének megvalósulását.

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    Bóna, Judit; Dorottya, Gyarmathy; Boglárka, Lakatos;
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    Koncz István; Szilágyi Márton;

    This study offers a brief review of the main research directions and issues in the archaeology of identity. Discussed here are the components of identity – meaning the statuses and roles that determine the individual’s relation to, and membership in, a community as well as to other individuals, which are essentially the elements of social cohesion and social organisation – and its formation as well as the various options for categorisation and the modes of display through cultural memory and material culture.

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    Archaeologiai Értesítő
    Article . 2017
    Data sources: Crossref
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    Tóth, Katalin;
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    Bibor, Máté;
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    Amberg, Eszter;
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