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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ghliss, Yosra;

    À partir d’une conception dynamique et plurielle des émotions, cette thèse propose une réflexion sur l'inscription discursive des affects dans les interactions numériques de type WhatsApp. Elle s'inscrit dans le domaine de l’analyse du discours en interaction (Kerbrat-Orecchioni, 2005) en faisant dialoguer le cadre du discours numérique (Paveau, 2017) avec les propositions théoriques des sciences de l'information et la communication (Allard, 2017). Si les linguistes ont longtemps souligné l’infinité des marques langagières des émotions (Kerbrat-Orecchioni, 2000) voire même leurs hétérogénéités (Plantin, 2011 ; Micheli, 2014), ce postulat est encore plus attesté dans les écosystèmes numériques où l’expression des affects se trouve distribuée dans toute l’interface numérique intégrant indifféremment les mots et les gestes (Jeanneret et Souchier, 1999). Suite à une réflexion méthodologique autour de la constitution du corpus numérique WhatsApp, ce travail porte sur les ressources sémiotiques et discursives dans l’expression des émotions. Ces dernières se voient matérialisées dans de nouvelles formes verbales comme les émotimots lol et mdr, entendus comme un sociolecte de l'affect. Mais dans le cadre des messageries numériques, l’expression des émotions dépassent le verbal pour s’incarner dans des formes l’iconique marquées les photodiscours, où la capture photographique se tisse avec le verbal pour co-construire le sens. À partir d’analyses qualitatives des observables prélevés, cette thèse montre comment les locuteurs et locutrices renouvellent sans cesses les formes d’expression des émotions et comment ils et elles composent avec les affordances numériques du système, pour explorer des versions inédites dans la gestion interactionnelle des affects. Starting from a dynamic and plural conception of emotions, this thesis reflects on the discursive inscription of affects in digital interactions like WhatsApp. It is part of the field of analysis of discourses in interaction (Kerbrat-Orecchioni, 2005) by making the framework of digital discourse (Paveau, 2017) echo with the theoretical propositions of information and communication sciences (Allard, 2017). If linguists have long stressed the infinity of the linguistic marks of emotions (Kerbrat-Orecchioni 2000) or even their heterogeneity (Plantin, 2011 ; Micheli, 2014), this postulate is even more relevant in digital ecosystems where the expression of affects is distributed throughout the digital interface integrating words and gestures indifferently (Jeanneret and Souchier, 1999). Following a methodological reflection on the constitution of the WhatsApp digital corpus, this work focuses on the semiotic and discursive resources in the expression of emotions. The latter are materialised in new verbal forms such as the emotiwords lol and mdr, understood as a sociolect of the affect. Nevertheless, in the context of digital messaging, the expression of emotions goes beyond the verbal to be embodied in iconicforms marked by photodiscourses, where the photographic capture is woven with theverbal to co-elaborate meaning. Based on qualitative analyses of the collectedobservables, this thesis shows how the speakers constantly renew the forms ofemotional expressions and how they deal with the digital affordances of the system, toexplore new versions in the interactional management of affects.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2020
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Le Bomin, Sylvie;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Adair, Philippe;

    International audience; Résumé Nous testons les hypothèses relatives aux théories de la structure financière-compromis et financement hiérarchique-au regard de la fiscalité, des coûts d'agence et de l'asymétrie d'information. La variable expliquée est le taux d'endettement financier grâce à un modèle linéaire sur un panel cylindré de 2370 PME françaises observées durant la période 2002-2010. Selon nos résultats, à l'exception des garanties qui conditionnent l'accès au crédit et le crédit interentreprises qui joue un rôle de signal pour les créanciers ne disposant pas d'une information privée sur l'entreprise, la théorie du compromis est infirmée au regard de la relation entre le taux d'endettement financier et l'âge des PME ; la relation entre l'endettement et la profitabilité ainsi que les opportunités de croissance confirment la théorie du financement hiérarchique. Mots-clés : endettement, panel cylindré, PME, structure du capital, théorie du compromis, théorie du financement hiérarchique.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2014
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    HAL UPEC
    Other literature type . 2014
    Data sources: HAL UPEC
    HAL - UPEC / UPEM
    Conference object . 2014
    Data sources: HAL - UPEC / UPEM
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Matamoros, Isabelle;

    Ce travail entend interroger du point de vue du genre les pratiques de lecture des femmes dans la première moitié du XIXe siècle. La manière dont les femmes lisaient et l’usage qu’elles pouvaient faire de leurs lectures demeurent très mal connus, au-delà des discours et des représentations entourant à l’époque la lecture féminine. De ceux-ci se dégage l’idée durable que les femmes, pour l’essentiel lectrices de romans, lisent mal. Cette étude propose de renverser le prisme d’analyse pour interroger le point de vue des lectrices sur leurs propres pratiques. Pour cela, les écrits personnels - journaux, autobiographies, correspondances - de soixante-six femmes nées entre 1789 et 1832 ont été rassemblés, et permettent de suivre leurs trajectoires à l’intérieur d’une biographie chorale. Ces textes mettent au jour une pluralité des pratiques et des usages de la lecture au quotidien, mais surtout ils interrogent deux phénomènes majeurs de la France du premier XIXe siècle : les logiques de sexuation à l’œuvre dans l’éducation, et la construction des identités sexuées. De fait, l’accès aux savoirs par le livre repose alors sur une inégalité fondamentale entre femmes et hommes, et l’apprentissage des manières de lire, ainsi que la liste des livres autorisés, doivent renvoyer l’image d’une féminité acceptable, suffisamment instruite mais non savante, pieuse et vertueuse. Pourtant, les écrits personnels soulignent à quel point dans le quotidien d’autres manières de faire s’élaborent et de nombreuses résistances voient le jour. Car l’expérience individuelle de la lecture, en ouvrant la porte vers des territoires intellectuels jugés illégitimes, permet de transgresser les attentes concernant l’éducation des filles. Au-delà, elle engage la lectrice dans un travail réflexif sur elle-même qui la conduit à sonder voire à reformuler son identité sociale. Par ce biais, l’autonomie intellectuelle des femmes et leur possible émancipation se trouvent directement questionnées. This work aims to explain, from a gender perspective, reading practices of women in the early 19th century France. Until now, the way French women read in those days and their own uses of reading, behind stereotypes and sexist representations, are not really known in cultural history. According to these stereotypes, women read badly, or not seriously, and only “feminine literature”. Based on sixty six women’s personal writings (diaries, autobiographies, letters), this work aims to inverse this focus in order to analyze the women’s point of view on their own practices. Such analysis reveals how gender’s types shape first education and, more generally, social identities. Women have to read, of course, but only that kind of literature that would be acceptable for a « good wife », educated but not scholar, virtuous and pious. However, focusing on personal writings, we show that women were not passive within this social and cultural domination: as a reflexive experience, reading leads them to a wide reformulation of their social identity, which includes a possibility to emancipate by reading and learning.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Clermont Univers...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hyper Article en Ligne
    Other literature type . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Le Texier, Lucas;

    Varia; Compte rendu d'ouvrage

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hyper Article en Lig...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Fuller, Edgar; Deshler, Jessica; Darrah, Marjorie; Trujillo, Marcela; +1 Authors

    International audience; Students lacking core mathematical skills in algebra and arithmetic are traditionally placed into developmental mathematics courses at colleges and universities. These courses attempt to bridge the gap between students' existing skill sets and mastery levels needed to be successful at the level of college algebra, precalculus and calculus. In this paper we describe the interaction of anxiety and personality traits with course content completion for 404 students enrolled in a developmental mathematics course at a large research university in the United States.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Hal-Diderotarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Hal-Diderot
    Other literature type . 2016
    Data sources: Hal-Diderot
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Rovny, Jan;

    contribution à un site web; The Czech Republic held parliamentary elections on 20 and 21 October, with ANO, led by Andrej Babiš, emerging as the largest party. Jan Rovny argues that although there are some distinct features of ANO and the Czech party system, the country’s political outlook now has broad similarities to its two central European neighbours Hungary and Poland.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao SPIRE - Sciences Po ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    LSE Research Online
    Other ORP type . 2017
    addClaim

    This Research product is the result of merged Research products in OpenAIRE.

    You have already added works in your ORCID record related to the merged Research product.
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marcel, Olivier;

    http://docs.lib.purdue.edu/artlas/vol2/iss2/6/; In recent years, art made in Africa, particularly in the metropolitan context, has witnessed a substantial increase in attention coming from transnational institutions. While many researchers have pointed out the deceitful nature of contemporary art's globalization, this turn of events still challenges the way we conceive the space of contemporary art. In this paper I use cartography as a critical tool to approach the international mobility facilitated by two art organizations based in Nairobi, Kenya.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
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    Purdue E-Scholar
    Other literature type . 2013
    Data sources: Purdue E-Scholar
    Hyper Article en Ligne
    Other literature type . 2013
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gal-Petitfaux, Nathalie;

    Cette étude analyse l’effet d’un dispositif collectif de vidéo-formation avec des étudiants-stagiaires en éducation physique sur leur réflexivité à propos de l’activité de l’activité en classe de l'enseignant. Le cadre théorique est le cours d'action (Theureau, 2006) en anthropologie cognitive, fondé sur l'hypothèse de l'action située (Suchman, 1987) et de l'enaction (Varela, 1989). L'étude a été menée auprès de quatre étudiants. Les données sont issues : a) de l’enregistrement vidéo de l'activité des étudiants pendant la formation, b) d’entretiens d’auto-confrontation avec les quatre étudiants pour recueillir leur expérience réflexive développée grâce au dispositif. Les résultats montrent que l’interaction avec le dispositif et avec les pairs aide les étudiants à s’immerger sensoriellement et reconnaitre des évènements typiques dans la classe, à construire et confronter différentes formes d’analyse. La discussion porte sur l’appropriation d’un dispositif. This study analyses the impact of an audiovisual training time with preservice PE teachers on their reflexivity about the teacher’s activity in the classroom. The theoretical framework was the Course of Action (Theureau, 2006) in cognitive anthropology, based on the hypothesis of the situated action (Suchman, 1987) and the enaction (Varela, 1989). The study was conducted with four preservice teachers. The data were collected by: (a) video recordings of the preservice teachers’ activity during the training time, (b) self-confrontation interviews with four students in order to collect their reflexive experience with audiovisual device. The results show that interaction with the device and the peers helps students to live a sensory immersion and notice typical events in the classroom, to build and confront different forms of analysis. The discussion focuses on the appropriation of a device.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Article . 2016
    Data sources: OpenEdition
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    Questions Vives
    Article . 2015
    Data sources: DOAJ-Articles
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  • Authors: Vignal, Leila;

    Ce mémoire rendre compte de mon parcours de chercheuse. Je propose une synthèse scientifique de mon travail de recherche – à partir des trois principaux objets de recherche que j’ai explorés –, une présentation de mes méthodes, et une réflexion sur mon/mes positionnements par rapport à certaines approches théoriques et certaines de nos pratiques professionnelles. La diversité de mes travaux, de leurs thèmes, de mes terrains, des échelles auxquelles j’ai travaillé, et des méthodes que j’ai développées me semblait inviter à ce retour réflexif et à la mise en dialogue de mes travaux avec la littérature de mon champ disciplinaire, la géographie, et plus largement celle des sciences sociales. Ce volume revient donc sur des travaux effectués à partir desquels je propose des synthèses inédites, des mises en relations entre certains objets, thèmes, et concepts ainsi que des approches méthodologiques et des pistes de réflexion plus épistémologiques ou éthiques.Ce volume se clôt sur la présentation de mes deux récents chantiers de publication: 1) mon livre sur la Syrie dans le conflit, intitulé "War-Torn. The Unmaking of Syria (2011- 2021)" publié chez Hurst Publishers (London) et Oxford University press (New-York) en 2021; 2) Le projet de livre sous contrat (American university Press, New-York), sur les relations entre Libanais et réfugiés syriens que j’ai élaboré avec l’anthropologue Emma Aubin-Boltanski, intitulé "The Nearest Exile. Lebanon during the War in Syria: The Case of Dayr al-Ahmar (Bekaa)".

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    Authors: Ghliss, Yosra;

    À partir d’une conception dynamique et plurielle des émotions, cette thèse propose une réflexion sur l'inscription discursive des affects dans les interactions numériques de type WhatsApp. Elle s'inscrit dans le domaine de l’analyse du discours en interaction (Kerbrat-Orecchioni, 2005) en faisant dialoguer le cadre du discours numérique (Paveau, 2017) avec les propositions théoriques des sciences de l'information et la communication (Allard, 2017). Si les linguistes ont longtemps souligné l’infinité des marques langagières des émotions (Kerbrat-Orecchioni, 2000) voire même leurs hétérogénéités (Plantin, 2011 ; Micheli, 2014), ce postulat est encore plus attesté dans les écosystèmes numériques où l’expression des affects se trouve distribuée dans toute l’interface numérique intégrant indifféremment les mots et les gestes (Jeanneret et Souchier, 1999). Suite à une réflexion méthodologique autour de la constitution du corpus numérique WhatsApp, ce travail porte sur les ressources sémiotiques et discursives dans l’expression des émotions. Ces dernières se voient matérialisées dans de nouvelles formes verbales comme les émotimots lol et mdr, entendus comme un sociolecte de l'affect. Mais dans le cadre des messageries numériques, l’expression des émotions dépassent le verbal pour s’incarner dans des formes l’iconique marquées les photodiscours, où la capture photographique se tisse avec le verbal pour co-construire le sens. À partir d’analyses qualitatives des observables prélevés, cette thèse montre comment les locuteurs et locutrices renouvellent sans cesses les formes d’expression des émotions et comment ils et elles composent avec les affordances numériques du système, pour explorer des versions inédites dans la gestion interactionnelle des affects. Starting from a dynamic and plural conception of emotions, this thesis reflects on the discursive inscription of affects in digital interactions like WhatsApp. It is part of the field of analysis of discourses in interaction (Kerbrat-Orecchioni, 2005) by making the framework of digital discourse (Paveau, 2017) echo with the theoretical propositions of information and communication sciences (Allard, 2017). If linguists have long stressed the infinity of the linguistic marks of emotions (Kerbrat-Orecchioni 2000) or even their heterogeneity (Plantin, 2011 ; Micheli, 2014), this postulate is even more relevant in digital ecosystems where the expression of affects is distributed throughout the digital interface integrating words and gestures indifferently (Jeanneret and Souchier, 1999). Following a methodological reflection on the constitution of the WhatsApp digital corpus, this work focuses on the semiotic and discursive resources in the expression of emotions. The latter are materialised in new verbal forms such as the emotiwords lol and mdr, understood as a sociolect of the affect. Nevertheless, in the context of digital messaging, the expression of emotions goes beyond the verbal to be embodied in iconicforms marked by photodiscourses, where the photographic capture is woven with theverbal to co-elaborate meaning. Based on qualitative analyses of the collectedobservables, this thesis shows how the speakers constantly renew the forms ofemotional expressions and how they deal with the digital affordances of the system, toexplore new versions in the interactional management of affects.

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    Other literature type . 2020
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    Authors: Le Bomin, Sylvie;
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    Other literature type . 2017
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    Authors: Adair, Philippe;

    International audience; Résumé Nous testons les hypothèses relatives aux théories de la structure financière-compromis et financement hiérarchique-au regard de la fiscalité, des coûts d'agence et de l'asymétrie d'information. La variable expliquée est le taux d'endettement financier grâce à un modèle linéaire sur un panel cylindré de 2370 PME françaises observées durant la période 2002-2010. Selon nos résultats, à l'exception des garanties qui conditionnent l'accès au crédit et le crédit interentreprises qui joue un rôle de signal pour les créanciers ne disposant pas d'une information privée sur l'entreprise, la théorie du compromis est infirmée au regard de la relation entre le taux d'endettement financier et l'âge des PME ; la relation entre l'endettement et la profitabilité ainsi que les opportunités de croissance confirment la théorie du financement hiérarchique. Mots-clés : endettement, panel cylindré, PME, structure du capital, théorie du compromis, théorie du financement hiérarchique.

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    Other literature type . 2014
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    HAL UPEC
    Other literature type . 2014
    Data sources: HAL UPEC
    HAL - UPEC / UPEM
    Conference object . 2014
    Data sources: HAL - UPEC / UPEM
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    Authors: Matamoros, Isabelle;

    Ce travail entend interroger du point de vue du genre les pratiques de lecture des femmes dans la première moitié du XIXe siècle. La manière dont les femmes lisaient et l’usage qu’elles pouvaient faire de leurs lectures demeurent très mal connus, au-delà des discours et des représentations entourant à l’époque la lecture féminine. De ceux-ci se dégage l’idée durable que les femmes, pour l’essentiel lectrices de romans, lisent mal. Cette étude propose de renverser le prisme d’analyse pour interroger le point de vue des lectrices sur leurs propres pratiques. Pour cela, les écrits personnels - journaux, autobiographies, correspondances - de soixante-six femmes nées entre 1789 et 1832 ont été rassemblés, et permettent de suivre leurs trajectoires à l’intérieur d’une biographie chorale. Ces textes mettent au jour une pluralité des pratiques et des usages de la lecture au quotidien, mais surtout ils interrogent deux phénomènes majeurs de la France du premier XIXe siècle : les logiques de sexuation à l’œuvre dans l’éducation, et la construction des identités sexuées. De fait, l’accès aux savoirs par le livre repose alors sur une inégalité fondamentale entre femmes et hommes, et l’apprentissage des manières de lire, ainsi que la liste des livres autorisés, doivent renvoyer l’image d’une féminité acceptable, suffisamment instruite mais non savante, pieuse et vertueuse. Pourtant, les écrits personnels soulignent à quel point dans le quotidien d’autres manières de faire s’élaborent et de nombreuses résistances voient le jour. Car l’expérience individuelle de la lecture, en ouvrant la porte vers des territoires intellectuels jugés illégitimes, permet de transgresser les attentes concernant l’éducation des filles. Au-delà, elle engage la lectrice dans un travail réflexif sur elle-même qui la conduit à sonder voire à reformuler son identité sociale. Par ce biais, l’autonomie intellectuelle des femmes et leur possible émancipation se trouvent directement questionnées. This work aims to explain, from a gender perspective, reading practices of women in the early 19th century France. Until now, the way French women read in those days and their own uses of reading, behind stereotypes and sexist representations, are not really known in cultural history. According to these stereotypes, women read badly, or not seriously, and only “feminine literature”. Based on sixty six women’s personal writings (diaries, autobiographies, letters), this work aims to inverse this focus in order to analyze the women’s point of view on their own practices. Such analysis reveals how gender’s types shape first education and, more generally, social identities. Women have to read, of course, but only that kind of literature that would be acceptable for a « good wife », educated but not scholar, virtuous and pious. However, focusing on personal writings, we show that women were not passive within this social and cultural domination: as a reflexive experience, reading leads them to a wide reformulation of their social identity, which includes a possibility to emancipate by reading and learning.

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    Authors: Le Texier, Lucas;

    Varia; Compte rendu d'ouvrage

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    Authors: Fuller, Edgar; Deshler, Jessica; Darrah, Marjorie; Trujillo, Marcela; +1 Authors

    International audience; Students lacking core mathematical skills in algebra and arithmetic are traditionally placed into developmental mathematics courses at colleges and universities. These courses attempt to bridge the gap between students' existing skill sets and mastery levels needed to be successful at the level of college algebra, precalculus and calculus. In this paper we describe the interaction of anxiety and personality traits with course content completion for 404 students enrolled in a developmental mathematics course at a large research university in the United States.

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    Hal-Diderot
    Other literature type . 2016
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    Authors: Rovny, Jan;

    contribution à un site web; The Czech Republic held parliamentary elections on 20 and 21 October, with ANO, led by Andrej Babiš, emerging as the largest party. Jan Rovny argues that although there are some distinct features of ANO and the Czech party system, the country’s political outlook now has broad similarities to its two central European neighbours Hungary and Poland.

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    LSE Research Online
    Other ORP type . 2017
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    This Research product is the result of merged Research products in OpenAIRE.

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    Authors: Marcel, Olivier;

    http://docs.lib.purdue.edu/artlas/vol2/iss2/6/; In recent years, art made in Africa, particularly in the metropolitan context, has witnessed a substantial increase in attention coming from transnational institutions. While many researchers have pointed out the deceitful nature of contemporary art's globalization, this turn of events still challenges the way we conceive the space of contemporary art. In this paper I use cartography as a critical tool to approach the international mobility facilitated by two art organizations based in Nairobi, Kenya.

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    Purdue E-Scholar
    Other literature type . 2013
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    Authors: Gal-Petitfaux, Nathalie;

    Cette étude analyse l’effet d’un dispositif collectif de vidéo-formation avec des étudiants-stagiaires en éducation physique sur leur réflexivité à propos de l’activité de l’activité en classe de l'enseignant. Le cadre théorique est le cours d'action (Theureau, 2006) en anthropologie cognitive, fondé sur l'hypothèse de l'action située (Suchman, 1987) et de l'enaction (Varela, 1989). L'étude a été menée auprès de quatre étudiants. Les données sont issues : a) de l’enregistrement vidéo de l'activité des étudiants pendant la formation, b) d’entretiens d’auto-confrontation avec les quatre étudiants pour recueillir leur expérience réflexive développée grâce au dispositif. Les résultats montrent que l’interaction avec le dispositif et avec les pairs aide les étudiants à s’immerger sensoriellement et reconnaitre des évènements typiques dans la classe, à construire et confronter différentes formes d’analyse. La discussion porte sur l’appropriation d’un dispositif. This study analyses the impact of an audiovisual training time with preservice PE teachers on their reflexivity about the teacher’s activity in the classroom. The theoretical framework was the Course of Action (Theureau, 2006) in cognitive anthropology, based on the hypothesis of the situated action (Suchman, 1987) and the enaction (Varela, 1989). The study was conducted with four preservice teachers. The data were collected by: (a) video recordings of the preservice teachers’ activity during the training time, (b) self-confrontation interviews with four students in order to collect their reflexive experience with audiovisual device. The results show that interaction with the device and the peers helps students to live a sensory immersion and notice typical events in the classroom, to build and confront different forms of analysis. The discussion focuses on the appropriation of a device.

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    Article . 2016
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    Questions Vives
    Article . 2015
    Data sources: DOAJ-Articles