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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lehmann, Jörg; Morselli, Francesca;

    The subject “Science and Technology in the First World War” has so far been treated from the perspective on inventions and the development of new weapons, and often the focus has been on the topic of chemical warfare at the expense of other important dimensions. The approach of this Archival Research Guide, by contrast, comes from the social sciences and focuses on the establishment of relevant scientific, military and governmental bodies and on the personal networks established during the war. By examining these institutions and networks country by country, comparisons between them can be drawn, enabling further research with regard to the sociology of institutions. By pointing to the connections and channels of exchange between the nations and institutions under consideration, this approach opens up a transnational perspective and supports the paradoxal insight that transnational ties can dissolve national obstacles while simultaneously strengthening the nation-states themselves. On the individual level, the ARG takes the role of intellectuals into account, for whom scientific objectivity / neutrality and patriotic commitment seemed to have been no contradiction. It is remarkable that the First World War led to the establishment of several institutions aiming at funding science through the state, most notably in the case of France (CNRS), the U.S. (NACA/NASA) and Russia (KEPS). CENDARI Archival Research Guide

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Descartesarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.17169/refub...
    Other ORP type . 2016
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Descartesarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.17169/refub...
      Other ORP type . 2016
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daniel Kurzawe;

    Gephi Datei, anonymisiert

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DARIAH-DEarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2018
    Data sources: B2FIND
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    DARIAH-DE
    Other ORP type . 2018
    Data sources: B2FIND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DARIAH-DEarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2018
      Data sources: B2FIND
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      DARIAH-DE
      Other ORP type . 2018
      Data sources: B2FIND
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Huis in 't Veld, Laura; Heider, Veronika;

    This user Guide provides information about using the Weblate software for translating the Dataverse User Interface. It was made for the participants of the SSHOC ‘Dataverse Translation Workshop’ (02/06/2021). 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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    NARCIS
    Other ORP type . 2021
    Data sources: NARCIS
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2021
    License: CC BY
    Data sources: Datacite
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2021
    License: CC BY
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NARCIS
      Other ORP type . 2021
      Data sources: NARCIS
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2021
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morselli, Francesca; Lehmann, Jörg;

    This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men. CENDARI Archival Research Guide

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Descartesarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Buddenbohm, Stefan; Cretin, Nathanael; Dijk, E.M.S.; Gaiffe, Bertrand; +3 Authors

    Publishing research data as open data is not yet common practice for researchers in the arts and humanities, and lags behind other scientific fields, such as the natural sciences. Moreover, even when humanities researchers publish their data in repositories and archives, these data are often hard to find and use by other researchers in the field. This report gives an overview of the various aspects that are connected to open access publishing of research data in the humanities. After the introduction, where we give definitions of key concepts, we describe the research data life cycle. We present an overview of the different stakeholders involved and we look into advantages and obstacles for researchers to share research data. Furthermore, a description of the European data repositories is given, followed by certification standards of trusted digital data repositories. The possibility of data citation is important for sharing open data and is also described in this report. We also discuss the standards and use of metadata in the humanities. Finally, we discuss best practice example of open access research data system in the humanities: the French open research data ecosystem. With this report we provide information and guidance on open access publishing of humanities research data for researchers. It will also serve as input for the design and implementation of an open humanities data platform in DARIAH.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Raciti, Marco;

    The document gives and overview of funding opportunities related to European Structural and Investment Funds (ESIF) for digital arts and humanities research, and provides concrete examples of successful actions that have been carried out in the last two programming periods (2007-2013 and 2014-2020). Moreover, this guide describes other funding schemes, notably Erasmus+, COST, Creative Europe, Connecting Europe Facility (CEF) that could be interesting for DARIAH partners.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Descartes; Mémoi...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ordelman, Roeland; Sanders, Willemien; Zijdeman, Richard; Klein, Rana; +4 Authors

    Online stories, from blog posts to journalistic articles to scientific publications, are commonly illustrated with media (e.g. images, audio clips) or statistical summaries (e.g. tables and graphs). Such “illustrations” are the result of a process of acquiring, parsing, filtering, mining, representing, refining and interacting with data [3]. Unfortunately, such processes are typically taken for granted and seldom mentioned in the story itself. Although recently a wide variety of interactive data visualisation techniques have been developed (see e.g., [6]), in many cases the illustrations in such publications are static; this prevents different audiences from engaging with the data and analyses as they desire. In this paper, we share our experiences with the concept of “data stories” that tackles both issues, enhancing opportunities for outreach, reporting on scientific inquiry, and FAIR data representation [9]. In journalism data stories are becoming widely accepted as the output of a process that is in many aspects similar to that of a computational scholar: gaining insights by analyzing data sets using (semi-)automatized methods and presenting these insights using (interactive) visualizations and other textual outputs based on data [4] [7] [5] [6]. In the context of scientific output, data stories can be regarded as digital “publications enriched with or linking to related research results, such as research data, workflows, software, and possibly connections among them” [1]. However, as infrastructure for (peerreviewed) enhanced publications is in an early stage of development (see e.g., [2]), scholarly data stories are currently often produced as blog posts, discussing a relevant topic. These may be accompanied by illustrations not limited to a single graph or image but characterized by different forms of interactivity: readers can, for instance, change the perspective or zoom level of graphs, or cycle through images or audio clips. Having experimented successfully with various types and uses of data stories1 in the CLARIAH2 project, we are working towards a more generic, stable and sustainable infrastructure to create, publish, and archive data stories. This includes providing environments for reproduction of data stories and verification of data via “close reading”. From an infrastructure perspective, this involves the provisioning of services for persistent storage of data (e.g. triple stores), data registration and search (registries), data publication (SPARQL end-points, search-APIs), data visualization, and (versioned) query creation. These services can be used by environments to develop data stories, either or not facilitating additional data analysis steps. For data stories that make use of data analysis, for example via Jupyter Notebooks [8], the infrastructure also needs to take computational requirements (load balancing) and restrictions (security) into account. Also, when data sets are restricted for copyright or privacy reasons, authentication and authorization infrastructure (AAI) is required. The large and rich data sets in (European) heritage archives that are increasingly made interoperable using FAIR principles, are eminently qualified as fertile ground for data stories. We therefore hope to be able to present our experiences with data stories, share our strategy for a more generic solution and receive feedback on shared challenges.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Utrecht University R...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Utrecht University R...arrow_drop_down
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    Authors: Tóth-Czifra, Erzsébet; Romary, Laurent; Edmond, Jennifer;

    On 4 September 2018, national science funders from 11 EU countries announced the launch of cOAlition S to express the collective will of making full and immediate Open Access to research publications a reality. The key principles to achieve this are articulated in their 10-point Plan S. According to the plan, from 2020, all scientific publications that result from research funded by public grants provided by participating national and European research councils and funding bodies must be published in compliant Open Access journals or on compliant Open Access platforms. To achieve this, research funders will cover the costs of publications as part of research grants. The plan has sparked intense debates from the moment of its release. In addition to the signatories, there is a large group of key stakeholders, both on European and national levels, who have expressed their support and endorsement for the principles even if they still have not formally added their signatures to it. DARIAH-ERIC joined this discussion forming a task force to work on a Position Paper that adds arts and humanities researchers and disciplines within this dialogue. DARIAH fully endorses the principles of Open Access and is in favour of powerful Open Access policies aiming to accelerate the transition towards full and immediate Open Access to scientific publications within a reasonably short time. However, we believe that Plan S reveals a strong bias toward the STEM perspective on not just publishing, but on research itself, which makes it diverge with the values of DARIAH and its key constituency, arts and humanities researchers, who most commonly do not fund their work through projects, and for whom the term ‘science’ may seem alienating.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Other ORP type . 2018
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2018
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Other ORP type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Davidović, Davor; Wandl-Vogt, Eveline; Skala, Karolj; Kalman, Tibor;

    The poster presents the EGI Engage DARIAH Competence Centre mini-project and its objectives. The objective of EGI DARIAH CC is to widen the usage of the e-Infrastructures for Arts and Humanities research by developing and providing a workflow-based science gateway based on the generic-purpose WS-PGRADE and gLibrary technologies, adapted and tailored to the needs of users coming from the field of Arts and Humanities. The gateway will provide access and compute services for data residing in distributed grid and cloud storage.

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    Authors: Matthias Breckheimer;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lehmann, Jörg; Morselli, Francesca;

    The subject “Science and Technology in the First World War” has so far been treated from the perspective on inventions and the development of new weapons, and often the focus has been on the topic of chemical warfare at the expense of other important dimensions. The approach of this Archival Research Guide, by contrast, comes from the social sciences and focuses on the establishment of relevant scientific, military and governmental bodies and on the personal networks established during the war. By examining these institutions and networks country by country, comparisons between them can be drawn, enabling further research with regard to the sociology of institutions. By pointing to the connections and channels of exchange between the nations and institutions under consideration, this approach opens up a transnational perspective and supports the paradoxal insight that transnational ties can dissolve national obstacles while simultaneously strengthening the nation-states themselves. On the individual level, the ARG takes the role of intellectuals into account, for whom scientific objectivity / neutrality and patriotic commitment seemed to have been no contradiction. It is remarkable that the First World War led to the establishment of several institutions aiming at funding science through the state, most notably in the case of France (CNRS), the U.S. (NACA/NASA) and Russia (KEPS). CENDARI Archival Research Guide

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    https://doi.org/10.17169/refub...
    Other ORP type . 2016
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    Authors: Daniel Kurzawe;

    Gephi Datei, anonymisiert

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    Authors: Huis in 't Veld, Laura; Heider, Veronika;

    This user Guide provides information about using the Weblate software for translating the Dataverse User Interface. It was made for the participants of the SSHOC ‘Dataverse Translation Workshop’ (02/06/2021). 

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Morselli, Francesca; Lehmann, Jörg;

    This Archival Research Guide is dedicated to different forms of women’s participation in the war effort and associationism during the First World War: these two strands include active participation of women in battles; war relief associations, peace movements and women’s employment in the war industry. Contemporary historiography has recognized the crucial role that women played in sustaining the war effort by replacing the labour ofmen who were engaged on the front. On the other hand, the role of women was crucial in those years for a variety of reasons and occupations: in fact, their commitment to organize in soldier’s relief and peace associations represents an important part of the historiography of the WW1. Moreover, the First World War was the first major belligerent event in which women could wear a military uniform: while this didn’t happen in every country, it was probably a first step toward the inclusion of women in sectors which once were exclusively occupied by men. CENDARI Archival Research Guide

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    Authors: Buddenbohm, Stefan; Cretin, Nathanael; Dijk, E.M.S.; Gaiffe, Bertrand; +3 Authors

    Publishing research data as open data is not yet common practice for researchers in the arts and humanities, and lags behind other scientific fields, such as the natural sciences. Moreover, even when humanities researchers publish their data in repositories and archives, these data are often hard to find and use by other researchers in the field. This report gives an overview of the various aspects that are connected to open access publishing of research data in the humanities. After the introduction, where we give definitions of key concepts, we describe the research data life cycle. We present an overview of the different stakeholders involved and we look into advantages and obstacles for researchers to share research data. Furthermore, a description of the European data repositories is given, followed by certification standards of trusted digital data repositories. The possibility of data citation is important for sharing open data and is also described in this report. We also discuss the standards and use of metadata in the humanities. Finally, we discuss best practice example of open access research data system in the humanities: the French open research data ecosystem. With this report we provide information and guidance on open access publishing of humanities research data for researchers. It will also serve as input for the design and implementation of an open humanities data platform in DARIAH.

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    Authors: Raciti, Marco;

    The document gives and overview of funding opportunities related to European Structural and Investment Funds (ESIF) for digital arts and humanities research, and provides concrete examples of successful actions that have been carried out in the last two programming periods (2007-2013 and 2014-2020). Moreover, this guide describes other funding schemes, notably Erasmus+, COST, Creative Europe, Connecting Europe Facility (CEF) that could be interesting for DARIAH partners.

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    Authors: Ordelman, Roeland; Sanders, Willemien; Zijdeman, Richard; Klein, Rana; +4 Authors

    Online stories, from blog posts to journalistic articles to scientific publications, are commonly illustrated with media (e.g. images, audio clips) or statistical summaries (e.g. tables and graphs). Such “illustrations” are the result of a process of acquiring, parsing, filtering, mining, representing, refining and interacting with data [3]. Unfortunately, such processes are typically taken for granted and seldom mentioned in the story itself. Although recently a wide variety of interactive data visualisation techniques have been developed (see e.g., [6]), in many cases the illustrations in such publications are static; this prevents different audiences from engaging with the data and analyses as they desire. In this paper, we share our experiences with the concept of “data stories” that tackles both issues, enhancing opportunities for outreach, reporting on scientific inquiry, and FAIR data representation [9]. In journalism data stories are becoming widely accepted as the output of a process that is in many aspects similar to that of a computational scholar: gaining insights by analyzing data sets using (semi-)automatized methods and presenting these insights using (interactive) visualizations and other textual outputs based on data [4] [7] [5] [6]. In the context of scientific output, data stories can be regarded as digital “publications enriched with or linking to related research results, such as research data, workflows, software, and possibly connections among them” [1]. However, as infrastructure for (peerreviewed) enhanced publications is in an early stage of development (see e.g., [2]), scholarly data stories are currently often produced as blog posts, discussing a relevant topic. These may be accompanied by illustrations not limited to a single graph or image but characterized by different forms of interactivity: readers can, for instance, change the perspective or zoom level of graphs, or cycle through images or audio clips. Having experimented successfully with various types and uses of data stories1 in the CLARIAH2 project, we are working towards a more generic, stable and sustainable infrastructure to create, publish, and archive data stories. This includes providing environments for reproduction of data stories and verification of data via “close reading”. From an infrastructure perspective, this involves the provisioning of services for persistent storage of data (e.g. triple stores), data registration and search (registries), data publication (SPARQL end-points, search-APIs), data visualization, and (versioned) query creation. These services can be used by environments to develop data stories, either or not facilitating additional data analysis steps. For data stories that make use of data analysis, for example via Jupyter Notebooks [8], the infrastructure also needs to take computational requirements (load balancing) and restrictions (security) into account. Also, when data sets are restricted for copyright or privacy reasons, authentication and authorization infrastructure (AAI) is required. The large and rich data sets in (European) heritage archives that are increasingly made interoperable using FAIR principles, are eminently qualified as fertile ground for data stories. We therefore hope to be able to present our experiences with data stories, share our strategy for a more generic solution and receive feedback on shared challenges.

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    Authors: Tóth-Czifra, Erzsébet; Romary, Laurent; Edmond, Jennifer;

    On 4 September 2018, national science funders from 11 EU countries announced the launch of cOAlition S to express the collective will of making full and immediate Open Access to research publications a reality. The key principles to achieve this are articulated in their 10-point Plan S. According to the plan, from 2020, all scientific publications that result from research funded by public grants provided by participating national and European research councils and funding bodies must be published in compliant Open Access journals or on compliant Open Access platforms. To achieve this, research funders will cover the costs of publications as part of research grants. The plan has sparked intense debates from the moment of its release. In addition to the signatories, there is a large group of key stakeholders, both on European and national levels, who have expressed their support and endorsement for the principles even if they still have not formally added their signatures to it. DARIAH-ERIC joined this discussion forming a task force to work on a Position Paper that adds arts and humanities researchers and disciplines within this dialogue. DARIAH fully endorses the principles of Open Access and is in favour of powerful Open Access policies aiming to accelerate the transition towards full and immediate Open Access to scientific publications within a reasonably short time. However, we believe that Plan S reveals a strong bias toward the STEM perspective on not just publishing, but on research itself, which makes it diverge with the values of DARIAH and its key constituency, arts and humanities researchers, who most commonly do not fund their work through projects, and for whom the term ‘science’ may seem alienating.

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