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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kearney, Daithi; Commins, Adèle;

    COVID-19 imposed limitations on international travel for all of society. In academia, this has impacted on the ability of staff and students to participate in international conferences, Erasmus exchange and mobility programmes and other international activities that had been part of their Higher Education experience. In this paper, we critically reflect on two international activities that we were involved in with students and highlight how a number of benefits and experiences cannot be replicated in virtual contexts. To this end we draw from previous reflections by staff and students that formed part of a number of small research projects and presentations that resulted from international travel. This has informed the planning for and design of extra-curricular activities, as well as programme development in our institution. For music graduates seeking to develop a career in performance or engage in interdisciplinary teams, international experiences and cultural competencies prepare them for a career in the global industries. Despite the impact of COVID-19 restrictions on international travel this paper highlights the ongoing potential of international projects to impact positively on staff and students’ experience in Higher Education.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kearney, Daithi; Commins, Adèle; McGuinness, Philip;

    The propensity of choirs and music ensembles to support their members, develop social skills and nurture wellbeing is well documented but, due to the COVID-19 outbreak, the possibility of such groups to come together to rehearse, perform and socialize was removed. This paper focuses on the Oriel Traditional Orchestra (OTO), a voluntary, intergenerational, cross-border community orchestra of approximately 80 members spread over four counties in the border region of the north-east of Ireland. This paper reflects on the feedback from two surveys with the ensemble, undertaken before and during the COVID-19 restrictions in Ireland. These surveys highlight the importance to the ensemble of developing a social network for members, their sense of community, and the link between social activities connected to participation in music-making and wellbeing. During the period of restrictions resulting from COVID-19 virtual engagement in musicking contributed to wellness and the wellbeing of members but a desire for face-to�face activities remained. The paper details how the OTO has responded to the crisis to support its members and continue its social role for members.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
      Data sources: STÓR
  • Authors: University of Limerick History Society;

    peer-reviewed With the outbreak of the COVID-19 virus leading to a global pandemic, the year 2020 has been a taxing experience for many across the world. It has affected both the physical and mental health of individuals, while impacting on entire nations socially, economically, and politically. Befitting current global events, we, the editors, chose ‘In times of crisis’ as the theme for this volume. Articles for this volume have been drawn from both alumni and current postgraduate students based at different institutions in Munster. This volume begins with two articles which discuss topics relating to a former devastating crisis, the Influenza pandemic of 1918-19 (more commonly known as the Spanish flu). The first discusses how media coverage of the disease could cause alarm, while at other times it could be used to prevent panic. The second article is based on the personal correspondence between a man, who was serving abroad with the Australian Imperial Force, and his future wife, who was writing to him about how the disease was affecting the people around her in County Limerick. The remaining three articles cover crises of a separate nature with each contributor discussing a different consequence of warfare. One discusses the employment opportunities made available to women during World War I, while also highlighting the unfavourable conditions and consequences of their employment. The next article explains how supernatural phenomena were a psychological coping mechanism for Irish revolutionaries who were faced with the prospect of death. The final article in this volume discusses how three Irish priests sought to address the abuses against Catholic internees during the Northern Ireland conflict. As editors, we wish to thank, first and foremost, Dr David Fleming, Head of the Department of History, for his guidance, advice and support throughout the production of this volume, as well as the financial contribution he granted on behalf of the Department of History. We would also like to express our deepest gratitude for the continuing financial support offered to us to by Dr Niamh NicGhabhann, Assistant Dean of Research of the Faculty of Arts, Humanities and Social Sciences. We extend this gratitude to Dr Niamh Lenahan and Anne Marie O’Donnell who continue to offer their support and encouragement. The editors also extend their gratitude to the President of the University of Limerick, Professor Kerstin Mey, and to the Executive Dean of the Faculty of Arts, Humanities and Social Sciences, Professor Helen KellyHolmes. Finally, we wish to thank the contributors for all their hard work in producing the outstanding articles issued in this volume.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kearney, Daithi; Commins, Adèle;

    COVID-19 imposed limitations on international travel for all of society. In academia, this has impacted on the ability of staff and students to participate in international conferences, Erasmus exchange and mobility programmes and other international activities that had been part of their Higher Education experience. In this paper, we critically reflect on two international activities that we were involved in with students and highlight how a number of benefits and experiences cannot be replicated in virtual contexts. To this end we draw from previous reflections by staff and students that formed part of a number of small research projects and presentations that resulted from international travel. This has informed the planning for and design of extra-curricular activities, as well as programme development in our institution. For music graduates seeking to develop a career in performance or engage in interdisciplinary teams, international experiences and cultural competencies prepare them for a career in the global industries. Despite the impact of COVID-19 restrictions on international travel this paper highlights the ongoing potential of international projects to impact positively on staff and students’ experience in Higher Education.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kearney, Daithi; Commins, Adèle; McGuinness, Philip;

    The propensity of choirs and music ensembles to support their members, develop social skills and nurture wellbeing is well documented but, due to the COVID-19 outbreak, the possibility of such groups to come together to rehearse, perform and socialize was removed. This paper focuses on the Oriel Traditional Orchestra (OTO), a voluntary, intergenerational, cross-border community orchestra of approximately 80 members spread over four counties in the border region of the north-east of Ireland. This paper reflects on the feedback from two surveys with the ensemble, undertaken before and during the COVID-19 restrictions in Ireland. These surveys highlight the importance to the ensemble of developing a social network for members, their sense of community, and the link between social activities connected to participation in music-making and wellbeing. During the period of restrictions resulting from COVID-19 virtual engagement in musicking contributed to wellness and the wellbeing of members but a desire for face-to�face activities remained. The paper details how the OTO has responded to the crisis to support its members and continue its social role for members.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    STÓR
    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ STÓRarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      STÓR
      Article . 2021
      Data sources: STÓR
  • Authors: University of Limerick History Society;

    peer-reviewed With the outbreak of the COVID-19 virus leading to a global pandemic, the year 2020 has been a taxing experience for many across the world. It has affected both the physical and mental health of individuals, while impacting on entire nations socially, economically, and politically. Befitting current global events, we, the editors, chose ‘In times of crisis’ as the theme for this volume. Articles for this volume have been drawn from both alumni and current postgraduate students based at different institutions in Munster. This volume begins with two articles which discuss topics relating to a former devastating crisis, the Influenza pandemic of 1918-19 (more commonly known as the Spanish flu). The first discusses how media coverage of the disease could cause alarm, while at other times it could be used to prevent panic. The second article is based on the personal correspondence between a man, who was serving abroad with the Australian Imperial Force, and his future wife, who was writing to him about how the disease was affecting the people around her in County Limerick. The remaining three articles cover crises of a separate nature with each contributor discussing a different consequence of warfare. One discusses the employment opportunities made available to women during World War I, while also highlighting the unfavourable conditions and consequences of their employment. The next article explains how supernatural phenomena were a psychological coping mechanism for Irish revolutionaries who were faced with the prospect of death. The final article in this volume discusses how three Irish priests sought to address the abuses against Catholic internees during the Northern Ireland conflict. As editors, we wish to thank, first and foremost, Dr David Fleming, Head of the Department of History, for his guidance, advice and support throughout the production of this volume, as well as the financial contribution he granted on behalf of the Department of History. We would also like to express our deepest gratitude for the continuing financial support offered to us to by Dr Niamh NicGhabhann, Assistant Dean of Research of the Faculty of Arts, Humanities and Social Sciences. We extend this gratitude to Dr Niamh Lenahan and Anne Marie O’Donnell who continue to offer their support and encouragement. The editors also extend their gratitude to the President of the University of Limerick, Professor Kerstin Mey, and to the Executive Dean of the Faculty of Arts, Humanities and Social Sciences, Professor Helen KellyHolmes. Finally, we wish to thank the contributors for all their hard work in producing the outstanding articles issued in this volume.

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    This Research product is the result of merged Research products in OpenAIRE.

    You have already added works in your ORCID record related to the merged Research product.
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