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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sarah Kennedy; Catherine Anne Cassidy; Iain Oliver; David Caldwell; +4 Authors

    In the late medieval period, Loch Finlaggan in Islay of the Inner Hebrides was an important power base. The two islands of Eilean Mor (or Large Isle) and Eilean na Comhairle (or Council Isle) on the loch were the site of a major residence of the Lords of the Isles, who governed the Hebrides and parts of mainland Scotland and Ulster. A complex of buildings spanned the two islands, connected by a causeway, and served as the administrative and ceremonial centre. Research has revealed the comfort and wealth of the area, with dogs wearing decorative collars, and the Lords and their followers enjoying music, imported wine and board games. The lordship was traditionally held by the MacDonald family, who rule stretched from Antrim in Ireland to the north east of Scotland. During the late medieval period, the Scottish kings were trying to reign in the influence of the MacDonalds. In the 1490s, for instance, James IV sent a military expedition to sack Finlaggan, destroying many of the buildings. The site subsequently sank into obscurity.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Anelda van der Walt;

    The ESCALATOR programme aims to support the development of an inclusive and active community of practice in Digital Humanities and Computational Social Sciences in South Africa. The programme forms part of the activities of the South African Centre for Digital Language Resources (SADiLaR), a DSI funded project under the South African Research Infrastructure Roadmap initiative. One of the outputs of ESCALATOR is to develop a needs assessment to ensure activities and outputs address the real needs of the community. This document provides an overview of needs identified to date and will be updated as the project evolves and the community grows. Our Theory of Change and Logical Framework are also available on Zenodo. For input or feedback, please get in touch.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Geisler, Helena;

    This English questionnaire is based on the German version (Geisler 2022). The present questionnaire was used in 2020 to survey applicants for the bachelor's study program in fine arts at the German Art Academy "Hochschule für bildende Künste Hamburg" (HFBK). The questions focused on information about the application and application motivation, previous artistic experience and contacts in the art field. In combination with the questioning of socio-demographic variables, social inequalities in the application to study fine arts in Germany could be exemplarily researched. The first version of the German questionnaire was developed together with Doerte Hinrichsen and tested with cognitive pretests (Geisler and Hinrichsen 2021 (unpublished); Geisler 2021). The questionnaire construction was based on the questionnaires used in the survey of applicants at the Institute of Fine Arts at the Vienna Academy of Fine Arts “Akademie der bildenden Künste Wien” (Rothmüller 2010) and in the survey of graduates at the HFBK Hamburg (Lohmann and Peter 2020). Further development of the questionnaire, field pretest, implementation and evaluation of the survey took place in the context of the following master thesis: Geisler, Helena (2021): Rückenwind oder Gegenwind beim Zugang zum Kunststudium? Durchführung und Analyse einer Studienbewerber*innen-Befragung an der Hochschule für bildende Künste Hamburg. Master thesis accepted at the Faculty of Economics and Social Sciences and the Faculty of Education, University of Hamburg, Faculty of Economics and Social Sciences. https://katalogplus.sub.uni-hamburg.de/vufind/Record/1811938515?rank=1. This questionnaire is based on the questionnaire printed in the appendix of the master's thesis and is supplemented with references to the underlying questions of the surveys by (Rothmüller 2010) and (Lohmann and Peter 2020). For better clarity, the questions have been numbered.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Authors: Richard-Trémeau Emma; Betts John Charles; Brogan Catriona;

    This collection of photographs was compiled as part of the MaltaPot project at the University of Malta. This project aims to enhance the understanding of pottery technology and provenancein Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This collection presents sherds from the Għar Dalam phase, photographs, and microphotographs and lists their archaeological contexts and form. This collection was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. This collection presents the sherds which were not analysed using these destructive techniques, although they had a section ground flat for microphotography. Data collection was carried out between 2018-2020 by Dr Brogan. The document was compiled by 2023 Ms Richard-Trémeau. Photographs can be used if credited. This upload contains a PDF document and two zip files with the macroscopic photograph (Exterior surface) and the microphotographs.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: barina;

    G. Bell üzerine Yavuz İşcen derlemesi

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    Authors: Michaela Florescu;

    Interview of Jean Desbiens for Montreal Aviation Museum

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Klammt, Anne;

    Newsletter des Mainzer Zentrums für Digitalität in den Geistes- und Kulturwissenschaften (mainzed)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Other ORP type . 2017
    Data sources: ZENODO
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      ZENODO
      Other ORP type . 2017
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    Authors: Grünewald, Stefan; Friedrich, Annemarie; Kuhn, Jonas;

    Pre-trained models to parse Hindi text using the STEPS dependency parser (https://github.com/boschresearch/steps-parser).

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    Authors: Ball, Rachael; Parker, Geoffrey; The Hispanic Society of America; Romein, Christel Annemieke;

    Samples of Charles V/ Carlos V’s handwriting It is based upon the book: Rachael Ball and Geoffrey Parker (eds.), Cómo ser rey. Instrucciones del emperador Carlos V a su hijo Felipe. Mayo de 1543. Spanish-English bilingual edition; jointly published with the CSA and The Hispanic Society of America; 2014; ISBN 978-84-15245-45-2. You can find an HTR+-model in Transkribus as of 3 September 2021 named Carlos V/ Charles V – Early modern Spanish – 15th century (1543). The samples below give an indication how the handwriting of Charles V looked like in 1543. These examples are provided with The Hispanic Society of America’s permission.

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    Authors: Levy, Michelle;

    Ce projet a permis de recueillir des données à partir de bibliographies imprimées et de bases de données numériques afin d’élaborer la première base de données bibliographiques complète sur la contribution des femmes à la culture de l’imprimé de 1750 à 1830. L’objectif de cette base de données accessible au public est de permettre de nouvelles interprétations quantitatives de la participation des femmes à la culture de l’imprimé. Ce plan de gestion des données est accompagné d’un schéma de métadonnées élaboré par les chercheurs pour décrire le contenu unique de la base de données (lien fourni à l’intérieur).

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sarah Kennedy; Catherine Anne Cassidy; Iain Oliver; David Caldwell; +4 Authors

    In the late medieval period, Loch Finlaggan in Islay of the Inner Hebrides was an important power base. The two islands of Eilean Mor (or Large Isle) and Eilean na Comhairle (or Council Isle) on the loch were the site of a major residence of the Lords of the Isles, who governed the Hebrides and parts of mainland Scotland and Ulster. A complex of buildings spanned the two islands, connected by a causeway, and served as the administrative and ceremonial centre. Research has revealed the comfort and wealth of the area, with dogs wearing decorative collars, and the Lords and their followers enjoying music, imported wine and board games. The lordship was traditionally held by the MacDonald family, who rule stretched from Antrim in Ireland to the north east of Scotland. During the late medieval period, the Scottish kings were trying to reign in the influence of the MacDonalds. In the 1490s, for instance, James IV sent a military expedition to sack Finlaggan, destroying many of the buildings. The site subsequently sank into obscurity.

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    Authors: Anelda van der Walt;

    The ESCALATOR programme aims to support the development of an inclusive and active community of practice in Digital Humanities and Computational Social Sciences in South Africa. The programme forms part of the activities of the South African Centre for Digital Language Resources (SADiLaR), a DSI funded project under the South African Research Infrastructure Roadmap initiative. One of the outputs of ESCALATOR is to develop a needs assessment to ensure activities and outputs address the real needs of the community. This document provides an overview of needs identified to date and will be updated as the project evolves and the community grows. Our Theory of Change and Logical Framework are also available on Zenodo. For input or feedback, please get in touch.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Geisler, Helena;

    This English questionnaire is based on the German version (Geisler 2022). The present questionnaire was used in 2020 to survey applicants for the bachelor's study program in fine arts at the German Art Academy "Hochschule für bildende Künste Hamburg" (HFBK). The questions focused on information about the application and application motivation, previous artistic experience and contacts in the art field. In combination with the questioning of socio-demographic variables, social inequalities in the application to study fine arts in Germany could be exemplarily researched. The first version of the German questionnaire was developed together with Doerte Hinrichsen and tested with cognitive pretests (Geisler and Hinrichsen 2021 (unpublished); Geisler 2021). The questionnaire construction was based on the questionnaires used in the survey of applicants at the Institute of Fine Arts at the Vienna Academy of Fine Arts “Akademie der bildenden Künste Wien” (Rothmüller 2010) and in the survey of graduates at the HFBK Hamburg (Lohmann and Peter 2020). Further development of the questionnaire, field pretest, implementation and evaluation of the survey took place in the context of the following master thesis: Geisler, Helena (2021): Rückenwind oder Gegenwind beim Zugang zum Kunststudium? Durchführung und Analyse einer Studienbewerber*innen-Befragung an der Hochschule für bildende Künste Hamburg. Master thesis accepted at the Faculty of Economics and Social Sciences and the Faculty of Education, University of Hamburg, Faculty of Economics and Social Sciences. https://katalogplus.sub.uni-hamburg.de/vufind/Record/1811938515?rank=1. This questionnaire is based on the questionnaire printed in the appendix of the master's thesis and is supplemented with references to the underlying questions of the surveys by (Rothmüller 2010) and (Lohmann and Peter 2020). For better clarity, the questions have been numbered.

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    Authors: Richard-Trémeau Emma; Betts John Charles; Brogan Catriona;

    This collection of photographs was compiled as part of the MaltaPot project at the University of Malta. This project aims to enhance the understanding of pottery technology and provenancein Neolithic Malta, mainly dating to the Għar Dalam, Skorba (Early Neolithic), and Zebbuġ (Late Neolithic) phases. This collection presents sherds from the Għar Dalam phase, photographs, and microphotographs and lists their archaeological contexts and form. This collection was prepared thanks to the information from the National Museum of Archaeology (NMA), Malta, and the FRAGSUS project. The project used multiple techniques to characterise the pottery sherds, such as microscopy, polarised light microscope, X-Ray Fluorescence or X-Ray Diffraction. This collection presents the sherds which were not analysed using these destructive techniques, although they had a section ground flat for microphotography. Data collection was carried out between 2018-2020 by Dr Brogan. The document was compiled by 2023 Ms Richard-Trémeau. Photographs can be used if credited. This upload contains a PDF document and two zip files with the macroscopic photograph (Exterior surface) and the microphotographs.

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    Authors: barina;

    G. Bell üzerine Yavuz İşcen derlemesi

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    Authors: Michaela Florescu;

    Interview of Jean Desbiens for Montreal Aviation Museum

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    Authors: Klammt, Anne;

    Newsletter des Mainzer Zentrums für Digitalität in den Geistes- und Kulturwissenschaften (mainzed)

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