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  • 2019-2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Henao, Hander Andrés;

    Una pequeña disertación sobre las relaciones entre la lógica de Hegel y el modo como Marx aborda la realidad social.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Henao, Hander Andrés;

    Está es una charla previa a propósito de la Modernidad, en la que se re-definen críticamente las relaciones entre el Mito, el Logos y el Concepto, como una problematización del pensamiento eurocéntrico y apuntamientos para la construcción de otro modo de racionalidad y existencia. Son 5 planteamientos en los que se relacionan las dimensiones antropológico-históricas de la cuestión. En esta charla se presenta los 4 primeros planteamientos, cuatro movimientos, siendo el último, la definición crítica de Modernidad.

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    Authors: Monção Silva, Vinícius;

    Trabalho de Conclusão de Curso apresentado ao Instituto Latino-Americano de Tecnologia, Infraestrutura e Território da Universidade Federal da Integração Latino-Americana, como requisito parcial à obtenção do título de Bacharel em Arquitetura e Urbanismo. MAD - Museu de Artes Digitais - O Museu de Artes Digitais apresenta-se como uma proposta para o setor museológico da cidade de Foz do Iguaçu, PR, considerando o seu grande potencial turístico e o numero restrito de espaços culturais na cidade. Partindo do conceito de Imersão, o edifício propõe-se como um equipamento fomentador da cultura e entretenimento, utilizando-se de tecnologias como Realidade Virtual e Realidade virtual aumentada, para proporcionar experiências imersivas e sensoriais inusitadas a seus visitantes, bem como servir de interface entre a população e o mundo das artes digitais.

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    Authors: Portela Silva, Nicol;

    Esta Guía Informativa fue desarrollada durante el período de estágio pedagógico de la alumna Nicol Portela Silva, inscrita en el Programa Interdisciplinari de Posgrado en Estudios Latinoamericanos (PPGIELA), nivel Strictu Sensu en la Universidad Federal de la Integración Latinoamericana (UNILA), con la orientación de Laura Janaina Dias Amato . En este manual informativo dividido en tres partes: 1. Brasil y su objetivo de educación superior en el área de posgrado. 2. Requisitos y pasos para el ingreso. 3. Documentos a tramitar post- formación. Usted encontrará de forma fácil y práctica los diferentes requisitos y pasos a tener en cuenta para el acceso a la educación superior en el área de posgrado, específicamente en las universidades estaduales y federales PUBLICAS y gratuitas del estado de Paraná (PR) región sur de Brasil.

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    Authors: Henao, Hander Andrés;

    Esta es la primera grabación de la serie de Estudios del Capital: el problema de los Precios. En la que se intenta abordar de forma pormenorizada la critica que hace Marx a la teoría del valor anterior a él y su dimensión dentro del proyecto general de una crítica al modo de producción capitalista y la forma de vida burguesa (forma de sociabiliad) en cuanto ejes articuladores de una crítica al proyecto civilizatorio de la Modernidad occidental.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Hernández, María;

    Dissertação apresentada ao Programa de Pós-Graduação Interdisciplinar em Estudos Latino-Americanos da Universidade Federal da Integração Latino-Americana, como requisito parcialà obtenção do título de Mestra em Estudos Latino-Americanos. El son jarocho de México y el Joropo llanero de Venezuela son dos expresiones musicales que muestran rasgos en común, como resultado de un proceso histórico que los hermana. Ambos tienen su raíz principal en el fandango, celebración músico-bailable que cruzó el océano atlántico de ida y vuelta, formando variadas manifestaciones musicales y danzarías durante la época colonial, tanto en América como en la Península Ibérica. En ese proceso se va conformando también el complejo genérico ternario del Caribe, el cual se subdivide y se expande en las diversas expresiones regionales que aún hoy se conocen. En el Gran Caribe ha habido siempre intercambios musicales, por lo que el flujo de estéticas ha sido permanente y la hermandad dentro del fenómeno fandanguero se viene manifestando en los aspectos musicales como el ritmo, la armonía, lo tímbrico, entre otros. Para destacar las afinidades y diferencias que unen o separan los rasgos identificables se han seleccionado dos ejemplos: el Buscapies (son jarocho) y el Seis Numerao (joropo llanero). Ambos comparten el mismo patrón acordal y son ejemplo de consanguinidad rítmica con acentuaciones específicas. En este sentido, se presentará un análisis musical comparativo de las formas mencionadas, partiendo de la metodología de Simha Ahrom Buscando aproximaciones que se perfilen en los aspectos musicales principalmente.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório Instituc...arrow_drop_down
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    Authors: Santamaría Alvarado, Angélica;

    Trabajo de valoración del patrimonio cultural La plaza de la Santísima Trinidad y su respectiva iglesia, localizada en el barrio histórico de Getsemaní en Cartagena de Indias, tienen una historia que se remonta a principios del siglo XVII, cuando el obispo de la ciudad dirigió una solicitud al entonces rey de España Felipe III de proveer los fondos para erguir una “ayuda de parroquia” en el barrio, que cada vez crecía en población. La construcción de la iglesia se inició en 1643 y se concretó aproximadamente hacia 1688. Desde ese momento, la plaza que lleva su nombre en honor a la iglesia, se convirtió en el “corazón del barrio”, como con cariño la significan los vecinos que aún permanecen en el barrio. Como escenario principal de la gesta de la independencia de la ciudad en el siglo XIX, y siglos después aún de las festividades, celebraciones, juegos y sociabilidad locales, es innegable que este espacio urbano se configura como un hito y un patrimonio para el barrio, la ciudad, y porque no, internacional. Sin embargo, tanto la plaza como el barrio, hoy enfrentan la problemática de vaciar lo que la hace patrimonio y única, que es la gente y su entorno debido al creciente turismo y fenómeno de gentrificación, que ha tomado al barrio como lugar predilecto para jóvenes viajeros y empresarios. El presente documento tiene como propósito realizar la valoración como bien cultural de la plaza, llevando en consideración tanto los aspectos formales/estéticos, como culturales, históricos y funcionales del lugar.

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    Authors: Ramirez, Liz Leticia;

    Relatório Final de Bolsista apresentado para atender requisito do Edital 01/2018 PROINT-IMEA-PROGRAD. Este relatorio contiene parte de las reflexiones realizadas a partir de la investigación sobre grades curriculares de cursos de graduación en música de América Latina y Caribe. Como parte de la investigación fueron analizadas y comparadas grades curriculares de 43 cursos de Música dentro de 23 universidades de América Latina y Caribe, en algunos casos también fueron utilizados planes de estudio de modo a constatar la presencia de indicios de colonialidad en los documentos estudiados. A partir de un abordaje teórico sobre colonialidad y decolonialidad distinguimos que la valoración de la música notada y el predominio de la música erudita europea, entre otros, son rasgos muy presentes en la enseñanza superior de música. Con las lecturas y el estudio realizado fue posible reflexionar sobre la posibilidad de realizar cambios favorables a la ruptura de la colonialidad en el curso de música de la UNILA Instituto Mercosul de Estudos avançados - IMEA (Edital 01/2018 PROINT-IMEA-PROGRAD)

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    Authors: Henao, Hander Andrés;

    Presentación y comentario introductorio al pensamiento filosófico de G. W. F. Hegel.

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    Authors: Henao, Hander Andrés;

    Documento de trabajo que expone de forma sintética las reflexiones de Freud sobre la femenidad del Inconsciente.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Henao, Hander Andrés;

    Una pequeña disertación sobre las relaciones entre la lógica de Hegel y el modo como Marx aborda la realidad social.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Henao, Hander Andrés;

    Está es una charla previa a propósito de la Modernidad, en la que se re-definen críticamente las relaciones entre el Mito, el Logos y el Concepto, como una problematización del pensamiento eurocéntrico y apuntamientos para la construcción de otro modo de racionalidad y existencia. Son 5 planteamientos en los que se relacionan las dimensiones antropológico-históricas de la cuestión. En esta charla se presenta los 4 primeros planteamientos, cuatro movimientos, siendo el último, la definición crítica de Modernidad.

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    Authors: Monção Silva, Vinícius;

    Trabalho de Conclusão de Curso apresentado ao Instituto Latino-Americano de Tecnologia, Infraestrutura e Território da Universidade Federal da Integração Latino-Americana, como requisito parcial à obtenção do título de Bacharel em Arquitetura e Urbanismo. MAD - Museu de Artes Digitais - O Museu de Artes Digitais apresenta-se como uma proposta para o setor museológico da cidade de Foz do Iguaçu, PR, considerando o seu grande potencial turístico e o numero restrito de espaços culturais na cidade. Partindo do conceito de Imersão, o edifício propõe-se como um equipamento fomentador da cultura e entretenimento, utilizando-se de tecnologias como Realidade Virtual e Realidade virtual aumentada, para proporcionar experiências imersivas e sensoriais inusitadas a seus visitantes, bem como servir de interface entre a população e o mundo das artes digitais.

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    Authors: Portela Silva, Nicol;

    Esta Guía Informativa fue desarrollada durante el período de estágio pedagógico de la alumna Nicol Portela Silva, inscrita en el Programa Interdisciplinari de Posgrado en Estudios Latinoamericanos (PPGIELA), nivel Strictu Sensu en la Universidad Federal de la Integración Latinoamericana (UNILA), con la orientación de Laura Janaina Dias Amato . En este manual informativo dividido en tres partes: 1. Brasil y su objetivo de educación superior en el área de posgrado. 2. Requisitos y pasos para el ingreso. 3. Documentos a tramitar post- formación. Usted encontrará de forma fácil y práctica los diferentes requisitos y pasos a tener en cuenta para el acceso a la educación superior en el área de posgrado, específicamente en las universidades estaduales y federales PUBLICAS y gratuitas del estado de Paraná (PR) región sur de Brasil.

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    Authors: Henao, Hander Andrés;

    Esta es la primera grabación de la serie de Estudios del Capital: el problema de los Precios. En la que se intenta abordar de forma pormenorizada la critica que hace Marx a la teoría del valor anterior a él y su dimensión dentro del proyecto general de una crítica al modo de producción capitalista y la forma de vida burguesa (forma de sociabiliad) en cuanto ejes articuladores de una crítica al proyecto civilizatorio de la Modernidad occidental.

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    Authors: Hernández, María;

    Dissertação apresentada ao Programa de Pós-Graduação Interdisciplinar em Estudos Latino-Americanos da Universidade Federal da Integração Latino-Americana, como requisito parcialà obtenção do título de Mestra em Estudos Latino-Americanos. El son jarocho de México y el Joropo llanero de Venezuela son dos expresiones musicales que muestran rasgos en común, como resultado de un proceso histórico que los hermana. Ambos tienen su raíz principal en el fandango, celebración músico-bailable que cruzó el océano atlántico de ida y vuelta, formando variadas manifestaciones musicales y danzarías durante la época colonial, tanto en América como en la Península Ibérica. En ese proceso se va conformando también el complejo genérico ternario del Caribe, el cual se subdivide y se expande en las diversas expresiones regionales que aún hoy se conocen. En el Gran Caribe ha habido siempre intercambios musicales, por lo que el flujo de estéticas ha sido permanente y la hermandad dentro del fenómeno fandanguero se viene manifestando en los aspectos musicales como el ritmo, la armonía, lo tímbrico, entre otros. Para destacar las afinidades y diferencias que unen o separan los rasgos identificables se han seleccionado dos ejemplos: el Buscapies (son jarocho) y el Seis Numerao (joropo llanero). Ambos comparten el mismo patrón acordal y son ejemplo de consanguinidad rítmica con acentuaciones específicas. En este sentido, se presentará un análisis musical comparativo de las formas mencionadas, partiendo de la metodología de Simha Ahrom Buscando aproximaciones que se perfilen en los aspectos musicales principalmente.

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    Authors: Santamaría Alvarado, Angélica;

    Trabajo de valoración del patrimonio cultural La plaza de la Santísima Trinidad y su respectiva iglesia, localizada en el barrio histórico de Getsemaní en Cartagena de Indias, tienen una historia que se remonta a principios del siglo XVII, cuando el obispo de la ciudad dirigió una solicitud al entonces rey de España Felipe III de proveer los fondos para erguir una “ayuda de parroquia” en el barrio, que cada vez crecía en población. La construcción de la iglesia se inició en 1643 y se concretó aproximadamente hacia 1688. Desde ese momento, la plaza que lleva su nombre en honor a la iglesia, se convirtió en el “corazón del barrio”, como con cariño la significan los vecinos que aún permanecen en el barrio. Como escenario principal de la gesta de la independencia de la ciudad en el siglo XIX, y siglos después aún de las festividades, celebraciones, juegos y sociabilidad locales, es innegable que este espacio urbano se configura como un hito y un patrimonio para el barrio, la ciudad, y porque no, internacional. Sin embargo, tanto la plaza como el barrio, hoy enfrentan la problemática de vaciar lo que la hace patrimonio y única, que es la gente y su entorno debido al creciente turismo y fenómeno de gentrificación, que ha tomado al barrio como lugar predilecto para jóvenes viajeros y empresarios. El presente documento tiene como propósito realizar la valoración como bien cultural de la plaza, llevando en consideración tanto los aspectos formales/estéticos, como culturales, históricos y funcionales del lugar.

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    Authors: Ramirez, Liz Leticia;

    Relatório Final de Bolsista apresentado para atender requisito do Edital 01/2018 PROINT-IMEA-PROGRAD. Este relatorio contiene parte de las reflexiones realizadas a partir de la investigación sobre grades curriculares de cursos de graduación en música de América Latina y Caribe. Como parte de la investigación fueron analizadas y comparadas grades curriculares de 43 cursos de Música dentro de 23 universidades de América Latina y Caribe, en algunos casos también fueron utilizados planes de estudio de modo a constatar la presencia de indicios de colonialidad en los documentos estudiados. A partir de un abordaje teórico sobre colonialidad y decolonialidad distinguimos que la valoración de la música notada y el predominio de la música erudita europea, entre otros, son rasgos muy presentes en la enseñanza superior de música. Con las lecturas y el estudio realizado fue posible reflexionar sobre la posibilidad de realizar cambios favorables a la ruptura de la colonialidad en el curso de música de la UNILA Instituto Mercosul de Estudos avançados - IMEA (Edital 01/2018 PROINT-IMEA-PROGRAD)

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    Authors: Henao, Hander Andrés;

    Presentación y comentario introductorio al pensamiento filosófico de G. W. F. Hegel.

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    Authors: Henao, Hander Andrés;

    Documento de trabajo que expone de forma sintética las reflexiones de Freud sobre la femenidad del Inconsciente.

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