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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Živković Kuljiš, Loren; Belamarić, Josip; Korkut, Alem;

    Skripta za kolegij Kiparstvo 2 na Diplomskom studiju Odsjeka kiparstvo Umjetničke akademije u Splitu nastavlja se na skriptu za kolegij iz prethodnog semestra, Kiparstvo 1. Petnaest nastavnih jedinica nižu se slijedom sukladnim realnoj kiparskoj praksi, što predstavlja važno iskustvo za studente, osobito u kolegiju Kiparstvo 2 koji nastavno na prethodni kolegij omogućuje studentima daljnje razvijanje znanja i iskustva. Mogućnost percepcije i artikulacije novih sadržaja je jedan od najvažnijih aspekata razvoja procesa autorskog rada. Naglasak je na njegovoj otvorenosti i unaprjeđivanju, kao nadogradnji znanja iz prethodnog semestra. Kroz čitavu skriptu se utvrđuje osnovna struktura stvaralačkog procesa, no sada na zahtjevnijoj razini. Pažnja posvećena likovnom jeziku, kao temeljnom i objedinjujućem aspektu rada, u ovom semestru je dodatno naglašena i prezentirana nizom odabranih vizualnih primjera, kao i primjera citata autora koji se mogu tumačiti kao temelji izjave o radu. Skripta olakšava studentima ostvarivanje očekivanih ishoda učenja, odnosno osvješćivanje potpunog procesa realizacije suvremene autorske skulpture, od osmišljavanja ideje do izvedbe rada i promišljanja njegova postava u prostoru. The script for the course Sculpture 2 at the Graduate Study of the Department of Sculpture of the Art Academy in Split continues on the script for the course Sculpture 1 from the previous semester. Fifteen teaching units are arranged in sequences consistent with real sculptural practice. The possibility of perception and articulation of new content is one of the most important aspects of the development of the author's work process. The emphasis is on its openness and improvement, as an upgrade of knowledge from the previous semester. Throughout the script, the basic structure of the creative process is determined, but now at a more demanding level. The attention paid to the language of art, as a fundamental and unifying aspect of the work, this semester is further emphasized and presented by a series of selected visual examples, as well as examples of quotations from authors that can be interpreted as the basis of the artist’s statement. The script makes it easier for students to achieve the expected learning outcomes, i.e. awareness of the full process of realization of contemporary author's sculpture, from conceiving an idea to performing the work, and thinking about its layout in exhibition space.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ University of Split ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ University of Split ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ostojić, Lena;

    Kulturna baština predstavlja povijest naroda. DogaĎaji i način ţivota te običaji i drugi segmenti na koje je utjecao čovjek na odreĎenom području definiraju indentitet svake zajednice. Proučavanjem nasljeĎene baštine upoznajemo sebe i stvaramo sliku o svim materijalnim i nematerijalnim vrijednostima koje su posjedovali naši preci. Danas kulturu karakterizira puno više od samog učenja svog nasljeĎa. Pravilno upravljanje, valorizacija, revitalizacija, zaštita i drugi postupci omogućuju da se kulturna dobra sačuvaju i prepoznaju kao vrijednosti od iznimne vaţnosti. Na osnovi takvih atraktivnosti je i nastao kulturni turizam koji ima sve veţu vaţnost u Republici Hrvatskoj kao jedan od najznačajnijih selektivnih oblika turizma. Da bi se dugoročno i kvalitetno kulturna baština sačuvala osnovne su organizacije koje imaju za cilj očuvanje kulturnih dobara diljem svijeta od kojih je UNESCO svakoako najznačajnija organizacija. Baština koja je pod ingerencijom navedene organizacije spada u najvrijednija svjetska kulturna dostignuća. Republika Hrvatska koja je prostorno mala drţava ima iznimnu nasljeĎenu baštinu te sve više se ista prepoznaje kao potencijal budućeg turističkog razvoja. Uz pomoć EU fondova i jasnim smjernicama te projektima nadleţnih tijela vlasti u cilju kvalitetnog očuvanja i upravljanja istom napravljeni su veliki pomaci. Cilj ovog rada je upoznati se s hrvatskom kulturnom baštinom te ukazati na njenu vrijednost. Valorizacija, pravilno upravljanje i aktivno odrţavanje kulturnih dobara vrlo su bitni čimbenici koji sluţe kao uporište za stvaranje konkurentnih prednosti te ističu vaţnost baštine stvarane tijekom povijesti jer ona pokriva mnogo aspekata ţivota zajednice, kako prošlih tako i sadašnjih. Valoriziranje kulturne baštine moţe se postići na mnoge načine, a svi imaju za cilj povećanje atraktivnosti destinacije što je vaţno za razvoj u ekonomskom, turističkom, kulturnom, socijalnom i ekološkom smislu. Cultural heritage represents the history of nations. Events, way of life, customs and other segments influenced by man in a particular area defined the characteristics of the community. By studying inherited heritage we get to know ourselves and create a picture of all the tangible and intangible values that our ancestors visited. Today’s culture is characterized by much more than just learning its history. Proper management, valorization, revitalization, protection and other procedures enable cultural goods to be preserved and recognized as values of exceptional importance. Over time, cultural tourism has emerged as well as many other results that affect the growth and development of the entire community. In order to preserve long-term and quality cultural heritage, established organizations representing cultural good awareness, of which UNESCO is one of them. The heritage that mentioned the organization is on the list of the world’s most valuable cultural achievements. Croatia, which is a spatially small country, has a number of inherited heritage in which the potential future development is increasingly recognized. With the help of EU funds and a clear vision of the development of culture and all its forces, we will be the same as a great competitive other state. The aim of this paper was to get acquainted with the Croatian cultural heritage and point out its value. Valorisation, proper management and active maintenance of cultural assets are very important factors that serve as a bulwark for great competitive performance and emphasize the importance of heritage created throughout history as it has covered many aspect s of people’s lives, both past and present. The valorisation of cultural heritage can be achieved in many ways, and all aim to increase the attractiveness of the destination which is important for development in economic, tourist, cultural, social and environmental terms.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of Univer...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of Univer...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Capan, Virna;

    The topic of this thesis is the Rivers and tourist infrastructure in the City of Karlovac, therefore the first part of the thesis describes the City of Karlovac, it's geographical location, traffic connections with other cities and the history of the city's origin. Then there is a list of rivers of Karlovac with description in detail, and there is a list of the bridges and beaches on each river. Then the tourist attractions in the city are listed and shown on the map. The connection of tourist attractions with promenades that extend through the city and along the rivers was observed. The General urban development plan for ŠRC Korana is described, which if realized, would expand the city's tourist offer and would improve the unused space along the bank of the river Korana. In the last part of the thesis, a SWOT analysis was made in order to get a detailed insight into the strengths, weaknesses, opportunities and threats that affect the development of tourism and the tourist infrastructure od the City of Karlovac. Finally, the conclusion of the entire work is written in the end. Tema ovog diplomskog rada su Rijeke i turistička infrastruktura Grada Karlovca, stoga je u prvom dijelu rada opisan Grad Karlovac, njegov geografski položaj, prometna povezanost s drugim gradovima te povijest nastanka grada. Zatim su nabrojane i detaljno opisane karlovačke rijeke, navedeni su mostovi i kupališta koji se nalaze na rijekama. Također je naglašen problem poplava te su prikazana moguća poplavna područja uz rijeke. Zatim su navedene i na mapi prikazane turističke atrakcije u gradu. Uočena je povezanost turističkih atrakcija šetnicama koje se prostiru kroz grad i uz rijeke. Opisan je Generalni urbanistički plan uređenja ŠRC Korana koji bi, ako se realizira, proširio turističku ponudu grada te bi se uredio neiskorišten prostor uz obalu rijeke Korane. U zadnje dijelu rada je napravljena SWOT analiza kako bi se dobio detaljan uvid u snage, slabosti, prilike i prijetnje koje utječu na razvoj turizma i turističku infrastrukturu grada Karlovca. Za kraj, napisan je zaključak cijelog rada.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Šesnić, Jelena;

    This article discusses the status of Toni Morrison as an American writer who consistently foregrounded African American history and experience and acted during her long career as a public intellectual. Morrison’s writerly agenda has been to delve into the epistemological origin of constructions such as race and blackness, placed in the context of their historical manifestation, such as transatlantic slavery as manifested in Morrison’s two most striking historical novels, Beloved (1987) and A Mercy (2008). Writing slavery, as a way to re-write the United States’ history and probe its dark spaces, places Morrison’s texts in a long line of nineteenth-century slave narratives, and in particular their twentieth-century avatar, the neo-slave novel, which strives to historicize slavery from the sufferer’s perspective. In the process, Morrison creates a “resistant text” (Sommer) requiring the reader’s imaginative and ethical engagement and refusing to fill in all the gaps. That the haunting of slavery still requires imaginative, historical, and ethical engagement, like the one accorded it by Morrison, is a fact of U.S. American social life to the present day.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ODRAZ - Open Reposit...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Poslon, Andrea;

    The subject of this graduate thesis is the constitutional protection of cultural property. At the very beginning, we are talking about the constitutional complaint, the deadline for bringing the lawsuit, etc. The fundamental law that governs the issue of cultural property is the Law on the protection and preservation of cultural property. In order to get a broader picture of how to protect cultural property, it is necessary to mention other regulations that are key to cultural property, so in addition to the basic law, the Constitution of the Republic of Croatia, which guarantees the preservation and protection of cultural property, is also important. Equally important is the Law on spatial planning, which in its spatial planning objectives also states the protection of cultural assets and values. And finally, judicial practice is very important to us, which is an indicator of the implementation of the constitutional protection of cultural property. Tema ovoga diplomskoga rada je ustavnosudska zaštita kulturnih dobara. U samom početku govorimo o ustavnoj tužbi, o roku za donošenje tužbe itd. Temeljni zakon koji uređuje pitanje kulturnih dobara je Zakon o zaštiti i očuvanju kulturnih dobara. Kako bismo dobili neku širu sliku u tome kako zaštititi kulturna dobra potrebno je navesti i druge propise koji su ključni za kulturna dobra, pa pored temeljnog zakona je bitan i Ustav Republike Hrvatske koji jamči očuvanje i zaštitu kulturnih dobara. Isto tako je bitan i Zakon o prostornom uređenju koji u svojim ciljevima prostornog uređenja također navodi zaštitu kulturnih dobara i vrijednosti. Sudska praksa je dobar pokazatelj provođenja ustavnosudske zaštite kulturnih dobara.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository Faculty o...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository Faculty o...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Živković Kuljiš, Loren; Mance, Ivana; Korkut, Alem;

    Sadržaj skripte dosljedno prati nastavni program te je koncipiran je u četiri faze i u petnaest nastavnih jedinica koje su u skripti opširno elaborirane objašnjenjima i primjerima. Kroz nijh student prolazi kroz sve etape konceptualizacije, realizacije i predstavljanja kiparskog djela, u čemu mu skripta služi kao temeljna literatura. Skripta objašnjava cilj i zadatak svake nastavne jedinice, elaborirajući temu kroz niz odabranih primjera umjetničkih djela hrvatskih i inozemnih kipara. Putem ovih primjera dodatno se razlažu umjetnički i tehnološki problemi s kojima se sreću studenti u svome radu: pojašnjavaju se različiti tipovi umjetničkih tema u rasponu od klasičnih tema do konceptualnih i autoreferencijalnih, načini njihove likovne interpretacije, odnos kiparskog medija prema kategorijama prostora i vremena, različite vrste umjetničke motivacije pri izboru teme, različita konotacijska značenja pojedinih materijala, aspekti izvedbe u pojedinim materijalima i slično. Pomoću skripte student može lakše pratiti sadržaje kolegija te se na nju osloniti pri promišljanju i planiranju vlastitog rada, razvoju individualnog stila i percepciji vlastite autorske pozicije s nesputanim tretmanom ideja i jasnom interpretacijom koncepata. The content of the script consistently follows the curriculum. It is conceived in four phases and in fifteen teaching units, which are extensively elaborated in the script with explanations and examples. Through them, the student goes through all stages of conceptualization, realization and presentation of a sculptural work, in which the script serves as the basic literature. The script explains the goal and task of each teaching unit, elaborating the topic through a series of selected examples of works of art by Croatian and foreign sculptors. These examples further explain the artistic and technological problems that students face in their work: they explain different types of artistic themes ranging from classical to conceptual and self-referential, ways of their artistic interpretation, the relationship of sculpture to categories of space and time, different types of artistic motivation in choosing a topic, different connotational meanings of certain materials, aspects of performance in certain materials etc. With the help of the script, the students can more easily follow the contents of the course and rely on it when thinking and planning their own work, developing individual style and perception of their own position with unfettered treatment of ideas and clear interpretation of concepts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ University of Split ...arrow_drop_down
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    Authors: Živković Kuljiš, Loren; Belamarić, Josip; Korkut, Alem;

    Skripta za kolegij Kiparstvo 2 na Diplomskom studiju Odsjeka kiparstvo Umjetničke akademije u Splitu nastavlja se na skriptu za kolegij iz prethodnog semestra, Kiparstvo 1. Petnaest nastavnih jedinica nižu se slijedom sukladnim realnoj kiparskoj praksi, što predstavlja važno iskustvo za studente, osobito u kolegiju Kiparstvo 2 koji nastavno na prethodni kolegij omogućuje studentima daljnje razvijanje znanja i iskustva. Mogućnost percepcije i artikulacije novih sadržaja je jedan od najvažnijih aspekata razvoja procesa autorskog rada. Naglasak je na njegovoj otvorenosti i unaprjeđivanju, kao nadogradnji znanja iz prethodnog semestra. Kroz čitavu skriptu se utvrđuje osnovna struktura stvaralačkog procesa, no sada na zahtjevnijoj razini. Pažnja posvećena likovnom jeziku, kao temeljnom i objedinjujućem aspektu rada, u ovom semestru je dodatno naglašena i prezentirana nizom odabranih vizualnih primjera, kao i primjera citata autora koji se mogu tumačiti kao temelji izjave o radu. Skripta olakšava studentima ostvarivanje očekivanih ishoda učenja, odnosno osvješćivanje potpunog procesa realizacije suvremene autorske skulpture, od osmišljavanja ideje do izvedbe rada i promišljanja njegova postava u prostoru. The script for the course Sculpture 2 at the Graduate Study of the Department of Sculpture of the Art Academy in Split continues on the script for the course Sculpture 1 from the previous semester. Fifteen teaching units are arranged in sequences consistent with real sculptural practice. The possibility of perception and articulation of new content is one of the most important aspects of the development of the author's work process. The emphasis is on its openness and improvement, as an upgrade of knowledge from the previous semester. Throughout the script, the basic structure of the creative process is determined, but now at a more demanding level. The attention paid to the language of art, as a fundamental and unifying aspect of the work, this semester is further emphasized and presented by a series of selected visual examples, as well as examples of quotations from authors that can be interpreted as the basis of the artist’s statement. The script makes it easier for students to achieve the expected learning outcomes, i.e. awareness of the full process of realization of contemporary author's sculpture, from conceiving an idea to performing the work, and thinking about its layout in exhibition space.

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    Authors: Ostojić, Lena;

    Kulturna baština predstavlja povijest naroda. DogaĎaji i način ţivota te običaji i drugi segmenti na koje je utjecao čovjek na odreĎenom području definiraju indentitet svake zajednice. Proučavanjem nasljeĎene baštine upoznajemo sebe i stvaramo sliku o svim materijalnim i nematerijalnim vrijednostima koje su posjedovali naši preci. Danas kulturu karakterizira puno više od samog učenja svog nasljeĎa. Pravilno upravljanje, valorizacija, revitalizacija, zaštita i drugi postupci omogućuju da se kulturna dobra sačuvaju i prepoznaju kao vrijednosti od iznimne vaţnosti. Na osnovi takvih atraktivnosti je i nastao kulturni turizam koji ima sve veţu vaţnost u Republici Hrvatskoj kao jedan od najznačajnijih selektivnih oblika turizma. Da bi se dugoročno i kvalitetno kulturna baština sačuvala osnovne su organizacije koje imaju za cilj očuvanje kulturnih dobara diljem svijeta od kojih je UNESCO svakoako najznačajnija organizacija. Baština koja je pod ingerencijom navedene organizacije spada u najvrijednija svjetska kulturna dostignuća. Republika Hrvatska koja je prostorno mala drţava ima iznimnu nasljeĎenu baštinu te sve više se ista prepoznaje kao potencijal budućeg turističkog razvoja. Uz pomoć EU fondova i jasnim smjernicama te projektima nadleţnih tijela vlasti u cilju kvalitetnog očuvanja i upravljanja istom napravljeni su veliki pomaci. Cilj ovog rada je upoznati se s hrvatskom kulturnom baštinom te ukazati na njenu vrijednost. Valorizacija, pravilno upravljanje i aktivno odrţavanje kulturnih dobara vrlo su bitni čimbenici koji sluţe kao uporište za stvaranje konkurentnih prednosti te ističu vaţnost baštine stvarane tijekom povijesti jer ona pokriva mnogo aspekata ţivota zajednice, kako prošlih tako i sadašnjih. Valoriziranje kulturne baštine moţe se postići na mnoge načine, a svi imaju za cilj povećanje atraktivnosti destinacije što je vaţno za razvoj u ekonomskom, turističkom, kulturnom, socijalnom i ekološkom smislu. Cultural heritage represents the history of nations. Events, way of life, customs and other segments influenced by man in a particular area defined the characteristics of the community. By studying inherited heritage we get to know ourselves and create a picture of all the tangible and intangible values that our ancestors visited. Today’s culture is characterized by much more than just learning its history. Proper management, valorization, revitalization, protection and other procedures enable cultural goods to be preserved and recognized as values of exceptional importance. Over time, cultural tourism has emerged as well as many other results that affect the growth and development of the entire community. In order to preserve long-term and quality cultural heritage, established organizations representing cultural good awareness, of which UNESCO is one of them. The heritage that mentioned the organization is on the list of the world’s most valuable cultural achievements. Croatia, which is a spatially small country, has a number of inherited heritage in which the potential future development is increasingly recognized. With the help of EU funds and a clear vision of the development of culture and all its forces, we will be the same as a great competitive other state. The aim of this paper was to get acquainted with the Croatian cultural heritage and point out its value. Valorisation, proper management and active maintenance of cultural assets are very important factors that serve as a bulwark for great competitive performance and emphasize the importance of heritage created throughout history as it has covered many aspect s of people’s lives, both past and present. The valorisation of cultural heritage can be achieved in many ways, and all aim to increase the attractiveness of the destination which is important for development in economic, tourist, cultural, social and environmental terms.

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    Authors: Capan, Virna;

    The topic of this thesis is the Rivers and tourist infrastructure in the City of Karlovac, therefore the first part of the thesis describes the City of Karlovac, it's geographical location, traffic connections with other cities and the history of the city's origin. Then there is a list of rivers of Karlovac with description in detail, and there is a list of the bridges and beaches on each river. Then the tourist attractions in the city are listed and shown on the map. The connection of tourist attractions with promenades that extend through the city and along the rivers was observed. The General urban development plan for ŠRC Korana is described, which if realized, would expand the city's tourist offer and would improve the unused space along the bank of the river Korana. In the last part of the thesis, a SWOT analysis was made in order to get a detailed insight into the strengths, weaknesses, opportunities and threats that affect the development of tourism and the tourist infrastructure od the City of Karlovac. Finally, the conclusion of the entire work is written in the end. Tema ovog diplomskog rada su Rijeke i turistička infrastruktura Grada Karlovca, stoga je u prvom dijelu rada opisan Grad Karlovac, njegov geografski položaj, prometna povezanost s drugim gradovima te povijest nastanka grada. Zatim su nabrojane i detaljno opisane karlovačke rijeke, navedeni su mostovi i kupališta koji se nalaze na rijekama. Također je naglašen problem poplava te su prikazana moguća poplavna područja uz rijeke. Zatim su navedene i na mapi prikazane turističke atrakcije u gradu. Uočena je povezanost turističkih atrakcija šetnicama koje se prostiru kroz grad i uz rijeke. Opisan je Generalni urbanistički plan uređenja ŠRC Korana koji bi, ako se realizira, proširio turističku ponudu grada te bi se uredio neiskorišten prostor uz obalu rijeke Korane. U zadnje dijelu rada je napravljena SWOT analiza kako bi se dobio detaljan uvid u snage, slabosti, prilike i prijetnje koje utječu na razvoj turizma i turističku infrastrukturu grada Karlovca. Za kraj, napisan je zaključak cijelog rada.

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    Authors: Šesnić, Jelena;

    This article discusses the status of Toni Morrison as an American writer who consistently foregrounded African American history and experience and acted during her long career as a public intellectual. Morrison’s writerly agenda has been to delve into the epistemological origin of constructions such as race and blackness, placed in the context of their historical manifestation, such as transatlantic slavery as manifested in Morrison’s two most striking historical novels, Beloved (1987) and A Mercy (2008). Writing slavery, as a way to re-write the United States’ history and probe its dark spaces, places Morrison’s texts in a long line of nineteenth-century slave narratives, and in particular their twentieth-century avatar, the neo-slave novel, which strives to historicize slavery from the sufferer’s perspective. In the process, Morrison creates a “resistant text” (Sommer) requiring the reader’s imaginative and ethical engagement and refusing to fill in all the gaps. That the haunting of slavery still requires imaginative, historical, and ethical engagement, like the one accorded it by Morrison, is a fact of U.S. American social life to the present day.

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    Authors: Poslon, Andrea;

    The subject of this graduate thesis is the constitutional protection of cultural property. At the very beginning, we are talking about the constitutional complaint, the deadline for bringing the lawsuit, etc. The fundamental law that governs the issue of cultural property is the Law on the protection and preservation of cultural property. In order to get a broader picture of how to protect cultural property, it is necessary to mention other regulations that are key to cultural property, so in addition to the basic law, the Constitution of the Republic of Croatia, which guarantees the preservation and protection of cultural property, is also important. Equally important is the Law on spatial planning, which in its spatial planning objectives also states the protection of cultural assets and values. And finally, judicial practice is very important to us, which is an indicator of the implementation of the constitutional protection of cultural property. Tema ovoga diplomskoga rada je ustavnosudska zaštita kulturnih dobara. U samom početku govorimo o ustavnoj tužbi, o roku za donošenje tužbe itd. Temeljni zakon koji uređuje pitanje kulturnih dobara je Zakon o zaštiti i očuvanju kulturnih dobara. Kako bismo dobili neku širu sliku u tome kako zaštititi kulturna dobra potrebno je navesti i druge propise koji su ključni za kulturna dobra, pa pored temeljnog zakona je bitan i Ustav Republike Hrvatske koji jamči očuvanje i zaštitu kulturnih dobara. Isto tako je bitan i Zakon o prostornom uređenju koji u svojim ciljevima prostornog uređenja također navodi zaštitu kulturnih dobara i vrijednosti. Sudska praksa je dobar pokazatelj provođenja ustavnosudske zaštite kulturnih dobara.

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    Authors: Živković Kuljiš, Loren; Mance, Ivana; Korkut, Alem;

    Sadržaj skripte dosljedno prati nastavni program te je koncipiran je u četiri faze i u petnaest nastavnih jedinica koje su u skripti opširno elaborirane objašnjenjima i primjerima. Kroz nijh student prolazi kroz sve etape konceptualizacije, realizacije i predstavljanja kiparskog djela, u čemu mu skripta služi kao temeljna literatura. Skripta objašnjava cilj i zadatak svake nastavne jedinice, elaborirajući temu kroz niz odabranih primjera umjetničkih djela hrvatskih i inozemnih kipara. Putem ovih primjera dodatno se razlažu umjetnički i tehnološki problemi s kojima se sreću studenti u svome radu: pojašnjavaju se različiti tipovi umjetničkih tema u rasponu od klasičnih tema do konceptualnih i autoreferencijalnih, načini njihove likovne interpretacije, odnos kiparskog medija prema kategorijama prostora i vremena, različite vrste umjetničke motivacije pri izboru teme, različita konotacijska značenja pojedinih materijala, aspekti izvedbe u pojedinim materijalima i slično. Pomoću skripte student može lakše pratiti sadržaje kolegija te se na nju osloniti pri promišljanju i planiranju vlastitog rada, razvoju individualnog stila i percepciji vlastite autorske pozicije s nesputanim tretmanom ideja i jasnom interpretacijom koncepata. The content of the script consistently follows the curriculum. It is conceived in four phases and in fifteen teaching units, which are extensively elaborated in the script with explanations and examples. Through them, the student goes through all stages of conceptualization, realization and presentation of a sculptural work, in which the script serves as the basic literature. The script explains the goal and task of each teaching unit, elaborating the topic through a series of selected examples of works of art by Croatian and foreign sculptors. These examples further explain the artistic and technological problems that students face in their work: they explain different types of artistic themes ranging from classical to conceptual and self-referential, ways of their artistic interpretation, the relationship of sculpture to categories of space and time, different types of artistic motivation in choosing a topic, different connotational meanings of certain materials, aspects of performance in certain materials etc. With the help of the script, the students can more easily follow the contents of the course and rely on it when thinking and planning their own work, developing individual style and perception of their own position with unfettered treatment of ideas and clear interpretation of concepts.

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