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  • 2018-2022
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  • PURE Aarhus University
  • Theses@asb

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bengesser, Cathrin Helen; De Rosa, Paola; Jensen, Pia Majbritt; Spaletta, Marica;

    Crime is one of the most prevalent and most-viewed genres on our TV screens and the best-circulating type of fiction content in Europe. Studying the attitudes of television viewers to crime shows, therefore, promises an insight into European tastes and preferences when it comes to the genre of crime, as well as finding out about attitudes towards media cultures from other countries. This audience study has been a central piece in the work of the Horizon2020 Project DETECt which stands for “Detecting Transcultural Identity in European Crime Narratives”. The consortium of 19 partners in ten European countries began its work on the project in April 2018 and will close the project October 2021. So, it is a good time for sharing some of the results.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Theses@asbarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Theses@asb
    Other ORP type . 2021
    Data sources: Theses@asb
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    PURE Aarhus University
    Other ORP type . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Theses@asb
      Other ORP type . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      PURE Aarhus University
      Other ORP type . 2021
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nielsen, Vivi Hunnicke;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hafner, Sasha D.; Adamsen, Anders Peter S.;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Theses@asb; PURE Aar...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Bresciani, Chiara; Hughes, Geoffrey;

    Compilations of video clips of Italian mayors berating citizens breaking quarantine to walk dogs, jog, or play ping pong have become something of a ‘viral’ sensation both in Italy and globally. The clips are often amusing, featuring politicians accusing their constituents of vanity, incontinence, and other assorted sins. As anthropologists interested in the politics of accusation , these small-scale disputes allow us to think through the sorts of political horizons that the novel coronavirus is bringing into being. As the virus spreads, we seek to track the sorts of accusations that spread with it as they provoke what we call virological witch hunts. Unlike the episodes of public blaming and shaming some political figures have promoted through national media, virological witch hunts are small-scale, bottom-up, intimate, and usually amplified through local social networks. We link them to the phenomenon of the untori in XVI- XVII century Lombardy, another bottom-up surge of accusations against those believed to be spreading disease that authorities had to deal with. Relying on social media, we have been reaching out to quarantined residents of the province of Bergamo, in the Lombardy region who have been publicly shamed for perceived transgressions in the midst of the quarantine. The responses offer insight into how the pandemic has precipitated what Massimo, one of our interlocutors, has termed a “collective, hysterical version of preexisting individual patterns of blaming and shaming”.

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    Authors: Krieger, Jörg;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Theses@asb; PURE Aar...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jensen, Margit Bak; Hernandez Castellano, Lorenzo E; Herskin, Mette S;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Theses@asb; PURE Aar...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Theses@asb; PURE Aar...arrow_drop_down
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    Between April 11th and April 13th 2018 two-hundred delegates gathered at the University of Plymouth for the 9th SAR International Conference on Artistic Research This document collects their contributions to the conference in response to the following call: The provocation Artistic Research Will Eat Itself can be understood as a warning against the dangers of methodological introspection, or as a playful invitation to explore the possibilities of a field in a constant state of becoming. In this context, the ‘cannibalism’ of artistic research ‘eating itself’ embodies a dynamic tension between self-destruction and regeneration.If artistic research eats itself, digests itself and then releases its own waste, does it stink and linger, fertilise new growth or invade new destinations on the bottom of someone’s shoe? If we are to constantly defend and define, are we in danger of having no art left, only the claims for its ability to embody knowledge? When we bite off our own heads do we grow new tails?Critical perspectives on the discourse surrounding artistic research might be argued to already be too formulaic or self-defeating. Making a case for its own institutional legitimacy could unwittingly reinforce some of the very things artistic research aims to critique. Yet such onto-epistemological paradoxes can offer a rich territory for exploration along with generative practices that involve reflexivity, automorphogenesis, and recursive feedback loops. In recognising auto-cannibalism as an analogy for broader socio-political and environmental concerns, one of the challenges for artistic research is to respond imaginatively to the dynamic tensions between self-destruction and regeneration. [...]

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    Theses@asb
    Other ORP type . 2018
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      Theses@asb
      Other ORP type . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nyholm Jørgensen, Rasmus; Christiansen, Martin Peter;

    Exploring planet labs satellite data using Land-parcel identification system (LPIS) data from Denmark. The video is intended as a short demo to show how one can manually find the cloud-free satellite images for a specific agricultural field. Afterward, the relevant satellite images can be download and loaded into QGIS or some other GIS tool for further processing.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ PURE Aarhus Universi...arrow_drop_down
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    PURE Aarhus University
    Other ORP type . 2018
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      PURE Aarhus University
      Other ORP type . 2018
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    Authors: Feyera, Takele;
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    Authors: Wollenweber, Bernd;

    Notatet Salicylsyre som vækstregulator er et sammendrag af vidensyntesen Salicylic acid as a plant growth regulator på dansk

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bengesser, Cathrin Helen; De Rosa, Paola; Jensen, Pia Majbritt; Spaletta, Marica;

    Crime is one of the most prevalent and most-viewed genres on our TV screens and the best-circulating type of fiction content in Europe. Studying the attitudes of television viewers to crime shows, therefore, promises an insight into European tastes and preferences when it comes to the genre of crime, as well as finding out about attitudes towards media cultures from other countries. This audience study has been a central piece in the work of the Horizon2020 Project DETECt which stands for “Detecting Transcultural Identity in European Crime Narratives”. The consortium of 19 partners in ten European countries began its work on the project in April 2018 and will close the project October 2021. So, it is a good time for sharing some of the results.

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    Theses@asb
    Other ORP type . 2021
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    PURE Aarhus University
    Other ORP type . 2021
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      Theses@asb
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      PURE Aarhus University
      Other ORP type . 2021
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nielsen, Vivi Hunnicke;
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    Authors: Hafner, Sasha D.; Adamsen, Anders Peter S.;
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    Authors: Bresciani, Chiara; Hughes, Geoffrey;

    Compilations of video clips of Italian mayors berating citizens breaking quarantine to walk dogs, jog, or play ping pong have become something of a ‘viral’ sensation both in Italy and globally. The clips are often amusing, featuring politicians accusing their constituents of vanity, incontinence, and other assorted sins. As anthropologists interested in the politics of accusation , these small-scale disputes allow us to think through the sorts of political horizons that the novel coronavirus is bringing into being. As the virus spreads, we seek to track the sorts of accusations that spread with it as they provoke what we call virological witch hunts. Unlike the episodes of public blaming and shaming some political figures have promoted through national media, virological witch hunts are small-scale, bottom-up, intimate, and usually amplified through local social networks. We link them to the phenomenon of the untori in XVI- XVII century Lombardy, another bottom-up surge of accusations against those believed to be spreading disease that authorities had to deal with. Relying on social media, we have been reaching out to quarantined residents of the province of Bergamo, in the Lombardy region who have been publicly shamed for perceived transgressions in the midst of the quarantine. The responses offer insight into how the pandemic has precipitated what Massimo, one of our interlocutors, has termed a “collective, hysterical version of preexisting individual patterns of blaming and shaming”.

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    Authors: Krieger, Jörg;
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    Authors: Jensen, Margit Bak; Hernandez Castellano, Lorenzo E; Herskin, Mette S;
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    Between April 11th and April 13th 2018 two-hundred delegates gathered at the University of Plymouth for the 9th SAR International Conference on Artistic Research This document collects their contributions to the conference in response to the following call: The provocation Artistic Research Will Eat Itself can be understood as a warning against the dangers of methodological introspection, or as a playful invitation to explore the possibilities of a field in a constant state of becoming. In this context, the ‘cannibalism’ of artistic research ‘eating itself’ embodies a dynamic tension between self-destruction and regeneration.If artistic research eats itself, digests itself and then releases its own waste, does it stink and linger, fertilise new growth or invade new destinations on the bottom of someone’s shoe? If we are to constantly defend and define, are we in danger of having no art left, only the claims for its ability to embody knowledge? When we bite off our own heads do we grow new tails?Critical perspectives on the discourse surrounding artistic research might be argued to already be too formulaic or self-defeating. Making a case for its own institutional legitimacy could unwittingly reinforce some of the very things artistic research aims to critique. Yet such onto-epistemological paradoxes can offer a rich territory for exploration along with generative practices that involve reflexivity, automorphogenesis, and recursive feedback loops. In recognising auto-cannibalism as an analogy for broader socio-political and environmental concerns, one of the challenges for artistic research is to respond imaginatively to the dynamic tensions between self-destruction and regeneration. [...]

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    Theses@asb
    Other ORP type . 2018
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      Theses@asb
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    Authors: Nyholm Jørgensen, Rasmus; Christiansen, Martin Peter;

    Exploring planet labs satellite data using Land-parcel identification system (LPIS) data from Denmark. The video is intended as a short demo to show how one can manually find the cloud-free satellite images for a specific agricultural field. Afterward, the relevant satellite images can be download and loaded into QGIS or some other GIS tool for further processing.

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    PURE Aarhus University
    Other ORP type . 2018
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      PURE Aarhus University
      Other ORP type . 2018
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    Authors: Feyera, Takele;
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    Authors: Wollenweber, Bernd;

    Notatet Salicylsyre som vækstregulator er et sammendrag af vidensyntesen Salicylic acid as a plant growth regulator på dansk

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