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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This issue's central theme is Irish/Celtic women, their strengths, and their contributions to Irish society, historically and contemporaneously.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trinity's Access to ...arrow_drop_down
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    Authors: Ohlmeyer, Jane; De Moura Rocha Lima, Giovanna; O Siochru, Micheal; Bowman, Sarah; +1 Authors

    PUBLISHED This impact case study is supported by the Research Impact Unit, an initiative by the Office of the Dean of Research and the Trinity Long Room Hub at Trinity College Dublin. We thank Dr Annaleigh Margey, Dr Edda Frankot, and Dr Caitriona Curtis for their contributions in early drafts of this document. This impact case study is supported by the Research Impact Unit, an initiative by the Office of the Dean of Research and the Trinity Long Room Hub at Trinity College Dublin. The 1641 depositions project received support from the Irish Research Council for the Humanities and Social Sciences, the Arts & Humanities Research Council in the UK and the Library of Trinity College, Dublin. And additional grant from the Irish Department of Foreign Affairs? Reconciliation Fund supported the development of educational resources for second level school students in Ireland and Northern Ireland based on the 1641 depositions.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Wallace, Duncan; Kechadi, Tahar;

    Recent years have seen the rapid increase in digitised medical information. In particular, the massive expansion of Electronic Health Records (EHRs), which are designed to document all information that is clinically relevant in a patient's use of a healthcare facility, has introduced unprecedented volumes of relatively unstructured data. This paper intends to determine the extent to which knowledge discovery in relation to both abbreviations and acronyms within heterogeneous data can be achieved. Heterogeneous data such as the narrative-based free-text notes found within patients' EHRs may use inconsistent ways to indicate contractions within the text and may use non-standard definitions for both abbreviations and acronyms. We approached this task through the retrieval and classification of contractions as well as using a novel method of combining multiple publically available repositories. In order to provide better coverage of abbreviations, and also to address the issue of neologisms in general, word embeddings were applied to find semantically similar lexemes. The 9th International Conference on e-Health, Lisbon, Portugal, 20-22 July 2017 Carlow Emergency Doctors On Call – CAREDOC Science Foundation Ireland

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Research Repository UCD
    Other ORP type . 2019
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Warren, Graeme; McDermott, Conor; Seaver, Matthew;

    Glendalough is one of Ireland’s most iconic landscapes, combining stunning scenery with evocative ruined architecture, including distinctively Irish styles such as the round tower. The popular understanding of the valley’s history is that Saint Kevin retreated into the wilderness where he could be closer to God, and that there he founded his monastery which rose to a position of pre-dominance before subsequent decline. This is a powerful story, appealing to important myths about the nature of early Irish Christianity and with a complex relationship with Irish cultural nationalism. However, it is only a partial understanding of the long-term history of how humans have settled the spectacular valley of Glendalough. Glendalough is also often viewed as a natural landscape, but its form is an outcome of the long-term interaction between people and their environment. This brief outline, and fieldtrip, offers a more holistic perspective on this remarkable landscape. The 20th INQUA Congress, Dublin, Ireland, 25-31 July 2019 Wicklow County Council

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Other ORP type . 2020
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Research Repository ...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Travis, Charles;

    PUBLISHED Figure 1. Texan Santa Fe Expedition of 1841?42. Cartographic Inset: A. Ikin, Map of Texas, in ?Texas, Its History, Typography, Agriculture, Commerce, and General Statistics? (London: Sherwood, Gilbert and Piper, 1841) The University of Texas at Arlington Libraries Special Collections, Gift of Jenkins Garrett. Figure 2. Ranger, Comanche, Kiowa and Apache, Raidscapes of Texas, 1850s??60s. Figure 3. North-South trajectory, and eco-zones of the Lonesome Dove trek, with 1870 Census Population figures. Figure 4. Narrative Locations and Railroads in The Streets of Laredo Inset image: Henry Wellge (attributed) (1850?1917). Laredo, Texas in 1892. Perspective Map of the City of Laredo, Texas. The Gateway to and From Mexico, 1892. Toned lithograph, 19.6?~33.1 in. Published by American Publishing Co., Milwaukee, Wis. Amon Carter Museum, Fort Worth. Wikicommons. Figure 5. Distinct and Aggregated Noirscapes of Raymond Chandler, WalterMosley, Michael Connelly and Michael Nava. Map phenomenologically illustratesindividual and collective location settings described in the selected novels on a citygrid of Los Angeles. Figure 6. Hollywood Canteen, Sunset and Cahuenga (Map of Los Angeles) 1942 (David Rumsey Map Collection.) Shadowed Region (Hollywood and LA Civic Center) corresponds to highest density cone areas of aggregated narrative spaces (Hollywood and LA Civic Center labels and arrows added by author.) Figure 7. Kernel Density visualization of aggregated LA Noir narrative spaces, superimposed over Hollywood Canteen Map. Highest density cones areas are located over Hollywood and Civic Center Complex districts of Los Angeles. Edinburgh, Scotland Historical and Imagined GIS Borderlandscapes of the American West: Larry McMurtry?s Lonesome Dove Tetralogy and L.A. Noirscapes, Special Issue University Consortium of Geographic Information Science, International Journal of Humanities and Arts Computing, 14.2 (2020): 134-153 Figure 1. Texan Santa Fe Expedition of 1841?42. Cartographic Inset: A. Ikin, Map of Texas, in ?Texas, Its History, Typography, Agriculture, Commerce, and General Statistics? (London: Sherwood, Gilbert and Piper, 1841) The University of Texas at Arlington Libraries Special Collections, Gift of Jenkins Garrett. Figure 2. Ranger, Comanche, Kiowa and Apache, Raidscapes of Texas, 1850s??60s. Figure 3. North-South trajectory, and eco-zones of the Lonesome Dove trek, with 1870 Census Population figures. Figure 4. Narrative Locations and Railroads in The Streets of Laredo Inset image: Henry Wellge (attributed) (1850?1917). Laredo, Texas in 1892. Perspective Map of the City of Laredo, Texas. The Gateway to and From Mexico, 1892. Toned lithograph, 19.6?~33.1 in. Published by American Publishing Co., Milwaukee, Wis. Amon Carter Museum, Fort Worth. Wikicommons. Figure 5. Distinct and Aggregated Noirscapes of Raymond Chandler, WalterMosley, Michael Connelly and Michael Nava. Map phenomenologically illustrates individual and collective location settings described in the selected novels on a city grid of Los Angeles. Figure 6. Hollywood Canteen, Sunset and Cahuenga (Map of Los Angeles) 1942 (David Rumsey Map Collection.) Shadowed Region (Hollywood and LA Civic Center) corresponds to highest density cone areas of aggregated narrative spaces (Hollywood and LA Civic Center labels and arrows added by author.) Figure 7. Kernel Density visualization of aggregated LA Noir narrative spaces, superimposed over Hollywood Canteen Map. Highest density cones areas are located over Hollywood and Civic Center Complex districts of Los Angeles.

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    Authors: Curtis, Caitriona; Patten, Eve; Whelan, Caoimhe;

    PUBLISHED Dublin

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    Authors: Doyle, Lucy;

    Persephone was the 2010 solo exhibition of paintings by the artist Lucy Doyle known for her colourful interiors and flower paintings. She writes, I have found my source of inspiration from Greek mythology. It is the story of Persephone?s abduction from her mother Demeter, the earth goddess, by Hades, king of the underworld. Demeter in her grief forbids the earth to produce, and in the depths of her despair causes nothing to grow. When Demeter and her daughter are finally united, the earth flourishes with renewed vegetation and colour. But before Persephone is released Hades tricks her into eating four pomegranate seeds, which forces her to return to the underworld as his queen for a season each year, when once again the earth becomes a barren realm. This is an origin story to explain the seasons. Something about this ancient story intrigued and inspired me and I have interpreted it in my own way, picking out the visual and playful elements. I have tried to impart a seductive, wintry quality to my still lives and interiors, using warm siennas and umbers and thick white, creams and neutral layers of impasto oil paint applied with a palette knife. In some of my figurative paintings, I am trying to evoke that dilemma of being physically in one place but mentally in another. In this case, being locked in the cosy depths of winter, where the evenings draw in early and life becomes internalized, yet dreaming and yearning for the summer, where time is stretched out in seemingly endless hours of daylight. Lucy Doyle. In this exhibition I have attempted to expand my painting language further by incorporating the male form into my compositions for the first time. However, for me the subject matter is the starting point to a painting, not the end. So I try to give the figure, whether male or female, the same treatment as I would a vase of flowers. I want the figure to just exist and sit right in the painting, and not to story tell and distract. My overall objective is to produce well balanced paintings, where the beautiful properties of the colour and the texture of paint predominates the picture plane. I see my job as a facilitator to this end and by using sympathetic subject matter and by using the compositional elements and devices that I have built up and developed over the years, I attempt to reach the paint?s maximum potential. 2

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Helmer, Sven; Ngo, Vuong M.;

    We propose a novel approach for measuring the similarity between weaving patterns that can provide similarity-based search functionality for textile archives. We represent textile structures using hypergraphs and extract multisets of $k$-neighborhoods from these graphs. The resulting multisets are then compared using Jaccard coefficients, Hamming distances, and cosine measures. We evaluate the different variants of our similarity measure experimentally, showing that it can be implemented efficiently and illustrating its quality using it to cluster and query a data set containing more than a thousand textile samples. The 38th International ACM SIGIR Conference on Research and Development in Information Retrieval (SIGIR '15), Santiago, Chile, 9-13 August 2015

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    Research Repository UCD
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lowney, Brydon; Lokmer, Ivan; Bean, Christopher J.; O'Brien, G. S.; +1 Authors

    A seismic image is formed by interactions of the seismic wavefield with geological interfaces, in the form of reflections, diffractions, and other coherent noise. While in conventional processing workflows reflections are favoured over diffractions, this is only beneficial in areas with uniform stratigraphy. Diffractions form as interactions of the wavefield with discontinuities and therefore can be used to image them. However, to image diffractions, they must first be separated from the seismic wavefield. Here we propose a pattern recognition approach for separation, employing image segmentation. We then compare this to two existing diffraction imaging methods, plane-wave destruction and f-k filtering. Image segmentation can be used to divide the image into pixels which share certain criteria. Here, we have separated the image first by amplitude using a histogram-based segmentation method, followed by edge detection with a Sobel operator to locate the hyperbola. The image segmentation method successfully locates diffraction hyperbola which can then be separated and migrated for diffraction imaging. When compared with plane-wave destruction and f-k filtering, the image segmentation method proves beneficial as it allows for identification of the hyperbolae without noise. However, the method can fail to identify hyperbolae in noisier environments and when hyperbolae overlap. 80th EAGE Conference & Exhibition 2018, Copenhagen, Denmark, 11-14 June 2018 Could not determine copyright holder so left blank - AC Science Foundation Ireland

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Greene, Derek; Wade, Karen; Leavy, Susan; Meaney, Gerardine;

    The increasing availability of digital collections of historical texts presents a wealth of possibilities for new research in the humanities. However, the scale and heterogeneity of such collections raises significant challenges when researchers attempt to find and extract relevant content. This work describes Curatr, an online platform that incorporates domain expertise and methods from machine learning to support the exploration and curation of large historical corpora. We discuss the use of this platform in making the British Library Digital Corpus of 18th and 19th century books more accessible to humanities researchers. The 5th Digital Humanities in the Nordic Countries (DHN2020), Riga, Latvia, 21-23 October 2020 (cancelled due to Coronavirus outbreak) Science Foundation Ireland Insight Research Centre Irish Research Council

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This issue's central theme is Irish/Celtic women, their strengths, and their contributions to Irish society, historically and contemporaneously.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trinity's Access to ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ohlmeyer, Jane; De Moura Rocha Lima, Giovanna; O Siochru, Micheal; Bowman, Sarah; +1 Authors

    PUBLISHED This impact case study is supported by the Research Impact Unit, an initiative by the Office of the Dean of Research and the Trinity Long Room Hub at Trinity College Dublin. We thank Dr Annaleigh Margey, Dr Edda Frankot, and Dr Caitriona Curtis for their contributions in early drafts of this document. This impact case study is supported by the Research Impact Unit, an initiative by the Office of the Dean of Research and the Trinity Long Room Hub at Trinity College Dublin. The 1641 depositions project received support from the Irish Research Council for the Humanities and Social Sciences, the Arts & Humanities Research Council in the UK and the Library of Trinity College, Dublin. And additional grant from the Irish Department of Foreign Affairs? Reconciliation Fund supported the development of educational resources for second level school students in Ireland and Northern Ireland based on the 1641 depositions.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Wallace, Duncan; Kechadi, Tahar;

    Recent years have seen the rapid increase in digitised medical information. In particular, the massive expansion of Electronic Health Records (EHRs), which are designed to document all information that is clinically relevant in a patient's use of a healthcare facility, has introduced unprecedented volumes of relatively unstructured data. This paper intends to determine the extent to which knowledge discovery in relation to both abbreviations and acronyms within heterogeneous data can be achieved. Heterogeneous data such as the narrative-based free-text notes found within patients' EHRs may use inconsistent ways to indicate contractions within the text and may use non-standard definitions for both abbreviations and acronyms. We approached this task through the retrieval and classification of contractions as well as using a novel method of combining multiple publically available repositories. In order to provide better coverage of abbreviations, and also to address the issue of neologisms in general, word embeddings were applied to find semantically similar lexemes. The 9th International Conference on e-Health, Lisbon, Portugal, 20-22 July 2017 Carlow Emergency Doctors On Call – CAREDOC Science Foundation Ireland

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Research Repository ...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Warren, Graeme; McDermott, Conor; Seaver, Matthew;

    Glendalough is one of Ireland’s most iconic landscapes, combining stunning scenery with evocative ruined architecture, including distinctively Irish styles such as the round tower. The popular understanding of the valley’s history is that Saint Kevin retreated into the wilderness where he could be closer to God, and that there he founded his monastery which rose to a position of pre-dominance before subsequent decline. This is a powerful story, appealing to important myths about the nature of early Irish Christianity and with a complex relationship with Irish cultural nationalism. However, it is only a partial understanding of the long-term history of how humans have settled the spectacular valley of Glendalough. Glendalough is also often viewed as a natural landscape, but its form is an outcome of the long-term interaction between people and their environment. This brief outline, and fieldtrip, offers a more holistic perspective on this remarkable landscape. The 20th INQUA Congress, Dublin, Ireland, 25-31 July 2019 Wicklow County Council

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Travis, Charles;

    PUBLISHED Figure 1. Texan Santa Fe Expedition of 1841?42. Cartographic Inset: A. Ikin, Map of Texas, in ?Texas, Its History, Typography, Agriculture, Commerce, and General Statistics? (London: Sherwood, Gilbert and Piper, 1841) The University of Texas at Arlington Libraries Special Collections, Gift of Jenkins Garrett. Figure 2. Ranger, Comanche, Kiowa and Apache, Raidscapes of Texas, 1850s??60s. Figure 3. North-South trajectory, and eco-zones of the Lonesome Dove trek, with 1870 Census Population figures. Figure 4. Narrative Locations and Railroads in The Streets of Laredo Inset image: Henry Wellge (attributed) (1850?1917). Laredo, Texas in 1892. Perspective Map of the City of Laredo, Texas. The Gateway to and From Mexico, 1892. Toned lithograph, 19.6?~33.1 in. Published by American Publishing Co., Milwaukee, Wis. Amon Carter Museum, Fort Worth. Wikicommons. Figure 5. Distinct and Aggregated Noirscapes of Raymond Chandler, WalterMosley, Michael Connelly and Michael Nava. Map phenomenologically illustratesindividual and collective location settings described in the selected novels on a citygrid of Los Angeles. Figure 6. Hollywood Canteen, Sunset and Cahuenga (Map of Los Angeles) 1942 (David Rumsey Map Collection.) Shadowed Region (Hollywood and LA Civic Center) corresponds to highest density cone areas of aggregated narrative spaces (Hollywood and LA Civic Center labels and arrows added by author.) Figure 7. Kernel Density visualization of aggregated LA Noir narrative spaces, superimposed over Hollywood Canteen Map. Highest density cones areas are located over Hollywood and Civic Center Complex districts of Los Angeles. Edinburgh, Scotland Historical and Imagined GIS Borderlandscapes of the American West: Larry McMurtry?s Lonesome Dove Tetralogy and L.A. Noirscapes, Special Issue University Consortium of Geographic Information Science, International Journal of Humanities and Arts Computing, 14.2 (2020): 134-153 Figure 1. Texan Santa Fe Expedition of 1841?42. Cartographic Inset: A. Ikin, Map of Texas, in ?Texas, Its History, Typography, Agriculture, Commerce, and General Statistics? (London: Sherwood, Gilbert and Piper, 1841) The University of Texas at Arlington Libraries Special Collections, Gift of Jenkins Garrett. Figure 2. Ranger, Comanche, Kiowa and Apache, Raidscapes of Texas, 1850s??60s. Figure 3. North-South trajectory, and eco-zones of the Lonesome Dove trek, with 1870 Census Population figures. Figure 4. Narrative Locations and Railroads in The Streets of Laredo Inset image: Henry Wellge (attributed) (1850?1917). Laredo, Texas in 1892. Perspective Map of the City of Laredo, Texas. The Gateway to and From Mexico, 1892. Toned lithograph, 19.6?~33.1 in. Published by American Publishing Co., Milwaukee, Wis. Amon Carter Museum, Fort Worth. Wikicommons. Figure 5. Distinct and Aggregated Noirscapes of Raymond Chandler, WalterMosley, Michael Connelly and Michael Nava. Map phenomenologically illustrates individual and collective location settings described in the selected novels on a city grid of Los Angeles. Figure 6. Hollywood Canteen, Sunset and Cahuenga (Map of Los Angeles) 1942 (David Rumsey Map Collection.) Shadowed Region (Hollywood and LA Civic Center) corresponds to highest density cone areas of aggregated narrative spaces (Hollywood and LA Civic Center labels and arrows added by author.) Figure 7. Kernel Density visualization of aggregated LA Noir narrative spaces, superimposed over Hollywood Canteen Map. Highest density cones areas are located over Hollywood and Civic Center Complex districts of Los Angeles.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trinity's Access to ...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/