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  • Picture of the original Tam Kung Temple dated 1877-1911 at Government and Fisgard streets. In 1911, the Yen Wo Society built a new three-storey brick building and installed the Tam Kung temple on the top floor. The temple honours Tam Kung, the god of seafarers. Picture kept in the meeting room of the Yen Wo Tsung Tsin (Hakka) Society. Photo taken on May 9, 2012.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 杨紫云 Yong, Che Yuan;

    晚清民初时期,基督教的传入促使中国知识界分子开始探索其与中国文化之间的关系或者,并且将焦点转向墨子的“兼爱”思想,以此开启“耶墨”对话。对于民初时期的“耶墨”对话已多有学者进行研究。因此,本文试图将视角放置当代的“耶墨”对话,透过分析和比较,进一步了解他们是如何阐释墨家与基督教的异同之处。本文借由张立夫《基督教伦理与墨子之兼爱伦理比较研究》与黄富巧《墨子与耶稣之爱的比较》的“耶墨”对话为本文的研究对象,透过他们的“耶墨”对话进而引申至对现今世界的贡献,即是基督教中国化的可能性、缓解中国文化与基督教之间的冲突,从而促进文化交流。 In the late Qing and early Republican period, the introduction of Christianity prompted Chinese intellectuals to explore the relationship between Christianity and Chinese culture. During the process, they had turned their focus to Mozi's idea of "impartial love", thus opening the dialogue between Mohism and Christianity. Many scholars have researched the dialogue between Mohism and Christianity that happened in the early Republican period. Therefore, this paper attempts to shift the focus to the dialogue between Mohism and Christianity during the contemporary period and seeks to further understand the approached that they have used to interpret the similarities and differences between Mohism and Christianity. In this paper, analysis and comparison will be made between Zhang Lifu's "A Comparative Study of Christian Ethics and Mozi's Ethics of Compassionate Love" and Huang Fuqiao's "A Comparative Study of Love of Mo Tzu and Jesus" and through the findings to further derive their contributions to the present world, which includes the possibility of the Sinicization of Christianity, the alleviation of the conflict between Chinese culture and Christianity, and the promotion of cultural exchanges. Bachelor's degree

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  • Authors: Hook Sin Tong Charity Association;

    Donation records of the Hook Sin Tong. Contains a list of names and dated in the year of Guangxu 31 (光緒叁拾壹年仲冬榖旦 i.e. 1905). Photo taken on June 16, 2011.

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    Authors: 徐付美智 Xu, Fumeizhi;

    香港与广东的合作历史源远流长,在不断的交流合作中,深圳与广州作为近邻和省城在与香港的互动中扮演了重要的角色。港深的边界区隔了两种制度,而区域的合作意味着跨越这个边界,实现两种制度、两种发展程度、两种意识形态的融合。这正是本论文的研究主题——跨境。 本论文以八十年代以来再现了深圳和广州这两个广东大都会的香港电影作为研究对象,从跨境人口、跨境犯罪、跨境电影工业这三个主题入手,借用达林·伯尔尼(Darin Barney)的网络社会理论,结合边界与区域的概念建构起香港、深圳、广州所在的区域网络社会,并运用其运作原理,探析香港电影中的“跨境”这一动作和概念如何影响了深圳和广州他者想象,如何形塑了自我身份。 There is a long cooperation history between Hong Kong and Guangdong. In the ongoing collaborative endeavors, Shenzhen as a geographical neighbor and Guangzhou as the provincial capital, both have been pivotal in fostering interactions with Hong Kong. The border between Hong Kong and Shenzhen separates the two systems, and regional cooperation means crossing this border to realize the integration of the two systems, two levels of development, and two ideologies. This precisely encapsulates the research focus of this thesis: cross-border. This thesis takes the Hong Kong films that have represent the two Guangdong metropolises Shenzhen and Guangzhou since the 1980s as the research object, starting with the three themes of cross-border population, cross-border crime, and cross-border film industry, drawing upon Darin Barney’s network society theory, integrating the concepts of borders and regions, constructing a regional network society encompassing Hong Kong, Shenzhen, and Guangzhou, and utilizing its operating principles to explore how the action and concept of cross-border in Hong Kong movies influenced the "others" imagination of Shenzhen and Guangzhou, and how Hong Kong shaped its self-identity. Master of Arts

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  • Authors: Bin, Shi; Hao, Wang; Sanhong, Deng;

    The image data set of various factions of Chinese ceramics, which is crawled and preprocessed from Baidu pictures, contains a total of 18,295 pictures and labels, including blue and white porcelain, pastel porcelain, Linglong porcelain, color glaze porcelain (four famous porcelain), other porcelain, purple pottery, purple clay pottery, laurel pottery, Anpottery (four famous pottery), other pottery, a total of 10 categories.The data set includes two parts: training set and test set. 10 pictures of class objects are stored in folders with corresponding numbers (0-9). Among them, the training set is divided into 10 chunks according to 10-fold cross-validation.

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  • Authors: Worldwide Zhongshan Association;

    Plate commemorating the 8th Worldwide Zhongshan Association Convention in 2010. Plate held up by a decorative wooden stand. The 8th Worldwide Zhongshan Association Convention opened in Kuala Lumpur, capital of Malaysia, on the morning of Oct. 17th, 2010. Over 1000 people of Zhongshan origin from 16 countries and regions gathered together to exchange ideas and look at all kinds of opportunities in order to help in the development of Zhongshan. Photo taken on June 16, 2011.

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    Authors: 邹佩颖 Chow, Pei Ying;

    新谣出自一群华校生之手,沿着台湾吹来的校园民歌风在本地开花结果,新谣歌手在机缘巧合下通过电台的节目《歌韵新声》发表自己的创作,因而在本地兴起一股清流,更成了那个时代具有代表性的文化产物之一。追溯回70年代末期,新谣萌芽的具体原因众说纷纭,新谣与南大诗社、电台节目《歌韵新声》以及台湾的校园民歌风这三者之间的互动关系又是为何?新谣为何能在短时间内兴起,又是如何成为一股社会风气是本研究试图解决的重要问题之一。本研究通过新谣作品的细读,翻查记录着新谣诞生前后期的国家发展政策,再与新加坡建国历史进行脉络化的分析,同时探讨新谣创作者如何通过新谣作品,表达及塑造当代国民的国族意识和文化身份认同,最后加入当年新谣圈中人物回顾新谣的访谈集阐述有关新谣的事迹,试图解答以上所述的问题。 学界以新谣为主的学术研究并不常见,文史结合并加入大量新谣参与者访谈内容的学术文章更是罕见。在新谣灿烂辉煌、光鲜亮丽的舞台背后,是盘根错节的历史时代、文本、圈中人物互动关系多层交织所致的成果。本文旨在梳理此关系,将新谣作品置于到当时多重语境的交叉地带,进行脉络化、历史化的深入阐释,并总结出新谣作品中的国族意识、族群文化、个人层面的青年文化三个主要切割面的发展脉络,从而推断出新谣与身份认同之间的关系。 关键词:新谣,国族意识,华族文化认同,青春文化,新加坡 Xinyao was created by a group of Chinese students and blossomed locally along the campus folk song style blown from Taiwan. By chance, Xinyao singers published their own compositions through the radio program "Ge Yun Xin Sheng"(歌韵新声), hence Xinyao became one of the representative cultural products of that era. Going back to the late 1970s, there are different variation regarding the reasons for the birth of Xinyao. What is the interaction between Xinyao and the NTU Poetry Society, the radio program "Ge Yun Xin Sheng", and Taiwan's campus folk songs? How Xinyao can rise in a short period of time and how it has become a social ethos is one of the important questions that this study attempts to solve. Through the close reading of Xinyao works, this research examines and studies the nation development policies before and after the birth of Xinyao, and then conducts a contextualization analysis with the history of Singapore's founding. The national consciousness and cultural identity of Xinyao, and finally added to the interview collection of people in the Xinyao circle reviewing Xinyao to explain the deeds of Xinyao, trying to answer the above-mentioned questions. Academic research based on Xinyao is not common in this field of study, and academic articles that combine both literature analysis, contextualisation of the country’s history as well as interviews with Xinyao participants are even rarer. Behind the glamorous stage of Xinyao, is the result of the multi-layered intertwined historical era, the works produced, as well as the interaction between the participants in the circle. The purpose of this paper is to untwine this relationship, place Xinyao works at the intersection of multiple contexts at that historical timeframe, carry out a contextual and historical in-depth analysis, and summarize developmental context and analysis of the three main facets of Xinyao, namely national consciousness, cultural identity and youth culture at a personal level in Xinyao's works, which will in turn prove the relationship between Xinyao and self-identity. Keywords: Xinyao, National Consciousness, Cultural Identity, Youth Culture, Singapore Master of Arts

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  • Authors: Yang, Charles;

    Signboard for the Hook Sin Tong Charity Association. Top signboard reads Zhongshan (中山), the county which it is associated with. Bottom signboard reads Hook Sin Tong (福善堂). Located outside above the balcony door of the Hook Sin Tong Charity Association. Photo taken on June 16, 2011.

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  • Authors: Amos, Robert;

    New name plaque of the Shon Yee Benevolent Association is affixed to the front of the building on Fisgard Street. The Shon Yee Benevolent Association was formed in 1914 for the purpose of helping each other who came from Zhongshan. The branch office in Victoria was founded in 1918.

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    This dataset includes the raw frequency counts (classical_chinese_learners_vocabularies_raw_frequencies.zip) used in the article Thoughts on ���Reliable��� Learner���s Vocabularies for Classical and Literary Chinese. Corpus I ��� Micheal Loewe (1993)���s Early Chinese Texts Corpus II ��� Official Histories (zhengshi ������) Corpus III Six Novels (xiaoshuo ������), as defined in Hsia 1968 The download includes one folder per corpus, structured as follows: xx_corpus.csv > list of texts and sources / used versions, token and type counts xx_freq_1-1.csv > unigram / character frequencies and counts xx_freq_1-4.csv > 1 to 4 character word frequencies and counts, "words" according to Hanyu da cidian ��������������� (Luo 1986���1994)) xx_freq_2-4.csv > 2 to 4 character words Additionally, pca_zhengshi_vs_loewe_vs_xiaoshuo.html is an interactive version of the Principal Component Analysis (PCA) presented in the article, texts from the three corpora are represented using the 1.000 most frequent 1���4 character combinations from the dataset. {"references": ["Schalmey, Tilman (2013). \"Corpus-driven Creation of a Reliable Learner's Vocabulary for Classical Chinese\", Taiwan huayu jiaoxue yanjiu \u81fa\u7063\u83ef\u8a9e \u6559\u5b78\u7814\u7a76 / Taiwan Journal of Chinese as a Second Language 7.2, 109\u2013137.", "Loewe, Michael, editor (1993). Early Chinese Texts: A Bibliographical Guide. The Society for the Study of Early China; The Institute of East Asian Studies, Berkeley.", "Hsia Chih-tsing (1968). The Classic Chinese Novel: A Critical Introduction. Columbia University Press, New York and London.", "Luo Zhufeng, editor (1986\u20131994). Hanyu da cidian \u6f22\u8a9e\u5927\u8a5e\u5178, volume 1-13. Cishu chubanshe, Shanghai ."]}

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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: Datacite
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  • Picture of the original Tam Kung Temple dated 1877-1911 at Government and Fisgard streets. In 1911, the Yen Wo Society built a new three-storey brick building and installed the Tam Kung temple on the top floor. The temple honours Tam Kung, the god of seafarers. Picture kept in the meeting room of the Yen Wo Tsung Tsin (Hakka) Society. Photo taken on May 9, 2012.

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    Authors: 杨紫云 Yong, Che Yuan;

    晚清民初时期,基督教的传入促使中国知识界分子开始探索其与中国文化之间的关系或者,并且将焦点转向墨子的“兼爱”思想,以此开启“耶墨”对话。对于民初时期的“耶墨”对话已多有学者进行研究。因此,本文试图将视角放置当代的“耶墨”对话,透过分析和比较,进一步了解他们是如何阐释墨家与基督教的异同之处。本文借由张立夫《基督教伦理与墨子之兼爱伦理比较研究》与黄富巧《墨子与耶稣之爱的比较》的“耶墨”对话为本文的研究对象,透过他们的“耶墨”对话进而引申至对现今世界的贡献,即是基督教中国化的可能性、缓解中国文化与基督教之间的冲突,从而促进文化交流。 In the late Qing and early Republican period, the introduction of Christianity prompted Chinese intellectuals to explore the relationship between Christianity and Chinese culture. During the process, they had turned their focus to Mozi's idea of "impartial love", thus opening the dialogue between Mohism and Christianity. Many scholars have researched the dialogue between Mohism and Christianity that happened in the early Republican period. Therefore, this paper attempts to shift the focus to the dialogue between Mohism and Christianity during the contemporary period and seeks to further understand the approached that they have used to interpret the similarities and differences between Mohism and Christianity. In this paper, analysis and comparison will be made between Zhang Lifu's "A Comparative Study of Christian Ethics and Mozi's Ethics of Compassionate Love" and Huang Fuqiao's "A Comparative Study of Love of Mo Tzu and Jesus" and through the findings to further derive their contributions to the present world, which includes the possibility of the Sinicization of Christianity, the alleviation of the conflict between Chinese culture and Christianity, and the promotion of cultural exchanges. Bachelor's degree

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  • Authors: Hook Sin Tong Charity Association;

    Donation records of the Hook Sin Tong. Contains a list of names and dated in the year of Guangxu 31 (光緒叁拾壹年仲冬榖旦 i.e. 1905). Photo taken on June 16, 2011.

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    Authors: 徐付美智 Xu, Fumeizhi;

    香港与广东的合作历史源远流长,在不断的交流合作中,深圳与广州作为近邻和省城在与香港的互动中扮演了重要的角色。港深的边界区隔了两种制度,而区域的合作意味着跨越这个边界,实现两种制度、两种发展程度、两种意识形态的融合。这正是本论文的研究主题——跨境。 本论文以八十年代以来再现了深圳和广州这两个广东大都会的香港电影作为研究对象,从跨境人口、跨境犯罪、跨境电影工业这三个主题入手,借用达林·伯尔尼(Darin Barney)的网络社会理论,结合边界与区域的概念建构起香港、深圳、广州所在的区域网络社会,并运用其运作原理,探析香港电影中的“跨境”这一动作和概念如何影响了深圳和广州他者想象,如何形塑了自我身份。 There is a long cooperation history between Hong Kong and Guangdong. In the ongoing collaborative endeavors, Shenzhen as a geographical neighbor and Guangzhou as the provincial capital, both have been pivotal in fostering interactions with Hong Kong. The border between Hong Kong and Shenzhen separates the two systems, and regional cooperation means crossing this border to realize the integration of the two systems, two levels of development, and two ideologies. This precisely encapsulates the research focus of this thesis: cross-border. This thesis takes the Hong Kong films that have represent the two Guangdong metropolises Shenzhen and Guangzhou since the 1980s as the research object, starting with the three themes of cross-border population, cross-border crime, and cross-border film industry, drawing upon Darin Barney’s network society theory, integrating the concepts of borders and regions, constructing a regional network society encompassing Hong Kong, Shenzhen, and Guangzhou, and utilizing its operating principles to explore how the action and concept of cross-border in Hong Kong movies influenced the "others" imagination of Shenzhen and Guangzhou, and how Hong Kong shaped its self-identity. Master of Arts

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  • Authors: Bin, Shi; Hao, Wang; Sanhong, Deng;

    The image data set of various factions of Chinese ceramics, which is crawled and preprocessed from Baidu pictures, contains a total of 18,295 pictures and labels, including blue and white porcelain, pastel porcelain, Linglong porcelain, color glaze porcelain (four famous porcelain), other porcelain, purple pottery, purple clay pottery, laurel pottery, Anpottery (four famous pottery), other pottery, a total of 10 categories.The data set includes two parts: training set and test set. 10 pictures of class objects are stored in folders with corresponding numbers (0-9). Among them, the training set is divided into 10 chunks according to 10-fold cross-validation.

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  • Authors: Worldwide Zhongshan Association;

    Plate commemorating the 8th Worldwide Zhongshan Association Convention in 2010. Plate held up by a decorative wooden stand. The 8th Worldwide Zhongshan Association Convention opened in Kuala Lumpur, capital of Malaysia, on the morning of Oct. 17th, 2010. Over 1000 people of Zhongshan origin from 16 countries and regions gathered together to exchange ideas and look at all kinds of opportunities in order to help in the development of Zhongshan. Photo taken on June 16, 2011.

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    Authors: 邹佩颖 Chow, Pei Ying;

    新谣出自一群华校生之手,沿着台湾吹来的校园民歌风在本地开花结果,新谣歌手在机缘巧合下通过电台的节目《歌韵新声》发表自己的创作,因而在本地兴起一股清流,更成了那个时代具有代表性的文化产物之一。追溯回70年代末期,新谣萌芽的具体原因众说纷纭,新谣与南大诗社、电台节目《歌韵新声》以及台湾的校园民歌风这三者之间的互动关系又是为何?新谣为何能在短时间内兴起,又是如何成为一股社会风气是本研究试图解决的重要问题之一。本研究通过新谣作品的细读,翻查记录着新谣诞生前后期的国家发展政策,再与新加坡建国历史进行脉络化的分析,同时探讨新谣创作者如何通过新谣作品,表达及塑造当代国民的国族意识和文化身份认同,最后加入当年新谣圈中人物回顾新谣的访谈集阐述有关新谣的事迹,试图解答以上所述的问题。 学界以新谣为主的学术研究并不常见,文史结合并加入大量新谣参与者访谈内容的学术文章更是罕见。在新谣灿烂辉煌、光鲜亮丽的舞台背后,是盘根错节的历史时代、文本、圈中人物互动关系多层交织所致的成果。本文旨在梳理此关系,将新谣作品置于到当时多重语境的交叉地带,进行脉络化、历史化的深入阐释,并总结出新谣作品中的国族意识、族群文化、个人层面的青年文化三个主要切割面的发展脉络,从而推断出新谣与身份认同之间的关系。 关键词:新谣,国族意识,华族文化认同,青春文化,新加坡 Xinyao was created by a group of Chinese students and blossomed locally along the campus folk song style blown from Taiwan. By chance, Xinyao singers published their own compositions through the radio program "Ge Yun Xin Sheng"(歌韵新声), hence Xinyao became one of the representative cultural products of that era. Going back to the late 1970s, there are different variation regarding the reasons for the birth of Xinyao. What is the interaction between Xinyao and the NTU Poetry Society, the radio program "Ge Yun Xin Sheng", and Taiwan's campus folk songs? How Xinyao can rise in a short period of time and how it has become a social ethos is one of the important questions that this study attempts to solve. Through the close reading of Xinyao works, this research examines and studies the nation development policies before and after the birth of Xinyao, and then conducts a contextualization analysis with the history of Singapore's founding. The national consciousness and cultural identity of Xinyao, and finally added to the interview collection of people in the Xinyao circle reviewing Xinyao to explain the deeds of Xinyao, trying to answer the above-mentioned questions. Academic research based on Xinyao is not common in this field of study, and academic articles that combine both literature analysis, contextualisation of the country’s history as well as interviews with Xinyao participants are even rarer. Behind the glamorous stage of Xinyao, is the result of the multi-layered intertwined historical era, the works produced, as well as the interaction between the participants in the circle. The purpose of this paper is to untwine this relationship, place Xinyao works at the intersection of multiple contexts at that historical timeframe, carry out a contextual and historical in-depth analysis, and summarize developmental context and analysis of the three main facets of Xinyao, namely national consciousness, cultural identity and youth culture at a personal level in Xinyao's works, which will in turn prove the relationship between Xinyao and self-identity. Keywords: Xinyao, National Consciousness, Cultural Identity, Youth Culture, Singapore Master of Arts

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  • Authors: Yang, Charles;

    Signboard for the Hook Sin Tong Charity Association. Top signboard reads Zhongshan (中山), the county which it is associated with. Bottom signboard reads Hook Sin Tong (福善堂). Located outside above the balcony door of the Hook Sin Tong Charity Association. Photo taken on June 16, 2011.

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