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  • GOTRIPLE - Social Sciences and Huma...

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 杨紫云 Yong, Che Yuan;

    晚清民初时期,基督教的传入促使中国知识界分子开始探索其与中国文化之间的关系或者,并且将焦点转向墨子的“兼爱”思想,以此开启“耶墨”对话。对于民初时期的“耶墨”对话已多有学者进行研究。因此,本文试图将视角放置当代的“耶墨”对话,透过分析和比较,进一步了解他们是如何阐释墨家与基督教的异同之处。本文借由张立夫《基督教伦理与墨子之兼爱伦理比较研究》与黄富巧《墨子与耶稣之爱的比较》的“耶墨”对话为本文的研究对象,透过他们的“耶墨”对话进而引申至对现今世界的贡献,即是基督教中国化的可能性、缓解中国文化与基督教之间的冲突,从而促进文化交流。 In the late Qing and early Republican period, the introduction of Christianity prompted Chinese intellectuals to explore the relationship between Christianity and Chinese culture. During the process, they had turned their focus to Mozi's idea of "impartial love", thus opening the dialogue between Mohism and Christianity. Many scholars have researched the dialogue between Mohism and Christianity that happened in the early Republican period. Therefore, this paper attempts to shift the focus to the dialogue between Mohism and Christianity during the contemporary period and seeks to further understand the approached that they have used to interpret the similarities and differences between Mohism and Christianity. In this paper, analysis and comparison will be made between Zhang Lifu's "A Comparative Study of Christian Ethics and Mozi's Ethics of Compassionate Love" and Huang Fuqiao's "A Comparative Study of Love of Mo Tzu and Jesus" and through the findings to further derive their contributions to the present world, which includes the possibility of the Sinicization of Christianity, the alleviation of the conflict between Chinese culture and Christianity, and the promotion of cultural exchanges. Bachelor's degree

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    Authors: 徐付美智 Xu, Fumeizhi;

    香港与广东的合作历史源远流长,在不断的交流合作中,深圳与广州作为近邻和省城在与香港的互动中扮演了重要的角色。港深的边界区隔了两种制度,而区域的合作意味着跨越这个边界,实现两种制度、两种发展程度、两种意识形态的融合。这正是本论文的研究主题——跨境。 本论文以八十年代以来再现了深圳和广州这两个广东大都会的香港电影作为研究对象,从跨境人口、跨境犯罪、跨境电影工业这三个主题入手,借用达林·伯尔尼(Darin Barney)的网络社会理论,结合边界与区域的概念建构起香港、深圳、广州所在的区域网络社会,并运用其运作原理,探析香港电影中的“跨境”这一动作和概念如何影响了深圳和广州他者想象,如何形塑了自我身份。 There is a long cooperation history between Hong Kong and Guangdong. In the ongoing collaborative endeavors, Shenzhen as a geographical neighbor and Guangzhou as the provincial capital, both have been pivotal in fostering interactions with Hong Kong. The border between Hong Kong and Shenzhen separates the two systems, and regional cooperation means crossing this border to realize the integration of the two systems, two levels of development, and two ideologies. This precisely encapsulates the research focus of this thesis: cross-border. This thesis takes the Hong Kong films that have represent the two Guangdong metropolises Shenzhen and Guangzhou since the 1980s as the research object, starting with the three themes of cross-border population, cross-border crime, and cross-border film industry, drawing upon Darin Barney’s network society theory, integrating the concepts of borders and regions, constructing a regional network society encompassing Hong Kong, Shenzhen, and Guangzhou, and utilizing its operating principles to explore how the action and concept of cross-border in Hong Kong movies influenced the "others" imagination of Shenzhen and Guangzhou, and how Hong Kong shaped its self-identity. Master of Arts

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    Authors: 邹佩颖 Chow, Pei Ying;

    新谣出自一群华校生之手,沿着台湾吹来的校园民歌风在本地开花结果,新谣歌手在机缘巧合下通过电台的节目《歌韵新声》发表自己的创作,因而在本地兴起一股清流,更成了那个时代具有代表性的文化产物之一。追溯回70年代末期,新谣萌芽的具体原因众说纷纭,新谣与南大诗社、电台节目《歌韵新声》以及台湾的校园民歌风这三者之间的互动关系又是为何?新谣为何能在短时间内兴起,又是如何成为一股社会风气是本研究试图解决的重要问题之一。本研究通过新谣作品的细读,翻查记录着新谣诞生前后期的国家发展政策,再与新加坡建国历史进行脉络化的分析,同时探讨新谣创作者如何通过新谣作品,表达及塑造当代国民的国族意识和文化身份认同,最后加入当年新谣圈中人物回顾新谣的访谈集阐述有关新谣的事迹,试图解答以上所述的问题。 学界以新谣为主的学术研究并不常见,文史结合并加入大量新谣参与者访谈内容的学术文章更是罕见。在新谣灿烂辉煌、光鲜亮丽的舞台背后,是盘根错节的历史时代、文本、圈中人物互动关系多层交织所致的成果。本文旨在梳理此关系,将新谣作品置于到当时多重语境的交叉地带,进行脉络化、历史化的深入阐释,并总结出新谣作品中的国族意识、族群文化、个人层面的青年文化三个主要切割面的发展脉络,从而推断出新谣与身份认同之间的关系。 关键词:新谣,国族意识,华族文化认同,青春文化,新加坡 Xinyao was created by a group of Chinese students and blossomed locally along the campus folk song style blown from Taiwan. By chance, Xinyao singers published their own compositions through the radio program "Ge Yun Xin Sheng"(歌韵新声), hence Xinyao became one of the representative cultural products of that era. Going back to the late 1970s, there are different variation regarding the reasons for the birth of Xinyao. What is the interaction between Xinyao and the NTU Poetry Society, the radio program "Ge Yun Xin Sheng", and Taiwan's campus folk songs? How Xinyao can rise in a short period of time and how it has become a social ethos is one of the important questions that this study attempts to solve. Through the close reading of Xinyao works, this research examines and studies the nation development policies before and after the birth of Xinyao, and then conducts a contextualization analysis with the history of Singapore's founding. The national consciousness and cultural identity of Xinyao, and finally added to the interview collection of people in the Xinyao circle reviewing Xinyao to explain the deeds of Xinyao, trying to answer the above-mentioned questions. Academic research based on Xinyao is not common in this field of study, and academic articles that combine both literature analysis, contextualisation of the country’s history as well as interviews with Xinyao participants are even rarer. Behind the glamorous stage of Xinyao, is the result of the multi-layered intertwined historical era, the works produced, as well as the interaction between the participants in the circle. The purpose of this paper is to untwine this relationship, place Xinyao works at the intersection of multiple contexts at that historical timeframe, carry out a contextual and historical in-depth analysis, and summarize developmental context and analysis of the three main facets of Xinyao, namely national consciousness, cultural identity and youth culture at a personal level in Xinyao's works, which will in turn prove the relationship between Xinyao and self-identity. Keywords: Xinyao, National Consciousness, Cultural Identity, Youth Culture, Singapore Master of Arts

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    This dataset includes the raw frequency counts (classical_chinese_learners_vocabularies_raw_frequencies.zip) used in the article Thoughts on ���Reliable��� Learner���s Vocabularies for Classical and Literary Chinese. Corpus I ��� Micheal Loewe (1993)���s Early Chinese Texts Corpus II ��� Official Histories (zhengshi ������) Corpus III Six Novels (xiaoshuo ������), as defined in Hsia 1968 The download includes one folder per corpus, structured as follows: xx_corpus.csv > list of texts and sources / used versions, token and type counts xx_freq_1-1.csv > unigram / character frequencies and counts xx_freq_1-4.csv > 1 to 4 character word frequencies and counts, "words" according to Hanyu da cidian ��������������� (Luo 1986���1994)) xx_freq_2-4.csv > 2 to 4 character words Additionally, pca_zhengshi_vs_loewe_vs_xiaoshuo.html is an interactive version of the Principal Component Analysis (PCA) presented in the article, texts from the three corpora are represented using the 1.000 most frequent 1���4 character combinations from the dataset. {"references": ["Schalmey, Tilman (2013). \"Corpus-driven Creation of a Reliable Learner's Vocabulary for Classical Chinese\", Taiwan huayu jiaoxue yanjiu \u81fa\u7063\u83ef\u8a9e \u6559\u5b78\u7814\u7a76 / Taiwan Journal of Chinese as a Second Language 7.2, 109\u2013137.", "Loewe, Michael, editor (1993). Early Chinese Texts: A Bibliographical Guide. The Society for the Study of Early China; The Institute of East Asian Studies, Berkeley.", "Hsia Chih-tsing (1968). The Classic Chinese Novel: A Critical Introduction. Columbia University Press, New York and London.", "Luo Zhufeng, editor (1986\u20131994). Hanyu da cidian \u6f22\u8a9e\u5927\u8a5e\u5178, volume 1-13. Cishu chubanshe, Shanghai ."]}

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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: Datacite
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    Authors: Bulag, Uradyn E.; Burunsain, Borjigin; Dorjraa;

    This video shows Wang Yanhong explaining the Dashdawa Mongol history to the representatives of five Dashdawa Mongol surname groups. He says that initially, about 1,000 Ööld people arrived at Chengde in 1757, followed by another group two years later, the same year when the Anyuan monastery in Chengde was built. Some years later, however, about 500 people were dispatched to Xinjiang to protect the Qing-Russian border areas. Sponsored by Arcadia Fund, a charitable fund of Lisbet Rausing and Peter Baldwin

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    Apollo
    Film . 2015
    License: CC BY NC ND
    Data sources: Apollo
    Apollo
    Film . 2020
    License: CC BY NC ND
    Data sources: Datacite
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      Apollo
      Film . 2015
      License: CC BY NC ND
      Data sources: Apollo
      Apollo
      Film . 2020
      License: CC BY NC ND
      Data sources: Datacite
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    With the PRC regime mandate of quarantine trying to justify its individually targetable mass surveillance system, the causal deaths tolled for the measurements in the stead of the COVID-19 itself. Three children were locked alone at home on November 25 EST+8, 2022 for the quarantine measurements, and a fire killed them all the same night. People gathered on the streets and on social media people shared the details of multiple perspectives and experiences. Gunshots were fired reminding the population of the 1989 Tiananmen Square Massacre. Overnight Chinese cyber police have been deleting information on a mass scale, and the data consist of some collection saved by the researcher's acquaintance. With the conducts contrary to Declaration of Taipei and Declaration of Geneva, and accumulated military proliferation contrary to the Declaration of Helsinki, the post-positivist research adopts a deconstructive analysis on a case-by-case basis in online-based social interactions, with a cognitive-affective psychotherapeutic method for positive psychology without behavioral intervention in respect of the self-protective psychological processes, with the Therapist's Oath.

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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: Datacite
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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Audiovisual . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Audiovisual . 2022
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    Authors: 周子恒 Zhou, Zi Heng;

    The Cold War did not only witness the US-USSR confrontations and competition, but profoundly affected the political situations and cultural orientation of various regions of the world. Global South, as a political awareness, empowered the de-centralizing efforts in struggles against submission by peoples on the periphery of the global power structure. It also supplied non-aligned forces and weaker states, whose rights were deprived of by great powers, with Global South theoretical perspectives. With a focus on three film companies established and financed by the United Kingdom and the United States during the Cold War, namely, Asia Pictures, Hong Kong Film Unit, and Malayan Film Unit, this dissertation examines how the two countries managed to impart the idea of capitalist “freedom” and modernity to the Global South via images. Discussions of the three selected film companies in the dissertation do not only examine the textual contents of images, but also extend to the origins and evolvement of the establishment of the film companies, the social context of image production, as well as public reactions. By digging into the archives housed at Imperial War Museum (UK), The National Archives (UK), Central Intelligence Agency (USA), and the Hoover Institution Library & Archives (USA), and close reading the historical newspapers like the Straits Times and South China Morning Post, this dissertation aims to present the complexity and diversity of cultural intervention and political exploitation upon the Global South by the UK and US. In addition, the dissertation attempts to reconsider the true intention of the UK and US, namely, to sustain their local interest by way of rationalizing their behaviors. A revisit to narratives of “freedom” and “modernity” propagated by the UK and US during the Cold War would reveal that such narratives represent the exclusive Anglo-American model and standard of developmental path which ostracized possibilities of local diversity and historical reflection. To suit local political and cultural settings, the UK and US have adopted an elastic propaganda strategy and sustained their relationship for the maximum economic interest and ideological support. The observation of the official image production by the UK and US authorities in this dissertation thus complements the historical evolvement and cultural characteristics of localized image production in the Global South and expands the studies of cultural Cold War from the perspective of image propaganda. 冷战不仅是美苏之间的对抗与博弈,也深刻影响了世界各地区的政治局势与文化导向。全球南方作为一种政治意识,赋予了处于权力网络次要地位的人们寻找抗争压迫的“去中心化”力量。它为探讨权利受剥夺的不结盟地区和弱势国家在大国干预下的顺从与抵抗提供了新的理论视野。本文聚焦在冷战时期英美设立与资助的亚洲影业公司、香港电影制片组及马来亚制片组三个影像机构,结合全球南方文化视角,观察英美如何借由流动影像向全球南方地区传递资本主义“自由”思想与现代意识。本文对所选取的三个影像机构的讨论,不仅局限于流动影像文本内容的考察,并且延展到影像机构设立起源及嬗变过程,影像生产的社会背景与公众反响等方面。通过挖掘英国帝国战争博物馆、英国国家档案馆、美国中央情报局和胡佛研究所图书档案馆等官方第一手文献档案以及《海峡时报》、《南华早报》等历史报刊,本文希望探索冷战时期英美官方在全球南方的文化干预与权利剥削过程中表现出的复杂性与多样性,并借以思考英美如何合理化自身行为以掩盖其渴望延续在地利益的真实目的。重新审视冷战年代英美宣传时强调的“自由”与“现代化”的话语,不难发现它蕴藏了英美面向全球南方时展现出的示范化发展路径与统一标准,从而排除了当地多元文化与历史反省的可能性。为了适应当地的政治文化环境,英美在全球南方体现出动态多变的宣传策略,以赢得最大化的经济利益与意识形态方面支持,英美双方关系也在追寻共同利益的彼此协商中得以维系。本文对于英美官方流动影像的观照,厘清了全球南方在地化影像机构的历史流变与文化特征,以影像宣传的视角拓展了文化冷战研究版图。 Doctor of Philosophy

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    Authors: Anderl, Christoph; Bingenheimer, Marcus; Chang, Po-yung; Lin, Ching-hui; +3 Authors
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    Authors: 陈嘉怡 Chen, Jia Yi;

    网络话语权是互联网的产物。随着互联网异军突起迅猛发展,不同意识形态在网络空间不断冒泡,相互竞争夺取话语权,网络空间已经成为国家机构与大众群体话语权争夺博弈的主要阵地。政府机构希望通过监管机制的演变与优化来捍卫公共权力体系打造一个程序化、规范化的文明网络空间。与此同时,网络空间的演变,使人民群众拥有一个去中心化、自由的观点抒发狂欢地。正是网络的这些特性给网络话语权争夺提供可能性。同时随着网络平台与技术的发展,网络话语权的归属也随之激烈。无论是透过公共集权力的压制与监督,还是以公民权利集结的舆论制衡与逼迫,网络空间的话语权仍存在分歧与利弊影响。日渐兴盛的网络舆论也冲击着主流意识形态,创建出新形势与新问题。政府机构将如何通过权力的制衡来监督舆论?而人民群众也将如何通过舆论监督来落实话语权利,达到从下至上的管理与监督?通过2020年以来的网络公共事件为主要案例,探析公共权力与公民权利之间的制衡点,并在网络时代建构还不成熟的新形势下,政府与人民如何保持稳定关系。 The Internet produces the strength of the network discourse. Different ideologies are emerging online and vying for the right to speak due to the Internet's rapid development. The primary arena of conflict between the government and the citizenry has since been the internet. The government intends to enhance and standardize cyberspace by refining and enhancing the new surveillance system. At the same time, the development of cyberspace has also offered the general public a decentralized, open platform to express their opinions. These traits give it the potential to compete for the right of discourse on the Internet. However, as technology and platforms progress, there is increasingly fierce rivalry for Internet discourse rights. The discourse power in the cybersphere is constantly dealing with a lot of uncertainty, whether it be through the censorship and surveillance of the official authority or mobilizing forces from the general people to overthrow officials. The vast range of public voices that are given prominence has a significant impact on the dominant ideology as well, leading to new media scenarios and issues. So what can the government do to keep a close watch on public opinion, and how can the general public use their right to free speech under constant surveillance? The outdated top-down approach of the government to the general population has changed as a result of Internet digitization. In this thesis, we will discuss about China's breaking news stories (from 2020 news onwards) and how the Internet's infancy will impact how the public and officials interact with one another. Bachelor of Arts in Chinese

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    This is a bi-monthly export. CERD is a database of engineers from the Chinese Republican period (1912–1949). Based on various digitised historical sources, it is a prosopographic catalogue of individuals, their education and their employment, and the institutions connected with it. Most biographical events have geographical information attached to them. The data can be used freely by researchers to answer individual research questions. Citation recommendation: Pelzer, Thorben, et al., eds. (2021–2023). Chinese Engineers Relational Database (CERD) (Version 1.7.0). Zenodo. http://doi.org/10.5281/zenodo.4075601. Changelog: 1.7.0 (February 2023): Approx. 17,600 individuals, two additional sources 1.6.0 (August 2022): Approx. 17,400 entries, completed sources, minor corrections, mergers, translations 1.5.0 (June 2022): Approx. 17,300 entries, added additional memberships 1.4.0 (April 2022): Approx. 16,800 entries, added additional sources, schooling 1.3.0 (February 2022): Approx. 16,500 entries, added documentation, additional memberships 1.2.0 (December 2021): Approx. 16,300 entries, added frequent CSV exports, source annotations, 5 missing minglu pages, additional association memberships 1.1.0 (October 2021): Approx. 15,700 entries, added selected association memberships 1.0.0 (August 2021): Approx. 15,400 entries [complete gongchengren minglu dataset milestone] 0.5.0 (June 2021): Approx. 13,000 entries 0.4.0 (April 2021): Approx. 10,500 entries 0.3.0 (February 2021): Approx. 7,500 entries, as well as various corrections, mergers, translations 0.2.0 (December 2020): Approx. 5,000 entries, as well as various corrections, mergers, translations 0.1.0 (October 2020): Early version with approx. 3,000 entries Online Access: Via Heurist: https://home.uni-leipzig.de/cerd/ Funded through the DFG (SFB 1199: "Processes of Spatialization under the Global Condition") and partly the BMBF ("The Pioneers of China's Rise to Technological Power: Technical Educational Institutions and Their Students in the Age of Global Transformation, 1860–1911").

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    ZENODO
    Dataset . 2022
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    Dataset . 2022
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    ZENODO
    Dataset . 2020
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2022
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    ZENODO
    Dataset . 2022
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    ZENODO
    Dataset . 2020
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    ZENODO
    Dataset . 2021
    License: CC BY
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    ZENODO
    Dataset . 2023
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    ZENODO
    Dataset . 2021
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    ZENODO
    Dataset . 2021
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    ZENODO
    Dataset . 2021
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    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC BY
    Data sources: ZENODO
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      ZENODO
      Dataset . 2022
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      ZENODO
      Dataset . 2020
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      ZENODO
      Dataset . 2022
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      Data sources: ZENODO
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      ZENODO
      Dataset . 2022
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      Data sources: ZENODO
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      ZENODO
      Dataset . 2022
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      Data sources: ZENODO
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      ZENODO
      Dataset . 2020
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      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
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      Data sources: ZENODO
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      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: Datacite
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
      License: CC BY
      Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 杨紫云 Yong, Che Yuan;

    晚清民初时期,基督教的传入促使中国知识界分子开始探索其与中国文化之间的关系或者,并且将焦点转向墨子的“兼爱”思想,以此开启“耶墨”对话。对于民初时期的“耶墨”对话已多有学者进行研究。因此,本文试图将视角放置当代的“耶墨”对话,透过分析和比较,进一步了解他们是如何阐释墨家与基督教的异同之处。本文借由张立夫《基督教伦理与墨子之兼爱伦理比较研究》与黄富巧《墨子与耶稣之爱的比较》的“耶墨”对话为本文的研究对象,透过他们的“耶墨”对话进而引申至对现今世界的贡献,即是基督教中国化的可能性、缓解中国文化与基督教之间的冲突,从而促进文化交流。 In the late Qing and early Republican period, the introduction of Christianity prompted Chinese intellectuals to explore the relationship between Christianity and Chinese culture. During the process, they had turned their focus to Mozi's idea of "impartial love", thus opening the dialogue between Mohism and Christianity. Many scholars have researched the dialogue between Mohism and Christianity that happened in the early Republican period. Therefore, this paper attempts to shift the focus to the dialogue between Mohism and Christianity during the contemporary period and seeks to further understand the approached that they have used to interpret the similarities and differences between Mohism and Christianity. In this paper, analysis and comparison will be made between Zhang Lifu's "A Comparative Study of Christian Ethics and Mozi's Ethics of Compassionate Love" and Huang Fuqiao's "A Comparative Study of Love of Mo Tzu and Jesus" and through the findings to further derive their contributions to the present world, which includes the possibility of the Sinicization of Christianity, the alleviation of the conflict between Chinese culture and Christianity, and the promotion of cultural exchanges. Bachelor's degree

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 徐付美智 Xu, Fumeizhi;

    香港与广东的合作历史源远流长,在不断的交流合作中,深圳与广州作为近邻和省城在与香港的互动中扮演了重要的角色。港深的边界区隔了两种制度,而区域的合作意味着跨越这个边界,实现两种制度、两种发展程度、两种意识形态的融合。这正是本论文的研究主题——跨境。 本论文以八十年代以来再现了深圳和广州这两个广东大都会的香港电影作为研究对象,从跨境人口、跨境犯罪、跨境电影工业这三个主题入手,借用达林·伯尔尼(Darin Barney)的网络社会理论,结合边界与区域的概念建构起香港、深圳、广州所在的区域网络社会,并运用其运作原理,探析香港电影中的“跨境”这一动作和概念如何影响了深圳和广州他者想象,如何形塑了自我身份。 There is a long cooperation history between Hong Kong and Guangdong. In the ongoing collaborative endeavors, Shenzhen as a geographical neighbor and Guangzhou as the provincial capital, both have been pivotal in fostering interactions with Hong Kong. The border between Hong Kong and Shenzhen separates the two systems, and regional cooperation means crossing this border to realize the integration of the two systems, two levels of development, and two ideologies. This precisely encapsulates the research focus of this thesis: cross-border. This thesis takes the Hong Kong films that have represent the two Guangdong metropolises Shenzhen and Guangzhou since the 1980s as the research object, starting with the three themes of cross-border population, cross-border crime, and cross-border film industry, drawing upon Darin Barney’s network society theory, integrating the concepts of borders and regions, constructing a regional network society encompassing Hong Kong, Shenzhen, and Guangzhou, and utilizing its operating principles to explore how the action and concept of cross-border in Hong Kong movies influenced the "others" imagination of Shenzhen and Guangzhou, and how Hong Kong shaped its self-identity. Master of Arts

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 邹佩颖 Chow, Pei Ying;

    新谣出自一群华校生之手,沿着台湾吹来的校园民歌风在本地开花结果,新谣歌手在机缘巧合下通过电台的节目《歌韵新声》发表自己的创作,因而在本地兴起一股清流,更成了那个时代具有代表性的文化产物之一。追溯回70年代末期,新谣萌芽的具体原因众说纷纭,新谣与南大诗社、电台节目《歌韵新声》以及台湾的校园民歌风这三者之间的互动关系又是为何?新谣为何能在短时间内兴起,又是如何成为一股社会风气是本研究试图解决的重要问题之一。本研究通过新谣作品的细读,翻查记录着新谣诞生前后期的国家发展政策,再与新加坡建国历史进行脉络化的分析,同时探讨新谣创作者如何通过新谣作品,表达及塑造当代国民的国族意识和文化身份认同,最后加入当年新谣圈中人物回顾新谣的访谈集阐述有关新谣的事迹,试图解答以上所述的问题。 学界以新谣为主的学术研究并不常见,文史结合并加入大量新谣参与者访谈内容的学术文章更是罕见。在新谣灿烂辉煌、光鲜亮丽的舞台背后,是盘根错节的历史时代、文本、圈中人物互动关系多层交织所致的成果。本文旨在梳理此关系,将新谣作品置于到当时多重语境的交叉地带,进行脉络化、历史化的深入阐释,并总结出新谣作品中的国族意识、族群文化、个人层面的青年文化三个主要切割面的发展脉络,从而推断出新谣与身份认同之间的关系。 关键词:新谣,国族意识,华族文化认同,青春文化,新加坡 Xinyao was created by a group of Chinese students and blossomed locally along the campus folk song style blown from Taiwan. By chance, Xinyao singers published their own compositions through the radio program "Ge Yun Xin Sheng"(歌韵新声), hence Xinyao became one of the representative cultural products of that era. Going back to the late 1970s, there are different variation regarding the reasons for the birth of Xinyao. What is the interaction between Xinyao and the NTU Poetry Society, the radio program "Ge Yun Xin Sheng", and Taiwan's campus folk songs? How Xinyao can rise in a short period of time and how it has become a social ethos is one of the important questions that this study attempts to solve. Through the close reading of Xinyao works, this research examines and studies the nation development policies before and after the birth of Xinyao, and then conducts a contextualization analysis with the history of Singapore's founding. The national consciousness and cultural identity of Xinyao, and finally added to the interview collection of people in the Xinyao circle reviewing Xinyao to explain the deeds of Xinyao, trying to answer the above-mentioned questions. Academic research based on Xinyao is not common in this field of study, and academic articles that combine both literature analysis, contextualisation of the country’s history as well as interviews with Xinyao participants are even rarer. Behind the glamorous stage of Xinyao, is the result of the multi-layered intertwined historical era, the works produced, as well as the interaction between the participants in the circle. The purpose of this paper is to untwine this relationship, place Xinyao works at the intersection of multiple contexts at that historical timeframe, carry out a contextual and historical in-depth analysis, and summarize developmental context and analysis of the three main facets of Xinyao, namely national consciousness, cultural identity and youth culture at a personal level in Xinyao's works, which will in turn prove the relationship between Xinyao and self-identity. Keywords: Xinyao, National Consciousness, Cultural Identity, Youth Culture, Singapore Master of Arts

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    This dataset includes the raw frequency counts (classical_chinese_learners_vocabularies_raw_frequencies.zip) used in the article Thoughts on ���Reliable��� Learner���s Vocabularies for Classical and Literary Chinese. Corpus I ��� Micheal Loewe (1993)���s Early Chinese Texts Corpus II ��� Official Histories (zhengshi ������) Corpus III Six Novels (xiaoshuo ������), as defined in Hsia 1968 The download includes one folder per corpus, structured as follows: xx_corpus.csv > list of texts and sources / used versions, token and type counts xx_freq_1-1.csv > unigram / character frequencies and counts xx_freq_1-4.csv > 1 to 4 character word frequencies and counts, "words" according to Hanyu da cidian ��������������� (Luo 1986���1994)) xx_freq_2-4.csv > 2 to 4 character words Additionally, pca_zhengshi_vs_loewe_vs_xiaoshuo.html is an interactive version of the Principal Component Analysis (PCA) presented in the article, texts from the three corpora are represented using the 1.000 most frequent 1���4 character combinations from the dataset. {"references": ["Schalmey, Tilman (2013). \"Corpus-driven Creation of a Reliable Learner's Vocabulary for Classical Chinese\", Taiwan huayu jiaoxue yanjiu \u81fa\u7063\u83ef\u8a9e \u6559\u5b78\u7814\u7a76 / Taiwan Journal of Chinese as a Second Language 7.2, 109\u2013137.", "Loewe, Michael, editor (1993). Early Chinese Texts: A Bibliographical Guide. The Society for the Study of Early China; The Institute of East Asian Studies, Berkeley.", "Hsia Chih-tsing (1968). The Classic Chinese Novel: A Critical Introduction. Columbia University Press, New York and London.", "Luo Zhufeng, editor (1986\u20131994). Hanyu da cidian \u6f22\u8a9e\u5927\u8a5e\u5178, volume 1-13. Cishu chubanshe, Shanghai ."]}

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    ZENODO
    Dataset . 2021
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    Dataset . 2021
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      Dataset . 2021
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      Dataset . 2021
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    Authors: Bulag, Uradyn E.; Burunsain, Borjigin; Dorjraa;

    This video shows Wang Yanhong explaining the Dashdawa Mongol history to the representatives of five Dashdawa Mongol surname groups. He says that initially, about 1,000 Ööld people arrived at Chengde in 1757, followed by another group two years later, the same year when the Anyuan monastery in Chengde was built. Some years later, however, about 500 people were dispatched to Xinjiang to protect the Qing-Russian border areas. Sponsored by Arcadia Fund, a charitable fund of Lisbet Rausing and Peter Baldwin

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    Apollo
    Film . 2015
    License: CC BY NC ND
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    Apollo
    Film . 2020
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      Apollo
      Film . 2015
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      Film . 2020
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    With the PRC regime mandate of quarantine trying to justify its individually targetable mass surveillance system, the causal deaths tolled for the measurements in the stead of the COVID-19 itself. Three children were locked alone at home on November 25 EST+8, 2022 for the quarantine measurements, and a fire killed them all the same night. People gathered on the streets and on social media people shared the details of multiple perspectives and experiences. Gunshots were fired reminding the population of the 1989 Tiananmen Square Massacre. Overnight Chinese cyber police have been deleting information on a mass scale, and the data consist of some collection saved by the researcher's acquaintance. With the conducts contrary to Declaration of Taipei and Declaration of Geneva, and accumulated military proliferation contrary to the Declaration of Helsinki, the post-positivist research adopts a deconstructive analysis on a case-by-case basis in online-based social interactions, with a cognitive-affective psychotherapeutic method for positive psychology without behavioral intervention in respect of the self-protective psychological processes, with the Therapist's Oath.

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    ZENODO
    Audiovisual . 2022
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    ZENODO
    Audiovisual . 2022
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    ZENODO
    Audiovisual . 2022
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    ZENODO
    Audiovisual . 2022
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    Audiovisual . 2022
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      ZENODO
      Audiovisual . 2022
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      ZENODO
      Audiovisual . 2022
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      Audiovisual . 2022