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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cubas, Gabriela Pérez;

    RESUMEN El presente artículo trata de una serie de conceptos vinculados a la noción de cuerpo y subjetividad en el entrenamiento cinestésico y expresivo del actor. A tal fin, se propone un diálogo entre los estudios sobre las configuraciones de cuerpo en las sociedades occidentales que desarrollan, desde la óptica de la antropología, el sociólogo y antropólogo francés David Le Breton y desde el campo de los estudios sobre danza, estudios performáticos y políticas del movimiento el ensayista André Lepecki. ABSTRACT This article discusses different concepts linked to the notion of body in contemporary western societies from the point of view of French Sociologist-Anthropologist David Le Breton. His concept of body will be related in this essay with perceptions of body and subjectivity by Dance and Performance Studies theorist André Lepecki in his discussion of movement and politics. The present study aims at deepening the reflection of performers and theorists on the actor´s expressive movement training. RÉSUMÉ Le présent article aborde une série de concepts liés à la notion de corps et de subjectivité dans l'entraînement cinesthésique et expressif de l'acteur. Pour ce faire, il propose un dialogue interdisciplinaire entre les diverses recherches portant sur les configurations du corps dans les sociétés occidentales, s'appuyant notamment sur les travaux de l'anthropologue et sociologue français David Le Breton et sur les études menées par l'essayiste André Lepecki à propos de la dance, de la performance et des politiques du mouvement.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Revista Brasileira d...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Revista Brasileira d...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mato, Daniel Alejandro;

    The idea of social movements tends to be associated, in a reductionist manner, with protests in public spaces and negotiations in institutional spaces. Nevertheless, social movements are agents of change across a wide variety of social spaces. One of the most notable ones is that of education. While the most visible initiatives tend to be short-term courses, some sectors of several social movements have also promoted higher education programmes through alliances with conventional Higher Education institutions, or have created their own institutions. Indigenous peoples around the world have long fought for their educational rights. Some have struggled for access to higher education institutions, for suitable reforms to existing institutions, and for the right to establish their own institutions. Their interest in advancing higher education initiatives is directly related to a need to train individuals in political, professional and technical resource areas in order to successfully advance projects of social, economic, political, institutional, and/or legal reforms. Based on participatory field and documentary research, this article discusses some salient aspects of the experiences of higher education institutions that sectors of indigenous people movements in Latin America have established, highlighting their main achievements and challenges, as well as the intercultural conflicts they confront. Fil: Mato, Daniel Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Centro Interdisciplinario de Estudios Avanzados; Argentina

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CONICET Digitalarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CONICET Digital
    Article . 2016
    Data sources: CONICET Digital
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CONICET Digitalarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      CONICET Digital
      Article . 2016
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laura Aylén Enrique; Lidia Rosa Nacuzzi;

    Este artículo se refiere a la figura del piloto Basilio Villarino, funcionario de la Corona española, destinado a fines del siglo XVIII a expediciones de reconocimiento en el norte de la Patagonia. Se buscan señalar sus estrategias y acciones desplegadas en cumplimiento de las órdenes recibidas de sus superiores y cómo se dejan ver enz ellas, con una lógica mestiza, sus ambiciones personales, su visión política y sus planes respecto de la colonización de una región habitada por grupos indígenas insumisos.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Fronteras de la Hist...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Fronteras de la Historia
    Article . 2010
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Fronteras de la Historia
    Article . 2010
    Data sources: DOAJ-Articles
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Fronteras de la Historia
    Article . 2010
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Fronteras de la Historia
    Article . 2010
    Data sources: DOAJ-Articles
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Fronteras de la Hist...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Fronteras de la Historia
      Article . 2010
      Data sources: DOAJ-Articles
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Fronteras de la Historia
      Article . 2010
      Data sources: DOAJ-Articles
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Fronteras de la Historia
      Article . 2010
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Fronteras de la Historia
      Article . 2010
      Data sources: DOAJ-Articles
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Castro, Analia; Casanueva, María Laura;

    Desde el año 2010 se realizan tareas de investigación arqueológica en Aldea Beleiro, Sudoeste de Chubut, con la finalidad de recuperar la historia del poblamiento de la provincia, desde sus comienzos hasta la llegada de los inmigrantes en el siglo XIX y el surgimiento de la población criolla. Desde la Arqueología -analizando tanto la cultura material como documentos históricos y entrevistas- y con un enfoque regional, se busca armar el rompecabezas histórico del área; en este sentido, uno de los ejes de esta investigación es la interacción de los distintos grupos sociales y la vida cotidiana transcurrida en sus espacios de habitación. En este trabajo se presentan los resultados de los estudios llevados a cabo en la cueva Casa de Piedra de Roselló y los relevamientos realizados en asentamientos de familias indígenas de momentos históricos en Aldea Beleiro, demostrando así una continua ocupación de la región desde hace al menos 9000 años. Since 2010, archaeological research has been carried out at Aldea Beleiro, Southwestern Chubut, aimed at recovering the history of the peopling of the province from its origins to the arrival of immigrants during the 19th Century, leading to the subsequent emergence of a creole population. Using archaeology, including material culture as well as historical documents and interviews, allied to a regional approach, we seek to rebuild the history of the area. In this sense, a major focus of this research is the interaction between different social groups and daily life spent in their areas of habitation. To this effect, this paper will present the results of research carried out at the Casa de Piedra de Roselló Cave, and of surveys undertaken at indigenous family settlements for the historical period at Aldea Beleiro. These demonstrate a continuous occupation of the region since at least, 9,000 years ago. Fil: Castro, Analia. Sección de Cultura de la Nación. Dirección Nacional de Cultura y Museos. Instituto Nacional de Antropología y Pensamiento Latinoamericano. Departamento de Arqueología; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina Fil: Casanueva, María Laura. Sección de Cultura de la Nación. Dirección Nacional de Cultura y Museos. Instituto Nacional de Antropología y Pensamiento Latinoamericano. Departamento de Arqueología; Argentina

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CONICET Digital (CON...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Arqueologia
    Article
    License: CC BY ND SA
    Data sources: UnpayWall
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Arqueologia
    Article . 1970
    Data sources: Crossref
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CONICET Digital
    Article . 2018
    Data sources: CONICET Digital
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CONICET Digital (CON...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Arqueologia
      Article
      License: CC BY ND SA
      Data sources: UnpayWall
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Arqueologia
      Article . 1970
      Data sources: Crossref
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CONICET Digital
      Article . 2018
      Data sources: CONICET Digital
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Setton, Román Pablo;

    El siguiente trabajo indaga de manera abarcadora las características del cine criminal en el período clásico del cine argentino (1933-1956). Intenta determinar de qué manera la ciudad, con sus diferentes espacios característicos "el Riachuelo, el suburbio, el centro", va construyendo una cierta cartografía moral. Asimismo, se estudian los cruces entre los diferentes subgéneros del cine policial (cine de gangsters, film noir, police procedural, etc.), así como la hibridización con las narrativas e imaginarios nacionales, especialmente el criollismo y el tango. This paper explores in a comprehensive way the characteristics of crime film in the classic period of Argentine cinema (1933–1956). I try to show how the city, with its different characteristic spaces, the Riachuelo, the suburbs, the center, builds a certain moral cartography. I also study the crossings between different subgenres of the crime film (gangster movies, film noir, police procedural, etc.), as well as the hybridization with national narratives and imaginaries, especially criollismo and tango. Fil: Setton, Román Pablo. Universidad de Buenos Aires. Facultad de Filosofía y Letras. Instituto de Filología y Literatura Hispánica "Dr. Amado Alonso"; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CONICET Digitalarrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    CONICET Digital
    Article . 2019
    Data sources: CONICET Digital
    Romanische Forschungen
    Article . 2019
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CONICET Digitalarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      CONICET Digital
      Article . 2019
      Data sources: CONICET Digital
      Romanische Forschungen
      Article . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Juan ArabiaEditorial El fin de la noche. Buenos Aires, 2011

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ SciELO Chile - CONIC...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Literatura y Lingüística
    Article . 2012
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    Authors: Diloreto, Alfredo Gustavo;

    This paper overviews the historical antecedents of water regulations and particularly its practical application in agriculture and stockbreeding. To begin with, there is a description of the legal framework as regards the property of water and the provisions of Water Code of the province of Buenos Aires. After that, the focus is set on the specific norms enforced in agriculture and sockbreeding and the system of authorizations and concessions. Finally, there is a comment on the original provision introduced by the Water Code of the province of Buenos Aires which takes up the criterion of water footprint to fix the fee rural producers have to pay for the use of groundwater. The norm also ordains that this fee will be the main economic resource for the Integral Program of Management of Water Resources for each región or subregion in the jurisdiction of the province of Buenos Aires. El trabajo repasa los antecedentes históricos de regulación del agua y en especial su uso agropecuario en la provincia de Buenos Aires. Plantea el marco jurídico que define el dominio de las aguas y, a partir de allí, la normativa del Código de Aguas provincial, considerando la regulación específica para la agricultura y el uso pecuario y el sistema de permisos y concesiones a tales efectos. Por último se comenta la novedosa reglamentación introducida por el decreto 429/13 que utiliza el criterio de huella hídrica para definir el canon a pagar por el uso del agua en el sector productivo y define que dicho canon será el instrumento económico principal por el cual se solventarán los Planes de Gestión Integrada de los Recursos Hídricos para cada región o subregión hidrológica en el ámbito provincial. Instituto de Cultura Jurídica (ICJ)

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    Authors: Raúl Eduardo González;

    El objetivo de este trabajo es analizar tres morfemas pronominales «-te», «-lo» y «-o» que indexan, en el verbo, el número de P (argumento más parecido al paciente de cláusula transitiva) en construcciones con afijos aplicativos. Presentamos los rasgos semánticos que se indexan y avanzamos en la discusión sobre su estatus de índices pronominales a partir de su comparación con otros morfemas verbales que codifican las funciones sintácticas de argumentos sujeto en cláusulas sin aplicativos. En nuestro análisis, seguimos la propuesta de Haspelmath (2013), que incluye las formas personales dependientes y las denominadas marcas de concordancia dentro de un fenómeno amplio: la indexación. El análisis se basa en un corpus oral de carácter narrativo y de oraciones elicitadas con consultante de referencia. El corpus fue recolectado con hablantes que viven en distintas comunidades del Este de la provincia de Formosa (Argentina). The aim of this paper is to analyze the verbal pronominal morphemes «-te», «-lo», and «-o» that encode number of P (more patient–like argument of transitive clauses) on constructions with applicative affixes. These verbal pronominal morphemes are described in terms of their semantic features, and specially in regards to their status as pronominal indexes by comparison with the ones that encode the syntactic functions of the subject arguments on clauses without applicatives. In this paper, in accordance with Haspelmath (2013), the description of dependent pronominal forms and agreement markers are included within a wider phenomenon called indexation. The analysis proposed is based on a corpus of oral narrative texts and elicited clauses collected by fieldwork carried out in Toba communities from eastern Formosa (Argentina). O objetivo deste trabalho é analisar três morfemas pronominais «-te», «-lo», «-o», que indexam, no verbo, o número de P (argumento mais parecido ao paciente na oração transitiva) em construções com afixos aplicativos. Apresentamos os traços semânticos que são indexados e avançamos na discussão sobre seu status de índices pronominais a partir de sua comparação com outros morfemas verbais que codificam as funções sintáticas de argumentos sujeito em orações sem aplicativos. Em nossa análise, seguimos a proposta de Haspelmath (2013), que inclui as formas pessoais dependentes e as denominadas marcas de concordância dentro de um fenômeno amplo: a indexação. A análise se baseia no corpus oral de caráter narrativo e de orações elicitadas com consultante de referência. O corpus foi coletado com falantes que moram em diferentes comunidades do leste da província de Formosa (Argentina). Fil: González, Raúl Eduardo. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Nordeste. Instituto de Investigaciones Geohistóricas. Universidad Nacional del Nordeste. Instituto de Investigaciones Geohistóricas; Argentina

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    Authors: Fernández,Máximo Javier;

    Resumen: Este artículo analiza la producción de sentidos y saberes sobre el sexo entre varones y la sexualidad masculina durante los juicios por delitos contra el honor militar en la Armada Argentina (1960-1980), en un contexto de ascenso del autoritarismo. Sostengo que, en contraste con la escalada represiva del período, el éxito de las Fuerzas Armadas en la construcción de una masculinidad hegemónica distaba mucho de ser una realidad en las décadas de 1960 y 1970. Lejos de un discurso o dispositivo bien articulado, los saberes producidos en los juicios militares no llegaban a constituirse en un conocimiento autoritativo (Jordan, 1991) sobre la sexualidad masculina. En términos metodológicos, me hago eco de Guinzburg (1991) quien sostiene que los “archivos de la represión” pueden servir tanto para realizar una historia de la represión como un estudio de la agencia subjetiva. Resumo: Este artigo analisa a produção de sentidos e saberes sobre o sexo entre homens e a sexualidade masculina durante julgamentos por crimes contra a honra militar na Marinha argentina (1960-1980) em um contexto de crescente autoritarismo. Argumenta que, em contraste com a escalada repressiva do período, o sucesso das forças armadas na construção de uma masculinidade hegemônica distava de ser uma realidade nas décadas de 1960 e 1970. O conhecimento produzido em julgamentos militares não chegou a constituir um conhecimento autoritativo (Jordan, 1991) sobre a sexualidade masculina. Em termos metodológicos, o artigo retoma a Guinzburg (1991), que argumenta que os “arquivos da repressão” podem servir tanto para fazer uma história de repressão quanto para um estudo da agência subjetiva. Abstract: This article analyzes the construction of meaning and knowledge about sex between men and male sexuality in crimes against military honor in the Armada Argentina (1960-1980) in a context of increasing authoritarianism. In contrast to the escalating repression of the period, the success of the armed forces in building a hegemonic masculinity was far from being a reality in the decades of 1960s and 1970s. Instead of a well articulated discourse or device, the notions produced during military trials did not constitute an authoritative knowledge (Jordan, 1991) on male sexuality. In methodological terms, the article echoes Guinzburg (1991), who argues that the “archives of repression” can serve both to build a history of repression and a study of subjective agency.

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    Authors: Santamarina, Patricio Emmanuel; Barreda, Viviana Dora; Iglesias, Ari; Varela, Augusto Nicolás;

    We report here two megaspores species related to the aquatic ferns of the Order Salviniales from the Late Cretaceous Mata Amarilla Formation (Austral Basin), southern Santa Cruz Province, Argentina. They were assigned to the species Arcellites disciformis and Balmeisporites cf. B. holodictyus. The presence of A. disciformis, in particular, is significant not only because it represents the first record for the Southern Hemisphere, indicating a bi-hemispheric distribution for the species, but it also increases the diversity of this genus in Patagonia. The new record enlarge the importance of water ferns in the Late Cretaceous landscapes of southern South America by adding the presence of a new species. The common occurrences of Arcellites and Balmeisporites, whether in shallow, fresh or brackish water facies, support a local aquatic paleoenvironment for the Mata Amarilla Formation, as was also suggested by the sedimentological evidence. They also allow referring the lower and middle levels of the Mata Amarilla Formation to the Chronostratigraphic Zone M3 (Albian-Cenomanian) defined for the cretaceous of Patagonia on the bases of its megaspore content. Centro de Investigaciones Geológicas

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    Acta Palaeontologica Polonica
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Cubas, Gabriela Pérez;

    RESUMEN El presente artículo trata de una serie de conceptos vinculados a la noción de cuerpo y subjetividad en el entrenamiento cinestésico y expresivo del actor. A tal fin, se propone un diálogo entre los estudios sobre las configuraciones de cuerpo en las sociedades occidentales que desarrollan, desde la óptica de la antropología, el sociólogo y antropólogo francés David Le Breton y desde el campo de los estudios sobre danza, estudios performáticos y políticas del movimiento el ensayista André Lepecki. ABSTRACT This article discusses different concepts linked to the notion of body in contemporary western societies from the point of view of French Sociologist-Anthropologist David Le Breton. His concept of body will be related in this essay with perceptions of body and subjectivity by Dance and Performance Studies theorist André Lepecki in his discussion of movement and politics. The present study aims at deepening the reflection of performers and theorists on the actor´s expressive movement training. RÉSUMÉ Le présent article aborde une série de concepts liés à la notion de corps et de subjectivité dans l'entraînement cinesthésique et expressif de l'acteur. Pour ce faire, il propose un dialogue interdisciplinaire entre les diverses recherches portant sur les configurations du corps dans les sociétés occidentales, s'appuyant notamment sur les travaux de l'anthropologue et sociologue français David Le Breton et sur les études menées par l'essayiste André Lepecki à propos de la dance, de la performance et des politiques du mouvement.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Revista Brasileira d...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mato, Daniel Alejandro;

    The idea of social movements tends to be associated, in a reductionist manner, with protests in public spaces and negotiations in institutional spaces. Nevertheless, social movements are agents of change across a wide variety of social spaces. One of the most notable ones is that of education. While the most visible initiatives tend to be short-term courses, some sectors of several social movements have also promoted higher education programmes through alliances with conventional Higher Education institutions, or have created their own institutions. Indigenous peoples around the world have long fought for their educational rights. Some have struggled for access to higher education institutions, for suitable reforms to existing institutions, and for the right to establish their own institutions. Their interest in advancing higher education initiatives is directly related to a need to train individuals in political, professional and technical resource areas in order to successfully advance projects of social, economic, political, institutional, and/or legal reforms. Based on participatory field and documentary research, this article discusses some salient aspects of the experiences of higher education institutions that sectors of indigenous people movements in Latin America have established, highlighting their main achievements and challenges, as well as the intercultural conflicts they confront. Fil: Mato, Daniel Alejandro. Consejo Nacional de Investigaciones Científicas y Técnicas; Argentina. Universidad Nacional de Tres de Febrero. Centro Interdisciplinario de Estudios Avanzados; Argentina

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao CONICET Digitalarrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Laura Aylén Enrique; Lidia Rosa Nacuzzi;

    Este artículo se refiere a la figura del piloto Basilio Villarino, funcionario de la Corona española, destinado a fines del siglo XVIII a expediciones de reconocimiento en el norte de la Patagonia. Se buscan señalar sus estrategias y acciones desplegadas en cumplimiento de las órdenes recibidas de sus superiores y cómo se dejan ver enz ellas, con una lógica mestiza, sus ambiciones personales, su visión política y sus planes respecto de la colonización de una región habitada por grupos indígenas insumisos.

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