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  • 2014-2023
  • Open Access
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  • DARIAH EU
  • Digital Humanities and Cultural Her...

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Koolen, Marijn; Kumpulainen, Sanna; Melgar-Estrada, Liliana;

    These documents contain a number of auxiliary materials for the CHIIR 2020 paper A Workflow Analysis Perspective to Scholarly Research Tasks Marijn Koolen, Sanna Kumpulainen, Liliana Melgar-Estrada Published in: Proceedings of the 2020 Conference on Human Information Interaction and Retrieval (CHIIR '20), March 14--18, 2020, Vancouver, BC, Canada. The paper analyses the workflows of two research projects in the domain of Digital Humanities. The analysis is based on coded interviews for two project collaborators for each project. There are three types of auxiliary materials: Interview guide for interviewing research project collaborators of the two projects analysed in the paper (see pages 2-3 of this PDF). Codebook for coding research activities of the analysed research projects. This is based on the NeDiMAH Methods Ontology (NeMO), extended with a few activities that have no equivalent in NeMO (pages 4-6). Full workflow diagrams of both research projects, RP1 (page 7) and RP2 (page8). Please see the paper for descriptions of the projects. This work is partially funded by CLARIAH, a project on the National Roadmap for Large-Scale Research Facilities of the Netherlands Organisation for Scientific Research (NWO) and by Academy of Finland grant number 326616.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2020
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2020
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lehmann, Jörg; Morselli, Francesca;

    The subject “Science and Technology in the First World War” has so far been treated from the perspective on inventions and the development of new weapons, and often the focus has been on the topic of chemical warfare at the expense of other important dimensions. The approach of this Archival Research Guide, by contrast, comes from the social sciences and focuses on the establishment of relevant scientific, military and governmental bodies and on the personal networks established during the war. By examining these institutions and networks country by country, comparisons between them can be drawn, enabling further research with regard to the sociology of institutions. By pointing to the connections and channels of exchange between the nations and institutions under consideration, this approach opens up a transnational perspective and supports the paradoxal insight that transnational ties can dissolve national obstacles while simultaneously strengthening the nation-states themselves. On the individual level, the ARG takes the role of intellectuals into account, for whom scientific objectivity / neutrality and patriotic commitment seemed to have been no contradiction. It is remarkable that the First World War led to the establishment of several institutions aiming at funding science through the state, most notably in the case of France (CNRS), the U.S. (NACA/NASA) and Russia (KEPS). CENDARI Archival Research Guide

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ HAL Descartes; Mémoi...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.17169/refub...
    Other ORP type . 2016
    Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Buddenbohm, Stefan; Broeder, Daan; Eisner, Marthe Irene; Illmayer, Klaus; +1 Authors

    The CLARIN Language Resource Switchboard (LRS or Switchboard) serves as an established and valuable asset to provide the user with tools and services for their research data. Apart from looking at an already existing set of research data, moreover, many users would like to search for tools and services from the angle of the research method, a certain technology, interoperability or even just a research question, which calls for the SSH Open Marketplace (MP). The MP not only strives to provide individual items (tools, research data, tutorials, software) to the searching and browsing user, but first and foremost context. Contextualized items in the MP allow for a search serendipity which contributes substantially to the service experience. The LRS promises to be a suitable means to convey such serendipity. For this purpose, the following document outlines possible user stories in favor of its integration into the MP. Beyond the LRS-MP relation the document also considers scenarios for the relation of both components to the CLARIN Virtual Collection Registry (VCR). The VCR allows the user to create individual and persistent collections including records from a broad range of sources. Such sources may be repositories exposing research data (the common VCR use case= ’bibliography of research datasets’), but possibly also from other sources such as the MP. The overarching goal of the activity in T3.6 is to achieve - wherever useful and technically possible - an integration between CLARIN and DARIAH components, being developed and extended under the SSHOC umbrella. This includes especially the MP, the VCR and LRS. The DARIAH research infrastructure plays an important role in this regard, although this document focuses on the CLARIN LRS and CLARIN VCR as well as the MP. NOTE: Addendum to this document is available on Zenodo.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://zenodo.org/r...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://zenodo.org/record/4442...
    Other ORP type . 2020
    License: CC BY
    Data sources: Sygma
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://zenodo.org/r...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://zenodo.org/record/4442...
      Other ORP type . 2020
      License: CC BY
      Data sources: Sygma
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Romary, Laurent; Seillier, Dorian; Tóth-Czifra, Erzsébet;

    A defining feature of data and data workflows in the arts and humanities domain is their dependence on cultural heritage sources hosted and curated in museums, libraries, galleries and archives. A major difficulty when scholars interact with heritage data is that the nature of the cooperation between researchers and Cultural Heritage Institutions and the researchers working in CHIs (henceforth CHIs) is often constrained by structural and legal challenges but even more by uncertainties as to the expectations of both parties.This recognition led several European organizations such as APEF, CLARIN, Europeana, E-RIHS to come together and join forces under the governance of DARIAH to set up principles and mechanisms for improving the conditions for the use and re-use of cultural heritage data issued by cultural heritage institutions and studied and enriched by researchers. As a first step of this joint effort is the Heritage Data Reuse Charter (https://datacharter.hypotheses.org/) establishes 6 basic principles for improving the use and re-use of cultural heritage resources by researchers and , to help all the relevant actors to work together to connect and improve access to heritage data. These are: Reciprocity, Interoperability, Citability, Openness, Stewardship and Trustworthiness.As a further step in translating these principles to actual data workflows the survey below serves as a template to frame exchanges around cultural heritage data by enabling both Cultural Heritage Institutions, infrastructure providers and researchers and to clarify their goals at the beginning and the project, to specify access to data, provenance information, preferred citation standards, hosting responsibilities etc. on the basis of which the parties can arrive at mutual reuse agreements that could serve as a starting point for a FAIR-by-construction data management, right from the project planning/application phase. In practice, the survey below can be flexibly applied in platform-independent ways in exchange protocols between Cultural Heritage Institutions and researchers, Institutions who sign the Charter could use it (and expect to use such surveys) in their own exchange protocols. Another direction of future developments is to set up a platform dedicated to such exchanges. On the other hand, researchers are encouraged to contact the CHIs during the initial stages of their project in order to explain their plans and figure details of transaction together. This mutual declaration can later be a powerful component in their Data Management Plans as it shows evidence for responsible and fair conduct of cultural heritage data, and fair (but also FAIR) research data management practices that are based on partnership with the holding institution. As enclosing a Research Data Management Plan to grant applications is becoming a more and more common requirement among research funders, we need to raise the funders’ awareness to the fact that such bi- or trilateral agreements and data reuse declarations among researchers, CHIs and infrastructure providers are crucial domain-specific components of FAIR data management.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ INRIA2; Hyper Articl...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    INRIA2; Hyper Article en Ligne
    Other ORP type . 2019
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ INRIA2; Hyper Articl...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      INRIA2; Hyper Article en Ligne
      Other ORP type . 2019
      License: CC BY
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Digital Humanities is today an integrated part of humanistic research at many universities, and initiatives in the field take a variety of forms. At Linnaeus University, Digital Humanities currently develops as a cross-disciplinary field, building on existing collaborations between faculties in the form of an iInstitute tied to the international iSchool Organization, as part of a research excellence centre on Data Intensive Sciences and Applications (DISA), and European collaboration within the DARIAH-EU network – to mention a few. The papers in this volume emanate from a conference on Digital Humanities, arranged and funded by the Faculty of Arts and Humanities at Linnaeus University on March 12–13, 2020. It is part of the university’s initiative to implement Digital Humanities across departments and faculties, with both a scientific and pedagogical approach, building on competences already present among its researchers and teachers. Focusing the humanities as such, this volume contains contributions from the scholarly fields of Archaeology, History, Library and Information Science, Linguistics, Comparative Literature, Media and Communication Studies, E-learning, and the Study of Religions. It displays a variety of cross-disciplinary connections, new research questions, and innovative methodological approaches – all hallmarks of the wide field of Digital Humanities.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kumpulainen, Sanna; Peltonen, Jaakko; Sendra Toset, Anna; Late, Elina; +1 Authors

    Interview guide for service developers interviews regarding a research infrastructure for the digital humanities and computational social sciencies.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Other ORP type . 2023
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2023
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2023
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2023
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Walker-Meikle, Kathleen; Lehmann, Jörg; Morselli, Francesca; Tromboni, Lorenza; +1 Authors

    This Archival Research Guide (ARG) aims to provide the user with a broad overview of the Archival Directory, a key component of the CENDARI Virtual Research Environment. The CENDARI Archival Directory consists of all available data in the AtoM application (“Access to Memory”) and data in the main repository, which is derived from international or national aggregators as well as national archives or other data providers. All data, whether manually inputted via the AtoM application or collected from institutions, form together the Archival Directory. In this guide the term “Archival Directory” refers only to the application AtoM and it hence will be used in this narrow sense. The term “Archival Directory AtoM” reinforces this definition. Unlike most of the other ARGs in CENDARI, this is not a thematic overview of a historical subject but instead a practical guide to the Archival Directory AtoM’s aims and how it was created and organised.This guide will present the methodology used by researchers associated with the CENDARI project when creating archival description and archival institution entries in CENDARI. It explains how material was selected to be entered into the Archival Directory AtoM, which institutions were considered as ‘hidden archives’ by the CENDARI team, what material was not included, the limitations of the project and the future of the Archival Directory AtoM. The CENDARI Archival Directory AtoM can be accessed both directly from the website and indirectly via the link provided in the Note-Taking Environment (NTE). CENDARI Archival Research Guide

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Mémoires en Sciences...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    HAL Descartes
    Other ORP type . 2016
    Data sources: HAL Descartes
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Mémoires en Sciences...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      HAL Descartes
      Other ORP type . 2016
      Data sources: HAL Descartes
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    Authors: Rehm, Georg; Uszkoreit, Hans; Ananiadou, Sophia; Bel, Nuria; +40 Authors

    Abstract: This article provides an overview of the dissemination work carried out in META-NET from 2010 until 2015; we describe its impact on the regional, national and international level, mainly with regard to politics and the funding situation for LT topics. The article documents the initiative's work throughout Europe in order to boost progress and innovation in our field.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ordelman, Roeland; Sanders, Willemien; Zijdeman, Richard; Klein, Rana; +4 Authors

    Online stories, from blog posts to journalistic articles to scientific publications, are commonly illustrated with media (e.g. images, audio clips) or statistical summaries (e.g. tables and graphs). Such “illustrations” are the result of a process of acquiring, parsing, filtering, mining, representing, refining and interacting with data [3]. Unfortunately, such processes are typically taken for granted and seldom mentioned in the story itself. Although recently a wide variety of interactive data visualisation techniques have been developed (see e.g., [6]), in many cases the illustrations in such publications are static; this prevents different audiences from engaging with the data and analyses as they desire. In this paper, we share our experiences with the concept of “data stories” that tackles both issues, enhancing opportunities for outreach, reporting on scientific inquiry, and FAIR data representation [9]. In journalism data stories are becoming widely accepted as the output of a process that is in many aspects similar to that of a computational scholar: gaining insights by analyzing data sets using (semi-)automatized methods and presenting these insights using (interactive) visualizations and other textual outputs based on data [4] [7] [5] [6]. In the context of scientific output, data stories can be regarded as digital “publications enriched with or linking to related research results, such as research data, workflows, software, and possibly connections among them” [1]. However, as infrastructure for (peerreviewed) enhanced publications is in an early stage of development (see e.g., [2]), scholarly data stories are currently often produced as blog posts, discussing a relevant topic. These may be accompanied by illustrations not limited to a single graph or image but characterized by different forms of interactivity: readers can, for instance, change the perspective or zoom level of graphs, or cycle through images or audio clips. Having experimented successfully with various types and uses of data stories1 in the CLARIAH2 project, we are working towards a more generic, stable and sustainable infrastructure to create, publish, and archive data stories. This includes providing environments for reproduction of data stories and verification of data via “close reading”. From an infrastructure perspective, this involves the provisioning of services for persistent storage of data (e.g. triple stores), data registration and search (registries), data publication (SPARQL end-points, search-APIs), data visualization, and (versioned) query creation. These services can be used by environments to develop data stories, either or not facilitating additional data analysis steps. For data stories that make use of data analysis, for example via Jupyter Notebooks [8], the infrastructure also needs to take computational requirements (load balancing) and restrictions (security) into account. Also, when data sets are restricted for copyright or privacy reasons, authentication and authorization infrastructure (AAI) is required. The large and rich data sets in (European) heritage archives that are increasingly made interoperable using FAIR principles, are eminently qualified as fertile ground for data stories. We therefore hope to be able to present our experiences with data stories, share our strategy for a more generic solution and receive feedback on shared challenges.

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    Authors: Raciti, Marco;

    The document gives and overview of funding opportunities related to European Structural and Investment Funds (ESIF) for digital arts and humanities research, and provides concrete examples of successful actions that have been carried out in the last two programming periods (2007-2013 and 2014-2020). Moreover, this guide describes other funding schemes, notably Erasmus+, COST, Creative Europe, Connecting Europe Facility (CEF) that could be interesting for DARIAH partners.

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    HAL Descartes
    Other ORP type . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Koolen, Marijn; Kumpulainen, Sanna; Melgar-Estrada, Liliana;

    These documents contain a number of auxiliary materials for the CHIIR 2020 paper A Workflow Analysis Perspective to Scholarly Research Tasks Marijn Koolen, Sanna Kumpulainen, Liliana Melgar-Estrada Published in: Proceedings of the 2020 Conference on Human Information Interaction and Retrieval (CHIIR '20), March 14--18, 2020, Vancouver, BC, Canada. The paper analyses the workflows of two research projects in the domain of Digital Humanities. The analysis is based on coded interviews for two project collaborators for each project. There are three types of auxiliary materials: Interview guide for interviewing research project collaborators of the two projects analysed in the paper (see pages 2-3 of this PDF). Codebook for coding research activities of the analysed research projects. This is based on the NeDiMAH Methods Ontology (NeMO), extended with a few activities that have no equivalent in NeMO (pages 4-6). Full workflow diagrams of both research projects, RP1 (page 7) and RP2 (page8). Please see the paper for descriptions of the projects. This work is partially funded by CLARIAH, a project on the National Roadmap for Large-Scale Research Facilities of the Netherlands Organisation for Scientific Research (NWO) and by Academy of Finland grant number 326616.

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    ZENODO
    Other ORP type . 2020
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Other ORP type . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lehmann, Jörg; Morselli, Francesca;

    The subject “Science and Technology in the First World War” has so far been treated from the perspective on inventions and the development of new weapons, and often the focus has been on the topic of chemical warfare at the expense of other important dimensions. The approach of this Archival Research Guide, by contrast, comes from the social sciences and focuses on the establishment of relevant scientific, military and governmental bodies and on the personal networks established during the war. By examining these institutions and networks country by country, comparisons between them can be drawn, enabling further research with regard to the sociology of institutions. By pointing to the connections and channels of exchange between the nations and institutions under consideration, this approach opens up a transnational perspective and supports the paradoxal insight that transnational ties can dissolve national obstacles while simultaneously strengthening the nation-states themselves. On the individual level, the ARG takes the role of intellectuals into account, for whom scientific objectivity / neutrality and patriotic commitment seemed to have been no contradiction. It is remarkable that the First World War led to the establishment of several institutions aiming at funding science through the state, most notably in the case of France (CNRS), the U.S. (NACA/NASA) and Russia (KEPS). CENDARI Archival Research Guide

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    https://doi.org/10.17169/refub...
    Other ORP type . 2016
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    Authors: Buddenbohm, Stefan; Broeder, Daan; Eisner, Marthe Irene; Illmayer, Klaus; +1 Authors

    The CLARIN Language Resource Switchboard (LRS or Switchboard) serves as an established and valuable asset to provide the user with tools and services for their research data. Apart from looking at an already existing set of research data, moreover, many users would like to search for tools and services from the angle of the research method, a certain technology, interoperability or even just a research question, which calls for the SSH Open Marketplace (MP). The MP not only strives to provide individual items (tools, research data, tutorials, software) to the searching and browsing user, but first and foremost context. Contextualized items in the MP allow for a search serendipity which contributes substantially to the service experience. The LRS promises to be a suitable means to convey such serendipity. For this purpose, the following document outlines possible user stories in favor of its integration into the MP. Beyond the LRS-MP relation the document also considers scenarios for the relation of both components to the CLARIN Virtual Collection Registry (VCR). The VCR allows the user to create individual and persistent collections including records from a broad range of sources. Such sources may be repositories exposing research data (the common VCR use case= ’bibliography of research datasets’), but possibly also from other sources such as the MP. The overarching goal of the activity in T3.6 is to achieve - wherever useful and technically possible - an integration between CLARIN and DARIAH components, being developed and extended under the SSHOC umbrella. This includes especially the MP, the VCR and LRS. The DARIAH research infrastructure plays an important role in this regard, although this document focuses on the CLARIN LRS and CLARIN VCR as well as the MP. NOTE: Addendum to this document is available on Zenodo.

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    https://zenodo.org/record/4442...
    Other ORP type . 2020
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      https://zenodo.org/record/4442...
      Other ORP type . 2020
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Romary, Laurent; Seillier, Dorian; Tóth-Czifra, Erzsébet;

    A defining feature of data and data workflows in the arts and humanities domain is their dependence on cultural heritage sources hosted and curated in museums, libraries, galleries and archives. A major difficulty when scholars interact with heritage data is that the nature of the cooperation between researchers and Cultural Heritage Institutions and the researchers working in CHIs (henceforth CHIs) is often constrained by structural and legal challenges but even more by uncertainties as to the expectations of both parties.This recognition led several European organizations such as APEF, CLARIN, Europeana, E-RIHS to come together and join forces under the governance of DARIAH to set up principles and mechanisms for improving the conditions for the use and re-use of cultural heritage data issued by cultural heritage institutions and studied and enriched by researchers. As a first step of this joint effort is the Heritage Data Reuse Charter (https://datacharter.hypotheses.org/) establishes 6 basic principles for improving the use and re-use of cultural heritage resources by researchers and , to help all the relevant actors to work together to connect and improve access to heritage data. These are: Reciprocity, Interoperability, Citability, Openness, Stewardship and Trustworthiness.As a further step in translating these principles to actual data workflows the survey below serves as a template to frame exchanges around cultural heritage data by enabling both Cultural Heritage Institutions, infrastructure providers and researchers and to clarify their goals at the beginning and the project, to specify access to data, provenance information, preferred citation standards, hosting responsibilities etc. on the basis of which the parties can arrive at mutual reuse agreements that could serve as a starting point for a FAIR-by-construction data management, right from the project planning/application phase. In practice, the survey below can be flexibly applied in platform-independent ways in exchange protocols between Cultural Heritage Institutions and researchers, Institutions who sign the Charter could use it (and expect to use such surveys) in their own exchange protocols. Another direction of future developments is to set up a platform dedicated to such exchanges. On the other hand, researchers are encouraged to contact the CHIs during the initial stages of their project in order to explain their plans and figure details of transaction together. This mutual declaration can later be a powerful component in their Data Management Plans as it shows evidence for responsible and fair conduct of cultural heritage data, and fair (but also FAIR) research data management practices that are based on partnership with the holding institution. As enclosing a Research Data Management Plan to grant applications is becoming a more and more common requirement among research funders, we need to raise the funders’ awareness to the fact that such bi- or trilateral agreements and data reuse declarations among researchers, CHIs and infrastructure providers are crucial domain-specific components of FAIR data management.

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    INRIA2; Hyper Article en Ligne
    Other ORP type . 2019
    License: CC BY
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      Other ORP type . 2019
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    Digital Humanities is today an integrated part of humanistic research at many universities, and initiatives in the field take a variety of forms. At Linnaeus University, Digital Humanities currently develops as a cross-disciplinary field, building on existing collaborations between faculties in the form of an iInstitute tied to the international iSchool Organization, as part of a research excellence centre on Data Intensive Sciences and Applications (DISA), and European collaboration within the DARIAH-EU network – to mention a few. The papers in this volume emanate from a conference on Digital Humanities, arranged and funded by the Faculty of Arts and Humanities at Linnaeus University on March 12–13, 2020. It is part of the university’s initiative to implement Digital Humanities across departments and faculties, with both a scientific and pedagogical approach, building on competences already present among its researchers and teachers. Focusing the humanities as such, this volume contains contributions from the scholarly fields of Archaeology, History, Library and Information Science, Linguistics, Comparative Literature, Media and Communication Studies, E-learning, and the Study of Religions. It displays a variety of cross-disciplinary connections, new research questions, and innovative methodological approaches – all hallmarks of the wide field of Digital Humanities.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
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      This Research product is the result of merged Research products in OpenAIRE.

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