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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Keskin, Ayşegül;

    By the end of the twelfth-century, a new type of literature had come into being in North-western Europe, combining an older warrior ethic with the newly formed refined culture of the courts. This literature centred on a knightly ethic that was presumed to have been practiced by King Arthur and his knights sitting at the legendary Round table. In the various examples of this literature in different genres, this knightly ethic interacted with and attempted to influence the real knights of the twelfth century. Because these works embodied many fictional elements in their nature, they have generally been disregarded by historians as masking or distorting the everyday reality with an idealistic approach. This study aims to discuss how this interaction between this knightly ethic, promoted by the literature, and the knights of real life worked. By using evidence both from fictional and non-fictional works of the period, it tries to see the similarities between the fact and the fiction, and the sometimes common perceptions expressed by both fictional and factual narratives. This thesis reaches the conclusion that twelfth-century knights did come to regulate their behaviour within limits set by this knightly ethic and that, to an extent, they learned to do so from the literary works of the period. However, at the same time, to varying degrees, those fictional narratives were inspired and influenced by the actual social practices of the knights. 12. yüzyılın sonuna doğru, Kuzey-batı Avrupa'da asırlardır süregelen bilindik savaşçı etiğini yeni şekillenmekte olan rafine saray kültürüyle birleştiren yeni bir edebiyat türü oluşmaya başlamıştır. Bu edebiyat, Kral Arthur ve efsanevi yuvarlak masa şövalyelerinin uyguladığı varsayılan bir şövalye etiğini konu etmekteydi. Değişik edebi janrlarda çok çeşitli örneklerine rastladığımız bu tür, 12. yüzyıl şövalyesi ile karşılıklı bir etkileşim içinde gelişerek gerçek şövalye figürünü etkilemeye de girişmiştir. Bu edebi gelenek, içinde birçok kurmaca öğeyi de barındırdığından genellikle tarihçiler tarafından gerçeği yanlış yansıttığı bazen de gölgelediği gerekçesiyle göz ardı edilmiştir. Bu çalışma, çağın edebi ürünleri tarafından lanse edilen şövalyelik ülküsü ve gerçek şövalye figürü arasındaki etkileşimin nasıl vuku bulduğunu araştırmaktadır. Dönemin kurgusal ve kurgusal olmayan yazılı eserlerinden örnekler kullanarak gerçek ve edebiyat arasındaki benzerlikleri ve ortak algıları görmeyi amaçlar. Bu tez, bütün bu incelemeler sonucunda 12. yüzyılda şövalyelerin davranışlarını bir şövalye etiği sınırları çerçevesinde sınırlamaya başladıkları ve bir ölçüde de bunu dönemin edebiyat eserlerinde öğrendikleri sonucuna varır. Ancak aynı zamanda, bu kurmaca anlatılar da şövalyelerin günlük yaşamından ilham almış ve etkilenmişlerdir. 109

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Bilkent University I...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Bilkent University I...arrow_drop_down
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    Authors: Fox, Anne A.; Hester, Thomas R.;

    In May, 1976, archaeological testing was carried out adjacent to the tower on the southeast corner of Mission San Francisco de la Espada (Fig. 1). The field work was conducted by an archaeological team from the Center for Archaeological Research, The University of Texas at San Antonio. Principal investigator for the project was Dr. Thomas R. Hester, Director of the Center; Research Associate Anne A. Fox was in charge of the field investigations. This research was done under the terms of State Antiquities Permit No. 112, issued to the Old, Spanish Missions Association, represented by Mr. Bernardo Fresquez, Superintendent. In recent times a large crack has formed in the east side of the tower and the surrounding wall bulges noticeably outward. The purpose of our brief investigation was to determine, if possible, the method of construction of the wall footings in order to aid in planning by architect Caroline Peterson (of Ford, Powell & Carson, Architects and Planners) for the stabilization and repair of the tower.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Index of Texas Archa...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Index of Texas Archa...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: del Rio Riande, Gimena; Allés Torrent, Susanna; Calarco, Gabriel;

    Poster presented at TEI conference, Graz, 2019. The Text Encoding Initiative (TEI) was, from its beginnings, a very much Western, English-language project. However, its use is nowadays global. The efforts to internationalize the TEI's documentation started with an initiative led by Sebastian Rahtz by 2005. This work resulted in partial translations in Japanese, Chinese, Korean, Italian, Spanish, French, and German. Still, the TEI Guidelines are written and edited entirely in English, and most of the courses and tutorials are either written in English or use examples from European or North American literatures. We believe that, in order to adopt the TEI, the academic community, individuals and institutions, need to have more resources available in their native language. With this in mind, we have recently decided to undertake a still emerging project- the Text Technologies Hub or TTHub[1]-, an online open site that aims to function as a hub of materials in Spanish devoted to the global Spanish community interested in Digital Scholarly Edition with TEI and Text Technologies. Our goal is to serve as a hub of available online materials, resources, software, and technologies that can potentially serve those Spanish-speakers scholars interested in textual studies, digital editing, corpus construction, and digitization processes in Spanish. It can also help researchers interested in Hispanic Literatures. This poster aims to describe the goals, challenges, possible uses, and materials of the TTHUB. We believe resources as such can facilitate the learning experience of scholars and students in a self-taught experience, as part of the materials of an academic syllabus, or even as the common ground for teaching at workshops and other training events.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Conference object . 2019
    License: CC BY
    Data sources: Datacite
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    ZENODO
    Other literature type . 2019
    License: CC BY
    Data sources: ZENODO
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Conference object . 2019
      License: CC BY
      Data sources: Datacite
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other literature type . 2019
      License: CC BY
      Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marcocci, Giuseppe;

    La historia de la Reforma protestante en Portugal queda por escribir. En la Edad Moderna, las autoridades políticas y religiosas procuraron representar la tierra lusitana como la única que permanecía inmaculada y fiel a la Iglesia de Roma en la época de Lutero y de Calvino (se vanaglorió de ello en el Concilio de Trento, en 1545, el dominico portugués Jerónimo de Azambuja, que entró al servicio de la Inquisición en 1549). Sin embargo, aunque se haya negado durante mucho tiempo, como si se hub...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Book . 2018
    Data sources: OpenEdition
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      OpenEdition
      Book . 2018
      Data sources: OpenEdition
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: López Férez, Juan Antonio;

    El propósito de este trabajo es despertar el interés por la lectura de Aristófanes, concretamente de la Lisístrata, por los muchos datos que ofrece: históricos, sociales, políticos, míticos y religiosos. La protagonista de tal comedia es la primera heroína femenina del teatro aristofánico. La relación de la comedia antigua con la vida política es permanente, incesante: las mujeres atenienses, cansadas de la guerra contra los lacedemonios, deciden obtener la paz de una forma singular: absteniéndose de relaciones sexuales con sus esposos y, asimismo, de sus obligaciones familiares. La utopía cómica, el mundo al revés, se nos manifiesta de modo evidente. This paper aims to obtain a lot of readers of Aristophanes´works, Lysistrata, above all. This piece offers many historical, social, political, mythical and religious data. The main character is, in fact, the first aristophanic heroin. The relation between ancient comedy and political life is permanent, incessant: Athenian women, tired of the war against the Lacedemons, decide to make peace in a peculiar way: abstinence of sexual intercourse with their lovers and absence of family duties. Comic utopy is everywhere. Centro de Estudios de Lenguas Clásicas. Area Filología Griega

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Gearhart, Robert;

    BOB Hydrographics, LLC conducted a marine geophysical survey and archaeological assessment of a proposed construction access channel in Galveston County, on behalf of HDR Engineering, Inc. A proposed 25-acre bay access channel would cross portions of State Mineral Lease Tracts, West Bay 59, 65 and 66 in West Galveston Bay. The channel would provide construction access to build a breakwater for the Galveston Island State Park Marsh Protection and Restoration Project, sponsored by the General Land Office. An archaeological survey was requested by the U.S. Army Corps of Engineers, Galveston District, based on their review of Permit Application SWG-1998-02298. Consultation between the Texas Historical Commission and the Galveston District concluded that archaeological survey only would be required for the channel providing access from the bay to the island and not for areas adjacent and including the proposed breakwaters. The area of potential effect encompasses 70 acres, including a 50-meter buffer mandated by the Texas Historical Commission around the proposed channel. A review of cultural background determined that 1 marine archaeological investigation and, at least, 1 wreck have been reported within 3 miles of the survey area. BOB completed a marine geophysical survey on May 9, 2019 under Texas Antiquities Permit 8906. A total of 140 acres was surveyed to provide options for adjusting the route if necessary. Water depth at the time of the survey ranged from 4 to 9 feet. BOB assessed all geophysical data to locate archaeological sites potentially affected by construction of the access channel. No artifacts were collected during the survey. No significant geophysical targets were discovered that might be potentially eligible for the State Antiquities Landmark or for the National Register of Historic Places. BOB recommends cultural resource clearance for all areas surveyed, provided that a THC-mandated 50-meter buffer is honored around the perimeter of the survey area. This study was completed in compliance with Section 106 of the National Historic Preservation Act (Public Law 89-665; 16 U.S.C. 470) and the Antiquities Code of Texas (Texas Natural Resource Code, Title 9, Chapter 191). The minimum reporting and survey requirements for marine archaeological studies conducted under a Texas Antiquities Permit are mandated by The Texas Administrative Code, Title 13, Part 2, Chapters 26 and 28, respectively. Project records are curated at the Center for Archaeological Studies at Texas State University in San Marcos.

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    Official publication of the Historical Diving Society U.S.A. and affiliated societies. Formerly Historical Diver Magazine for issues no. 1-54 (1993-2008).

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    Book . 2016
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    Authors: Montero García, Feliciano;
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    Recolector de Ciencia Abierta, RECOLECTA
    Book . Part of book or chapter of book . 2003
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      Book . Part of book or chapter of book . 2003
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  • Authors: Ott Franolić, Marija;

    In order to understand women’s everyday lives in the past and compare them to the lives of women today, I explore women’s past lives from their autobiographical texts (autobiographies, letters, diaries etc.). Reading the manuscript diary of Croatian scientist and poet Divna Zečević (1937-2006), my aim was to reconstruct her everyday life and understand what it meant to be a woman outsider and a woman intellectual at the time. Instead in the construct of collective identities, nation states, feelings of belonging and common origin and heritage, I am interested in lessons we can learn from feelings and views of individual participants in our common heritage. No discourse can be viewed as completely reliable, but exploring and contextualizing of women’s discourses can reveal women’s place and significance in history and hopefully revise male models of truth. If we dismiss autobiographical texts as mere fictionalized forms, having nothing or little to do with the life of the author, we have denied ourselves the possibility of learning from the past, as well as regarding personal genres as historical documents, even if they are not completely reliable because of author’s subjectivity and/or instability as well as the fragmentation of memory. The questions I will try to address in this paper are the following – how women’s autobiographical texts help us understand the complex relationship between life and text – how much can they tell us about the real lives of women? To what extent were the texts fictionalized, by unreliable memory of authors, constraints of society or by the authors’ need to fictionalize, ‘reinvent’ themselves? And how much of real everyday life is present in the text?

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    Authors: Huizer, J.;

    ADC ArcheoProjecten heeft in april 2020 een bureauonderzoek en inventariserend veldonderzoek uitgevoerd op de locatie Lekdijk 67 te Langerak (gemeente Molenlanden). De aanleiding van het onderzoek is de voorgenomen bouw van een woonhuis. Op basis van het bureauonderzoek werden onder meer een veenpakket (Hollandveen Laagpakket) en een pakket oeverafzettingen en dijkdoorbraakafzettingen met mogelijk archeologische resten uit resp. Bronstijd/Ijzertijd en Romeinse tijd/Middeleeuwen verwacht. Teneinde deze verwachting te toetsen en aan te vullen is in het plangebied een verkennend booronderzoek uitgevoerd. Op basis van de boringen bleek zich op het Hollandveen Laagpakket zich een pakket komafzettingen (Formatie van Echteld) te bevinden. In een deel van het plangebied is een pakket dijkdoorbraakafzettingen aangetroffen, bestaande uit een afwisseling van klei- en zandlagen. Eventuele begraven bodems of veraarde oppervlakken in respectievelijk de top van de dijkdoorbraakafzettingen en het veenpakket zijn niet aangetroffen. De oorzaak hiervoor is grotendeels gelegen in de bodemverstoringen die in het plangebied zijn geconstateerd.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Keskin, Ayşegül;

    By the end of the twelfth-century, a new type of literature had come into being in North-western Europe, combining an older warrior ethic with the newly formed refined culture of the courts. This literature centred on a knightly ethic that was presumed to have been practiced by King Arthur and his knights sitting at the legendary Round table. In the various examples of this literature in different genres, this knightly ethic interacted with and attempted to influence the real knights of the twelfth century. Because these works embodied many fictional elements in their nature, they have generally been disregarded by historians as masking or distorting the everyday reality with an idealistic approach. This study aims to discuss how this interaction between this knightly ethic, promoted by the literature, and the knights of real life worked. By using evidence both from fictional and non-fictional works of the period, it tries to see the similarities between the fact and the fiction, and the sometimes common perceptions expressed by both fictional and factual narratives. This thesis reaches the conclusion that twelfth-century knights did come to regulate their behaviour within limits set by this knightly ethic and that, to an extent, they learned to do so from the literary works of the period. However, at the same time, to varying degrees, those fictional narratives were inspired and influenced by the actual social practices of the knights. 12. yüzyılın sonuna doğru, Kuzey-batı Avrupa'da asırlardır süregelen bilindik savaşçı etiğini yeni şekillenmekte olan rafine saray kültürüyle birleştiren yeni bir edebiyat türü oluşmaya başlamıştır. Bu edebiyat, Kral Arthur ve efsanevi yuvarlak masa şövalyelerinin uyguladığı varsayılan bir şövalye etiğini konu etmekteydi. Değişik edebi janrlarda çok çeşitli örneklerine rastladığımız bu tür, 12. yüzyıl şövalyesi ile karşılıklı bir etkileşim içinde gelişerek gerçek şövalye figürünü etkilemeye de girişmiştir. Bu edebi gelenek, içinde birçok kurmaca öğeyi de barındırdığından genellikle tarihçiler tarafından gerçeği yanlış yansıttığı bazen de gölgelediği gerekçesiyle göz ardı edilmiştir. Bu çalışma, çağın edebi ürünleri tarafından lanse edilen şövalyelik ülküsü ve gerçek şövalye figürü arasındaki etkileşimin nasıl vuku bulduğunu araştırmaktadır. Dönemin kurgusal ve kurgusal olmayan yazılı eserlerinden örnekler kullanarak gerçek ve edebiyat arasındaki benzerlikleri ve ortak algıları görmeyi amaçlar. Bu tez, bütün bu incelemeler sonucunda 12. yüzyılda şövalyelerin davranışlarını bir şövalye etiği sınırları çerçevesinde sınırlamaya başladıkları ve bir ölçüde de bunu dönemin edebiyat eserlerinde öğrendikleri sonucuna varır. Ancak aynı zamanda, bu kurmaca anlatılar da şövalyelerin günlük yaşamından ilham almış ve etkilenmişlerdir. 109

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    Authors: Fox, Anne A.; Hester, Thomas R.;

    In May, 1976, archaeological testing was carried out adjacent to the tower on the southeast corner of Mission San Francisco de la Espada (Fig. 1). The field work was conducted by an archaeological team from the Center for Archaeological Research, The University of Texas at San Antonio. Principal investigator for the project was Dr. Thomas R. Hester, Director of the Center; Research Associate Anne A. Fox was in charge of the field investigations. This research was done under the terms of State Antiquities Permit No. 112, issued to the Old, Spanish Missions Association, represented by Mr. Bernardo Fresquez, Superintendent. In recent times a large crack has formed in the east side of the tower and the surrounding wall bulges noticeably outward. The purpose of our brief investigation was to determine, if possible, the method of construction of the wall footings in order to aid in planning by architect Caroline Peterson (of Ford, Powell & Carson, Architects and Planners) for the stabilization and repair of the tower.

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    Authors: del Rio Riande, Gimena; Allés Torrent, Susanna; Calarco, Gabriel;

    Poster presented at TEI conference, Graz, 2019. The Text Encoding Initiative (TEI) was, from its beginnings, a very much Western, English-language project. However, its use is nowadays global. The efforts to internationalize the TEI's documentation started with an initiative led by Sebastian Rahtz by 2005. This work resulted in partial translations in Japanese, Chinese, Korean, Italian, Spanish, French, and German. Still, the TEI Guidelines are written and edited entirely in English, and most of the courses and tutorials are either written in English or use examples from European or North American literatures. We believe that, in order to adopt the TEI, the academic community, individuals and institutions, need to have more resources available in their native language. With this in mind, we have recently decided to undertake a still emerging project- the Text Technologies Hub or TTHub[1]-, an online open site that aims to function as a hub of materials in Spanish devoted to the global Spanish community interested in Digital Scholarly Edition with TEI and Text Technologies. Our goal is to serve as a hub of available online materials, resources, software, and technologies that can potentially serve those Spanish-speakers scholars interested in textual studies, digital editing, corpus construction, and digitization processes in Spanish. It can also help researchers interested in Hispanic Literatures. This poster aims to describe the goals, challenges, possible uses, and materials of the TTHUB. We believe resources as such can facilitate the learning experience of scholars and students in a self-taught experience, as part of the materials of an academic syllabus, or even as the common ground for teaching at workshops and other training events.

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    Authors: Marcocci, Giuseppe;

    La historia de la Reforma protestante en Portugal queda por escribir. En la Edad Moderna, las autoridades políticas y religiosas procuraron representar la tierra lusitana como la única que permanecía inmaculada y fiel a la Iglesia de Roma en la época de Lutero y de Calvino (se vanaglorió de ello en el Concilio de Trento, en 1545, el dominico portugués Jerónimo de Azambuja, que entró al servicio de la Inquisición en 1549). Sin embargo, aunque se haya negado durante mucho tiempo, como si se hub...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Book . 2018
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
      Book . 2018
      Data sources: OpenEdition
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: López Férez, Juan Antonio;

    El propósito de este trabajo es despertar el interés por la lectura de Aristófanes, concretamente de la Lisístrata, por los muchos datos que ofrece: históricos, sociales, políticos, míticos y religiosos. La protagonista de tal comedia es la primera heroína femenina del teatro aristofánico. La relación de la comedia antigua con la vida política es permanente, incesante: las mujeres atenienses, cansadas de la guerra contra los lacedemonios, deciden obtener la paz de una forma singular: absteniéndose de relaciones sexuales con sus esposos y, asimismo, de sus obligaciones familiares. La utopía cómica, el mundo al revés, se nos manifiesta de modo evidente. This paper aims to obtain a lot of readers of Aristophanes´works, Lysistrata, above all. This piece offers many historical, social, political, mythical and religious data. The main character is, in fact, the first aristophanic heroin. The relation between ancient comedy and political life is permanent, incessant: Athenian women, tired of the war against the Lacedemons, decide to make peace in a peculiar way: abstinence of sexual intercourse with their lovers and absence of family duties. Comic utopy is everywhere. Centro de Estudios de Lenguas Clásicas. Area Filología Griega

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao