handle: 11471/908.10.9335
Schlüssel aus Stahl
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handle: 11471/562.20.1966
Guglielmo, Herzog von Mantua, erteitl dem Kloster San Benedetto Polirone in San Beneddeto Po die Bestätigung seiner Privilegien, welche die Schenkung von Federico Gonzaga von 1479 Dezember 10 sowie die Bestätigungen von 1484 August 17, 1499 Februar 19, 1508 Mai 10 und 1520 Jänner 12 umfasst. Enrico Scaccabarozzi
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handle: 11471/507.10.208
Randfragment einer Schale/Schüssel mit Henkelknubbe (nicht gebohrt). Innen: Auf geglättetem Hintergrund unterhalb der Randlinie linear angelegtes Bandzonenornament. Außen: Auf geglättetem Hintergrund schraffierter Mäanderdekor und Netzmuster.
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This paper analyzes the key sociological, philosophical and historical underpinnings of environmental neuroscience. The paper first outlines the technological and conceptual developments that preceded environmental neuroscience, and grounds the field within a wider context of the ’post-genomic’ sciences. It then turns to earlier attempts to relate human psychology to experiences within specific natural and physical environments going back to the nineteenth century, before asking whether, in particular, recent concerns about urbanization and climate change might have motivated a recent to such research topics. Lastly the paper asks environmental neuroscientists to pay attention to the politics of their field, and especially to the politics of consistently advocating for more ‘natural’ or ‘traditional’ environments for human beings. The paper concludes, optimistically, with an argument that environmental neuroscience is a field ‘in the making,’ with some scope yet to intervene on what will become its core facts and assumptions.
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citations | 0 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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doi: 10.5209/aris.78730
El presente artículo estudia las relaciones entre paisaje y cine. Trata de cinco autores confrontados a un mismo lugar. Patrimonio mundial de la humanidad (UNESCO), el Delta del Po se ha erigido como el Genius Loci ideal para la cinematografía italiana de los años 40 y 50. Los más afamados directores del momento sucumbieron a la belleza paisajística y natural de su entorno a la hora de enmarcar y recrear sus primeros filmes. Todos ellos interpretaron el paisaje palustre de manera particularizada. Desde la visión del mejor cine de autor, Visconti, Rossellini, De Santis, Antonioni y Casadio inmortalizarán la palude padana en cinco obras de inmejorable factura artística. Se trataba de aquel Delta del Po agreste, sencillo y arcádico, precedente a la ecocida conversión industrial llevada a cabo en la Italia de los años 60.
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citations | 1 | |
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influence | Average | |
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doi: 10.30958/ajha.3.1.2
There is no one, true definitive version of Shakespeareʼs plays. Shakespeare wrote his work to be performed live rather than to be read. When his plays were ultimately set down in writing, they were often cobbled together from multiple sources (some sources more reliable than others). Because we cannot trust that any one particular written account of Shakespeareʼs plays are the exact version that Shakespeare gave to his actors, there is ambiguity and variation among the texts. Without a single authoritative text, Shakespeareʼs editors have the power, through their own research and choices, to drastically sculpt and alter the meaning of his plays. The word and punctuation choices made by the editor, and even the visual layout that editorsʼ choose, can have enormous ramifications in the world of the actor. Whole scenes, soliloquies and even characterizations can be profoundly affected by editorial choices. If there is no one definitive written text of Macbeth, should not the actor playing Macbeth investigate different editorial choices to create the most exciting Macbeth that he can? If there is no authoritative text of Othello, how can the actor playing Desdemona know that she is making the most compelling choices possible? This paper investigates a muti-text approach to teaching and acting Shakespeare. We will identify a method for working with multiple editions of Shakespeare texts by comparing and contrasting the following texts: The Riverside Shakespeare, The Arden Shakespeare, The Bevington Shakespeare, and The Oxford Complete Works. We will use scenes from the plays Othello and Macbeth as launching points to see the profound differences in the edited plays, and to learn how these differences can lead to incredible artistic conversations and discoveries for both students and professional actors. There is no one, true, definitive version of Shakespeareʼs plays. If there is no single authoritative version of his plays, to limit the actor to working from only one edited version of the text of a Shakespeare play is to limit myriad acting possibilities and potentials for storytelling.
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influence | Average | |
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doi: 10.13125/caster/2605
handle: 20.500.14243/372202
L’Institut National du Patrimoine e l’Istituto di Studi sul Mediterraneo Antico del Consiglio Nazionale delle Ricerche conducono da vari anni ricerche archeologiche nel sito di el Médéïna, l’antica Althiburos. Qui si presentano gli aspetti principali della cooperazione tunisino-italiana e alcuni dei risultati finora raggiunti. The Tunisian National Heritage Institute and the Institute for the Studies on Ancient Mediterranean, of the Italian National Research Council, lead by several years archaeological research in el Médéïna (ancient Althiburos). Here we present the main aspects of the Tunisian-Italian cooperation and an assessment of the results achieved so far. Cartagine. Studi e Ricerche, N. 2 (2017)
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citations | 2 | |
popularity | Average | |
influence | Top 10% | |
impulse | Average |
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Michael Balcon is generally recognised for his stewardship of the Ealing Studios from 1939 and the portfolio of highly esteemed films which emerged over the decade 1942-52. Perhaps as a consequence of the critical preoccupation with those films, less attention has been given to his activities as Director of Production of what was Britain's largest film organisation during the 1930s: Gaumont British (G-B). Based upon archive material held by the British Film Institute, The Michael Balcon Special Collection (MBSC) and the US box-office information contained in Variety, this article sets out to redress partly this state of affairs by concentrating on the organisation's efforts, 1934-36, to become a major player in the world film industry; a rival in scale and output of the principal Hollywood studios.
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citations | 3 | |
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influence | Top 10% | |
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Una guerra intestina en la cual se enfrentan grupos armados ilegales y fuerzas del Estado, este es el cuento de Colombia. Una lucha campesina para crear un gobierno popular, este es el cuento de las FARC. Un armamento desproporcionado para brindar una (auto) defensa a los ciudadanos y luchar por la paz... ese es el cuento de los paramilitares y de las Fuerzas Armadas. La palabra « cuento » evoca una visión simplista, la verdad de uno y el descrédito de los demás. Un « cuento » se refiere a la...
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handle: 11471/908.10.9335
Schlüssel aus Stahl
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handle: 11471/562.20.1966
Guglielmo, Herzog von Mantua, erteitl dem Kloster San Benedetto Polirone in San Beneddeto Po die Bestätigung seiner Privilegien, welche die Schenkung von Federico Gonzaga von 1479 Dezember 10 sowie die Bestätigungen von 1484 August 17, 1499 Februar 19, 1508 Mai 10 und 1520 Jänner 12 umfasst. Enrico Scaccabarozzi
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handle: 11471/507.10.208
Randfragment einer Schale/Schüssel mit Henkelknubbe (nicht gebohrt). Innen: Auf geglättetem Hintergrund unterhalb der Randlinie linear angelegtes Bandzonenornament. Außen: Auf geglättetem Hintergrund schraffierter Mäanderdekor und Netzmuster.
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This paper analyzes the key sociological, philosophical and historical underpinnings of environmental neuroscience. The paper first outlines the technological and conceptual developments that preceded environmental neuroscience, and grounds the field within a wider context of the ’post-genomic’ sciences. It then turns to earlier attempts to relate human psychology to experiences within specific natural and physical environments going back to the nineteenth century, before asking whether, in particular, recent concerns about urbanization and climate change might have motivated a recent to such research topics. Lastly the paper asks environmental neuroscientists to pay attention to the politics of their field, and especially to the politics of consistently advocating for more ‘natural’ or ‘traditional’ environments for human beings. The paper concludes, optimistically, with an argument that environmental neuroscience is a field ‘in the making,’ with some scope yet to intervene on what will become its core facts and assumptions.
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popularity | Average | |
influence | Average | |
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doi: 10.5209/aris.78730
El presente artículo estudia las relaciones entre paisaje y cine. Trata de cinco autores confrontados a un mismo lugar. Patrimonio mundial de la humanidad (UNESCO), el Delta del Po se ha erigido como el Genius Loci ideal para la cinematografía italiana de los años 40 y 50. Los más afamados directores del momento sucumbieron a la belleza paisajística y natural de su entorno a la hora de enmarcar y recrear sus primeros filmes. Todos ellos interpretaron el paisaje palustre de manera particularizada. Desde la visión del mejor cine de autor, Visconti, Rossellini, De Santis, Antonioni y Casadio inmortalizarán la palude padana en cinco obras de inmejorable factura artística. Se trataba de aquel Delta del Po agreste, sencillo y arcádico, precedente a la ecocida conversión industrial llevada a cabo en la Italia de los años 60.
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gold |
citations | 1 | |
popularity | Average | |
influence | Average | |
impulse | Average |
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