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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      GAMS
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Martin Roland; Gabriele Bartz; Markus Gneiß; Andreas Zajic; +2 Authors

    Guglielmo, Herzog von Mantua, erteitl dem Kloster San Benedetto Polirone in San Beneddeto Po die Bestätigung seiner Privilegien, welche die Schenkung von Federico Gonzaga von 1479 Dezember 10 sowie die Bestätigungen von 1484 August 17, 1499 Februar 19, 1508 Mai 10 und 1520 Jänner 12 umfasst. Enrico Scaccabarozzi

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Randfragment einer Schale/Schüssel mit Henkelknubbe (nicht gebohrt). Innen: Auf geglättetem Hintergrund unterhalb der Randlinie linear angelegtes Bandzonenornament. Außen: Auf geglättetem Hintergrund schraffierter Mäanderdekor und Netzmuster.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ GAMSarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This paper analyzes the key sociological, philosophical and historical underpinnings of environmental neuroscience. The paper first outlines the technological and conceptual developments that preceded environmental neuroscience, and grounds the field within a wider context of the ’post-genomic’ sciences. It then turns to earlier attempts to relate human psychology to experiences within specific natural and physical environments going back to the nineteenth century, before asking whether, in particular, recent concerns about urbanization and climate change might have motivated a recent to such research topics. Lastly the paper asks environmental neuroscientists to pay attention to the politics of their field, and especially to the politics of consistently advocating for more ‘natural’ or ‘traditional’ environments for human beings. The paper concludes, optimistically, with an argument that environmental neuroscience is a field ‘in the making,’ with some scope yet to intervene on what will become its core facts and assumptions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OSF Preprintsarrow_drop_down
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    OSF Preprints
    Article . Preprint . 2024 . Peer-reviewed
    License: CC BY ND
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1007/978-3-...
    Part of book or chapter of book . 2024 . Peer-reviewed
    License: Springer Nature TDM
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OSF Preprintsarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OSF Preprints
      Article . Preprint . 2024 . Peer-reviewed
      License: CC BY ND
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      https://doi.org/10.1007/978-3-...
      Part of book or chapter of book . 2024 . Peer-reviewed
      License: Springer Nature TDM
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Robelin, Roger de;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Daycard, Annelore;

    Una guerra intestina en la cual se enfrentan grupos armados ilegales y fuerzas del Estado, este es el cuento de Colombia. Una lucha campesina para crear un gobierno popular, este es el cuento de las FARC. Un armamento desproporcionado para brindar una (auto) defensa a los ciudadanos y luchar por la paz... ese es el cuento de los paramilitares y de las Fuerzas Armadas. La palabra « cuento » evoca una visión simplista, la verdad de uno y el descrédito de los demás. Un « cuento » se refiere a la...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.4...arrow_drop_down
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    https://doi.org/10.4000/books....
    Part of book or chapter of book . 2011 . Peer-reviewed
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    OpenEdition
    Book . 2020
    Data sources: OpenEdition
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      https://doi.org/10.4000/books....
      Part of book or chapter of book . 2011 . Peer-reviewed
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenEdition
      Book . 2020
      Data sources: OpenEdition
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Frostin, Charles;

    Dans la lancée du mariage en 1722 d’une Phélypeaux de La Vrillière avec un Bréhan de Plélo, s’inscrivait à peu d’années d’intervalle, chez les Phélypeaux et leurs proches, une série de trois alliances bretonnes non moins caractéristiques. En 1725, Marie-Anne Phélypeaux d’Herbault, fille de l’intendant des armées navales Antoine-François d’Herbault mortellement blessé en 1704 à la bataille de Velez-Malaga, épousait Gabriel-Bertrand du Guesclin (1692-1750), descendant d’Olivier du Guesclin, frè...

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Book . 2015
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    https://doi.org/10.4000/books....
    Part of book or chapter of book . 2006 . Peer-reviewed
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      OpenEdition
      Book . 2015
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      https://doi.org/10.4000/books....
      Part of book or chapter of book . 2006 . Peer-reviewed
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    Authors: Larsson, Anna; Sjögren, David;
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    Nordic Journal of Educational History
    Article . 2014 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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    Nordic Journal of Educational History
    Article
    License: CC BY
    Data sources: UnpayWall
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      Nordic Journal of Educational History
      Article . 2014 . Peer-reviewed
      License: CC BY
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      Nordic Journal of Educational History
      Article
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    El ermitaño constituyó un tema tópico en los discursos visuales de la pintura de los literatos. Este nuevo género de arte surgido a partir del siglo XI destaca por ser un espacio artístico de expresión de sensaciones e ideas personales en el que dar libre curso a las emociones. El anacoreta se convirtió asimismo en un «símbolo» que transmite las virtudes y las aspiraciones del mismo artista. No obstante, existe cierta diferencia entre la imagen idealizada y la imagen real del artista. Este embellecimiento de la imagen no responde a una deliberada malicia del artista, sino que es el resultado del encuentro de varios factores. Este trabajo propone inquirir los motivos de la construcción de la identidad idealizada del artista en las pinturas del siglo XVII mediante el análisis de dos cuadros de Shi Tao con el tema de la contemplación de las flores amarillas.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Anales de Historia d...arrow_drop_down
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    Anales de Historia del Arte
    Article . 2023 . Peer-reviewed
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    https://doi.org/10.60692/v11cs...
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      Anales de Historia del Arte
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    Docteur Morgentodt heißt ein Arzt im Film La belle captive (Frankreich 1983, Regie: Alain Robbe-Grillet). Dieser basiert auf dem gleichnamigen Roman ( 1975, dt. 1984) von Alain Robbe-Grillet mit/nach Bildern von René Magritte. Im Roman bleibt der Arzt namenlos.

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    GAMS
    Other literature type . 2018
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      GAMS
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

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    Authors: Martin Roland; Gabriele Bartz; Markus Gneiß; Andreas Zajic; +2 Authors

    Guglielmo, Herzog von Mantua, erteitl dem Kloster San Benedetto Polirone in San Beneddeto Po die Bestätigung seiner Privilegien, welche die Schenkung von Federico Gonzaga von 1479 Dezember 10 sowie die Bestätigungen von 1484 August 17, 1499 Februar 19, 1508 Mai 10 und 1520 Jänner 12 umfasst. Enrico Scaccabarozzi

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    Randfragment einer Schale/Schüssel mit Henkelknubbe (nicht gebohrt). Innen: Auf geglättetem Hintergrund unterhalb der Randlinie linear angelegtes Bandzonenornament. Außen: Auf geglättetem Hintergrund schraffierter Mäanderdekor und Netzmuster.

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    This paper analyzes the key sociological, philosophical and historical underpinnings of environmental neuroscience. The paper first outlines the technological and conceptual developments that preceded environmental neuroscience, and grounds the field within a wider context of the ’post-genomic’ sciences. It then turns to earlier attempts to relate human psychology to experiences within specific natural and physical environments going back to the nineteenth century, before asking whether, in particular, recent concerns about urbanization and climate change might have motivated a recent to such research topics. Lastly the paper asks environmental neuroscientists to pay attention to the politics of their field, and especially to the politics of consistently advocating for more ‘natural’ or ‘traditional’ environments for human beings. The paper concludes, optimistically, with an argument that environmental neuroscience is a field ‘in the making,’ with some scope yet to intervene on what will become its core facts and assumptions.

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    OSF Preprints
    Article . Preprint . 2024 . Peer-reviewed
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    https://doi.org/10.1007/978-3-...
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      https://doi.org/10.1007/978-3-...
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    Authors: Robelin, Roger de;
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    Authors: Daycard, Annelore;

    Una guerra intestina en la cual se enfrentan grupos armados ilegales y fuerzas del Estado, este es el cuento de Colombia. Una lucha campesina para crear un gobierno popular, este es el cuento de las FARC. Un armamento desproporcionado para brindar una (auto) defensa a los ciudadanos y luchar por la paz... ese es el cuento de los paramilitares y de las Fuerzas Armadas. La palabra « cuento » evoca una visión simplista, la verdad de uno y el descrédito de los demás. Un « cuento » se refiere a la...

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    https://doi.org/10.4000/books....
    Part of book or chapter of book . 2011 . Peer-reviewed
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    OpenEdition
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