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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This book is a collection of seventeen papers which describe the impact that the ARIADNE project and its successor, ARIADNEplus (2019-2022) have had on the archaeological community, both in Europe and further afield. Each case study has been contributed by organisations involved in the ARIADNE Infrastructure who cover many countries from across Europe as well as Argentina and Japan. These papers were originally presented at the CAA Conference in Krakow, April 2019 and cover aspects such as data management, application of standards and guidelines, the use of CIDOC-CRM and Open Data to name but a few.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    NARCIS
    Part of book or chapter of book . 2019
    Data sources: NARCIS
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      NARCIS
      Part of book or chapter of book . 2019
      Data sources: NARCIS
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hughes, Lorna;

    No abstract available.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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    Authors: Hollander, H.S.;

    In the Netherlands, the archiving and publication of archaeological research data has led to the establishment of the e-Depot for Dutch Archaeology (EDNA) accommodated at DANS. EDNA is a collaboration between DANS and the Cultural Heritage Agency (RCE). DANS is an institute of the Royal Netherlands Academy of Arts and Sciences (KNAW) and the Netherlands Organisation for Scientific Research (NWO). The slogan "Digital archaeology requires a digital memory" was used in 2007 to bring care for digital data to the attention of Dutch archaeologists. The e-depot ensures durable archiving and unlocking of all digital documentation of the archaeological research. By 2014, DANS provides online access via EASY to more than 21,500 archaeological datasets: 18,500 reports and 3,000 large datasets consisting of data of excavations and explorations (photos, GIS, data-tables, drawings). Both the research descriptions and all data can be downloaded. Agreements to this end have been laid down in the quality standard for Dutch archaeology. DANS ensures that access to digital research data keeps improving, through its services and by taking part in national and international projects and networks. By participating in projects such as Odyssee, CARARE, ARIADNE and DARIAH, the options for finding, accessing and re-using archaeological and other data are continuously improving. DANS stimulates cooperation between data producers and users and does research into long-term accessibility. The existing infrastructure of the e-depot for Dutch Archaeology allows for sharing of good practices such as long-term preservation, data organisation and data dissemination for accessibility.

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    NARCIS
    Part of book or chapter of book . 2014
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      NARCIS
      Part of book or chapter of book . 2014
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    Authors: Dijk, E.M.S.; Doorn, P.K.;

    Data Archiving and Networked Services (DANS) promotes sustained access to digital research data in the Netherlands. Researchers can deposit their data through the online archiving system EASY. Via the portal NARCIS the research data are shown in context, namely in relation to publications, and other research information. Both EASY and NARCIS contain grey literature like archaeological reports, data documentation, doctoral thesis, conference papers, patents, and technical documentation of universities and other research institutes.

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    Part of book or chapter of book . 2014
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      Part of book or chapter of book . 2014
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    Authors: Eve, Martin Paul;

    Despite the proliferation of digital humanities projects, varying greatly in form and media, there remain anxieties about the evaluation of digital work. Digital humanists find, time and time again, that they are expected to perform twice the labour of traditional scholars; once for the work itself and once again for its evaluation. At the same time, traditional humanists often experience a sensation of threat from the digital arena, believing that it is easy to gain employment, grants, and tenure if one is a digital humanist.\ud \ud In this chapter, I ask how we can understand a double logic in which digital-humanities work is at once so powerful as to crowd out the traditional humanists while at the same time so poorly understood as to need supplementation by traditional publication. Classifying the existing mechanisms of evaluation into a three-fold typology of 1.) a desired scarcity correlation; 2.) a set of media-specific denoting frames; and 3.) a set of disciplinary understandings, I show how and why DH remains radical in its work yet traditional in its outputs.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Barker, Elton; Isaksen, Leif; Rabinowitz, Nick; Bouzarovski, Stefan; +1 Authors

    Involving the collaboration of researchers from Classics, Geography and Archaeological Computing, and supported by funding from the AHRC, HESTIA (the Herodotus Encoded Space-Text-Imaging Archive) aims to enrich contemporary discussions of space by developing an innovative methodology for the study of an ancient narrative, Herodotus’s Histories. Using the latest digital technology in combination with close textual study, we investigate the geographical concepts through which Herodotus describes the conflict between Greeks and Persians. Our findings nuance the customary topographical vision of an east versus west polarity by drawing attention to the topological network culture that criss-crosses the two, and develop the means of bringing that world to a mass audience via the internet. In this paper we discuss three main aspects to the project: the data capture of place-names in Herodotus; their visualization and dissemination using the web-mapping technologies of GIS, Google Earth and Timemap; and the interrogation of the relationships that Herodotus draws between different geographical concepts using the digital resources at our disposal. Our concern will be to set out in some detail the digital basis to our methodology and the technologies that we have been exploiting, as well as the problems that we have encountered, in the hope of contributing not only to a more complex picture of space in Herodotus but also to a basis for future digital projects across the Humanities that spatially visualize large text-based corpora. With this in mind we end with a brief discussion of some of the ways in which this study is being developed, with assistance from research grants from the Google Digital Humanities Awards Program and JISC.

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    Part of book or chapter of book . 2013
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CORE (RIOXX-UK Aggre...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Selfridge-Field, Eleanor;
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    https://doi.org/10.25366/2018....
    Other literature type . Part of book or chapter of book . 2018 . 2016
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      https://doi.org/10.25366/2018....
      Other literature type . Part of book or chapter of book . 2018 . 2016
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    Authors: Odijk, J.E.J.M.; Calzolari, N.; Choukri, K.; Declerck, T.; +8 Authors
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    NARCIS
    Part of book or chapter of book . 2012
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      NARCIS
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    Authors: Zeldenrust, D.A.; Kemps-Snijders, M.;

    This paper reports about establishing connections between datasets and the CLARIN infrastructure. One case is described in greater detail. This case involves the microtoponym collection of the Meertens Institute. The paper explains the technical aspects. It will conclude with a reflection on future steps in connecting research data and tools to infrastructures such as CLARIN.

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    NARCIS
    Part of book or chapter of book . 2011
    Data sources: NARCIS
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      NARCIS
      Part of book or chapter of book . 2011
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    Authors: Buzzoni, Marina;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    This book is a collection of seventeen papers which describe the impact that the ARIADNE project and its successor, ARIADNEplus (2019-2022) have had on the archaeological community, both in Europe and further afield. Each case study has been contributed by organisations involved in the ARIADNE Infrastructure who cover many countries from across Europe as well as Argentina and Japan. These papers were originally presented at the CAA Conference in Krakow, April 2019 and cover aspects such as data management, application of standards and guidelines, the use of CIDOC-CRM and Open Data to name but a few.

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    Part of book or chapter of book . 2019
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      Part of book or chapter of book . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Hughes, Lorna;

    No abstract available.

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    Authors: Hollander, H.S.;

    In the Netherlands, the archiving and publication of archaeological research data has led to the establishment of the e-Depot for Dutch Archaeology (EDNA) accommodated at DANS. EDNA is a collaboration between DANS and the Cultural Heritage Agency (RCE). DANS is an institute of the Royal Netherlands Academy of Arts and Sciences (KNAW) and the Netherlands Organisation for Scientific Research (NWO). The slogan "Digital archaeology requires a digital memory" was used in 2007 to bring care for digital data to the attention of Dutch archaeologists. The e-depot ensures durable archiving and unlocking of all digital documentation of the archaeological research. By 2014, DANS provides online access via EASY to more than 21,500 archaeological datasets: 18,500 reports and 3,000 large datasets consisting of data of excavations and explorations (photos, GIS, data-tables, drawings). Both the research descriptions and all data can be downloaded. Agreements to this end have been laid down in the quality standard for Dutch archaeology. DANS ensures that access to digital research data keeps improving, through its services and by taking part in national and international projects and networks. By participating in projects such as Odyssee, CARARE, ARIADNE and DARIAH, the options for finding, accessing and re-using archaeological and other data are continuously improving. DANS stimulates cooperation between data producers and users and does research into long-term accessibility. The existing infrastructure of the e-depot for Dutch Archaeology allows for sharing of good practices such as long-term preservation, data organisation and data dissemination for accessibility.

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    Part of book or chapter of book . 2014
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    Authors: Dijk, E.M.S.; Doorn, P.K.;

    Data Archiving and Networked Services (DANS) promotes sustained access to digital research data in the Netherlands. Researchers can deposit their data through the online archiving system EASY. Via the portal NARCIS the research data are shown in context, namely in relation to publications, and other research information. Both EASY and NARCIS contain grey literature like archaeological reports, data documentation, doctoral thesis, conference papers, patents, and technical documentation of universities and other research institutes.

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    Authors: Eve, Martin Paul;

    Despite the proliferation of digital humanities projects, varying greatly in form and media, there remain anxieties about the evaluation of digital work. Digital humanists find, time and time again, that they are expected to perform twice the labour of traditional scholars; once for the work itself and once again for its evaluation. At the same time, traditional humanists often experience a sensation of threat from the digital arena, believing that it is easy to gain employment, grants, and tenure if one is a digital humanist.\ud \ud In this chapter, I ask how we can understand a double logic in which digital-humanities work is at once so powerful as to crowd out the traditional humanists while at the same time so poorly understood as to need supplementation by traditional publication. Classifying the existing mechanisms of evaluation into a three-fold typology of 1.) a desired scarcity correlation; 2.) a set of media-specific denoting frames; and 3.) a set of disciplinary understandings, I show how and why DH remains radical in its work yet traditional in its outputs.

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    Authors: Barker, Elton; Isaksen, Leif; Rabinowitz, Nick; Bouzarovski, Stefan; +1 Authors

    Involving the collaboration of researchers from Classics, Geography and Archaeological Computing, and supported by funding from the AHRC, HESTIA (the Herodotus Encoded Space-Text-Imaging Archive) aims to enrich contemporary discussions of space by developing an innovative methodology for the study of an ancient narrative, Herodotus’s Histories. Using the latest digital technology in combination with close textual study, we investigate the geographical concepts through which Herodotus describes the conflict between Greeks and Persians. Our findings nuance the customary topographical vision of an east versus west polarity by drawing attention to the topological network culture that criss-crosses the two, and develop the means of bringing that world to a mass audience via the internet. In this paper we discuss three main aspects to the project: the data capture of place-names in Herodotus; their visualization and dissemination using the web-mapping technologies of GIS, Google Earth and Timemap; and the interrogation of the relationships that Herodotus draws between different geographical concepts using the digital resources at our disposal. Our concern will be to set out in some detail the digital basis to our methodology and the technologies that we have been exploiting, as well as the problems that we have encountered, in the hope of contributing not only to a more complex picture of space in Herodotus but also to a basis for future digital projects across the Humanities that spatially visualize large text-based corpora. With this in mind we end with a brief discussion of some of the ways in which this study is being developed, with assistance from research grants from the Google Digital Humanities Awards Program and JISC.

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    Authors: Selfridge-Field, Eleanor;
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    https://doi.org/10.25366/2018....
    Other literature type . Part of book or chapter of book . 2018 . 2016
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    Authors: Odijk, J.E.J.M.; Calzolari, N.; Choukri, K.; Declerck, T.; +8 Authors
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    Authors: Zeldenrust, D.A.; Kemps-Snijders, M.;

    This paper reports about establishing connections between datasets and the CLARIN infrastructure. One case is described in greater detail. This case involves the microtoponym collection of the Meertens Institute. The paper explains the technical aspects. It will conclude with a reflection on future steps in connecting research data and tools to infrastructures such as CLARIN.

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    NARCIS
    Part of book or chapter of book . 2011
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      Part of book or chapter of book . 2011
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    Authors: Buzzoni, Marina;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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