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  • Etnološka Tribina

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vlasta Šabić;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jadranka Grbić;

    Ivan Milčetić's (1853-1921) biographers have divided his overall scholarly work into several large groups: the first is made up of his literary-historical works, the second of his philological research, while the third covers his works in the fields of ethnology and folkloristics. Milčetić's ethnographic and folkloristic research made a valuable contribution to the development of ethnological thought in Croatia and he is regarded in Croatia as one of the founders of Croatian ethnology as an independent field of scholarship. Comments are given in the article on his views of narodopis, or ethnology, and then on his efforts in the conception of the first ethnological journal in Croatia, The Journal of the Folk Life and Customs of the Southern Slavs, which was the result of his developed conception of scholarly work as a whole, and of ethnological and folkloristic papers, with particular reference and ethnological analysis of travelogue reflections on the Moravian, Lower Austrian and Western Hungarian Croats, whom he visited in 1895 and 1898. Sveukupni znanstveni rad Ivana Milčetića (1853.-1921.), njegovi su biografi podijelili u nekoliko većih cjelina: jednu čine književnopovijesni radovi, drugu filološka istraživanja, treću radovi s područja etnologije i folkloristike. Milčetićev etnografsko-folkloristički rad vrijedan je doprinos razvoju etnološke misli u Hrvatskoj te ga se smatra jednim od utemeljitelja hrvatske etnologije kao samostalne znanosti. U prilogu se komentiraju njegovi pogledi na "narodopis", potom nastojanja oko koncepcije prvoga etnološkog časopisa u Hrvatskoj Zbornika za narodni život i običaje Južnih Slavena, koji je rezultat njegove razrađene koncepcije znanstvenoga rada uopće, te etnološki i folkloristički radovi, s posebnim osvrtom i etnološkom analizom putopisnih refleksija o moravskim, donjoaustrijskim i zapadnougarskim Hrvatima, koje je pohodio 1895. i 1898. godine.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Aleksandra-Sanja Lazarević;

    CERTAIN ASPECTS OF COOPERATION BETWEEN ETHNOLOGY AND PHYSICAL ANTHROPOLOGY Summary The author reviews ideas of some cultural and physical anthropologists (A. Kroeber, I. Schwidetzky, B. Škerlj) about both the association and separation of cultural and physical anthropology in the last twenty years. The position of the Slovenian anthropologist Božo Škerlj is dealt with in particular. He saw the possibility for the cooperation of the two disciplines in the area of food, nutrition, incest, and some others.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Elizabeta Serdar;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gertraud Liesenfeld;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nadia Nizetich;

    In this paper, I examine the interaction of collective identity, community action, and tourism in the island town of Komiža, Croatia. I hypothesized that efforts to establish sustainable tourism development in Komiža would be influenced by the collective identity of residents. I found that tourism and collective identity act as a feedback loop, with identity influencing community efforts to develop sustainable tourism and vice versa. The findings suggest that in creating sustainable tourism models, we must avoid generalized efforts and instead work with communities to devise strategies that fit their individual needs and characteristics. U ovom se radu ispituje međudjelovanje kolektivnog identiteta, djelovanja zajednice i turizma u otočnom gradu Komiži u Hrvatskoj. Pretpostavka je da će na razvoj održivog turizma u Komiži utjecati kolektivni identitet stanovnika. Utvrđeno je da turizam i kolektivni identitet djeluju u povratnoj sprezi, pri čemu identitet utječe na djelovanje zajednice čiji je cilj razvitak održivog turizma i obrnuto. Rezultati sugeriraju da u stvaranju modela održivog turizma moramo izbjegavati uopćene mjere i umjesto toga raditi sa zajednicama na osmišljavanju strategija koje odgovaraju njihovim pojedinačnim potrebama i svojstvima.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Etnološka Tribina
    Article . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Etnološka Tribina
      Article . 2022
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      This Research product is the result of merged Research products in OpenAIRE.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Laura Šakaja; Ivana Crljenko;

    In a semiotic sense, the city-text is a symbolic structure with complex social and communicative functions and codes that enable communication between the sender and the recipient of the message, i.e. between the public and its cultural tradition. The textual interpretation of all street names and monuments in a certain area is based on the common characteristics of the city and the written text: these are symbolic entities with fixed, i.e. objectified meanings; they represent the contexts in which they originated, and they are subject to different interpretations. This article explores the ways in which ideology is interwoven into the spatial-symbolic landscapes of the city. The city's periphery, in this case Dubrava – which has a special axiological-symbolic organization – forms an opposition with the city centre (as the "most visible space"). Gradski tekst, shvaćen semiotički, jest znakovna struktura sa složenim socijalno-komunikativnim funkcijama i kodovima koji omogućuju komunikaciju između pošiljatelja i primatelja poruke, odnosno između javnosti i njezine kulturne tradicije. Tekstualno tumačenje ukupnosti imena ulica i spomenika zasniva se na zajedničkim karakteristikama grada i pisanoga teksta: to su znakovne cjeline u kojima se fiksiraju odnosno objektiviraju značenja, oni reprezentiraju kontekste u kojima su nastali te su podložni različitim interpretacijama. U ovom se članku istražuju načini na koje ideologija prožima prostorno-simboličke krajolike grada. Pritom se središtu grada (kao "najvidljivijemu prostoru") suprotstavlja gradska periferija, u ovom slučaju zagrebačka Dubrava, koja ima osobitu aksiološko-simboličku organizaciju.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Muraj, Aleksandra;

    Riječ je o prehrani, kakva je bila na Cresu uobičajena medju težacima, u razdoblju prve polovine 20. st. Budući da su većinu namirnica seljaci stvarali na svojim obiteljskim posjedima, vlastitim radnim udjelom, tema je razmotrena u rasponu od proizvodnje prehrambenih sastojaka preko kulinarskih uređaja, pomagala i postupaka do načina konzumiranja. Autorica je nastojala utvrditi odnos creskoga seljeka spram prirodnih resursa, spoznati njegova iskustva u suživotu s prirodom, te time, ujedno, i ustanoviti osobitosti njegova kulturnog bića .

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Antoš, Zvjezdana;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Prica, Ines;

    U tekstu se raspravlja o onim aspektima dualizma u hrvatskoj etnologiji kojima se mogu iznaći i bitnije "izvanjski" uzroci. Riječ je o dualizmu koji ima nevojbeno znanstvenopovijesno sidrište, udvajanju oko paradoksa koji se u povijesti ove znanosti nametnuo pod oznakom prosvjetiteljsko-romantičarske kontroverzije. U radu se dolazi i do nekih elemenata identifikacije teorije kulture (autohtona drugost) kakva predominira u nacionalnim etnologijama.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vlasta Šabić;
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    Authors: Jadranka Grbić;

    Ivan Milčetić's (1853-1921) biographers have divided his overall scholarly work into several large groups: the first is made up of his literary-historical works, the second of his philological research, while the third covers his works in the fields of ethnology and folkloristics. Milčetić's ethnographic and folkloristic research made a valuable contribution to the development of ethnological thought in Croatia and he is regarded in Croatia as one of the founders of Croatian ethnology as an independent field of scholarship. Comments are given in the article on his views of narodopis, or ethnology, and then on his efforts in the conception of the first ethnological journal in Croatia, The Journal of the Folk Life and Customs of the Southern Slavs, which was the result of his developed conception of scholarly work as a whole, and of ethnological and folkloristic papers, with particular reference and ethnological analysis of travelogue reflections on the Moravian, Lower Austrian and Western Hungarian Croats, whom he visited in 1895 and 1898. Sveukupni znanstveni rad Ivana Milčetića (1853.-1921.), njegovi su biografi podijelili u nekoliko većih cjelina: jednu čine književnopovijesni radovi, drugu filološka istraživanja, treću radovi s područja etnologije i folkloristike. Milčetićev etnografsko-folkloristički rad vrijedan je doprinos razvoju etnološke misli u Hrvatskoj te ga se smatra jednim od utemeljitelja hrvatske etnologije kao samostalne znanosti. U prilogu se komentiraju njegovi pogledi na "narodopis", potom nastojanja oko koncepcije prvoga etnološkog časopisa u Hrvatskoj Zbornika za narodni život i običaje Južnih Slavena, koji je rezultat njegove razrađene koncepcije znanstvenoga rada uopće, te etnološki i folkloristički radovi, s posebnim osvrtom i etnološkom analizom putopisnih refleksija o moravskim, donjoaustrijskim i zapadnougarskim Hrvatima, koje je pohodio 1895. i 1898. godine.

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    Authors: Aleksandra-Sanja Lazarević;

    CERTAIN ASPECTS OF COOPERATION BETWEEN ETHNOLOGY AND PHYSICAL ANTHROPOLOGY Summary The author reviews ideas of some cultural and physical anthropologists (A. Kroeber, I. Schwidetzky, B. Škerlj) about both the association and separation of cultural and physical anthropology in the last twenty years. The position of the Slovenian anthropologist Božo Škerlj is dealt with in particular. He saw the possibility for the cooperation of the two disciplines in the area of food, nutrition, incest, and some others.

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    Authors: Elizabeta Serdar;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
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    Authors: Gertraud Liesenfeld;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Etnološka Tribinaarrow_drop_down
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    Authors: Nadia Nizetich;

    In this paper, I examine the interaction of collective identity, community action, and tourism in the island town of Komiža, Croatia. I hypothesized that efforts to establish sustainable tourism development in Komiža would be influenced by the collective identity of residents. I found that tourism and collective identity act as a feedback loop, with identity influencing community efforts to develop sustainable tourism and vice versa. The findings suggest that in creating sustainable tourism models, we must avoid generalized efforts and instead work with communities to devise strategies that fit their individual needs and characteristics. U ovom se radu ispituje međudjelovanje kolektivnog identiteta, djelovanja zajednice i turizma u otočnom gradu Komiži u Hrvatskoj. Pretpostavka je da će na razvoj održivog turizma u Komiži utjecati kolektivni identitet stanovnika. Utvrđeno je da turizam i kolektivni identitet djeluju u povratnoj sprezi, pri čemu identitet utječe na djelovanje zajednice čiji je cilj razvitak održivog turizma i obrnuto. Rezultati sugeriraju da u stvaranju modela održivog turizma moramo izbjegavati uopćene mjere i umjesto toga raditi sa zajednicama na osmišljavanju strategija koje odgovaraju njihovim pojedinačnim potrebama i svojstvima.

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    Article . 2022
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      Etnološka Tribina
      Article . 2022
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    Authors: Laura Šakaja; Ivana Crljenko;

    In a semiotic sense, the city-text is a symbolic structure with complex social and communicative functions and codes that enable communication between the sender and the recipient of the message, i.e. between the public and its cultural tradition. The textual interpretation of all street names and monuments in a certain area is based on the common characteristics of the city and the written text: these are symbolic entities with fixed, i.e. objectified meanings; they represent the contexts in which they originated, and they are subject to different interpretations. This article explores the ways in which ideology is interwoven into the spatial-symbolic landscapes of the city. The city's periphery, in this case Dubrava – which has a special axiological-symbolic organization – forms an opposition with the city centre (as the "most visible space"). Gradski tekst, shvaćen semiotički, jest znakovna struktura sa složenim socijalno-komunikativnim funkcijama i kodovima koji omogućuju komunikaciju između pošiljatelja i primatelja poruke, odnosno između javnosti i njezine kulturne tradicije. Tekstualno tumačenje ukupnosti imena ulica i spomenika zasniva se na zajedničkim karakteristikama grada i pisanoga teksta: to su znakovne cjeline u kojima se fiksiraju odnosno objektiviraju značenja, oni reprezentiraju kontekste u kojima su nastali te su podložni različitim interpretacijama. U ovom se članku istražuju načini na koje ideologija prožima prostorno-simboličke krajolike grada. Pritom se središtu grada (kao "najvidljivijemu prostoru") suprotstavlja gradska periferija, u ovom slučaju zagrebačka Dubrava, koja ima osobitu aksiološko-simboličku organizaciju.

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    Authors: Muraj, Aleksandra;

    Riječ je o prehrani, kakva je bila na Cresu uobičajena medju težacima, u razdoblju prve polovine 20. st. Budući da su većinu namirnica seljaci stvarali na svojim obiteljskim posjedima, vlastitim radnim udjelom, tema je razmotrena u rasponu od proizvodnje prehrambenih sastojaka preko kulinarskih uređaja, pomagala i postupaka do načina konzumiranja. Autorica je nastojala utvrditi odnos creskoga seljeka spram prirodnih resursa, spoznati njegova iskustva u suživotu s prirodom, te time, ujedno, i ustanoviti osobitosti njegova kulturnog bića .

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    Authors: Antoš, Zvjezdana;
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    Authors: Prica, Ines;

    U tekstu se raspravlja o onim aspektima dualizma u hrvatskoj etnologiji kojima se mogu iznaći i bitnije "izvanjski" uzroci. Riječ je o dualizmu koji ima nevojbeno znanstvenopovijesno sidrište, udvajanju oko paradoksa koji se u povijesti ove znanosti nametnuo pod oznakom prosvjetiteljsko-romantičarske kontroverzije. U radu se dolazi i do nekih elemenata identifikacije teorije kulture (autohtona drugost) kakva predominira u nacionalnim etnologijama.

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