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In the given article we analyze the representation of the period from the recent history- Socialist Yugoslavia- through the case study of national history museum and private exhibition. Although both of the analyzed objects are located in Ljubljana, the metastories which they construct and display are based on the different cultural patterns. We compare the differences of the narratives being used by the private and state institution and apply the visual analysis method together with semi-structured interviews for these purposes. As a result of our research, we show how differs ‘official narration’ compared to the so-called ‘Yugonostalgic’ or ‘Titostalgic’ viewpoint and describe their main characteristics.

This study shows that upper secondary students’ historical writing maybe influenced by their use of sources from traditional archives versus theiruse of digital sources in databases. A qualitative approach, theoreticalperspectives, and historical empathy seem to be stimulated primarily byusing traditional archives and print sources, while digital archives andsources, in contrast, stimulate the use of quantitative data and a moresocial scientific approach. The results indicate a historiographical shift instudents’ historical thinking, which researchers of history education needto consider in a digital era. The results of this study call for reflections inhistory teaching to make it possible for students to learn and experiencethe double nature of history as part of the humanities and social sciences. Media Places

Recently rediscovered photographs of the remains of thirteen individuals buried in the Sado Valley Mesolithic shell middens of Poças de S. Bento and Arapouco, excavated in 1960 and 1962, show the potential of revisiting excavation archives with new methods. The analysis, which applies the principles of archaeothanatology and is enriched by experimental taphonomic research, confirmed details concerning the treatment of the dead body and provided new insights into the use of burial spaces. Some bodies may have been mummified prior to burial, a phenomenon possibly linked to their curation and transport, highlighting the significance of both the body and the burial place in Mesolithic south-western Portugal.

This article considers colonial rhetoric manifested in representations of early settlement in the mining town of Kiruna in northernmost Sweden. Kiruna was founded more than 100 years ago by the LKAB Company with its centre the prosperous mine on Sami land. Continued iron ore mining has made it necessary to relocate the town centre a few kilometres north-east of its original location to ensure the safety of the people. The ongoing process of the town’s transformation due to industrial expansion has given rise to the creation of a memorial park between the town and the mine, in which two historical photographs have been erected on huge concrete blocks. For the Swedish Sami, the indigenous people, the transformation means further exploitation of their reindeer grazing lands and forced adaption to industrial expansion. The historical photographs in the memorial park fit into narratives of colonial expansion and exploration that represent the town’s colonial past. Both pictures are connected to colonial, racialised and gendered space during the early days of industrial colonialism. The context has been set by discussions about what Kiruna “is”, and how it originated. My aim is to study the role of collective memory in mediating a colonial past, by exploring the representations that are connected to and evoked by these pictures. In this progressive transformation of the town, what do these photographic memorials represent in relation to space? What are the values made visible in these photographs? I also discuss the ways in which Kiruna’s history becomes manifested in the town’s transformation and the use of history in urban planning. I argue that, in addressing the colonial history of Kiruna, it is timely to reconsider how memories of a town are communicated into the future by references to the past. I also claim that memory, history, and remembrance and forgetting are represented in this process of history-making and that they intersect gender, class and ethnicity.

The article presents some new radiocarbon dates of burnt bones found in cairns and stone-settings in Northern Sweden. The author also describes the earliest known graves in the north. The low and discreet Late Mesolithic stone-settings, with red ochre and inhumations, seem to be elements of a northern burial tradition that continued into the Neolithic Period. The latest hitherto known of these descreet stone-settings was excavated west of Umeå in Västerbotten, and was radiocarbon dated to 1750-1520 BC. However, this grave lacked the typical red ochre. During approximately the same time monumental cairns were erected along the coast of Norrland. The oldest of these were traditionally believed to have been introduced during the Early Bronze Age and contain inhumations in long stone cists, which were replaced by cremations during the Late Bronze Age. However, new radiocarbon dates from five cremations in cairns and stone-settings strongly challenge that belief, placing all in the Early Bronze Age. The cremations in cairns are not necessarily the oldest monumental stratum. The author suggests that the cairns were linked to the introduction of agricultural activities along the coast during the end of the 3rd Millennium BC.