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  • Open Access Japanese
    Publisher: 慶應義塾大学大学院社会学研究科

    Though the piano is originally a European instrument, many Japanese people are more familiar with the piano than they are with Japanese instruments. Piano culture expanded in Japan during the period of high economic growth, namely from 1954 to 1973, and therefore today many in Japan play the piano. However, piano culture developed even more substantially following the period of high economic growth, especially from the 1980s onward. For example, during this period many of those learning to play the piano participated in piano competitions. This study focuses on piano culture in Japan from the 1980s. I analyzed the 1980s piano culture using interviews. The number of learners aspiring to study piano began to gradually decrease at this time. However, the number of "high-ranking amateurs" increased. High-ranking amateurs are skilled piano players who have never studied piano at a music college. Playing piano is merely a hobby to them. They choose to clear a fiercely competitive entrance examination, and go on to study something other than music. Bourdieu classifies interests into two groups: "interests of necessity" and "interests of luxury." According to Bourdieu, high-ranking amateurs have interests of luxury, because to them playing the piano is far from a necessity. They do not need to earn a living as music teachers. However, their piano playing does not constitute an interest of luxury according to Bourdieu. Rather, high-ranking amateurs have learned to play piano at the insistence of their parents; —they had to study piano earnestly since they were children. Piano culture is also part of the education of high-ranking amateurs. 論文

  • Open Access Japanese
    Publisher: お茶の水女子大学生活科学部生活工学研究会
  • Open Access German
    Authors: 
    Duppel, Mechthild;
    Publisher: 上智大学ヨーロッパ研究所

    視察レポート

  • Publication . Research . 1994
    Japanese
    Publisher: 沖縄国際大学商経学部
  • Open Access Japanese
    Publisher: 福岡県立大学人間社会学部

    本稿では、2021年度「精神保健福祉演習」で新たに取り入れた「なりきりプレゼンテーション」の内容とその成果および課題について述べた。「なりきりプレゼンテーション」は、①主体的に調べること、②発表に取り組む姿勢や具体的方法について学ぶこと、③精神障害者の理解を深めること、を目的に実施した。精神障害者に関する十分な事前学習を経て準備を行うこと、問題解決ではなく精神障害者の生活の実際を丁寧に描くことに焦点を当てること、を学生たちに理解してもらうことには時間を要したが、4回の授業を通して学生たちは当初の目標を一定程度達成した。一方、プレゼンテーションのふりかえりについて課題が見つかった。プレゼンテーションの時間配分や評価シートの見直しによる時間の確保や、学生がもつ批判的思考への抵抗感の低減に、今後取り組んでいく必要がある。

  • Open Access Japanese
    Publisher: 新潟医学会
  • Open Access Russian
    Publisher: БНТУ
    Country: Belarus
  • Japanese
    Publisher: 岩手医学会
  • Open Access Japanese
    Authors: 
    Fujita, M. Mie;
    Publisher: 広島大学教育学部・関係附属学校園共同研究体制
Advanced search in
Research products
arrow_drop_down
Searching FieldsTerms
Any field
arrow_drop_down
includes
arrow_drop_down
Include:
2,048,291 Research products, page 1 of 204,830
  • Open Access Japanese
    Publisher: 慶應義塾大学大学院社会学研究科

    Though the piano is originally a European instrument, many Japanese people are more familiar with the piano than they are with Japanese instruments. Piano culture expanded in Japan during the period of high economic growth, namely from 1954 to 1973, and therefore today many in Japan play the piano. However, piano culture developed even more substantially following the period of high economic growth, especially from the 1980s onward. For example, during this period many of those learning to play the piano participated in piano competitions. This study focuses on piano culture in Japan from the 1980s. I analyzed the 1980s piano culture using interviews. The number of learners aspiring to study piano began to gradually decrease at this time. However, the number of "high-ranking amateurs" increased. High-ranking amateurs are skilled piano players who have never studied piano at a music college. Playing piano is merely a hobby to them. They choose to clear a fiercely competitive entrance examination, and go on to study something other than music. Bourdieu classifies interests into two groups: "interests of necessity" and "interests of luxury." According to Bourdieu, high-ranking amateurs have interests of luxury, because to them playing the piano is far from a necessity. They do not need to earn a living as music teachers. However, their piano playing does not constitute an interest of luxury according to Bourdieu. Rather, high-ranking amateurs have learned to play piano at the insistence of their parents; —they had to study piano earnestly since they were children. Piano culture is also part of the education of high-ranking amateurs. 論文

  • Open Access Japanese
    Publisher: お茶の水女子大学生活科学部生活工学研究会
  • Open Access German
    Authors: 
    Duppel, Mechthild;
    Publisher: 上智大学ヨーロッパ研究所

    視察レポート

  • Publication . Research . 1994
    Japanese
    Publisher: 沖縄国際大学商経学部
  • Open Access Japanese
    Publisher: 福岡県立大学人間社会学部

    本稿では、2021年度「精神保健福祉演習」で新たに取り入れた「なりきりプレゼンテーション」の内容とその成果および課題について述べた。「なりきりプレゼンテーション」は、①主体的に調べること、②発表に取り組む姿勢や具体的方法について学ぶこと、③精神障害者の理解を深めること、を目的に実施した。精神障害者に関する十分な事前学習を経て準備を行うこと、問題解決ではなく精神障害者の生活の実際を丁寧に描くことに焦点を当てること、を学生たちに理解してもらうことには時間を要したが、4回の授業を通して学生たちは当初の目標を一定程度達成した。一方、プレゼンテーションのふりかえりについて課題が見つかった。プレゼンテーションの時間配分や評価シートの見直しによる時間の確保や、学生がもつ批判的思考への抵抗感の低減に、今後取り組んでいく必要がある。

  • Open Access Japanese
    Publisher: 新潟医学会
  • Open Access Russian
    Publisher: БНТУ
    Country: Belarus
  • Japanese
    Publisher: 岩手医学会
  • Open Access Japanese
    Authors: 
    Fujita, M. Mie;
    Publisher: 広島大学教育学部・関係附属学校園共同研究体制
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