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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sahle, Patrick;

    Der Beitrag beschreibt die mögliche Übertragung des im Jahr 2008 noch in den Anfängen steckenden neuen Forschungs-Infrastrukturparadigmas der "e-Science" auf die Geschichtswissenschaften. Er gibt erste Hinweise auf Literatur und Projekte und skizziert fachspezifische Ansatzpunkte und Entwicklungsperspektiven. Der Beitrag ist erschienen in: Von Nowgorod nach London. Studien zu Handel, Wirtschaft und Gesellschaft im mittelalterlichen Europa. Festschrift für Stuart Jenks zum 60. Geburtstag. Göttingen, Vandenhoeck & Ruprecht unipress, September 2008. ISBN 978-3-89971-446-3. S. 63-74. Es stehen zwei Textfassungen zur Verfügung: ein digitaler Sonderdruck der als Buch (s.o.) veröffentlichten Fassung (mit Deckblatt,Inhaltsverzeichnis des Bandes, originalen Seitenzahlen aber teilweise verschobenen Layoutelementen) s. http://kups.ub.uni-koeln.de/5255/ und die letzte preprint-Fassung des Autors (mit korrektem Layout aber ohne Seitenzahlen und Vorblättern).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kölner UniversitätsP...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Burghardt, Manuel; Spanner, Sebastian; Schmidt, Thomas; Fuchs, Florian; +3 Authors

    Sofern eine editorische Arbeit an dieser Publikation stattgefunden hat, dann bestand diese aus der Eliminierung von Bindestrichen in Überschriften, die aufgrund fehlerhafter Silbentrennung entstanden sind, der Vereinheitlichung von Namen der Autor*innen in das Schema "Nachname, Vorname" und/oder der Trennung von Überschrift und Unterüberschrift durch die Setzung eines Punktes, sofern notwendig. {"references": ["https://doi.org/10.5281/zenodo.3684825", "https://github.com/DHd-Verband/DHd-Abstracts-2017"]} A single abstract from the DHd-2017 Book of Abstracts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Conference object . 2017
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Kindling, Maxi;

    Der Beitrag behandelt das Thema Qualitätssicherung im Umgang mit digitalen Forschungsdaten. Es werden drei Ebenen herausgearbeitet, auf die sich die Qualitätssicherung beziehen kann: die der Forschungsdaten selbst, der Metadaten zur ihrer Erschließung sowie der Forschungs- daten-Infrastrukturen. Es erfolgt eine Annäherung an den Qualitätsbegriff im Kontext digitaler Forschungsdaten sowie an die qualitätssichernden Verfahren. Exemplarische nationale und internationale Initiativen werden vorgestellt, die Empfehlungen und Kriterien zu disziplinübergreifenden Aspekten der Qualitätssicherung formulieren. Zudem wird ein disziplinäres Beispiel aus der historischen Korpuslinguistik vorgestellt. Peer Reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ edoc-Server. Open-Ac...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Scholze, Frank;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ KITopenarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    KITopen
    Article . 2018
    Data sources: KITopen
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Colette R. Brunschwig;

    German Abstract: Die Bedeutung der visuellen, audiovisuellen und der multisensorischen Medien wachst. Bei letzteren handelt es sich um hybride Medien, welche nicht nur den Seh- und Horsinn ansprechen, sondern auch andere Sinne, wie etwa den Geruchssinn, Tast- und Bewegungssinn. In Anbetracht dieser medialen Entwicklung erforschen sowohl die digital humanities als auch, was man im Sinne einer Arbeitshypothese, eine digitale Rechtswissenschaft nennen konnte, die Visualisierung, Audiovisualisierung und Multisensorisierung. Bisher sind die zwei Gebiete weitgehend getrennte Wege gegangen, ohne einander gegenseitig zu beeinflussen. Und dies, obwohl jene sich, was die Visualisierung, Audiovisualisierung und Multisensorisierung betrifft, teilweise mit ahnlichen Problemen und Fragen auseinandersetzen. Der vorliegende Aufsatz bezweckt, und dies soll sein innovativer Beitrag sein, die beiden fachlichen Bereiche in Bezug auf die genannten Forschungsgegenstande einander anzunahern. Uberdies soll damit zu einem interdisziplinaren Erkenntnisgewinn beigetragen werden. Dies geschieht einerseits anhand von Uberlegungen, welche durch die Hundertjahrfeier-Tagung der Zentralbibliothek Zurich (Schweiz) veranlasst worden sind. Andererseits geht dieser Aufsatz weit uber die Themen dieser Tagung hinaus. English Abstract: Visual, audiovisual, and multisensory media are gaining increasing importance. The latter are hybrid media that appeal not only to sight and hearing, but also to other senses (e.g., smell, touch, and motion). Considering this media development, both the digital humanities and what might (as a working hypothesis) be called digital law explore visualization, audiovisualization, and multisensorization. These fields have so far largely gone separate ways, without influencing each other, although both face similar problems and questions in investigating visualization, audiovisualization, and multisensorization. This paper makes an innovative contribution to understanding these phenomena by bringing the digital humanities and digital law closer together. It also advances interdisciplinary understanding by considering the reflections voiced at the 2017 Centenary Conference of Zurich University Library and by going far beyond the topics of that conference.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Zurich Open Reposito...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    SSRN Electronic Journal
    Article
    License: cc-by-nc-nd
    Data sources: UnpayWall
    SSRN Electronic Journal
    Article . 2018
    Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Romary, Laurent;

    National audience; This is an adapted German version of the text on Open Access published on http://tags.hypotheses.org/18

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Berlin Brandenburgis...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Helmkamp, Kerstin; Schütt, Rüdiger; Christ, Andreas; Stefan Farrenkopf; +7 Authors

    Der Jahresbericht informiert über die wichtigsten Aktivitäten der Universitätsbibliothek Kiel und stellt ausgewählte Daten, Zahlen und Fakten zur Verfügung. Als wichtiger Eckpfeiler im Berichtswesen der Bibliothek beschreibt er unser vielfältiges Spektrum an Services und Projekten.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ MACAU: Open Access R...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Rat für Informationsinfrastrukturen;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ deposit::hagenarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sahle, Patrick; Kronenwett, Simone;

    Auch in den Geisteswissenschaften werden Daten produziert, die dauerhaft gesichert und zugänglich gehalten werden müssen. Dieser Satz ist richtig, aber an der Stelle problematisch, an der von „Daten“ die Rede ist. Aus der Sicht der Geisteswissenschaften ist unklar, ob der allgemeine, derzeit gängige Datenbegriff die Situation in ihren Disziplinen wirklich treffend beschreibt und ob seine Konsequenzen die gleichen sind, wie auf anderen Feldern der Forschung. Dieser Beitrag geht von einer Spezifik geisteswissenschaftlicher Daten aus. Im Fokus steht das in diesen Disziplinen vorhandene Problem einer schwierigen Trenn- und Unterscheidbarkeit von Primär- und Ergebnisdaten. Der Artikel beschreibt die sich daraus ergebenden Konsequenzen für den Aufbau eines geisteswissenschaftlichen Datenzentrums am Beispiel des im Dezember 2012 gegründeten „Data Center for the Humanities“ (DCH) an der Universität zu Köln. Zu klären ist dabei unter anderem, was Forschungsdatenmanagement für die beteiligten Forscher und Projekte bedeutet und wie die Dauerhaftigkeit eben nicht nur von „Daten“, sondern von Forschungsleistungen insgesamt sichergestellt werden kann. Ausgehend von der Unterscheidung zwischen „Daten“ und „Ressourcen“ und der Frage, welche Leistungen von einem Datenzentrum eigentlich zu erwarten sind, wird der einerseits schichtenweise, andererseits modulare Aufbau des DCH begründet. Die vielfältigen Aufgaben, die sich bei der Sicherung der Forschung ergeben, lassen sich mit vier Paradigmen beschreiben, die einen begrifflichen Anschluss an die bestehenden Einrichtungen zur Sicherung des kulturellen Erbes ermöglichen. Ob dieser Anschluss nur metaphorisch ist, wenigstens eine didaktisch-erklärende Kraft hat oder sogar die Grundlage weiterer konzeptioneller Überlegungen sein kann, ist jenseits dieses Beitrages zu diskutieren. Even in the humanities data are produced that must be permanently secured and kept accessible. This sentence might be true, yet, going into details the problem occurs with the term "data". At the time being, from the perspective of the humanities it is not really clear what the term "data" actually means, how it is defined, and what belongs to it. This article reflects data specific in humanities research. Talking about research data in the humanities in general, the paper casts a light on the existing problem of separating so-called primary data from result data. Consequences for the setting up and development of a data center for the humanities are described by the example of the Cologne 'Data Center for the Humanities' (DCH). The meaning of research data management will be discussed especially with regard to the production of data and results as well as to the performances to be kept permanently secure and accessible. Based on the distinction between "data" and "resources" the design of the DCH is established in layers as well as in modules. The variety of tasks may be described by four paradigms borrowed from cultural heritage institutions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ edoc-Server. Open-Ac...arrow_drop_down
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    Döhling, Lars; Burghardt, Manuel; Wolff, Christian;

    Sofern eine editorische Arbeit an dieser Publikation stattgefunden hat, dann bestand diese aus der Eliminierung von Bindestrichen in Überschriften, die aufgrund fehlerhafter Silbentrennung entstanden sind, der Vereinheitlichung von Namen der Autor*innen in das Schema "Nachname, Vorname" und/oder der Trennung von Überschrift und Unterüberschrift durch die Setzung eines Punktes, sofern notwendig. {"references": ["https://doi.org/10.5281/zenodo.3684825", "https://github.com/DHd-Verband/DHd-Abstracts-2017"]} A single abstract from the DHd-2017 Book of Abstracts.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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    ZENODO
    Conference object . 2017
    Data sources: ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Sahle, Patrick;

    Der Beitrag beschreibt die mögliche Übertragung des im Jahr 2008 noch in den Anfängen steckenden neuen Forschungs-Infrastrukturparadigmas der "e-Science" auf die Geschichtswissenschaften. Er gibt erste Hinweise auf Literatur und Projekte und skizziert fachspezifische Ansatzpunkte und Entwicklungsperspektiven. Der Beitrag ist erschienen in: Von Nowgorod nach London. Studien zu Handel, Wirtschaft und Gesellschaft im mittelalterlichen Europa. Festschrift für Stuart Jenks zum 60. Geburtstag. Göttingen, Vandenhoeck & Ruprecht unipress, September 2008. ISBN 978-3-89971-446-3. S. 63-74. Es stehen zwei Textfassungen zur Verfügung: ein digitaler Sonderdruck der als Buch (s.o.) veröffentlichten Fassung (mit Deckblatt,Inhaltsverzeichnis des Bandes, originalen Seitenzahlen aber teilweise verschobenen Layoutelementen) s. http://kups.ub.uni-koeln.de/5255/ und die letzte preprint-Fassung des Autors (mit korrektem Layout aber ohne Seitenzahlen und Vorblättern).

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Kölner UniversitätsP...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Burghardt, Manuel; Spanner, Sebastian; Schmidt, Thomas; Fuchs, Florian; +3 Authors

    Sofern eine editorische Arbeit an dieser Publikation stattgefunden hat, dann bestand diese aus der Eliminierung von Bindestrichen in Überschriften, die aufgrund fehlerhafter Silbentrennung entstanden sind, der Vereinheitlichung von Namen der Autor*innen in das Schema "Nachname, Vorname" und/oder der Trennung von Überschrift und Unterüberschrift durch die Setzung eines Punktes, sofern notwendig. {"references": ["https://doi.org/10.5281/zenodo.3684825", "https://github.com/DHd-Verband/DHd-Abstracts-2017"]} A single abstract from the DHd-2017 Book of Abstracts.

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    Kindling, Maxi;

    Der Beitrag behandelt das Thema Qualitätssicherung im Umgang mit digitalen Forschungsdaten. Es werden drei Ebenen herausgearbeitet, auf die sich die Qualitätssicherung beziehen kann: die der Forschungsdaten selbst, der Metadaten zur ihrer Erschließung sowie der Forschungs- daten-Infrastrukturen. Es erfolgt eine Annäherung an den Qualitätsbegriff im Kontext digitaler Forschungsdaten sowie an die qualitätssichernden Verfahren. Exemplarische nationale und internationale Initiativen werden vorgestellt, die Empfehlungen und Kriterien zu disziplinübergreifenden Aspekten der Qualitätssicherung formulieren. Zudem wird ein disziplinäres Beispiel aus der historischen Korpuslinguistik vorgestellt. Peer Reviewed

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    Scholze, Frank;
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    KITopen
    Article . 2018
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    Colette R. Brunschwig;

    German Abstract: Die Bedeutung der visuellen, audiovisuellen und der multisensorischen Medien wachst. Bei letzteren handelt es sich um hybride Medien, welche nicht nur den Seh- und Horsinn ansprechen, sondern auch andere Sinne, wie etwa den Geruchssinn, Tast- und Bewegungssinn. In Anbetracht dieser medialen Entwicklung erforschen sowohl die digital humanities als auch, was man im Sinne einer Arbeitshypothese, eine digitale Rechtswissenschaft nennen konnte, die Visualisierung, Audiovisualisierung und Multisensorisierung. Bisher sind die zwei Gebiete weitgehend getrennte Wege gegangen, ohne einander gegenseitig zu beeinflussen. Und dies, obwohl jene sich, was die Visualisierung, Audiovisualisierung und Multisensorisierung betrifft, teilweise mit ahnlichen Problemen und Fragen auseinandersetzen. Der vorliegende Aufsatz bezweckt, und dies soll sein innovativer Beitrag sein, die beiden fachlichen Bereiche in Bezug auf die genannten Forschungsgegenstande einander anzunahern. Uberdies soll damit zu einem interdisziplinaren Erkenntnisgewinn beigetragen werden. Dies geschieht einerseits anhand von Uberlegungen, welche durch die Hundertjahrfeier-Tagung der Zentralbibliothek Zurich (Schweiz) veranlasst worden sind. Andererseits geht dieser Aufsatz weit uber die Themen dieser Tagung hinaus. English Abstract: Visual, audiovisual, and multisensory media are gaining increasing importance. The latter are hybrid media that appeal not only to sight and hearing, but also to other senses (e.g., smell, touch, and motion). Considering this media development, both the digital humanities and what might (as a working hypothesis) be called digital law explore visualization, audiovisualization, and multisensorization. These fields have so far largely gone separate ways, without influencing each other, although both face similar problems and questions in investigating visualization, audiovisualization, and multisensorization. This paper makes an innovative contribution to understanding these phenomena by bringing the digital humanities and digital law closer together. It also advances interdisciplinary understanding by considering the reflections voiced at the 2017 Centenary Conference of Zurich University Library and by going far beyond the topics of that conference.

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    SSRN Electronic Journal
    Article
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    SSRN Electronic Journal
    Article . 2018
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    Romary, Laurent;

    National audience; This is an adapted German version of the text on Open Access published on http://tags.hypotheses.org/18

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    Helmkamp, Kerstin; Schütt, Rüdiger; Christ, Andreas; Stefan Farrenkopf; +7 Authors

    Der Jahresbericht informiert über die wichtigsten Aktivitäten der Universitätsbibliothek Kiel und stellt ausgewählte Daten, Zahlen und Fakten zur Verfügung. Als wichtiger Eckpfeiler im Berichtswesen der Bibliothek beschreibt er unser vielfältiges Spektrum an Services und Projekten.

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    Rat für Informationsinfrastrukturen;
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    Sahle, Patrick; Kronenwett, Simone;

    Auch in den Geisteswissenschaften werden Daten produziert, die dauerhaft gesichert und zugänglich gehalten werden müssen. Dieser Satz ist richtig, aber an der Stelle problematisch, an der von „Daten“ die Rede ist. Aus der Sicht der Geisteswissenschaften ist unklar, ob der allgemeine, derzeit gängige Datenbegriff die Situation in ihren Disziplinen wirklich treffend beschreibt und ob seine Konsequenzen die gleichen sind, wie auf anderen Feldern der Forschung. Dieser Beitrag geht von einer Spezifik geisteswissenschaftlicher Daten aus. Im Fokus steht das in diesen Disziplinen vorhandene Problem einer schwierigen Trenn- und Unterscheidbarkeit von Primär- und Ergebnisdaten. Der Artikel beschreibt die sich daraus ergebenden Konsequenzen für den Aufbau eines geisteswissenschaftlichen Datenzentrums am Beispiel des im Dezember 2012 gegründeten „Data Center for the Humanities“ (DCH) an der Universität zu Köln. Zu klären ist dabei unter anderem, was Forschungsdatenmanagement für die beteiligten Forscher und Projekte bedeutet und wie die Dauerhaftigkeit eben nicht nur von „Daten“, sondern von Forschungsleistungen insgesamt sichergestellt werden kann. Ausgehend von der Unterscheidung zwischen „Daten“ und „Ressourcen“ und der Frage, welche Leistungen von einem Datenzentrum eigentlich zu erwarten sind, wird der einerseits schichtenweise, andererseits modulare Aufbau des DCH begründet. Die vielfältigen Aufgaben, die sich bei der Sicherung der Forschung ergeben, lassen sich mit vier Paradigmen beschreiben, die einen begrifflichen Anschluss an die bestehenden Einrichtungen zur Sicherung des kulturellen Erbes ermöglichen. Ob dieser Anschluss nur metaphorisch ist, wenigstens eine didaktisch-erklärende Kraft hat oder sogar die Grundlage weiterer konzeptioneller Überlegungen sein kann, ist jenseits dieses Beitrages zu diskutieren. Even in the humanities data are produced that must be permanently secured and kept accessible. This sentence might be true, yet, going into details the problem occurs with the term "data". At the time being, from the perspective of the humanities it is not really clear what the term "data" actually means, how it is defined, and what belongs to it. This article reflects data specific in humanities research. Talking about research data in the humanities in general, the paper casts a light on the existing problem of separating so-called primary data from result data. Consequences for the setting up and development of a data center for the humanities are described by the example of the Cologne 'Data Center for the Humanities' (DCH). The meaning of research data management will be discussed especially with regard to the production of data and results as well as to the performances to be kept permanently secure and accessible. Based on the distinction between "data" and "resources" the design of the DCH is established in layers as well as in modules. The variety of tasks may be described by four paradigms borrowed from cultural heritage institutions.

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    Döhling, Lars; Burghardt, Manuel; Wolff, Christian;

    Sofern eine editorische Arbeit an dieser Publikation stattgefunden hat, dann bestand diese aus der Eliminierung von Bindestrichen in Überschriften, die aufgrund fehlerhafter Silbentrennung entstanden sind, der Vereinheitlichung von Namen der Autor*innen in das Schema "Nachname, Vorname" und/oder der Trennung von Überschrift und Unterüberschrift durch die Setzung eines Punktes, sofern notwendig. {"references": ["https://doi.org/10.5281/zenodo.3684825", "https://github.com/DHd-Verband/DHd-Abstracts-2017"]} A single abstract from the DHd-2017 Book of Abstracts.

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