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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pavelka, Jozef;

    Felvidék is a RPG videogame set in a fictional region of great Hungary in the 15. century. The game contains illustrations of the environment and characters. Multiple animations are a part of the assets as well. The game offers ability to converse with NPC´s and fight enemies in combat. Goal of the game is to finish the storyline. Felvidék je videohra žánru RPG odohrávajúca sa v prostredí fiktívnej sedmohradskej župy v období druhej polovice 15. storočia. Obsahuje ilustrácie prostredí a postáv. Súčasťou práce sú aj mnohé animácie. V hre možno viesť dialógy z NPC charaktermi a viesť boje s nepriateľmi. Cieľom hry je ukončiť príbeh. Obhájeno

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Library Univ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Stenman, Stina;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Nordlander, Sara;

    This essay describes the artistic project Skolbrandsarkeologi (school fire archeology) and operates within the field of contemporary archaeology. The essay presents three examples of when contemporary archaeology has played a role in, or contributed to, the healing of individuals or of relatives to people who have experienced traumatic events. These examples are then discussed in relation to the artistic project Skolbrandsarkeologi. The essay also explores the role that physical objects can play for memories and the various ethical challenges that the discipline of contemporary archeology may face. The results indicate that contemporary archaeology, both on its own and in collaborations with other disciplines, can have a positive therapeutic impact on the memories and experiences of traumatic events.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    JavaScript code to be implemented in Google Earth Engine(c) for automated machine learning-based potsherd detection using high-resolution drone imagery. This research presents the first proof of concept for the automated recording of material culture dispersion across large areas using high resolution drone imagery, photogrammetry and a combination of machine learning and geospatial analysis that can be run using the Google Earth Engine geospatial cloud computing platform.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vadim Bulitko; Sean Caulfield; Astrid Ensslin; Daniel Evans; +11 Authors

    DYSCORPIA: Future Intersections of the Body and Technology was a two-year interdisciplinary research project that brought together scholars from art and design, music, digital and medical humanities, radiology, computer science and contemporary dance in order to question what it means not to know the limits of our bodies in the face of new technologies. Over two years scholars cross-pollinated their research through seminars and public presentations. The project culminated in a large exhibition of artworks that were exhibited at Enterprise Square Galleries, Edmonton in 2019. The exhibition included over 50 works by international, national, local artists as well as students from the University of Alberta, that were organised under four themes: Stories in Flesh and Bytes, Virtual Consciousness and Artificial Bodies, Out on Our Limbs and Evolving Anatomies. This full color catalogue of the exhibition which includes 12 commissioned essays, full colour images of all the works in the exhibition, as well as a augmented reality gallery, the app for which can be found here https://www.dyscorpia.com/catalogue.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Education and Resear...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.7939/r3-gby...
    Other ORP type . 2019
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Education and Resear...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      https://doi.org/10.7939/r3-gby...
      Other ORP type . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Wærn-Carlsson, Carl Mikael;

    Title in Web of Science: The city's social order: Status and class in Malmo during the eighteenth century

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tibblin, Göran; Mårtensson W J, Gun; Tykesson, Truls;

    För många Malmöbor var det en sorglig dag då färjetrafiken upphörde. Under nästan fyrtio år var en tur till Dragör något man gjorde för att göra inköp, strosa i de gamla gränderna, äta söndagsmiddag, ta en kvällstur för att fira någon begivenhet eller så var det starten på en bilresa. I detta arbete vill vi utforska färjeförbindelsen (den från 60-talet och framåt) och dess betydelse för Öresundsregionen – vilka reste ombord, vilka jobbade ombord, och hur påverkade båttrafiken regionen? På så sätt hoppas vi bidra till en ökad förståelse över färjetrafikens betydelse på en mesonivå (i relation till de samhällen som den trafikerade), och hur förbindelsen i sig var utformad på en mikronivå (ombord på färjorna i sig). 

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Trinity's Access to ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Jordi Diloli Fons; Ramon Ferré Anguix; Marc Fontanet Fontanet;

    En el artículo presentamos el estudio de un conjunto armamentístico de época ibérica recuperado durante las intervenciones arqueológicas efectuadas en el poblado de L’Assut (Tivenys, Baix Ebre, Tarragona), concretamente en el interior de la torre T3, un edificio arrasado violentamente entre finales del siglo III e inicios del II ANE. La panoplia está compuesta por una lanza, una falárica, un soliferreum, un cuchillo afalcatado y al menos un fragmento identificable de la vaina de una espada tipo La Tène, entre otros objetos. Se trata de un hallazgo excepcional en el nordeste peninsular, tanto por haberse localizado en un espacio de hábitat, como por sus características y cronología.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: Bartička, Vojtěch;

    The thesis deals with the automatic scraping of terms and conditions and privacy protection information from web pages. It's a part of a larger project which focuses on the analysis of such pages and requires a dataset to train the system on. The goal is to create an application, which will be able to automatically create this dataset. As a baseline solution, a keyword-based system is used. This system allows us to create a dataset, on which we can train a neural network, which further enhances the results. By limiting the capacity of the network and hiding the keywords the network achieves a 6 to 9% improvement in f-score and up to 71% reduction in false positivity compared to the keywords-based system. Práce se zabývá automatickým stahováním smluvních podmínek a zásad ochrany údajů z webových stránek. Je součástí většího projektu, který se zabývá analýzou obsahu těchto stránek a potřebuje pro ni trénovací dataset. Cílem je vytvořit aplikaci, která bude schopna tento dataset automaticky vytvořit. Jako základní řešení jsou použita pravidla založená na klíčových slovech. Toto řešení nám umožní získat dataset, pomocí kterého je vytvořena neuronová síť, která dále zlepšuje výsledky. Omezením kapacity sítě a zakrytím klíčových slov pak sítě dosahují zlepšení 6 až 9 % v f-míře, a až 71% snížení falešné pozitivity oproti klasifikaci pomocí klíčových slov. Obhájeno

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pavelka, Jozef;

    Felvidék is a RPG videogame set in a fictional region of great Hungary in the 15. century. The game contains illustrations of the environment and characters. Multiple animations are a part of the assets as well. The game offers ability to converse with NPC´s and fight enemies in combat. Goal of the game is to finish the storyline. Felvidék je videohra žánru RPG odohrávajúca sa v prostredí fiktívnej sedmohradskej župy v období druhej polovice 15. storočia. Obsahuje ilustrácie prostredí a postáv. Súčasťou práce sú aj mnohé animácie. V hre možno viesť dialógy z NPC charaktermi a viesť boje s nepriateľmi. Cieľom hry je ukončiť príbeh. Obhájeno

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    Authors: Stenman, Stina;
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    Authors: Nordlander, Sara;

    This essay describes the artistic project Skolbrandsarkeologi (school fire archeology) and operates within the field of contemporary archaeology. The essay presents three examples of when contemporary archaeology has played a role in, or contributed to, the healing of individuals or of relatives to people who have experienced traumatic events. These examples are then discussed in relation to the artistic project Skolbrandsarkeologi. The essay also explores the role that physical objects can play for memories and the various ethical challenges that the discipline of contemporary archeology may face. The results indicate that contemporary archaeology, both on its own and in collaborations with other disciplines, can have a positive therapeutic impact on the memories and experiences of traumatic events.

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    JavaScript code to be implemented in Google Earth Engine(c) for automated machine learning-based potsherd detection using high-resolution drone imagery. This research presents the first proof of concept for the automated recording of material culture dispersion across large areas using high resolution drone imagery, photogrammetry and a combination of machine learning and geospatial analysis that can be run using the Google Earth Engine geospatial cloud computing platform.

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    Authors: Vadim Bulitko; Sean Caulfield; Astrid Ensslin; Daniel Evans; +11 Authors

    DYSCORPIA: Future Intersections of the Body and Technology was a two-year interdisciplinary research project that brought together scholars from art and design, music, digital and medical humanities, radiology, computer science and contemporary dance in order to question what it means not to know the limits of our bodies in the face of new technologies. Over two years scholars cross-pollinated their research through seminars and public presentations. The project culminated in a large exhibition of artworks that were exhibited at Enterprise Square Galleries, Edmonton in 2019. The exhibition included over 50 works by international, national, local artists as well as students from the University of Alberta, that were organised under four themes: Stories in Flesh and Bytes, Virtual Consciousness and Artificial Bodies, Out on Our Limbs and Evolving Anatomies. This full color catalogue of the exhibition which includes 12 commissioned essays, full colour images of all the works in the exhibition, as well as a augmented reality gallery, the app for which can be found here https://www.dyscorpia.com/catalogue.

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    https://doi.org/10.7939/r3-gby...
    Other ORP type . 2019
    Data sources: Datacite
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      https://doi.org/10.7939/r3-gby...
      Other ORP type . 2019
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    Authors: Wærn-Carlsson, Carl Mikael;

    Title in Web of Science: The city's social order: Status and class in Malmo during the eighteenth century

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    Authors: Tibblin, Göran; Mårtensson W J, Gun; Tykesson, Truls;

    För många Malmöbor var det en sorglig dag då färjetrafiken upphörde. Under nästan fyrtio år var en tur till Dragör något man gjorde för att göra inköp, strosa i de gamla gränderna, äta söndagsmiddag, ta en kvällstur för att fira någon begivenhet eller så var det starten på en bilresa. I detta arbete vill vi utforska färjeförbindelsen (den från 60-talet och framåt) och dess betydelse för Öresundsregionen – vilka reste ombord, vilka jobbade ombord, och hur påverkade båttrafiken regionen? På så sätt hoppas vi bidra till en ökad förståelse över färjetrafikens betydelse på en mesonivå (i relation till de samhällen som den trafikerade), och hur förbindelsen i sig var utformad på en mikronivå (ombord på färjorna i sig). 

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    Authors: Jordi Diloli Fons; Ramon Ferré Anguix; Marc Fontanet Fontanet;

    En el artículo presentamos el estudio de un conjunto armamentístico de época ibérica recuperado durante las intervenciones arqueológicas efectuadas en el poblado de L’Assut (Tivenys, Baix Ebre, Tarragona), concretamente en el interior de la torre T3, un edificio arrasado violentamente entre finales del siglo III e inicios del II ANE. La panoplia está compuesta por una lanza, una falárica, un soliferreum, un cuchillo afalcatado y al menos un fragmento identificable de la vaina de una espada tipo La Tène, entre otros objetos. Se trata de un hallazgo excepcional en el nordeste peninsular, tanto por haberse localizado en un espacio de hábitat, como por sus características y cronología.

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