doi: 10.21950/cq84wt
<p>The reemergence of China is changing the world, and that EU needs to develop a long-term approach based on research-based knowledge in order to engage strategically with an increasingly assertive China.</p> <p>This dataset consists of a semi-structured interview with a person of Chinese nationality, carried out in Chinese and transcribed in Chinese language.</p> Crockatoo
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doi: 10.21950/uxz8tq
<p>The reemergence of China is changing the world, and that EU needs to develop a long-term approach based on research-based knowledge in order to engage strategically with an increasingly assertive China.</p> <p>This dataset consists of a semi-structured interview with a person of Chinese nationality, carried out in Chinese and transcribed in Chinese language.</p> Crockatoo
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According to the textual information provided by the Yearbook of Meteorological Disasters in China from 2003 to 2019 and other public media report data, tornadoes occurring in China mainland from 2003 to 2019 were collected in this dataset, which includes tornado occurrence time, geographical location in terms of longitude and latitude, geographical locations and damage descriptions of tornadoes from the Yearbook of Meteorological Disasters in China and intensities of tornadoes in terms of EF scale. The temporal extent of tornadoes in the dataset is from the period of 2003 to 2019. The spatial extent of tornadoes in the dataset is China mainland. The database help to get a more detailed insight into tornado climatology and provides a forward step towards the rational assessment of tornado-induced disasters in China mainland.
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The two armies meet each other in battle at the foot of the mountain. In front of the two armies Liu Bei reads the imperial edict out loud. Afterwards, Zhao Yun fights Zhang He, Zhang Fei fights Xu Chu, and Zhou Cang fights Yu Jin. All of Liu Bei’s generals are victorious. Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p.
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citations | 0 | |
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Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p. Relation: https://shuoshu.huma-num.fr/stories/SH_story45
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Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p. Relation: https://shuoshu.huma-num.fr/stories/SH_story20
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电视剧《三生三世十里桃花》于2017年播出。该剧是根据唐七于2009年连载的同名原著改编而成的。原著在连载期间已收获不少粉丝,而电视剧的播出承载了原著的粉丝量,收视率名列前茅。因此,电视剧《三生三世十里桃花》可谓是众多仙侠剧中即热门又成功的一部作品。 本文将以电视剧《三生三世十里桃花》为研究对象,并结合剧中人物、剧情、场景、道具和配乐,旨在研究桃花在剧中作为整体意象和公共意象的表现以及其中所具有的爱情、避难、佳人等的多重含义。另外,本文也将总结电视剧《三生三世十里桃花》中出现的桃花意象在剧中发挥的视觉与听觉作用。 关键词:《三生三世十里桃花》;桃花意象 Chinese Drama Eternal Love was first broadcasted in 2017. This drama was originally adapted from the novel Three Lives, Three Worlds, Ten Miles of Peach Blossoms serialised by the author Tang Qi in 2009. The novel had garnered numerous fans during the serialisation period. As a result, these fans continued to support Eternal Love and this laid the foundation for the high ratings of the drama. Therefore, Eternal Love is deemed as one of the most popular and successful Xianxia drama. The primary focus of this thesis will be set on Eternal Love, analysing from the perspectives of the characters, plots, backdrops, props and soundtracks of the drama. Through these different aspects, this thesis aims to research on the manifestations and love, refuge and women’s beauty related multi-faceted significances of peach blossoms acting as ‘overall’ imagery and ‘well-known’ imagery in the drama. Additionally, this thesis will also conclude on the visual and auditory purposes of the peach blossoms imagery used in Eternal Love. Keywords: Eternal Love, Three Lives ,Three Worlds, Ten Miles of Peach Blossoms, peach blossoms imagery Bachelor of Arts in Chinese
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citations | 0 | |
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在网络背景下,中国网络小说与其译本近年来在中国内外盛行。圣骑士的传说所写作的网络都市小说《修真聊天群》在中国原创网络文学网站起点中文网上极为普及,题材、内容、写作风格及语言都符合普及读者兼网民的阅读需求与喜好。随着中国网络小说翻译网站起点国际的崛起并对海外网络小说翻译市场的介入,网络小说翻译体系发生改动,形成新的翻译模式“起点翻译模式”,改变网络小说译作生态和市场走势。《修真聊天群》的英译本由译者GodBrandy(真实身份不详)利用网名翻译。本论文将以目的论为研究路径分析GodBrandy的翻译手段,探讨《修真聊天群》译文对现阶段网络小说翻译模式的启示。《修真聊天群》内富有玄幻修真特色,由于叙事围绕“聊天群”母题并把聊天形式纳入写作,网络语言运用和特征也甚为凸显。然而,网络语言研究目前贫乏,导致网络语言翻译在翻译研究未受足够的重视。即便玄幻是网络小说中最主要的类型,玄幻词汇语库也面临相同问题,更何况非主流小说类型。In this digital era, the China’s Internet novels and its translated versions have experienced a global rise in popularity over the past few years. Cultivation Chat Group, an urban Internet novel written by the Legend of the Paladin, is very well-received in Qidian, a Chinese website for original literature content. The novel’s subject matter, content, writing style and language use fit well with the reading preferences and demands of readers, who are also Internet users. Webnovel, a Chinese translated Internet novel website, entered the overseas translated Internet novel market, and following its rise, altered the translation system of Internet novels. This resulted in the formation of a new translation system called the “Qidian translation system”, thereby transforming the ecology and market outlook of translated Internet novels. Cultivation Chat Group is a translation done by a translator going by the pseudonym GodBrandy, whose real identity is unknown. This dissertation aims to explore how the Internet novels’ translation system had influenced the translation of Cultivation Chat Group, through the analysis of GodBrandy’s translation techniques using Skopos’ Theory. Cultivation Chat Group itself contains ample amounts of Xuanhuan Xiuzhen characteristics. Moreover, the usage and attributes of Internet language are very prominent, given that the narrative revolves around the theme “chat group” and incorporates chat group features in its discourse. Currently, the state of Internet language research is lacking, as is in the case of Internet language translation. Xuanhuan might be the prevailing Internet novel genre today but its repertoire faces the same issue; the situation for alternative Internet novel genres is certainly much worse. Bachelor of Arts in Chinese
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《品花宝鉴》出版于清代道光年间,为清代常州人陈森所著,是一部以描写士伶关系为主,反映当时京城梨园生活的的长篇小说,属于中国早期狭邪小说之一。《品花宝鉴》敏感的题材与露骨的性描写,使其被清朝政府列为六大禁书之一。小说文学于明朝蓬勃发展,写作技巧逐渐成熟精炼,开放的思想也使向来隐秘的同性恋文学渐渐浮上台面,开始出现《弁而钗》、《龙阳逸史》等主要以男同性恋为题材的短篇小说。《品花宝鉴》延续传统同性恋文学的题材,减少了男男间性爱互动的描写,更多以超越欲望的精神境界去刻画男性之间的浪漫故事,将当时的戏园生活文化生动地描写在小说中。 本文将细读小说,通过文本对京城梨园生活与士伶形象的描写,以期了解作者对于当时京城梨园生活的思想感情。本文首先从历史角度了解戏园文化的起源,加以分析其与清朝社会之间的关系,并探讨梨园内的男风文化。接着结合文本,通过士伶二者形象的描写,分析其双面形象,即红相公与黑相公的书写意义,并探讨两者之间的关系。本文旨在通过全面分析《品花宝鉴》,以期更好地了解清代中晚期京城梨园生活与戏园文化之间的关系,并从士伶形象的书写,探讨《品花宝鉴》如何体现清朝中晚时期的戏园文化与梨园生活。 关键词:《品花宝鉴》 梨园私寓制 男色 士人 伶人 Pin Hua Bao Jian was published in the Daoguang Period of the Qing Dynasty and was written by Chen Sen, a native of Changzhou in the Qing Dynasty. It is a novel that mainly describes the relationship between scholars and actors and reflects the life in Liyuan, Beijing. It belongs to the early Chinese novels of Xia Xie. one. The sensitive subject matter and explicit sexual description of Pin Hua Bao Jian made it one of the six banned books by the Qing government. Fiction literature flourished in the Ming Dynasty, writing skills gradually matured and refined, and open minds also made the always secret homosexual literature gradually come to the fore, beginning to appear Bian Er Chai, Long Yang Yi Shi and other short stories mainly based on man homoerotic. Pin Hua Bao Jian continues the themes of traditional man homoerotic literature, reduces the description of male-male sexual interaction, and uses a spiritual realm that transcends desire to portray romantic stories between males, vividly depicting the life and culture of the theatre at that time in the novel. In this article, I will read the novel carefully and describe the life in Liyuan, Beijing and the image of scholars through the text, in order to understand the author's thoughts and feelings about the life in Liyuan, Beijing at that time. I will first understand the origin of the theatre culture from a historical perspective, analyses its relationship with the Qing Dynasty society, and discuss the male style culture in the pear garden. Then combined with the text, through the description of the two images of scholars, analyse the two-sided images of the actors, which are the writing meaning of the red and black actors, and explore the relationship between the two. This article aims to analyse the Pin Hua Bao Jian in order to better understand the relationship between the life of Liyuan, Beijing and the theatre culture in the middle and late Qing Dynasty. It reflects the theatre culture and Liyuan life in the middle and late Qing Dynasty. Keywords: Pin Hua Bao Jian; Liyuan System; Male Love; Scholars; Actors Bachelor of Arts in Chinese
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Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p.
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doi: 10.21950/cq84wt
<p>The reemergence of China is changing the world, and that EU needs to develop a long-term approach based on research-based knowledge in order to engage strategically with an increasingly assertive China.</p> <p>This dataset consists of a semi-structured interview with a person of Chinese nationality, carried out in Chinese and transcribed in Chinese language.</p> Crockatoo
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doi: 10.21950/uxz8tq
<p>The reemergence of China is changing the world, and that EU needs to develop a long-term approach based on research-based knowledge in order to engage strategically with an increasingly assertive China.</p> <p>This dataset consists of a semi-structured interview with a person of Chinese nationality, carried out in Chinese and transcribed in Chinese language.</p> Crockatoo
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According to the textual information provided by the Yearbook of Meteorological Disasters in China from 2003 to 2019 and other public media report data, tornadoes occurring in China mainland from 2003 to 2019 were collected in this dataset, which includes tornado occurrence time, geographical location in terms of longitude and latitude, geographical locations and damage descriptions of tornadoes from the Yearbook of Meteorological Disasters in China and intensities of tornadoes in terms of EF scale. The temporal extent of tornadoes in the dataset is from the period of 2003 to 2019. The spatial extent of tornadoes in the dataset is China mainland. The database help to get a more detailed insight into tornado climatology and provides a forward step towards the rational assessment of tornado-induced disasters in China mainland.
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The two armies meet each other in battle at the foot of the mountain. In front of the two armies Liu Bei reads the imperial edict out loud. Afterwards, Zhao Yun fights Zhang He, Zhang Fei fights Xu Chu, and Zhou Cang fights Yu Jin. All of Liu Bei’s generals are victorious. Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p.
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Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p. Relation: https://shuoshu.huma-num.fr/stories/SH_story45
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Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p. Relation: https://shuoshu.huma-num.fr/stories/SH_story20
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电视剧《三生三世十里桃花》于2017年播出。该剧是根据唐七于2009年连载的同名原著改编而成的。原著在连载期间已收获不少粉丝,而电视剧的播出承载了原著的粉丝量,收视率名列前茅。因此,电视剧《三生三世十里桃花》可谓是众多仙侠剧中即热门又成功的一部作品。 本文将以电视剧《三生三世十里桃花》为研究对象,并结合剧中人物、剧情、场景、道具和配乐,旨在研究桃花在剧中作为整体意象和公共意象的表现以及其中所具有的爱情、避难、佳人等的多重含义。另外,本文也将总结电视剧《三生三世十里桃花》中出现的桃花意象在剧中发挥的视觉与听觉作用。 关键词:《三生三世十里桃花》;桃花意象 Chinese Drama Eternal Love was first broadcasted in 2017. This drama was originally adapted from the novel Three Lives, Three Worlds, Ten Miles of Peach Blossoms serialised by the author Tang Qi in 2009. The novel had garnered numerous fans during the serialisation period. As a result, these fans continued to support Eternal Love and this laid the foundation for the high ratings of the drama. Therefore, Eternal Love is deemed as one of the most popular and successful Xianxia drama. The primary focus of this thesis will be set on Eternal Love, analysing from the perspectives of the characters, plots, backdrops, props and soundtracks of the drama. Through these different aspects, this thesis aims to research on the manifestations and love, refuge and women’s beauty related multi-faceted significances of peach blossoms acting as ‘overall’ imagery and ‘well-known’ imagery in the drama. Additionally, this thesis will also conclude on the visual and auditory purposes of the peach blossoms imagery used in Eternal Love. Keywords: Eternal Love, Three Lives ,Three Worlds, Ten Miles of Peach Blossoms, peach blossoms imagery Bachelor of Arts in Chinese
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在网络背景下,中国网络小说与其译本近年来在中国内外盛行。圣骑士的传说所写作的网络都市小说《修真聊天群》在中国原创网络文学网站起点中文网上极为普及,题材、内容、写作风格及语言都符合普及读者兼网民的阅读需求与喜好。随着中国网络小说翻译网站起点国际的崛起并对海外网络小说翻译市场的介入,网络小说翻译体系发生改动,形成新的翻译模式“起点翻译模式”,改变网络小说译作生态和市场走势。《修真聊天群》的英译本由译者GodBrandy(真实身份不详)利用网名翻译。本论文将以目的论为研究路径分析GodBrandy的翻译手段,探讨《修真聊天群》译文对现阶段网络小说翻译模式的启示。《修真聊天群》内富有玄幻修真特色,由于叙事围绕“聊天群”母题并把聊天形式纳入写作,网络语言运用和特征也甚为凸显。然而,网络语言研究目前贫乏,导致网络语言翻译在翻译研究未受足够的重视。即便玄幻是网络小说中最主要的类型,玄幻词汇语库也面临相同问题,更何况非主流小说类型。In this digital era, the China’s Internet novels and its translated versions have experienced a global rise in popularity over the past few years. Cultivation Chat Group, an urban Internet novel written by the Legend of the Paladin, is very well-received in Qidian, a Chinese website for original literature content. The novel’s subject matter, content, writing style and language use fit well with the reading preferences and demands of readers, who are also Internet users. Webnovel, a Chinese translated Internet novel website, entered the overseas translated Internet novel market, and following its rise, altered the translation system of Internet novels. This resulted in the formation of a new translation system called the “Qidian translation system”, thereby transforming the ecology and market outlook of translated Internet novels. Cultivation Chat Group is a translation done by a translator going by the pseudonym GodBrandy, whose real identity is unknown. This dissertation aims to explore how the Internet novels’ translation system had influenced the translation of Cultivation Chat Group, through the analysis of GodBrandy’s translation techniques using Skopos’ Theory. Cultivation Chat Group itself contains ample amounts of Xuanhuan Xiuzhen characteristics. Moreover, the usage and attributes of Internet language are very prominent, given that the narrative revolves around the theme “chat group” and incorporates chat group features in its discourse. Currently, the state of Internet language research is lacking, as is in the case of Internet language translation. Xuanhuan might be the prevailing Internet novel genre today but its repertoire faces the same issue; the situation for alternative Internet novel genres is certainly much worse. Bachelor of Arts in Chinese
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《品花宝鉴》出版于清代道光年间,为清代常州人陈森所著,是一部以描写士伶关系为主,反映当时京城梨园生活的的长篇小说,属于中国早期狭邪小说之一。《品花宝鉴》敏感的题材与露骨的性描写,使其被清朝政府列为六大禁书之一。小说文学于明朝蓬勃发展,写作技巧逐渐成熟精炼,开放的思想也使向来隐秘的同性恋文学渐渐浮上台面,开始出现《弁而钗》、《龙阳逸史》等主要以男同性恋为题材的短篇小说。《品花宝鉴》延续传统同性恋文学的题材,减少了男男间性爱互动的描写,更多以超越欲望的精神境界去刻画男性之间的浪漫故事,将当时的戏园生活文化生动地描写在小说中。 本文将细读小说,通过文本对京城梨园生活与士伶形象的描写,以期了解作者对于当时京城梨园生活的思想感情。本文首先从历史角度了解戏园文化的起源,加以分析其与清朝社会之间的关系,并探讨梨园内的男风文化。接着结合文本,通过士伶二者形象的描写,分析其双面形象,即红相公与黑相公的书写意义,并探讨两者之间的关系。本文旨在通过全面分析《品花宝鉴》,以期更好地了解清代中晚期京城梨园生活与戏园文化之间的关系,并从士伶形象的书写,探讨《品花宝鉴》如何体现清朝中晚时期的戏园文化与梨园生活。 关键词:《品花宝鉴》 梨园私寓制 男色 士人 伶人 Pin Hua Bao Jian was published in the Daoguang Period of the Qing Dynasty and was written by Chen Sen, a native of Changzhou in the Qing Dynasty. It is a novel that mainly describes the relationship between scholars and actors and reflects the life in Liyuan, Beijing. It belongs to the early Chinese novels of Xia Xie. one. The sensitive subject matter and explicit sexual description of Pin Hua Bao Jian made it one of the six banned books by the Qing government. Fiction literature flourished in the Ming Dynasty, writing skills gradually matured and refined, and open minds also made the always secret homosexual literature gradually come to the fore, beginning to appear Bian Er Chai, Long Yang Yi Shi and other short stories mainly based on man homoerotic. Pin Hua Bao Jian continues the themes of traditional man homoerotic literature, reduces the description of male-male sexual interaction, and uses a spiritual realm that transcends desire to portray romantic stories between males, vividly depicting the life and culture of the theatre at that time in the novel. In this article, I will read the novel carefully and describe the life in Liyuan, Beijing and the image of scholars through the text, in order to understand the author's thoughts and feelings about the life in Liyuan, Beijing at that time. I will first understand the origin of the theatre culture from a historical perspective, analyses its relationship with the Qing Dynasty society, and discuss the male style culture in the pear garden. Then combined with the text, through the description of the two images of scholars, analyse the two-sided images of the actors, which are the writing meaning of the red and black actors, and explore the relationship between the two. This article aims to analyse the Pin Hua Bao Jian in order to better understand the relationship between the life of Liyuan, Beijing and the theatre culture in the middle and late Qing Dynasty. It reflects the theatre culture and Liyuan life in the middle and late Qing Dynasty. Keywords: Pin Hua Bao Jian; Liyuan System; Male Love; Scholars; Actors Bachelor of Arts in Chinese
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Bibliographic citation: Børdahl Vibeke, Fei Li et Huang Ying (éds.), Four masters of Chinese storytelling: full-length repertoires of Yangzhou storytelling on video, Copenhagen, NIAS Press, 2004, 197 p.
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