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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Buelens-Terryn, Margo;

    Abstract: Eind vorig jaar zette de prestigieuze Sight & Sound-poll voor het eerst een film van een vrouwelijke regisseur bovenaan de lijst van ‘Best Films of All Time’. Het was de Belgische Chantal Akerman aan wie deze eer te beurt viel, met haar film ‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ uit 1975. Deze film wordt gezien als “the first masterpiece of the feminine in the history of the cinema”. Vrouwen die door middel van projecties en beelden hun agency tentoonstellen, hun kijk op de huidige samenleving weergeven en op deze manier een plekje in de publieke sfeer opeisen, kennen een langere geschiedenis dan vaak verondersteld wordt. En ook vrouwelijke lanternisten, sprekers die gebruik maakten van de projectielantaarn, belanden nog steeds in het vergetelhoekje van het vroegtwintigste-eeuwse lezingencircuit.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Institutional Reposi...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Abstract: Interview nav verschijning 'Het slechte geweten van Vlaanderen. Nationalisme, racisme en kolonialisme in de tijd van Hendrik Conscience'.

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    Authors: Vanhoenacker, Filip; Skjennald, Arnulf;

    This history page in the series "Leaders in MSK Radiology" is dedicated to the memory and achievements of the Danish radiologist Hans Jessen Panner, whose name is connected to the medical eponym Panner's disease.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ghent University Aca...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Ghent University Aca...arrow_drop_down
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: De Smet, Charris;

    Abstract: PoHis-blogpost (in Dutch) about the tirailleurs sénégalais in rural Burgundy during the Second World War and the broader tensions within their memorial culture revealed by local celebrations.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: vanden Daelen, Veerle;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: ES Bruijn;

    Abstract: De eerste middeleeuwse ridderverhalen in de volkstaal werden in de twaalfde eeuw opgetekend in handschriften. Toen rond 1450 de boekdrukkunst haar intrede deed in Europa, werden sommige hiervan op de drukpers gelegd. Er verschenen ook nieuwe ridderverhalen. De avonturen van deze middeleeuwse Helden in harnas blijven tot op de dag van vandaag tot de verbeelding spreken: heldhaftige avonturen, zwaardgevechten, magiërs, draken en hoofse liefde. In de expo 'Helden in harnas' staan gedrukte ridderverhalen uit de vijftiende en zestiende eeuw centraal. Ridderromans uit binnen- en buitenland keren terug naar de plek waar ze oorspronkelijk gedrukt zijn: Antwerpen. De Scheldestad was in de zestiende eeuw hèt centrum van de boekdrukkunst in de Nederlanden en had een afzetmarkt over heel Europa. In recente jaren heeft de Erfgoedbibliotheek Hendrik Conscience vijf van deze bijzondere ridderromans aan haar collectie toegevoegd. We maken kennis met de verhaalstoffen uit deze bijzondere periode en met hun ‘Europese’ karakter. Halverwege bieden we een inkijkje in de verteltechnieken en -structuren van deze verhalen, om vervolgens stil te staan bij de verschillende vormen die ridderromans in de zestiende eeuw gingen aannemen. Tot slot vragen we ons af: hoe komt het dat we sommige ridderverhalen nog kennen, terwijl we andere zijn vergeten?

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Spanoghe, Geert; Desmet, Peter; Milotic, Tanja; Janssens, Kjell; +3 Authors

    MH_ANTWERPEN - Western marsh harriers (Circus aeruginosus, Accipitridae) breeding near Antwerp (Belgium) is a bird tracking dataset published by the Research Institute for Nature and Forest (INBO). It contains animal tracking data collected by the LifeWatch GPS tracking network for large birds (http://lifewatch.be/en/gps-tracking-network-large-birds) for the project/study MH_ANTWERPEN, using trackers developed by the University of Amsterdam Bird Tracking System (UvA-BiTS, http://www.uva-bits.nl). The study has been operational since 2018. In total 3 individuals of western marsh harriers (Circus aeruginosus) and 1 common buzzard (Buteo buteo) have been tagged in their breeding area near the city of Antwerp (Belgium), mainly to study their habitat use and migration behaviour. Data are periodically uploaded from the UvA-BiTS database to Movebank and from there archived on Zenodo (see https://github.com/inbo/bird-tracking). See Milotic et al. (2020, https://doi.org/10.3897/zookeys.947.52570) for a more detailed description of this dataset. Files Data in this package are exported from Movebank study 938783961. Fields in the data follow the Movebank Attribute Dictionary and are described in datapackage.json. Files are structured as a Frictionless Data Package. You can access all data in R via https://zenodo.org/records/10054153/files/datapackage.json using frictionless. datapackage.json: technical description of the data files. MH_ANTWERPEN-reference-data.csv: reference data about the animals, tags and deployments. MH_ANTWERPEN-gps-yyyy.csv.gz: GPS data recorded by the tags, grouped by year. MH_ANTWERPEN-acceleration-yyyy.csv.gz: acceleration data recorded by the tags, grouped by year. Acknowledgements This dataset was collected using infrastructure provided by INBO and funded by Research Foundation - Flanders (FWO) as part of the Belgian contribution to LifeWatch. This version adds alt-project-id to the reference-data and references the latest Movebank Attribute Dictionary.

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    ZENODO
    Dataset . 2019
    License: CC 0
    Data sources: ZENODO
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    ZENODO
    Dataset . 2019
    License: CC 0
    Data sources: ZENODO
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    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: ZENODO
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    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: ZENODO
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    ZENODO
    Dataset . 2021
    License: CC 0
    Data sources: ZENODO
    ZENODO
    Dataset . 2023
    License: CC 0
    Data sources: Datacite
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      ZENODO
      Dataset . 2019
      License: CC 0
      Data sources: ZENODO
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      ZENODO
      Dataset . 2019
      License: CC 0
      Data sources: ZENODO
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      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: ZENODO
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      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: ZENODO
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      ZENODO
      Dataset . 2021
      License: CC 0
      Data sources: ZENODO
      ZENODO
      Dataset . 2023
      License: CC 0
      Data sources: Datacite
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    Authors: Beyen, Marnix; Schoups, Martin;

    Abstract: Naar aanleiding van de bestorming van het Capitool door Trump-aanhangers blikken we in deze blogtekst terug op de bestorming van de Belgische Kamer van Volksvertegenwoordigers op 29 juli 1920, en stellen we ons de vraag hoe beide gebeurtenissen zich tot elkaar verhouden.

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    Authors: Versieren, Jelle;
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    Authors: Buelens-Terryn, Margo;

    Abstract: Vanaf het einde van de negentiende eeuw werden de Belgische steden overspoeld met lichtbeelden. Dit kwam mede door het wijdverspreide en vernieuwende gebruik van de projectielantaarn, de voorloper van de diaprojector. Hiermee werden op grote schaal beelden over actuele gebeurtenissen en (nieuwe) kennis verspreid.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Buelens-Terryn, Margo;

    Abstract: Eind vorig jaar zette de prestigieuze Sight & Sound-poll voor het eerst een film van een vrouwelijke regisseur bovenaan de lijst van ‘Best Films of All Time’. Het was de Belgische Chantal Akerman aan wie deze eer te beurt viel, met haar film ‘Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles’ uit 1975. Deze film wordt gezien als “the first masterpiece of the feminine in the history of the cinema”. Vrouwen die door middel van projecties en beelden hun agency tentoonstellen, hun kijk op de huidige samenleving weergeven en op deze manier een plekje in de publieke sfeer opeisen, kennen een langere geschiedenis dan vaak verondersteld wordt. En ook vrouwelijke lanternisten, sprekers die gebruik maakten van de projectielantaarn, belanden nog steeds in het vergetelhoekje van het vroegtwintigste-eeuwse lezingencircuit.

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    Abstract: Interview nav verschijning 'Het slechte geweten van Vlaanderen. Nationalisme, racisme en kolonialisme in de tijd van Hendrik Conscience'.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Vanhoenacker, Filip; Skjennald, Arnulf;

    This history page in the series "Leaders in MSK Radiology" is dedicated to the memory and achievements of the Danish radiologist Hans Jessen Panner, whose name is connected to the medical eponym Panner's disease.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: De Smet, Charris;

    Abstract: PoHis-blogpost (in Dutch) about the tirailleurs sénégalais in rural Burgundy during the Second World War and the broader tensions within their memorial culture revealed by local celebrations.

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    Authors: vanden Daelen, Veerle;
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    Authors: ES Bruijn;

    Abstract: De eerste middeleeuwse ridderverhalen in de volkstaal werden in de twaalfde eeuw opgetekend in handschriften. Toen rond 1450 de boekdrukkunst haar intrede deed in Europa, werden sommige hiervan op de drukpers gelegd. Er verschenen ook nieuwe ridderverhalen. De avonturen van deze middeleeuwse Helden in harnas blijven tot op de dag van vandaag tot de verbeelding spreken: heldhaftige avonturen, zwaardgevechten, magiërs, draken en hoofse liefde. In de expo 'Helden in harnas' staan gedrukte ridderverhalen uit de vijftiende en zestiende eeuw centraal. Ridderromans uit binnen- en buitenland keren terug naar de plek waar ze oorspronkelijk gedrukt zijn: Antwerpen. De Scheldestad was in de zestiende eeuw hèt centrum van de boekdrukkunst in de Nederlanden en had een afzetmarkt over heel Europa. In recente jaren heeft de Erfgoedbibliotheek Hendrik Conscience vijf van deze bijzondere ridderromans aan haar collectie toegevoegd. We maken kennis met de verhaalstoffen uit deze bijzondere periode en met hun ‘Europese’ karakter. Halverwege bieden we een inkijkje in de verteltechnieken en -structuren van deze verhalen, om vervolgens stil te staan bij de verschillende vormen die ridderromans in de zestiende eeuw gingen aannemen. Tot slot vragen we ons af: hoe komt het dat we sommige ridderverhalen nog kennen, terwijl we andere zijn vergeten?

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