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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    rossie

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2022
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    nahzir

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2022
    License: CC BY
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Other ORP type . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Other ORP type . 2022
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 吴金霏 Ng, Jin Fei;

    本文以香港电影的底层空间为研究对象,探讨90年代以来香港底层社会的居住问题和生活状况的变化。接着,以香港底层的主流和边缘居住空间为例,分析政府土地政策和资本权力如何影响和压迫市民的生活。此外,本文将通过电影的空间选择和人物表现,分析导演如何结合在地经验和想象,诠释与再现底层的生活空间,重新描绘底层人民作为社会主体的重要存在。 关键词:香港电影;居住空间;底层;边缘 This paper aims to investigate the residential issues and living status of the lower social class in Hong Kong since the 1990s based on the portrayal of their living space in Hong Kong movies. Subsequently, by instances of the lower class' mainstream and fringe living spaces, the impact of the Hong Kong government's land policies and the power of capitalism on the citizens are analyzed. Furthermore, through the portrayed living spaces and characters in Hong Kong movies, this paper evaluates how movie directors tend to combine their personal local experience and imaginations to interpret and present the lower class' living space; as well as how they depict the importance of the lower class to the overall Hong Kong society. Keywords: Hong Kong movies; Living space; Lower class Bachelor of Arts in Chinese

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digital Repository o...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 丁瑞恩 Teng, Rui En;

    《品花宝鉴》出版于清代道光年间,为清代常州人陈森所著,是一部以描写士伶关系为主,反映当时京城梨园生活的的长篇小说,属于中国早期狭邪小说之一。《品花宝鉴》敏感的题材与露骨的性描写,使其被清朝政府列为六大禁书之一。小说文学于明朝蓬勃发展,写作技巧逐渐成熟精炼,开放的思想也使向来隐秘的同性恋文学渐渐浮上台面,开始出现《弁而钗》、《龙阳逸史》等主要以男同性恋为题材的短篇小说。《品花宝鉴》延续传统同性恋文学的题材,减少了男男间性爱互动的描写,更多以超越欲望的精神境界去刻画男性之间的浪漫故事,将当时的戏园生活文化生动地描写在小说中。 本文将细读小说,通过文本对京城梨园生活与士伶形象的描写,以期了解作者对于当时京城梨园生活的思想感情。本文首先从历史角度了解戏园文化的起源,加以分析其与清朝社会之间的关系,并探讨梨园内的男风文化。接着结合文本,通过士伶二者形象的描写,分析其双面形象,即红相公与黑相公的书写意义,并探讨两者之间的关系。本文旨在通过全面分析《品花宝鉴》,以期更好地了解清代中晚期京城梨园生活与戏园文化之间的关系,并从士伶形象的书写,探讨《品花宝鉴》如何体现清朝中晚时期的戏园文化与梨园生活。 关键词:《品花宝鉴》 梨园私寓制 男色 士人 伶人 Pin Hua Bao Jian was published in the Daoguang Period of the Qing Dynasty and was written by Chen Sen, a native of Changzhou in the Qing Dynasty. It is a novel that mainly describes the relationship between scholars and actors and reflects the life in Liyuan, Beijing. It belongs to the early Chinese novels of Xia Xie. one. The sensitive subject matter and explicit sexual description of Pin Hua Bao Jian made it one of the six banned books by the Qing government. Fiction literature flourished in the Ming Dynasty, writing skills gradually matured and refined, and open minds also made the always secret homosexual literature gradually come to the fore, beginning to appear Bian Er Chai, Long Yang Yi Shi and other short stories mainly based on man homoerotic. Pin Hua Bao Jian continues the themes of traditional man homoerotic literature, reduces the description of male-male sexual interaction, and uses a spiritual realm that transcends desire to portray romantic stories between males, vividly depicting the life and culture of the theatre at that time in the novel. In this article, I will read the novel carefully and describe the life in Liyuan, Beijing and the image of scholars through the text, in order to understand the author's thoughts and feelings about the life in Liyuan, Beijing at that time. I will first understand the origin of the theatre culture from a historical perspective, analyses its relationship with the Qing Dynasty society, and discuss the male style culture in the pear garden. Then combined with the text, through the description of the two images of scholars, analyse the two-sided images of the actors, which are the writing meaning of the red and black actors, and explore the relationship between the two. This article aims to analyse the Pin Hua Bao Jian in order to better understand the relationship between the life of Liyuan, Beijing and the theatre culture in the middle and late Qing Dynasty. It reflects the theatre culture and Liyuan life in the middle and late Qing Dynasty. Keywords: Pin Hua Bao Jian; Liyuan System; Male Love; Scholars; Actors Bachelor of Arts in Chinese

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: 刘敏仪 Liew, Mun Yee;

    在现代汉语中,“是……的”强调句式是常见又特殊的表达句式。其作用在于让说话者准确表达句子的重心,让听者迅速捕捉关键讯息,以达到有效的沟通。虽然使用频率高,但汉语学习者却屡屡出现使用偏误的现象。而针对“是……的”偏误现象的研究,许多学者都着重于美国、澳洲、英国等英语为母语的汉语学习者,以新加坡学生为对象的研究却寥寥无几。为了理解新加坡学生对“是……的”句式的掌握程度,本研究通过收集新加坡初级学院学生的作文语料,分析其偏误类型,并且结合新加坡语言环境的概况,探讨出现偏误的可能原因。研究结果显示,在使用“是……的”句式时:(一)新加坡学生最常出现的偏误类型是“缺省”,其中又以缺省“的”的现象最严重。(二)在英语强调句式负迁移的影响下,新加坡学生无法彻底掌握“是……的”句式的使用规则,对“的”的用法尤其不理想。(三)新加坡学生所采取的简化和回避策略,加剧了“缺省”偏误现象。希望本研究能为新加坡教育工作者在“是……的”句式教学上提供参考,提升新加坡学生对“是……的”句式的掌握程度,以达到更有效地沟通。The shi…de construction in Mandarin Chinese functions to identify the focus of a message conveyed by the speaker. Albeit how common and frequent this construction is used in Mandarin, the construction is often used with errors by Mandarin learners. Current studies on the misuses of the shi…de construction are mainly targeted at Mandarin learners from English speaking countries like the US, Australia, and UK. Little research has been conducted among students in Singapore.This study aims to analyse the usage of shi…de among junior college students in Singapore based on their writing samples. The research focuses on the types of erroneous usage, taking into account the Singapore context, and discusses the possible causes leading to the errors. There are three major findings in this study: 1. Omission is the most frequent error among Singapore students; more specifically, the missing of de in the construction is the most commonly seen error. 2. The negative transfer of English focus construction into Mandarin may have affected the students’ command of shi…de. 3. The adoption of simplification and deliberate avoidance strategies may have also contributed to the omission errors.This thesis hopes to serve as a reference for the teachings of the shi…de construction in Singapore. And ultimately, to improve students’ command of it for more effective communication. Bachelor of Arts in Chinese

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    Authors: 郭慧慧 Quek, Carine Hwee Hwee;

    新加坡的综合娱乐城之一,新加坡圣淘沙名胜世界每年吸引一大批来自世界各地游客前来游玩。旅游景点网页上的广告宣传资料也是吸引这些游客到访的关键点。因此,针对这些资料进行适当的本土化翻译极为重要。旅游广告作为一种实用体,主要功能为传达信息和做出呼唤效果,以读者的反应为主。因此本研究将探讨奈达的功能对等理论和中国大陆与香港的译网页的关联,探讨译者如何以此理论为基础进行本土化翻译。研究显示在考虑到内容的性质和大陆与香港的语言和社会习惯差异的情况下,功能对等理论对圣淘沙名胜世界网页的本土化翻译有很大的实用性。 Resorts World Sentosa (RWS), being one of the biggest attractions in Singapore attracts many tourists from all around the world annually. Hence, localising the website with extensive and attractive information is very important. Tourism advertisement text mainly consist of the informative and operative functions, which the readers’ reaction is the key point. Hence, this research aims to determine the relevance of using Eugene A. Nida’s Functional Equivalence theory for localised translation for readers from Mainland China and Hong Kong. Research findings showed that there is a high relevance between Functional Equivalence theory and translation of the RWS website, with the nature of the content and linguistics cultural differences taken into considerations as to achieve localised translation. Bachelor of Arts in Chinese

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    Authors: 陈淽偌 Tan, Jee Yue;

    于2010年出版的小说《后宫·甄嬛传》经改编成电视剧播出后,即引起了极大的反响。它之所以能够在当时古装剧泛滥的情况下脱颖而出,并得到极高的赞誉,除了制作团队的专业与敬业、跌宕起伏且紧凑的剧情等条件,也离不开原著小说的成功。作者流潋紫在情节中加入大量的花卉意象,本文意在探讨作者如何以花朵塑造小说中的人物与情节。 本文第一章整理《甄嬛传》中各人物与对应花卉,以此为基础,比较各个角色的性格与命运。第二章介绍《甄嬛传》中宫廷生活的花卉应用:御膳、衣饰纹样,剖析其在故事中所隐含的意蕴如何推动情节发展。第三章分析《甄嬛传》中如何应用花卉意涵塑造人物与情节,进而探讨这种应用的遗憾之处以及促使遗憾发生的原因。 关键词:《后宫·甄嬛传》;花卉意象;宫廷生活;花卉意涵 The television drama adaptation of the Chinese novel Legend of Zhenhuan has received great response ever since its release in 2010. The drama has managed to stand out from among the crowd of Chinese costume dramas and gain immense recognition, not only due to the dedication and professionalism of the cast and crew, the compact and complex plot, and other factors, but also through the success of the original novel material. As the author Liu Lianzi integrates flower imagery into the story, this thesis therefore intends to explore how her use of flowers shape the characters and plot in the novel. The first chapter of this thesis will compare each character to their destiny by sorting out the characters and corresponding flowers in Legend of Zhenhuan. The second chapter will introduce how flowers are applied in court life in Legend of Zhenhuan through imperial meals and clothing patterns, analyze how their implied meaning in the story promotes the development of the plot. The third chapter will analyze flower implications that portray the characters and develop the plot in Legend of Zhenhuan. This chapter will also explore the imperfections caused by the flower implications and the reasons for imperfections. Keywords: Legend of Zhenhuan, Flower Image, Palace Life, Flower Implications Bachelor of Arts in Chinese

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    Authors: 侏罗纪世界:统治霸权 2022 唐顿侏罗纪世界统治完整版 Tw 电影完整版在线观看;

    侏羅紀世界:統霸天下 https://tiny.one/2p8c37x4 侏羅紀世界:統霸天下 https://tiny.one/2p8c37x4 侏罗纪世界:统治霸权 2022 唐顿侏罗纪世界统治完整版 tw 电影完整版在线观看

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    Authors: 张欣恩 Teo, Sin En;

    电视剧《三生三世十里桃花》于2017年播出。该剧是根据唐七于2009年连载的同名原著改编而成的。原著在连载期间已收获不少粉丝,而电视剧的播出承载了原著的粉丝量,收视率名列前茅。因此,电视剧《三生三世十里桃花》可谓是众多仙侠剧中即热门又成功的一部作品。 本文将以电视剧《三生三世十里桃花》为研究对象,并结合剧中人物、剧情、场景、道具和配乐,旨在研究桃花在剧中作为整体意象和公共意象的表现以及其中所具有的爱情、避难、佳人等的多重含义。另外,本文也将总结电视剧《三生三世十里桃花》中出现的桃花意象在剧中发挥的视觉与听觉作用。 关键词:《三生三世十里桃花》;桃花意象 Chinese Drama Eternal Love was first broadcasted in 2017. This drama was originally adapted from the novel Three Lives, Three Worlds, Ten Miles of Peach Blossoms serialised by the author Tang Qi in 2009. The novel had garnered numerous fans during the serialisation period. As a result, these fans continued to support Eternal Love and this laid the foundation for the high ratings of the drama. Therefore, Eternal Love is deemed as one of the most popular and successful Xianxia drama. The primary focus of this thesis will be set on Eternal Love, analysing from the perspectives of the characters, plots, backdrops, props and soundtracks of the drama. Through these different aspects, this thesis aims to research on the manifestations and love, refuge and women’s beauty related multi-faceted significances of peach blossoms acting as ‘overall’ imagery and ‘well-known’ imagery in the drama. Additionally, this thesis will also conclude on the visual and auditory purposes of the peach blossoms imagery used in Eternal Love. Keywords: Eternal Love, Three Lives ,Three Worlds, Ten Miles of Peach Blossoms, peach blossoms imagery Bachelor of Arts in Chinese

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    ZENODO
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    ZENODO
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    Authors: 吴金霏 Ng, Jin Fei;

    本文以香港电影的底层空间为研究对象,探讨90年代以来香港底层社会的居住问题和生活状况的变化。接着,以香港底层的主流和边缘居住空间为例,分析政府土地政策和资本权力如何影响和压迫市民的生活。此外,本文将通过电影的空间选择和人物表现,分析导演如何结合在地经验和想象,诠释与再现底层的生活空间,重新描绘底层人民作为社会主体的重要存在。 关键词:香港电影;居住空间;底层;边缘 This paper aims to investigate the residential issues and living status of the lower social class in Hong Kong since the 1990s based on the portrayal of their living space in Hong Kong movies. Subsequently, by instances of the lower class' mainstream and fringe living spaces, the impact of the Hong Kong government's land policies and the power of capitalism on the citizens are analyzed. Furthermore, through the portrayed living spaces and characters in Hong Kong movies, this paper evaluates how movie directors tend to combine their personal local experience and imaginations to interpret and present the lower class' living space; as well as how they depict the importance of the lower class to the overall Hong Kong society. Keywords: Hong Kong movies; Living space; Lower class Bachelor of Arts in Chinese

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    Authors: 丁瑞恩 Teng, Rui En;

    《品花宝鉴》出版于清代道光年间,为清代常州人陈森所著,是一部以描写士伶关系为主,反映当时京城梨园生活的的长篇小说,属于中国早期狭邪小说之一。《品花宝鉴》敏感的题材与露骨的性描写,使其被清朝政府列为六大禁书之一。小说文学于明朝蓬勃发展,写作技巧逐渐成熟精炼,开放的思想也使向来隐秘的同性恋文学渐渐浮上台面,开始出现《弁而钗》、《龙阳逸史》等主要以男同性恋为题材的短篇小说。《品花宝鉴》延续传统同性恋文学的题材,减少了男男间性爱互动的描写,更多以超越欲望的精神境界去刻画男性之间的浪漫故事,将当时的戏园生活文化生动地描写在小说中。 本文将细读小说,通过文本对京城梨园生活与士伶形象的描写,以期了解作者对于当时京城梨园生活的思想感情。本文首先从历史角度了解戏园文化的起源,加以分析其与清朝社会之间的关系,并探讨梨园内的男风文化。接着结合文本,通过士伶二者形象的描写,分析其双面形象,即红相公与黑相公的书写意义,并探讨两者之间的关系。本文旨在通过全面分析《品花宝鉴》,以期更好地了解清代中晚期京城梨园生活与戏园文化之间的关系,并从士伶形象的书写,探讨《品花宝鉴》如何体现清朝中晚时期的戏园文化与梨园生活。 关键词:《品花宝鉴》 梨园私寓制 男色 士人 伶人 Pin Hua Bao Jian was published in the Daoguang Period of the Qing Dynasty and was written by Chen Sen, a native of Changzhou in the Qing Dynasty. It is a novel that mainly describes the relationship between scholars and actors and reflects the life in Liyuan, Beijing. It belongs to the early Chinese novels of Xia Xie. one. The sensitive subject matter and explicit sexual description of Pin Hua Bao Jian made it one of the six banned books by the Qing government. Fiction literature flourished in the Ming Dynasty, writing skills gradually matured and refined, and open minds also made the always secret homosexual literature gradually come to the fore, beginning to appear Bian Er Chai, Long Yang Yi Shi and other short stories mainly based on man homoerotic. Pin Hua Bao Jian continues the themes of traditional man homoerotic literature, reduces the description of male-male sexual interaction, and uses a spiritual realm that transcends desire to portray romantic stories between males, vividly depicting the life and culture of the theatre at that time in the novel. In this article, I will read the novel carefully and describe the life in Liyuan, Beijing and the image of scholars through the text, in order to understand the author's thoughts and feelings about the life in Liyuan, Beijing at that time. I will first understand the origin of the theatre culture from a historical perspective, analyses its relationship with the Qing Dynasty society, and discuss the male style culture in the pear garden. Then combined with the text, through the description of the two images of scholars, analyse the two-sided images of the actors, which are the writing meaning of the red and black actors, and explore the relationship between the two. This article aims to analyse the Pin Hua Bao Jian in order to better understand the relationship between the life of Liyuan, Beijing and the theatre culture in the middle and late Qing Dynasty. It reflects the theatre culture and Liyuan life in the middle and late Qing Dynasty. Keywords: Pin Hua Bao Jian; Liyuan System; Male Love; Scholars; Actors Bachelor of Arts in Chinese

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    Authors: 刘敏仪 Liew, Mun Yee;

    在现代汉语中,“是……的”强调句式是常见又特殊的表达句式。其作用在于让说话者准确表达句子的重心,让听者迅速捕捉关键讯息,以达到有效的沟通。虽然使用频率高,但汉语学习者却屡屡出现使用偏误的现象。而针对“是……的”偏误现象的研究,许多学者都着重于美国、澳洲、英国等英语为母语的汉语学习者,以新加坡学生为对象的研究却寥寥无几。为了理解新加坡学生对“是……的”句式的掌握程度,本研究通过收集新加坡初级学院学生的作文语料,分析其偏误类型,并且结合新加坡语言环境的概况,探讨出现偏误的可能原因。研究结果显示,在使用“是……的”句式时:(一)新加坡学生最常出现的偏误类型是“缺省”,其中又以缺省“的”的现象最严重。(二)在英语强调句式负迁移的影响下,新加坡学生无法彻底掌握“是……的”句式的使用规则,对“的”的用法尤其不理想。(三)新加坡学生所采取的简化和回避策略,加剧了“缺省”偏误现象。希望本研究能为新加坡教育工作者在“是……的”句式教学上提供参考,提升新加坡学生对“是……的”句式的掌握程度,以达到更有效地沟通。The shi…de construction in Mandarin Chinese functions to identify the focus of a message conveyed by the speaker. Albeit how common and frequent this construction is used in Mandarin, the construction is often used with errors by Mandarin learners. Current studies on the misuses of the shi…de construction are mainly targeted at Mandarin learners from English speaking countries like the US, Australia, and UK. Little research has been conducted among students in Singapore.This study aims to analyse the usage of shi…de among junior college students in Singapore based on their writing samples. The research focuses on the types of erroneous usage, taking into account the Singapore context, and discusses the possible causes leading to the errors. There are three major findings in this study: 1. Omission is the most frequent error among Singapore students; more specifically, the missing of de in the construction is the most commonly seen error. 2. The negative transfer of English focus construction into Mandarin may have affected the students’ command of shi…de. 3. The adoption of simplification and deliberate avoidance strategies may have also contributed to the omission errors.This thesis hopes to serve as a reference for the teachings of the shi…de construction in Singapore. And ultimately, to improve students’ command of it for more effective communication. Bachelor of Arts in Chinese

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    Authors: 郭慧慧 Quek, Carine Hwee Hwee;

    新加坡的综合娱乐城之一,新加坡圣淘沙名胜世界每年吸引一大批来自世界各地游客前来游玩。旅游景点网页上的广告宣传资料也是吸引这些游客到访的关键点。因此,针对这些资料进行适当的本土化翻译极为重要。旅游广告作为一种实用体,主要功能为传达信息和做出呼唤效果,以读者的反应为主。因此本研究将探讨奈达的功能对等理论和中国大陆与香港的译网页的关联,探讨译者如何以此理论为基础进行本土化翻译。研究显示在考虑到内容的性质和大陆与香港的语言和社会习惯差异的情况下,功能对等理论对圣淘沙名胜世界网页的本土化翻译有很大的实用性。 Resorts World Sentosa (RWS), being one of the biggest attractions in Singapore attracts many tourists from all around the world annually. Hence, localising the website with extensive and attractive information is very important. Tourism advertisement text mainly consist of the informative and operative functions, which the readers’ reaction is the key point. Hence, this research aims to determine the relevance of using Eugene A. Nida’s Functional Equivalence theory for localised translation for readers from Mainland China and Hong Kong. Research findings showed that there is a high relevance between Functional Equivalence theory and translation of the RWS website, with the nature of the content and linguistics cultural differences taken into considerations as to achieve localised translation. Bachelor of Arts in Chinese

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