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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Van Gorp, Baldwin;

    This paper has as objective to give some directions on how journalists can regain their ‘lost hero status’. News outlets have to deal with an audience that lost confident in the news media. This reduced confidence may be explained by a reduced quality of journalism, driven by increased economic pressure, cutbacks in news gathering, and a decreased editorial autonomy. A historical event which is still cited as iconic for the mythical status of journalism is the news coverage about the Watergate affair. More specifically, there are the countless references to the work of Bob Woodward and Carl Bernstein, two journalists who worked for the Washington Post at that time. They received their status as celebrity journalists primarily due to the best seller they have written in the course of the events, All the president’s men, and even more to the movie with the same title, with Dustin Hoffman and Robert Redford as the lead actors. Although the affair lasted from 1972 to 1974, so today forty years ago, it still appeals to the imagination of anyone who thinks of what good journalism ought to be (to give just one example: a movie poster of All the President’s Men sticks to the apartment walls of journalist Katrine Fønsmark in the successful Danish TV series Borgen). Understanding the way of how Woodward and Bernstein dealt with the events might help to ‘upgrade’ the status of journalists today. The research questions are: What lessons can be learned from the way Woodward and Bernstein covered the events forty years ago? Are these practices still useful today, and if not, why not? This would give us a clue whether or not current journalists would still be able to break a story as Watergate. The method consists of a critical reading of the book of the two journalists, a literature review and personal meetings with Bob Woodward and Carl Bernstein at the University of Texas Austin (that purchased and manages the archives of the two journalists). The paper is structured around ten statements on what a good journalists should do. Afterwards, all statements are refuted one by one. The erroneous statements are: 1. Journalists themselves are the greatest source of information (external nonprofessional sources are unreliable) 2. To find out the truth, the end justifies the means (and that goes beyond journalistic ethics) 3. If one threatens you with a lawsuit, you better watch your steps (you do not have a monopoly on the truth after all) 4. Base your story on interviews (and make sure you can quote your interviewees literally) 5. Press conferences provide all relevant information, and in addition, try to pick up information from expert sources (after all, they are organized to provide the press with information ready-to-use) 6. Postpone a story to a later moment in time makes no sense (your competitors will publish it anyway) 7. Make sure that if you bring a story you can also bring the wider picture (if you can’t do so, and the Why? Question remains unanswered, you better keep your mouth) 8. Partisan journalism cannot be objective (neutrality is preferred at any time) 9. A journalist operates in the shadows, like a fly on the wall (journalists that are in the spotlight make themselves suspicious) 10. Make sure that the sources you cite are verifiable (so that there is absolute transparency of sources) ispartof: ECREA's Journalism Studies Section Conference location:Thessaloniki, Greece date:28 Mar - 29 Mar 2014 status: published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Liriasarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Lecture . 2014
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Liriasarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Lecture . 2014
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lombard, David André;

    ispartof: American Novelists’ Autobiographical Acts: Nonfictional Disruptions location:Aix-Marseille Université date:6 Jul - 7 Jul 2023 status: published

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Lecture . 2023
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  • Authors: Kramer, Laura;

    Dr. Laura Kramer has 50 years’ experience studying arboviruses in the field and laboratory, from both experimental and observational approaches, using both classical and molecular tools. She was Director of the Arbovirus Laboratory, Wadsworth Center, New York State Department of Health from 2000 – Dec 2020 when she retired, and Professor of Biomedical Sciences, State University of New York (SUNY) School of Public Health, Albany, NY. She is also an Adjunct Professor in the Biology department at SUNY Albany. Dr. Kramer also is a virology moderator of ProMED-mail [Program for Monitoring Emerging Diseases] where she reports on COVID-19 and Ebola as well as vaccine-preventable diseases. In this MOOD Science Webinar, Laura discussed her comprehensive research paper "Introduction, Spread, and Establishment of West Nile Virus in the Americas" published on the Journal of Medical Entomology, illustrating the complex relationships among West Nile Virus (WNV), vector mosquitoes and vertebrate hosts, as well as how certain environmental variables - including land use and climate - affected the spillover risk to humans in the United States since its introduction.

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Jackson, Ladislav;

    Phoebe Apperson Hearst měla velmi úspěšného vlastního syna Williama, který byl ale více jako jeho otec: tvrdý obchodník. Našla však jemnou, uměleckou duši v malíři Orrinu Peckovi (1860–1921), který byl údajně gay a který ji, ještě za života své vlastní matky, začal oslovovat „má druhá mámo.“ Na základě podrobného výzkumu jejich vzájemné korespondence v Peckově pozůstalosti se můžeme ptát, jak moc si byla progresivní, bohatá žena 19. století, jakou byla Phoebe Hearst, vědoma Peckovy sexuality a pokud ano, jestli s tím neměla problém, nebo šlo o nevyřčené tajemství mezi nimi? Jejich příběh představí historik umění Ladislav Zikmund-Lender. Phoebe Apperson Hearst had a very successful son of William, but he was more like his father: a tough businessman. However, she found a delicate, artistic soul in the painter Orrin Peck (1860–1921), who was allegedly gay and who, while still his own mother's life, began to address her as “my second mother.” Based on a detailed study of their correspondence in Peck's estate, we may ask how much a progressive, rich 19th-century woman like Phoebe Hearst was aware of Peck's sexuality, and if so, if she had no problem with it, or was it an unspoken secret between them? Their story will be presented by art historian Ladislav Zikmund-Lender.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Yordanova, Katerina; Emanuilov, Ivo;

    ispartof: BILETA Annual Conference location:Online date:14 Apr - 16 Apr 2021 status: published

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Liriasarrow_drop_down
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    Lirias
    Lecture . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Lecture . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Lecture . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Lecture . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ryckaert, Jan; Op de Beeck, Ilse;

    ispartof: OpenCast Community Summit location:Valencia, Spain date:1 Mar - 3 Mar 2017 status: accepted

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Liriasarrow_drop_down
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    Lecture . 2017
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      Lecture . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lombard, David André;

    The Romantic sublime, which has influentially shaped the Western relationship with nature, is no longer viable in the Anthropocene because it views nature as separated from humans and does not fully represent the intricacy of human/non-human relationship (Caracciolo 2021). This paper assesses the limits and affordances of the notion of the “haptic sublime” (McNee 2016) for challenging the Eurocentrism, androcentrism, and ocularcentrism of the Romantic sublime in a way that would also lead to heightened self- and/or environmental awareness. To that end, it analyzes extracts from American ecobiographical memoirs that build on American Romanticism’s, and more specifically Henry D. Thoreau’s multisensorial approach to nature (Lombard 2019), which suitably integrates the subjective and embodied dimensions of the haptic sublime. Inspired by insights from affective ecocriticism and rhetorical (eco)narratology, these analyses show that the haptic sublime involves bodily and multisensorial contact with material environments which induce affects such as guilt, satisfaction, and joy, that move beyond the confines of the romantic experiences of awe and horror. Jon Krakauer’s Into Thin Air and Silvia Vásquez-Lavado's In the Shadow of the Mountain are considered so as to argue that recent mutations in the rhetoric of the sublime retrospectively unearths haptic dimensions to the experience of the sublime. ispartof: The American Comparative Literature Association's 2023 Annual Meeting location:Chicago, IL, United States date:16 Mar - 19 Mar 2023 status: published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Müller, Thomas;

    This are the slides of a talk held at the German AFS Meeting 2000 in Garching. It deals with the using of PAM in the context of the apache web server to allow authorized access to web pages housed in AFS filespace.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Multimedia ONline AR...arrow_drop_down
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    Authors: Robles Rivera, Francisco;

    "Debemos unirnos a la resistencia mundial contra las políticas imperiales de las metrópolis" Recientemente nuestro compañero y amigo el joven internacionalista y estudiante de la Maestría de Estudios Latinoamericanos, del Instituto de Estudios Latinoamericanos, Bryan González Hernández ganó el concurso organizado por la Facultad de Ciencias Sociales, con su ensayo "Más allá del Libre Comercio: seguridad esencial". Para el joven estudiante Costa Rica se está enfrentando a un nuevo modelo dictatorial en América Latina, caracterizado por su fascismo simpático. Por medio de esta entrevista el grupo estudiantil Alternativas U, rinde homenaje al joven estudiante que a través de su reciente victoria, abre cada vez más espacios a los y las jóvenes que dentro y fuera de las Universidades plantean sus/nuestras alternativas, rompiendo tanto con el pensamiento único derechista, como con la "aristocracia académica" de cierta izquierda de nuestra Universidad. UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Sociales::Instituto de Investigaciones Sociales (IIS)

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    Authors: Anders, Jörg; Hübner, Uwe;

    Mono is an open-source implementation of the software development platform .NET. An important application area is the realization of web services. Following some simple examples of web services and appropriate clients a more sophisticated example "crane control" is presented. Mono ist eine Open-Source-Implementierung der Software-Entwicklungsplattform .NET. Ein wesentliches Anwendungsgebiet ist die Realisierung von Web-Services. Nach einfachen Beispielen für Web-Services und dazugehörigen Klienten wird ein anspruchsvolleres Beispiel "Kranfernsteuerung" vorgestellt.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Van Gorp, Baldwin;

    This paper has as objective to give some directions on how journalists can regain their ‘lost hero status’. News outlets have to deal with an audience that lost confident in the news media. This reduced confidence may be explained by a reduced quality of journalism, driven by increased economic pressure, cutbacks in news gathering, and a decreased editorial autonomy. A historical event which is still cited as iconic for the mythical status of journalism is the news coverage about the Watergate affair. More specifically, there are the countless references to the work of Bob Woodward and Carl Bernstein, two journalists who worked for the Washington Post at that time. They received their status as celebrity journalists primarily due to the best seller they have written in the course of the events, All the president’s men, and even more to the movie with the same title, with Dustin Hoffman and Robert Redford as the lead actors. Although the affair lasted from 1972 to 1974, so today forty years ago, it still appeals to the imagination of anyone who thinks of what good journalism ought to be (to give just one example: a movie poster of All the President’s Men sticks to the apartment walls of journalist Katrine Fønsmark in the successful Danish TV series Borgen). Understanding the way of how Woodward and Bernstein dealt with the events might help to ‘upgrade’ the status of journalists today. The research questions are: What lessons can be learned from the way Woodward and Bernstein covered the events forty years ago? Are these practices still useful today, and if not, why not? This would give us a clue whether or not current journalists would still be able to break a story as Watergate. The method consists of a critical reading of the book of the two journalists, a literature review and personal meetings with Bob Woodward and Carl Bernstein at the University of Texas Austin (that purchased and manages the archives of the two journalists). The paper is structured around ten statements on what a good journalists should do. Afterwards, all statements are refuted one by one. The erroneous statements are: 1. Journalists themselves are the greatest source of information (external nonprofessional sources are unreliable) 2. To find out the truth, the end justifies the means (and that goes beyond journalistic ethics) 3. If one threatens you with a lawsuit, you better watch your steps (you do not have a monopoly on the truth after all) 4. Base your story on interviews (and make sure you can quote your interviewees literally) 5. Press conferences provide all relevant information, and in addition, try to pick up information from expert sources (after all, they are organized to provide the press with information ready-to-use) 6. Postpone a story to a later moment in time makes no sense (your competitors will publish it anyway) 7. Make sure that if you bring a story you can also bring the wider picture (if you can’t do so, and the Why? Question remains unanswered, you better keep your mouth) 8. Partisan journalism cannot be objective (neutrality is preferred at any time) 9. A journalist operates in the shadows, like a fly on the wall (journalists that are in the spotlight make themselves suspicious) 10. Make sure that the sources you cite are verifiable (so that there is absolute transparency of sources) ispartof: ECREA's Journalism Studies Section Conference location:Thessaloniki, Greece date:28 Mar - 29 Mar 2014 status: published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lombard, David André;

    ispartof: American Novelists’ Autobiographical Acts: Nonfictional Disruptions location:Aix-Marseille Université date:6 Jul - 7 Jul 2023 status: published

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  • Authors: Kramer, Laura;

    Dr. Laura Kramer has 50 years’ experience studying arboviruses in the field and laboratory, from both experimental and observational approaches, using both classical and molecular tools. She was Director of the Arbovirus Laboratory, Wadsworth Center, New York State Department of Health from 2000 – Dec 2020 when she retired, and Professor of Biomedical Sciences, State University of New York (SUNY) School of Public Health, Albany, NY. She is also an Adjunct Professor in the Biology department at SUNY Albany. Dr. Kramer also is a virology moderator of ProMED-mail [Program for Monitoring Emerging Diseases] where she reports on COVID-19 and Ebola as well as vaccine-preventable diseases. In this MOOD Science Webinar, Laura discussed her comprehensive research paper "Introduction, Spread, and Establishment of West Nile Virus in the Americas" published on the Journal of Medical Entomology, illustrating the complex relationships among West Nile Virus (WNV), vector mosquitoes and vertebrate hosts, as well as how certain environmental variables - including land use and climate - affected the spillover risk to humans in the United States since its introduction.

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    Authors: Jackson, Ladislav;

    Phoebe Apperson Hearst měla velmi úspěšného vlastního syna Williama, který byl ale více jako jeho otec: tvrdý obchodník. Našla však jemnou, uměleckou duši v malíři Orrinu Peckovi (1860–1921), který byl údajně gay a který ji, ještě za života své vlastní matky, začal oslovovat „má druhá mámo.“ Na základě podrobného výzkumu jejich vzájemné korespondence v Peckově pozůstalosti se můžeme ptát, jak moc si byla progresivní, bohatá žena 19. století, jakou byla Phoebe Hearst, vědoma Peckovy sexuality a pokud ano, jestli s tím neměla problém, nebo šlo o nevyřčené tajemství mezi nimi? Jejich příběh představí historik umění Ladislav Zikmund-Lender. Phoebe Apperson Hearst had a very successful son of William, but he was more like his father: a tough businessman. However, she found a delicate, artistic soul in the painter Orrin Peck (1860–1921), who was allegedly gay and who, while still his own mother's life, began to address her as “my second mother.” Based on a detailed study of their correspondence in Peck's estate, we may ask how much a progressive, rich 19th-century woman like Phoebe Hearst was aware of Peck's sexuality, and if so, if she had no problem with it, or was it an unspoken secret between them? Their story will be presented by art historian Ladislav Zikmund-Lender.

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Yordanova, Katerina; Emanuilov, Ivo;

    ispartof: BILETA Annual Conference location:Online date:14 Apr - 16 Apr 2021 status: published

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    Authors: Ryckaert, Jan; Op de Beeck, Ilse;

    ispartof: OpenCast Community Summit location:Valencia, Spain date:1 Mar - 3 Mar 2017 status: accepted

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lombard, David André;

    The Romantic sublime, which has influentially shaped the Western relationship with nature, is no longer viable in the Anthropocene because it views nature as separated from humans and does not fully represent the intricacy of human/non-human relationship (Caracciolo 2021). This paper assesses the limits and affordances of the notion of the “haptic sublime” (McNee 2016) for challenging the Eurocentrism, androcentrism, and ocularcentrism of the Romantic sublime in a way that would also lead to heightened self- and/or environmental awareness. To that end, it analyzes extracts from American ecobiographical memoirs that build on American Romanticism’s, and more specifically Henry D. Thoreau’s multisensorial approach to nature (Lombard 2019), which suitably integrates the subjective and embodied dimensions of the haptic sublime. Inspired by insights from affective ecocriticism and rhetorical (eco)narratology, these analyses show that the haptic sublime involves bodily and multisensorial contact with material environments which induce affects such as guilt, satisfaction, and joy, that move beyond the confines of the romantic experiences of awe and horror. Jon Krakauer’s Into Thin Air and Silvia Vásquez-Lavado's In the Shadow of the Mountain are considered so as to argue that recent mutations in the rhetoric of the sublime retrospectively unearths haptic dimensions to the experience of the sublime. ispartof: The American Comparative Literature Association's 2023 Annual Meeting location:Chicago, IL, United States date:16 Mar - 19 Mar 2023 status: published

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    Authors: Müller, Thomas;

    This are the slides of a talk held at the German AFS Meeting 2000 in Garching. It deals with the using of PAM in the context of the apache web server to allow authorized access to web pages housed in AFS filespace.

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    Authors: Robles Rivera, Francisco;

    "Debemos unirnos a la resistencia mundial contra las políticas imperiales de las metrópolis" Recientemente nuestro compañero y amigo el joven internacionalista y estudiante de la Maestría de Estudios Latinoamericanos, del Instituto de Estudios Latinoamericanos, Bryan González Hernández ganó el concurso organizado por la Facultad de Ciencias Sociales, con su ensayo "Más allá del Libre Comercio: seguridad esencial". Para el joven estudiante Costa Rica se está enfrentando a un nuevo modelo dictatorial en América Latina, caracterizado por su fascismo simpático. Por medio de esta entrevista el grupo estudiantil Alternativas U, rinde homenaje al joven estudiante que a través de su reciente victoria, abre cada vez más espacios a los y las jóvenes que dentro y fuera de las Universidades plantean sus/nuestras alternativas, rompiendo tanto con el pensamiento único derechista, como con la "aristocracia académica" de cierta izquierda de nuestra Universidad. UCR::Vicerrectoría de Investigación::Unidades de Investigación::Ciencias Sociales::Instituto de Investigaciones Sociales (IIS)

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    Authors: Anders, Jörg; Hübner, Uwe;

    Mono is an open-source implementation of the software development platform .NET. An important application area is the realization of web services. Following some simple examples of web services and appropriate clients a more sophisticated example "crane control" is presented. Mono ist eine Open-Source-Implementierung der Software-Entwicklungsplattform .NET. Ein wesentliches Anwendungsgebiet ist die Realisierung von Web-Services. Nach einfachen Beispielen für Web-Services und dazugehörigen Klienten wird ein anspruchsvolleres Beispiel "Kranfernsteuerung" vorgestellt.

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