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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Criado-Boado, Felipe; Vuelta-Santín, Rubén;

    Investigador principal del proyecto: Felipe Criado Boado.-- Realizador: Rubén Vuelta Santín.-- Técnicos de SIG: Iñaki Villa Indurain; Jorge Canosa Betés.-- Voz en off: Elena Cabrejas Domínguez.-- Revisión versión inglesa: Jon Brokenbrow.-- Agradecimientos: A. César González García; Pastor Fábrega Álvarez.-- Música: "Beer Belly Blues" de John Deley forma parte de la Biblioteca de Audios de YouTube; Big Blues Bed de Audionautix tiene licencia Creative Commons Attribution. Artista: http://audionautix.com . https://creativecommons.org/licenses/by/4.0/ ; "Boogie Woogie Bed" de Audionautix tiene licencia Creative Commons Attribution. Artista: http://audionautix.com . https://creativecommons.org/licenses/by/4.0/.-- Imágenes aéreas: Google Earth. [ES] En la Sierra de Barbanza (Galicia, España) se conserva una de las necrópolis megalíticas más espectaculares de Europa. En este vídeo presentamos una simulación de la organización espacial de un paisaje antiguo, uno de los primeros paisajes construidos por los humanos en Europa occidental. [EN] The Barbanza mountains (Galicia, NW Iberia) contains one of Europe's most spectacular megalithic necropolises. This video shows a simulation of the spatial arrangement of an ancient landscape, one of the first built by humans in Western Europe. No

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: CSIC - Instituto de Ciencias del Patrimonio (Incipit);

    [ES] En el Instituto de Ciencias del Patrimonio (Incipit) desarrollamos proyectos de investigación interdisciplinar en Patrimonio Cultural, desde la perspectiva de diferentes especialidades y en distintos ámbitos geográficos. Con esta muestra de algunos de los proyectos realizados a lo largo del año 2016 queremos felicitar la Navidad y desear un mejor año 2017. [EN] At the Institute of Heritage Sciences (Incipit) we develop interdisciplinary research projects on Cultural Heritage, from a perspective of different specialities and in different geographical areas. With this display of some of the projects carried out during 2016 we want to congratulate Christmas and wish for a better 2017. Se incluyen dos versiones del vídeo, una en castellano y otra en inglés. -- There are included two versions of the video, one in Spanish and another in English.-- More information about research by INCIPIT can be found at its web site http://www.incipit.csic.es/es/Default.aspx Peer reviewed

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jiménez-Esquinas, Guadalupe; Venditti, Juan Pablo; Vuelta-Santín, Rubén;

    [EN] Since a few years ago the Land Cooperatives of Oia have joined together to raise an alternative management of mount and the archaeological heritage that is in their property, creating Costa dos Castros. It is a project of archaeology from and to the community. In the site of Cano dos Mouros neighbors opted for another type of archaeological intervention that did not involve to excavate: make visible structures, recovering the legends and the oral memory linked and creating events in which strengthen the ties of neighborhood. [ES] Desde hace unos años las CMVMC de Oia se han juntado para plantear una gestión alternativa del monte y del patrimonio arqueológico que se encuentra en su propiedad, creando Costa dos Castros. Se trata de un proyecto de arqueología desde y para la comunidad. En el yacimiento de Cano dos Mouros los vecinos optaron por otro tipo de intervención arqueológica que no implicara escavar: visibilizando las estructuras, recuperando las leyendas y la memoria oral vinculada y creando eventos en los que fortalecer los lazos de vecindad. English subtitles available. No

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: González-Ruibal, Alfredo; Vuelta-Santín, Rubén;

    [ES] Durante la campaña de 2016 en Somalilandia hemos tenido ocasión de estudiar varios yacimientos arqueológicos que transforman significativamente nuestro conocimiento de la historia del Cuerno de África y del comercio índico en general durante los últimos dos milenios. En esta charla daremos a conocer los principales hallazgos efectuados -desde puestos caravaneros a emporios persas, pasando por un santuario prehistórico- y explicaremos de qué manera nos permitirán cambiar algunas de las perspectivas que hasta ahora se tenían sobre los procesos sociales en la costa africana del Océano Índico. [EN] In the 2016 field season in Somaliland, we have had the opportunity to study several archaeological sites that significantly transform our knowledge of the history of the Horn of Africa and the Indian trade in general during the last two millennia. In this talk of research study, we will make known the main findings made -from posts caravan to Persian emporiums, through a prehistoric sanctuary- and explain how they will allow us to change some of the perspectives that so far had on Social processes on the African coast of the Indian Ocean. No

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sánchez Luque, María; Bote Corralo, Daniel;

    El metraje de “Napoleon: Total War” tiene todos los derechos reservados por SEGA Corporation, SEGA Europe Ltd. y The Creative Assembly Ltd. El resto del metraje se encuentra bajo licencia Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0. Video from “Napoleon: Total War” has all rights reserved by SEGA Corporation, SEGA Europe Ltd. and The Creative Assembly Ltd. The rest of the footage is under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license. [ES] Documental sobre la Batalla de Arroyomolinos de la Guerra de Independencia y su recreación actual, en relación a la historia de este pueblo y del King's Own Royal Border Regiment en la ciudad británica de Carlisle. [EN] Documentary about the Arroyo dos Molinos Battle, in the Peninsular war, and its current re-enactment, in relation to this village's history and history of King's Own Royal Border Regiment in Carlisle, UK. [PT] Documentário sobre a Batalha de Arroyomolinos, na Guerra Peninsular, e a sua recreação, en relação à história desta aldeia e do King's Own Royal Border Regiment na cidade britânica de Carlisle. No

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: DE GRAAF, Beatrice; RANDERIA, Shalini;

    This contribution was delivered on 6 May 2022 on the occasion of the hybrid 2022 edition of EUI State of the Union on ‘A Europe fit for the next generation?' What can history teach us about the importance of democracy and rule of law as characteristics of European political life? What is at stake? History has often been our guide, offering a benchmark for worst and best practice. In this session, world-leading scholars of Europe, law and democracy, canvas the different contexts in which the rule of law has come under pressure in Europe, whether in the context of security and fighting terror, pitting nationalism against integration, or dealing with Europe’s often violent past. They will also ask: can we learn from the past when we are thinking of the present and future of Europe? What lens should we use to help better understand the authority of the rule of law, the significance of democracy and its alternatives today?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cadmus, EUI Research...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Cadmus, EUI Research...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Criado-Boado, Felipe; Ballesteros-Arias, Paula; Dabezies, Juan Martín;

    [ES] Documental que pretende transmitir una imagen sensible del paisaje cultural de la isla, de ahí que se incluya el patrimonio material e inmaterial com oparte de un mismo paisaje que debe ser entendido como un todo. Este audiovisual fue elaborado a partir del archivo de Patrimonio Cultural inmaterial que se está confeccionando actualmente y a partir del registro de actividades de prospección y significación de elementos arqueológicos del paisaje. Pero los interlocutores de este vídeo son los propios habitantes de la isla, los portadores de este patrimonio, quienes a su vez son los que le dan valor y significado a este patrimonio. La ´voz del experto´ aporta lo indispensable para lograr una caracterización desde su disciplina y se coloca a un mismo nivel con sus interlocutores, cediendo el protagonismo a los mismos. [GA] Documental que pretende transmitir unha imaxe sensible da paisaxe cultural da illa, de ahí que se aborde o patrimonio material e o inmaterial como parte dunha mesma paisaxe que debe ser entendida como un todo. Este audiovisual foi elaborado a partir do arquivo do Patrimonio Cultural Inmaterial que se está confeccionando na actualidade e a partir do rexistro de actividades de prospección e significación de elementos arqueolóxicos da paisaxe. Pero os interlocutores deste vídeo son os propios habitantes da illa, os portadores deste patrimonio, quenes a súa vez son os que lle dan valor e significado a este patrimonio. A ´voz do experto´ aporta o indispensable para lograr unha caracterización dende a súa disciplina e colócase a un mesmo nivel cos seus interlocutores, cedendo o protagonismo aos mesmos. [GA] Corto documental realizado no marco das actividades de divulgación do proxecto dirixido por Paula Ballesteros Arias, ´Estudo arqueolóxico e etnográfico da Paisaxe Cultural das Illas Ons (Bueu, Pontevedra), cuxo responsable científico é Felipe Criado Boado. [ES] Corto documental realizado en el marco de las actividades de divulgación del proyecto dirigido por Paula Ballesteros Arias, ´Estudo arqueolóxico e etnográfico da Paisaxe Cultural das Illas Ons (Bueu, Pontevedra), cuyo responsable científico es Felipe Criado Boado. Consellería de Medio Rural, Xunta de Galicia; LaPa (IEGPS-CSIC); LPPP (IIT-USC)

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: Vuelta-Santín, Rubén;

    [ES] Vídeo de 3:58 minutos que muestra cómo fue el rodaje del documental del programa de TVE “La aventura del saber” sobre el islote Guidoiro Areoso (Illa de Arousa, Pontevedra) junto con rótulos con información del islote, de sus yacimientos arqueológicos y de la erosión que están sufriendo debido a los cambios medioambientales y la presión antrópica. En el documental participan: Elías López-Romero, Arqueólogo, Incipit, CSIC / Universidad de Durham; Patricia Mañana-Borrazás, Arqueóloga; Ramón Blanco Chao, Geomorfólogo, Universidade de Santiago de Compostela; Jose Manuel Rey García, Director Parque Arqueolóxico da Arte Rupestre de Campo Lameiro, Dirección Xeral do Patrimonio Cultural, Xunta de Galicia; Xosé Ignacio Vilaseco Vázquez, Arqueólogo, Dirección Xeral do Patrimonio Cultural, Xunta de Galicia. [EN] 3:58 minutes video showing how it was the filming of the documentary of the TVE program "La aventura del saber" about the islet Guidoiro Areoso (Arousa Island, Pontevedra) together with information of the islet, its archaeological sites and the erosion that are suffering due to the environmental changes and the antrophic pressure. In the documentary involved: Elías López-Romero, Archaeologist, Incipit, CSIC / Durham University; Patricia Mañana-Borrazás, Archaeologist; Ramón Blanco Chao, Geomorphologist, Santiago de Compostela University; Jose Manuel Rey García, Director of the Rock Art Archaeological Park (Campo Lameiro, Pontevedra), General Directorate of Cultural Heritage, Xunta de Galicia; Xosé Ignacio Vilaseco Vázquez, Archaeologist, General Directorate of Cultural Heritage, Xunta de Galicia. Referencias: López-Romero, Elías; Mañana-Borrazás, Patricia; Blanco Chao, Ramón; Rey García, José Manuel; Vilaseco Vázquez, X. Ignacio. No

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    Authors: Vuelta-Santín, Rubén;

    Participantes en los documentales: Manuel Rojo Guerra. IP del Proyecto. Universidad de Valladolid; Héctor Arcusa Magallón. Arqueólogo Proyecto Medelca; Íñigo García Martínez de Lagrán. Arqueólogo Proyecto Medelca; Cristina Tejedor Rodríguez. Arqueóloga Proyecto Medelca; Alizé Hoffmann. Paleoparasitóloga. Traces UMR 5608 CNRS. Toulouse; David Álvarez Polanco. Arqueólogo Proyecto Medelca; María San Millán Lomas. Arqueóloga Proyecto Medelca; Eneko Iriarte. Geólogo. UBU; Leonor Peña Chocarro. Arqueobotánica. CSIC; José I. Royo Guillén. Técnico arqueólogo. Gobierno de Aragón; Rafael Garrido Pena. Arqueólogo. UAM; Kurt W. Alt. Antropología. Danube Private University; Jesús Garzón Heydt. Director Asociación Trashumancia y Naturaleza; Victor de Castro Sero. Pastor ayudante; Miguel A. Rojo Pérez. Estudiante de medicina; Ramón Costa. Ganadero, pastor. [ES] Vídeo de 5:24 minutos de duración que muestra el making of de los documentales de la serie "El túnel del tiempo" del programa "La aventura del saber" de Televisión Española sobre el proyecto "MEDELCA, la memoria del camino: Ciencia y divulgación de las primeras rutas pecuarias neolíticas en el Pirineo". Incluye rótulos con información del proyecto de investigación y descriptivos de las jornadas de grabación. [EN] 5:24 minutes making of video about the documentaries of the tv program "El túnel del tiempo", "La aventura del saber" of Spanish Television about the project "MEDELCA, the memory of the road: Science and disclosure of the first Neolithic livestock routes in the Pyrenees". The video includes labels with information about the research project and descriptive recording sessions. Agradecimiento especial: Jesús Sesma Sesma, Técnico Gobierno de Navarra; Joaquín Costa. Ganadero; Rubén Vuelta. Incipit, CSIC.-- Técnicos de TVE: Realizador: Adrián Paredes Galiano; Cámaras: Jesús Pérez y Joaquín López; Sonido: Pascual Barraca; Ambientación musical: Pablo Miyar; Sonorización: Javier Llorente. Web de "La aventura del saber": http://www.rtve.es/television/la-aventura-del-saber/ Web del proyecto: http://www.medelca.es/ No

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    Authors: Borges, Carlos;

    Chairman of the Applied Mathematics Department Carlos Borges surveys 100 years of NPS math history.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Criado-Boado, Felipe; Vuelta-Santín, Rubén;

    Investigador principal del proyecto: Felipe Criado Boado.-- Realizador: Rubén Vuelta Santín.-- Técnicos de SIG: Iñaki Villa Indurain; Jorge Canosa Betés.-- Voz en off: Elena Cabrejas Domínguez.-- Revisión versión inglesa: Jon Brokenbrow.-- Agradecimientos: A. César González García; Pastor Fábrega Álvarez.-- Música: "Beer Belly Blues" de John Deley forma parte de la Biblioteca de Audios de YouTube; Big Blues Bed de Audionautix tiene licencia Creative Commons Attribution. Artista: http://audionautix.com . https://creativecommons.org/licenses/by/4.0/ ; "Boogie Woogie Bed" de Audionautix tiene licencia Creative Commons Attribution. Artista: http://audionautix.com . https://creativecommons.org/licenses/by/4.0/.-- Imágenes aéreas: Google Earth. [ES] En la Sierra de Barbanza (Galicia, España) se conserva una de las necrópolis megalíticas más espectaculares de Europa. En este vídeo presentamos una simulación de la organización espacial de un paisaje antiguo, uno de los primeros paisajes construidos por los humanos en Europa occidental. [EN] The Barbanza mountains (Galicia, NW Iberia) contains one of Europe's most spectacular megalithic necropolises. This video shows a simulation of the spatial arrangement of an ancient landscape, one of the first built by humans in Western Europe. No

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    Authors: CSIC - Instituto de Ciencias del Patrimonio (Incipit);

    [ES] En el Instituto de Ciencias del Patrimonio (Incipit) desarrollamos proyectos de investigación interdisciplinar en Patrimonio Cultural, desde la perspectiva de diferentes especialidades y en distintos ámbitos geográficos. Con esta muestra de algunos de los proyectos realizados a lo largo del año 2016 queremos felicitar la Navidad y desear un mejor año 2017. [EN] At the Institute of Heritage Sciences (Incipit) we develop interdisciplinary research projects on Cultural Heritage, from a perspective of different specialities and in different geographical areas. With this display of some of the projects carried out during 2016 we want to congratulate Christmas and wish for a better 2017. Se incluyen dos versiones del vídeo, una en castellano y otra en inglés. -- There are included two versions of the video, one in Spanish and another in English.-- More information about research by INCIPIT can be found at its web site http://www.incipit.csic.es/es/Default.aspx Peer reviewed

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    Authors: Jiménez-Esquinas, Guadalupe; Venditti, Juan Pablo; Vuelta-Santín, Rubén;

    [EN] Since a few years ago the Land Cooperatives of Oia have joined together to raise an alternative management of mount and the archaeological heritage that is in their property, creating Costa dos Castros. It is a project of archaeology from and to the community. In the site of Cano dos Mouros neighbors opted for another type of archaeological intervention that did not involve to excavate: make visible structures, recovering the legends and the oral memory linked and creating events in which strengthen the ties of neighborhood. [ES] Desde hace unos años las CMVMC de Oia se han juntado para plantear una gestión alternativa del monte y del patrimonio arqueológico que se encuentra en su propiedad, creando Costa dos Castros. Se trata de un proyecto de arqueología desde y para la comunidad. En el yacimiento de Cano dos Mouros los vecinos optaron por otro tipo de intervención arqueológica que no implicara escavar: visibilizando las estructuras, recuperando las leyendas y la memoria oral vinculada y creando eventos en los que fortalecer los lazos de vecindad. English subtitles available. No

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    Authors: González-Ruibal, Alfredo; Vuelta-Santín, Rubén;

    [ES] Durante la campaña de 2016 en Somalilandia hemos tenido ocasión de estudiar varios yacimientos arqueológicos que transforman significativamente nuestro conocimiento de la historia del Cuerno de África y del comercio índico en general durante los últimos dos milenios. En esta charla daremos a conocer los principales hallazgos efectuados -desde puestos caravaneros a emporios persas, pasando por un santuario prehistórico- y explicaremos de qué manera nos permitirán cambiar algunas de las perspectivas que hasta ahora se tenían sobre los procesos sociales en la costa africana del Océano Índico. [EN] In the 2016 field season in Somaliland, we have had the opportunity to study several archaeological sites that significantly transform our knowledge of the history of the Horn of Africa and the Indian trade in general during the last two millennia. In this talk of research study, we will make known the main findings made -from posts caravan to Persian emporiums, through a prehistoric sanctuary- and explain how they will allow us to change some of the perspectives that so far had on Social processes on the African coast of the Indian Ocean. No

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    Authors: Sánchez Luque, María; Bote Corralo, Daniel;

    El metraje de “Napoleon: Total War” tiene todos los derechos reservados por SEGA Corporation, SEGA Europe Ltd. y The Creative Assembly Ltd. El resto del metraje se encuentra bajo licencia Creative Commons Reconocimiento-NoComercial-CompartirIgual 4.0. Video from “Napoleon: Total War” has all rights reserved by SEGA Corporation, SEGA Europe Ltd. and The Creative Assembly Ltd. The rest of the footage is under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 license. [ES] Documental sobre la Batalla de Arroyomolinos de la Guerra de Independencia y su recreación actual, en relación a la historia de este pueblo y del King's Own Royal Border Regiment en la ciudad británica de Carlisle. [EN] Documentary about the Arroyo dos Molinos Battle, in the Peninsular war, and its current re-enactment, in relation to this village's history and history of King's Own Royal Border Regiment in Carlisle, UK. [PT] Documentário sobre a Batalha de Arroyomolinos, na Guerra Peninsular, e a sua recreação, en relação à história desta aldeia e do King's Own Royal Border Regiment na cidade britânica de Carlisle. No

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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    Authors: DE GRAAF, Beatrice; RANDERIA, Shalini;

    This contribution was delivered on 6 May 2022 on the occasion of the hybrid 2022 edition of EUI State of the Union on ‘A Europe fit for the next generation?' What can history teach us about the importance of democracy and rule of law as characteristics of European political life? What is at stake? History has often been our guide, offering a benchmark for worst and best practice. In this session, world-leading scholars of Europe, law and democracy, canvas the different contexts in which the rule of law has come under pressure in Europe, whether in the context of security and fighting terror, pitting nationalism against integration, or dealing with Europe’s often violent past. They will also ask: can we learn from the past when we are thinking of the present and future of Europe? What lens should we use to help better understand the authority of the rule of law, the significance of democracy and its alternatives today?

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