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438 Research products

  • 2019-2023
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: David A Byers; Ryan McGrath; Peter Yaworsky; Theresa Popp; +2 Authors

    In this paper, we explore and integrate different currencies that may underlie large-game hunting to guide a trans-Holocene analysis of variation in artiodactyl utilization using massive archaeofaunal data-sets from predominantly open-air sites from the Bonneville and Wyoming basins. The available empirical data continue to suggest that artiodactyls yield consistently higher return rates than lagomorphs allowing us to leverage predictions from both the prey choice and energetic risk-gain models that the relative importance of artiodactyl hunting should scale closely with climate-based change in their abundance on the landscape. We document with modeled climate data that seasonal variables correlated with the relative frequency of artiodactyl hunting, but that summer temperature had a significant overriding effect in both regions. Controlling for the negative relationship between summer temperature and artiodactyl abundances, we then document enhanced artiodactyl hunting in general and bison more specifically during the Fremont period that is consistent with a costly signaling hypothesis and the unique socio-ecological conditions of this context. Thus, climatic variation and its influence on artiodactyl abundances drives the overall trajectory of Holocene large game hunting variation but measurable and more subtle influences of costly signaling are also detected.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Holocene
    Article . 2023
    License: SAGE TDM
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Holocene
      Article . 2023
      License: SAGE TDM
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Aysel Küçüksu;

    AbstractFuelled by an ambition to solve the puzzle of the stark contrast between Denmark’s increasingly negative presence in the international press and its leading performance in European Court of Human Rights (ECtHR) compliance statistics, this article presents the results of a mixed-method study of the country’s domestic human rights’ protection and implementation practices. The story that emerges is not one of compliance, but of proactive prevention with a tinge of strategic risk-taking and prompt implementation. The majority of the Danish action within the compliance sphere takes place before one can even talk about compliance—domestically before the international spotlight is prompted to shine on Denmark by an adverse judgment against it. The article shows how each branch of power has an idiosyncratic way of working towards the prevention of human rights’ breaches. Yet, domestic prevention and international statistics say little about the quality of implementation and human rights’ protection. The article offers a concrete illustration of the blind spots of compliance data in the absence of qualitative research related to domestic practices and proves that there are lessons to be learned from studying even the most exemplary compliers. This makes the Danish case study an important contribution to the broader literature on the ways in which the ECtHR influences states other than through the implementation of judgments. Importantly, it also shows that while the proactive prevention of adverse ECtHR judgments can mean the same as the proactive prevention of human rights’ breaches, this is not always the case.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Human Rig...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Human Rights Practice
    Article . 2023
    License: OUP Standard Publication Reuse
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Human Rig...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Human Rights Practice
      Article . 2023
      License: OUP Standard Publication Reuse
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Hannah Borenstein; Jörg Krieger;

    Since the 1990s, most athletics federations have undertaken sponsorship negotiations with private shoe/apparel corporations. While these deals bring great sums of cash into the sport, some of which trickles down to the athletes, a great deal of it is used to leverage both hard and soft power in different regions of the world. The sponsorship regulations of national athletics federations have been recently politicized because of the ways that they conflict with their individual sponsorship agreements with other companies. Few, however, have examined the historical lineages and concerns for Ethiopian and Kenyan athletes – who come from some of the most cash poor and talent rich regions of the athletics world. This paper charts the historical relations and implications of the changes to commercial development and sponsorship as it pertains to Ethiopia and Kenya to broaden the geopolitical scope on this issue. Drawing on archival material and interviews with athletes and agents, it becomes clear that sponsors had their eyes on far more than outfitting the world’s top distance runners with their logo. Rather, they were after soft power that would enable them greater control in the flow of goods and capital to and within these countries.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao PURE Aarhus Universi...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao PURE Aarhus Universi...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Hussain, Shumon T.; Brusgaard, Nathalie Ø.;

    The Eurasian beaver ( Castor fiber) was an important member of Early and Mid-Holocene landscapes and animal communities in Northern Europe. Previous zooarchaeological research has established the alimentary roles of beavers for Mesolithic societies and their importance for fur procurement. In this paper, we develop an integrated biocultural approach to human-beaver interactions, examining the position of humans and beavers in Mesolithic and Early Neolithic multispecies systems. We contextualize beaver landscape agency in hydroactive environments with human behaviour, synthesizing currently available data on mammalian assemblages, ichtyofauna and beaver-related material culture across Northern Europe. This cross-cultural, diachronic analysis reveals previously overlooked facilitations of human behaviour by beaver practices and ecological legacies. We show that long-term trajectories of human-beaver cohabitation differed between northern European regions. While in Southern Scandinavia, human-beaver intersections witnessed major re-organizations during the Mid-Holocene, beavers retained a key role for human societies across Northeastern Europe throughout much of the Holocene and played an important part at the Mesolithic-Neolithic transition in the Dutch wetlands. Divergent pathways are also evidenced by Mesolithic beaver-related material culture, highlighting the cultural keystone status of Castor fiber in higher latitude European landscapes. We argue that this keystone status is grounded in the supply of human hunting, fishing, and gathering affordances by the animals, pointing to the generative commensality between Mesolithic foragers and their beaver neighbours. Taken together, our findings demonstrate the importance of the beaver in the making of Early and Mid-Holocene forager societies in Northern Europe and illustrate the fruitfulness of deploying an integrated multispecies approach.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Holocene
    Article . 2023
    License: SAGE TDM
    Data sources: Sygma; Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Holocene
      Article . 2023
      License: SAGE TDM
      Data sources: Sygma; Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Charlotte Johanne Fabricius;

    AbstractThe rise of girl protagonists in superhero comics creates a dilemma, since violent girlhood is surrounded by cultural anxieties, yet super‐girls are expected to engage in violence. One of the most popular super‐girls of this century, Ms. Marvel/Kamala Khan, embodies this ambivalence in the fraught intersection of girlhood, racialization, and physical violence. This article investigates the affective economies and haptic line work of the Ms. Marvel series with the aim of discussing the visual strategies used to explore violent girlhood: pauses, lines of orientation, color work, and cuteness as a visual mood.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Journal of Popul...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Journal of Popular Culture
    Article . 2023
    License: Wiley Online Library User Agreement
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Journal of Popul...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Journal of Popular Culture
      Article . 2023
      License: Wiley Online Library User Agreement
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Anders Ravn Sørensen;

    In this article, the author describes how the creation of the Danish maritime museums in 1915 and 2013 – both generously funded by maritime foundations and actors – was perceived by the shipping industry as initiatives that would help market the industry in the eyes of the public. He argues more generally that national maritime museums constitute focal points for disseminating narratives that legitimate maritime activities and establish these activities as symbols of national identities. It is suggested that maritime historians, curators and scholars reflect on the relationship between maritime industry actors and museum exhibition narratives, and consider the interests and capital that potentially underpin museums’ and curators’ decisions.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao International Journa...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    International Journal of Maritime History
    Article . 2023
    License: SAGE TDM
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao International Journa...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      International Journal of Maritime History
      Article . 2023
      License: SAGE TDM
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Martyn Bone;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao American Literary Hi...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    American Literary History
    Article . 2023
    License: OUP Standard Publication Reuse
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao American Literary Hi...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      American Literary History
      Article . 2023
      License: OUP Standard Publication Reuse
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Efram Sera‐Shriar;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of the Histo...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of the History of the Behavioral Sciences
    Article . 2023
    License: Wiley Online Library User Agreement
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of the Histo...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of the History of the Behavioral Sciences
      Article . 2023
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Mark Sedgwick;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Islamic S...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Islamic Studies
    Article . 2023
    License: OUP Standard Publication Reuse
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Islamic S...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Islamic Studies
      Article . 2023
      License: OUP Standard Publication Reuse
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Boel, Bent;

    In the mid-1970s, no Western leader on an official visit to a Soviet Bloc country wasted any thoughts on whether or not to meet a dissident, even in countries where dissidents actually existed. By the late 1980s, such encounters had become part of an almost obligatory ritual. This remarkably swift and dramatic transformation was both preceded and accompanied by a similar change in the relationship between diplomats and dissidents. All of this happened despite considerable resistance on the part of the regimes in the host countries, which sometimes resorted to retaliatory measures, including expulsions. This article examines the role played by the United Kingdom in this normative and practical change. It identifies the different layers of relationships between the British government and Soviet Bloc dissidents, distinguishing between ‘para-contacts’, political contacts, and diplomatic contacts. It shows how political and diplomatic face-to-face contacts with the dissidents increased in frequency and scope during the 1980s, and how ministers’ and diplomats’ contacts furthered each other. Finally, it discusses possible explanations for this change.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Contemporary British...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Article . 2023
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Contemporary British...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: David A Byers; Ryan McGrath; Peter Yaworsky; Theresa Popp; +2 Authors

    In this paper, we explore and integrate different currencies that may underlie large-game hunting to guide a trans-Holocene analysis of variation in artiodactyl utilization using massive archaeofaunal data-sets from predominantly open-air sites from the Bonneville and Wyoming basins. The available empirical data continue to suggest that artiodactyls yield consistently higher return rates than lagomorphs allowing us to leverage predictions from both the prey choice and energetic risk-gain models that the relative importance of artiodactyl hunting should scale closely with climate-based change in their abundance on the landscape. We document with modeled climate data that seasonal variables correlated with the relative frequency of artiodactyl hunting, but that summer temperature had a significant overriding effect in both regions. Controlling for the negative relationship between summer temperature and artiodactyl abundances, we then document enhanced artiodactyl hunting in general and bison more specifically during the Fremont period that is consistent with a costly signaling hypothesis and the unique socio-ecological conditions of this context. Thus, climatic variation and its influence on artiodactyl abundances drives the overall trajectory of Holocene large game hunting variation but measurable and more subtle influences of costly signaling are also detected.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Holocene
    Article . 2023
    License: SAGE TDM
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      The Holocene
      Article . 2023
      License: SAGE TDM
      Data sources: Crossref
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Aysel Küçüksu;

    AbstractFuelled by an ambition to solve the puzzle of the stark contrast between Denmark’s increasingly negative presence in the international press and its leading performance in European Court of Human Rights (ECtHR) compliance statistics, this article presents the results of a mixed-method study of the country’s domestic human rights’ protection and implementation practices. The story that emerges is not one of compliance, but of proactive prevention with a tinge of strategic risk-taking and prompt implementation. The majority of the Danish action within the compliance sphere takes place before one can even talk about compliance—domestically before the international spotlight is prompted to shine on Denmark by an adverse judgment against it. The article shows how each branch of power has an idiosyncratic way of working towards the prevention of human rights’ breaches. Yet, domestic prevention and international statistics say little about the quality of implementation and human rights’ protection. The article offers a concrete illustration of the blind spots of compliance data in the absence of qualitative research related to domestic practices and proves that there are lessons to be learned from studying even the most exemplary compliers. This makes the Danish case study an important contribution to the broader literature on the ways in which the ECtHR influences states other than through the implementation of judgments. Importantly, it also shows that while the proactive prevention of adverse ECtHR judgments can mean the same as the proactive prevention of human rights’ breaches, this is not always the case.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Human Rig...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Journal of Human Rights Practice
    Article . 2023
    License: OUP Standard Publication Reuse
    Data sources: Crossref
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Journal of Human Rig...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Journal of Human Rights Practice
      Article . 2023
      License: OUP Standard Publication Reuse
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Hannah Borenstein; Jörg Krieger;

    Since the 1990s, most athletics federations have undertaken sponsorship negotiations with private shoe/apparel corporations. While these deals bring great sums of cash into the sport, some of which trickles down to the athletes, a great deal of it is used to leverage both hard and soft power in different regions of the world. The sponsorship regulations of national athletics federations have been recently politicized because of the ways that they conflict with their individual sponsorship agreements with other companies. Few, however, have examined the historical lineages and concerns for Ethiopian and Kenyan athletes – who come from some of the most cash poor and talent rich regions of the athletics world. This paper charts the historical relations and implications of the changes to commercial development and sponsorship as it pertains to Ethiopia and Kenya to broaden the geopolitical scope on this issue. Drawing on archival material and interviews with athletes and agents, it becomes clear that sponsors had their eyes on far more than outfitting the world’s top distance runners with their logo. Rather, they were after soft power that would enable them greater control in the flow of goods and capital to and within these countries.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao PURE Aarhus Universi...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao PURE Aarhus Universi...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Hussain, Shumon T.; Brusgaard, Nathalie Ø.;

    The Eurasian beaver ( Castor fiber) was an important member of Early and Mid-Holocene landscapes and animal communities in Northern Europe. Previous zooarchaeological research has established the alimentary roles of beavers for Mesolithic societies and their importance for fur procurement. In this paper, we develop an integrated biocultural approach to human-beaver interactions, examining the position of humans and beavers in Mesolithic and Early Neolithic multispecies systems. We contextualize beaver landscape agency in hydroactive environments with human behaviour, synthesizing currently available data on mammalian assemblages, ichtyofauna and beaver-related material culture across Northern Europe. This cross-cultural, diachronic analysis reveals previously overlooked facilitations of human behaviour by beaver practices and ecological legacies. We show that long-term trajectories of human-beaver cohabitation differed between northern European regions. While in Southern Scandinavia, human-beaver intersections witnessed major re-organizations during the Mid-Holocene, beavers retained a key role for human societies across Northeastern Europe throughout much of the Holocene and played an important part at the Mesolithic-Neolithic transition in the Dutch wetlands. Divergent pathways are also evidenced by Mesolithic beaver-related material culture, highlighting the cultural keystone status of Castor fiber in higher latitude European landscapes. We argue that this keystone status is grounded in the supply of human hunting, fishing, and gathering affordances by the animals, pointing to the generative commensality between Mesolithic foragers and their beaver neighbours. Taken together, our findings demonstrate the importance of the beaver in the making of Early and Mid-Holocene forager societies in Northern Europe and illustrate the fruitfulness of deploying an integrated multispecies approach.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    The Holocene
    Article . 2023
    License: SAGE TDM
    Data sources: Sygma; Crossref
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