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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ainiala, Terhi; Jokela, Salla; Tarvainen, Jenny; Jantunen, Jarmo;

    The article focuses on digital discourses related to Helsinki, Espoo and Vantaa, the three biggest municipalities in Finland’s capital region. The data consist of texts from the discussion forum of Suomi24 that was analysed to find out how forum users produce socio-spatial distinctions by categorizing some groups as ‘others’ thus differentiating in-groups and out-groups. The analysis used methods of comprised corpus assisted discourse studies (CADS), including collocation analysis. The results show that discourses related both to native and non-native Helsinkians and to those living in the capital region in contrast to those living elsewhere in Finland are common and the juxtapositions between various groups are repeatedly constructed.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Tampere University: ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Tampere University: ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Aestheticization is a pervasive force in consumer culture (Featherstone 2002); it is central to the invention and reinvention of symbolic resources that structure current market economies (Reckwitz 2017). A recent example with a complex nexus of consumption, identity, politics and nostalgia, is the reinvention of ‘Nordicness’ and ‘The Nordic Lifestyle’, with sub-fields such as (New) Nordic Cuisine, (New) Nordic Design and (New) Nordic Cinema (Leer 2016, Andersen et al. 2019, Skou and Munch 2016). This paper investigates the aestheticization of ‘The Nordic Way of Life’ as commodified and marketed in the form of the magazine Oak - The Nordic Journal. Akademisk kvarter | Academic Quarter, No 19 (2019): Æstetisering | Aestheticization

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Akademisk Kvarter
    Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Akademisk Kvarter
      Article . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Christensen, Jørgen Riber;

    The case of the article is six of Charles Dickens’ articles based on his walks in London. The theoretical approach of the article is Heidegger’s conception of poiesis, in particular his central concept Geschehnis der Wahrheit (unconcealment of truth), which is regarded as a notable element of Dickens’ wish for social reform and his societal critique. This has the context of Dickens’ work as a reporter and editor of his periodicals Household Words and All the Year Round. The article demonstrates how the walks as poiesis gave rise to what it calls a topographical narrative structure. In the article it is argued that poiesis in the form of walking was central to Dickens’ social critique as it was manifest in his journalism. Akademisk kvarter | Academic Quarter, Gå | Walk, Vol. 18

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Akademisk Kvarterarrow_drop_down
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    Akademisk Kvarter
    Article . 2019
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Akademisk Kvarterarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Akademisk Kvarter
      Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kirk, Jens; Christensen, Jørgen Riber; Rainsford, Dominic;

    The article will address the cultural history of walking, and it will critically discuss the creative potentials of walking as it argues that the Romantic walk is not the only feature of this. Here the Situationist concept and method of the dérive with its urban settings will supplement the Romantic walk, and various cases of both are included in the article, just as psychogeography, geocriticism and literary samples of these movements illustrate the cognitive synergy they have with walking. Finally, the article will introduce the major scholarly publications about walking. Akademisk kvarter | Academic Quarter, Gå | Walk, Vol. 18

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Akademisk Kvarter
    Article . 2019
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Akademisk Kvarter
      Article . 2019
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jensen, Tanja Ryberg; Høyer, Therese; Spaten, Ole Michael;

    The aim of this article is to provide a link between narrative therapy and coaching and furthermore highlight distinctions and similarities between the two. The theory behind narrative therapy and narrative coaching will be further detailed with a focus on Michael Whites contributions. Next we will describe how externalizing conversations can be practised within narrative therapy and coaching and commonly used tools and techniques will be introduced, in an attempt to outline distinctions and similarities between the two helping relations. Finally, we will discuss narrative therapy in a coaching context, built around 13 statements, thereby trying to distinguish boundaries, distinctions and similarities between narrative therapy and coaching. Coaching Psykologi - The Danish Journal of Coaching Psychology, Årg. 7 Nr. 1 (2018)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Coaching Psykologi: ...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Coaching Psykologi: ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Spaten, Ole Michael;

    This article presents similarities and differences between psychotherapy, coaching psychology and coaching, and hence discusses boundaries between these diverse fields of practice. The article will cover prevailing arguments and descriptions in the scientific community, and major differences in relation to the application in daily practice. Similarities and differences are discussed in the light of scientific research and different theoretical perspectives, including both classic and recent scholars. Main differences are; the clinical/non-clinical perspective and educational differences. Finally, some central concepts from the fields are presented in a table for a proposal of distinctions and interfaces. A comprehensive education in combination with an understanding of the differences and similarities between the three intervention forms is of significant importance for the professional working in either of the fields. Coaching Psykologi - The Danish Journal of Coaching Psychology, Årg. 7 Nr. 1 (2018)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
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    Authors: Sklar, Howard Gregory;

    Philip Roth’s 2004 novel The Plot Against America famously imagines what America might have been like had the aviator Charles Lindbergh, a Nazi sympathizer, won the 1940 election for President of the United States. That alternate history is focalized through the experiences of Roth as a young boy – or those that the author-as-character has conceived within this radically altered world, with the real-world Holocaust as backdrop. By identifying a genuine counter-historical potentiality – one that is grounded in actual anti-Semitic insecurities that prevailed at the time, even in the relatively tranquil American context – Roth’s counter-narrative reimagines his actual past by redefining the significance of his identity as a Jew. At the same time, rather than presenting a portrait of “the American Jewish experience” of the period by conceptualizing Jews and Jewish experience monolithically, Roth manages to embrace the complexities and ambiguities of his search for self-definition, of which his Jewishness remains an enigmatic but essential part. Akademisk kvarter | Academic Quater, For Real

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    Article . 2018
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Birkbak, Andreas;

    Social media are often claimed to be an important new force in pol- itics. One way to investigate such a claim is to follow an early call made in actor-network theory (ANT) to “unscrew” those entities that are assumed to be important and show how they are made up of heterogeneous networks of many different actors (Callon and Latour 1981). In this article I take steps towards unscrewing seven Facebook pages that were used to mobilize citizens for and against road pricing in Copenhagen in 2011-2012. But I encounter the diffi- culty that social media are already explicitly understood in Internet Studies and beyond as facilitating processes where many actors are united despite their differences into some kind of larger force, as expressed in concepts such as the “networked public sphere” (boyd 2010; Ito 2008). This challenges the usefulness of ANT, I argue, because the notion of network is so vague that it can be combined with liberal notions of a singular public sphere (Somers 1995b; 1995a). In order to unscrew social media as a political force, I sug- gest that we need to work through both the assembling of social media networks and attend to corresponding reconstructions of liberal political narratives. As such, I argue for the need to unscrew social media twice, and I take this as an occasion to deal with some of the limitations of ANT when it comes to digital media. Akademisk kvarter | Academic Quarter, Network, Vol. 15

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jensen, Mikkel Bo Brendstrup;

    This paper examines a core tension in the political television serial The Wire (2002-2008). While several critics have argued that this show is both “bleak” and “systemic” in its portrayal of contemporary society, this paper argues that it is useful to understand these textual elements as building blocks in The Wire’s attempt to create a coherent and consistent political argument. The paper argues that had The Wire been structured as a more uplifting and redeeming story, the systemic nature of its societal criticism would be undercut and the show would not embrace the logical consequence of the politics it espouses. Akademisk kvarter | Academic Quarter, Network, Vol. 15

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    Article . 2017
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Jensen, Hanne Louise; Jørgensen, Anja;

    Abstract This article traces the life and influence of the 1925th Chicagomap produced by Ernest Watson Burgess. The map was produced as part of the work of the Chicago school of Sociology evolving around identifying and decoding the various types of local communities and identifying zones characterized by less attachment and community. Once produced the 1925th Chicagomap and the thoughts behind it gets a life of their own. This article examine how the map and the thoughts behind it occur in different geographical contexts, amongst various urban scholars and in newer research regarding the relation between local attachment and residential location, and the article concludes that the performativity of the map is very potent as it works by inspiring and supporting new maps as well as being a partner in conflicting dialog. Geoforum Perspektiv, Vol 15 No 27 (2016): Performative maps

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    Article . 2016
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ainiala, Terhi; Jokela, Salla; Tarvainen, Jenny; Jantunen, Jarmo;

    The article focuses on digital discourses related to Helsinki, Espoo and Vantaa, the three biggest municipalities in Finland’s capital region. The data consist of texts from the discussion forum of Suomi24 that was analysed to find out how forum users produce socio-spatial distinctions by categorizing some groups as ‘others’ thus differentiating in-groups and out-groups. The analysis used methods of comprised corpus assisted discourse studies (CADS), including collocation analysis. The results show that discourses related both to native and non-native Helsinkians and to those living in the capital region in contrast to those living elsewhere in Finland are common and the juxtapositions between various groups are repeatedly constructed.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Tampere University: ...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Aestheticization is a pervasive force in consumer culture (Featherstone 2002); it is central to the invention and reinvention of symbolic resources that structure current market economies (Reckwitz 2017). A recent example with a complex nexus of consumption, identity, politics and nostalgia, is the reinvention of ‘Nordicness’ and ‘The Nordic Lifestyle’, with sub-fields such as (New) Nordic Cuisine, (New) Nordic Design and (New) Nordic Cinema (Leer 2016, Andersen et al. 2019, Skou and Munch 2016). This paper investigates the aestheticization of ‘The Nordic Way of Life’ as commodified and marketed in the form of the magazine Oak - The Nordic Journal. Akademisk kvarter | Academic Quarter, No 19 (2019): Æstetisering | Aestheticization

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    Article . 2019
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Christensen, Jørgen Riber;

    The case of the article is six of Charles Dickens’ articles based on his walks in London. The theoretical approach of the article is Heidegger’s conception of poiesis, in particular his central concept Geschehnis der Wahrheit (unconcealment of truth), which is regarded as a notable element of Dickens’ wish for social reform and his societal critique. This has the context of Dickens’ work as a reporter and editor of his periodicals Household Words and All the Year Round. The article demonstrates how the walks as poiesis gave rise to what it calls a topographical narrative structure. In the article it is argued that poiesis in the form of walking was central to Dickens’ social critique as it was manifest in his journalism. Akademisk kvarter | Academic Quarter, Gå | Walk, Vol. 18

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    Article . 2019
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    Authors: Kirk, Jens; Christensen, Jørgen Riber; Rainsford, Dominic;

    The article will address the cultural history of walking, and it will critically discuss the creative potentials of walking as it argues that the Romantic walk is not the only feature of this. Here the Situationist concept and method of the dérive with its urban settings will supplement the Romantic walk, and various cases of both are included in the article, just as psychogeography, geocriticism and literary samples of these movements illustrate the cognitive synergy they have with walking. Finally, the article will introduce the major scholarly publications about walking. Akademisk kvarter | Academic Quarter, Gå | Walk, Vol. 18

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    Article . 2019
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    Authors: Jensen, Tanja Ryberg; Høyer, Therese; Spaten, Ole Michael;

    The aim of this article is to provide a link between narrative therapy and coaching and furthermore highlight distinctions and similarities between the two. The theory behind narrative therapy and narrative coaching will be further detailed with a focus on Michael Whites contributions. Next we will describe how externalizing conversations can be practised within narrative therapy and coaching and commonly used tools and techniques will be introduced, in an attempt to outline distinctions and similarities between the two helping relations. Finally, we will discuss narrative therapy in a coaching context, built around 13 statements, thereby trying to distinguish boundaries, distinctions and similarities between narrative therapy and coaching. Coaching Psykologi - The Danish Journal of Coaching Psychology, Årg. 7 Nr. 1 (2018)

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    Authors: Spaten, Ole Michael;

    This article presents similarities and differences between psychotherapy, coaching psychology and coaching, and hence discusses boundaries between these diverse fields of practice. The article will cover prevailing arguments and descriptions in the scientific community, and major differences in relation to the application in daily practice. Similarities and differences are discussed in the light of scientific research and different theoretical perspectives, including both classic and recent scholars. Main differences are; the clinical/non-clinical perspective and educational differences. Finally, some central concepts from the fields are presented in a table for a proposal of distinctions and interfaces. A comprehensive education in combination with an understanding of the differences and similarities between the three intervention forms is of significant importance for the professional working in either of the fields. Coaching Psykologi - The Danish Journal of Coaching Psychology, Årg. 7 Nr. 1 (2018)

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    Authors: Sklar, Howard Gregory;

    Philip Roth’s 2004 novel The Plot Against America famously imagines what America might have been like had the aviator Charles Lindbergh, a Nazi sympathizer, won the 1940 election for President of the United States. That alternate history is focalized through the experiences of Roth as a young boy – or those that the author-as-character has conceived within this radically altered world, with the real-world Holocaust as backdrop. By identifying a genuine counter-historical potentiality – one that is grounded in actual anti-Semitic insecurities that prevailed at the time, even in the relatively tranquil American context – Roth’s counter-narrative reimagines his actual past by redefining the significance of his identity as a Jew. At the same time, rather than presenting a portrait of “the American Jewish experience” of the period by conceptualizing Jews and Jewish experience monolithically, Roth manages to embrace the complexities and ambiguities of his search for self-definition, of which his Jewishness remains an enigmatic but essential part. Akademisk kvarter | Academic Quater, For Real

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    Authors: Birkbak, Andreas;

    Social media are often claimed to be an important new force in pol- itics. One way to investigate such a claim is to follow an early call made in actor-network theory (ANT) to “unscrew” those entities that are assumed to be important and show how they are made up of heterogeneous networks of many different actors (Callon and Latour 1981). In this article I take steps towards unscrewing seven Facebook pages that were used to mobilize citizens for and against road pricing in Copenhagen in 2011-2012. But I encounter the diffi- culty that social media are already explicitly understood in Internet Studies and beyond as facilitating processes where many actors are united despite their differences into some kind of larger force, as expressed in concepts such as the “networked public sphere” (boyd 2010; Ito 2008). This challenges the usefulness of ANT, I argue, because the notion of network is so vague that it can be combined with liberal notions of a singular public sphere (Somers 1995b; 1995a). In order to unscrew social media as a political force, I sug- gest that we need to work through both the assembling of social media networks and attend to corresponding reconstructions of liberal political narratives. As such, I argue for the need to unscrew social media twice, and I take this as an occasion to deal with some of the limitations of ANT when it comes to digital media. Akademisk kvarter | Academic Quarter, Network, Vol. 15

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    Authors: Jensen, Mikkel Bo Brendstrup;

    This paper examines a core tension in the political television serial The Wire (2002-2008). While several critics have argued that this show is both “bleak” and “systemic” in its portrayal of contemporary society, this paper argues that it is useful to understand these textual elements as building blocks in The Wire’s attempt to create a coherent and consistent political argument. The paper argues that had The Wire been structured as a more uplifting and redeeming story, the systemic nature of its societal criticism would be undercut and the show would not embrace the logical consequence of the politics it espouses. Akademisk kvarter | Academic Quarter, Network, Vol. 15

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    Authors: Jensen, Hanne Louise; Jørgensen, Anja;

    Abstract This article traces the life and influence of the 1925th Chicagomap produced by Ernest Watson Burgess. The map was produced as part of the work of the Chicago school of Sociology evolving around identifying and decoding the various types of local communities and identifying zones characterized by less attachment and community. Once produced the 1925th Chicagomap and the thoughts behind it gets a life of their own. This article examine how the map and the thoughts behind it occur in different geographical contexts, amongst various urban scholars and in newer research regarding the relation between local attachment and residential location, and the article concludes that the performativity of the map is very potent as it works by inspiring and supporting new maps as well as being a partner in conflicting dialog. Geoforum Perspektiv, Vol 15 No 27 (2016): Performative maps

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    Geoforum Perspektiv
    Article . 2016
    Data sources: DOAJ
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Aalborg University R...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Geoforum Perspektiv
      Article . 2016
      Data sources: DOAJ
      addClaim

      This Research product is the result of merged Research products in OpenAIRE.

      You have already added works in your ORCID record related to the merged Research product.