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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Murphy, James;

    This presentation captured the School of Culinary Arts & Food Technology, TU Dublin Awards Ceremony 2023 held in the Central Quad building on it's Grangegorman Campus, Dublin 7. The awards ceremony celebrate the magnificent achievements of the students and staff across their professional practice, new publications, research, National and International competitions, seminars, conferences and community engagement. These achievements would not be possible without the active and ongoing support of the school's sponsors (who are highlighted in this presentation). The school also remembers colleagues, students and industry figures who sadly passed away in the last year. If you interested in supporting the school or undertaking one of it's award winning courses just contact email: scaft@tudublin.ie

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Murphy, James;

    The School of Culinary Arts and Food Technology, TU Dublin, Autumn Edition Newsletter captured the many events, research, awards, significant contributions and special civic and community activities which the students and staff members of the school have successfully completed up to the Autumn period of 2023. The successful completion of these activities would not be possible without the active and on-going support of the 'INSPIRED' friends of Culinary Arts (school supporters) and our school's industry association supporters. If you would like to support our school and the next Generation of Food, Culinary and Horticulture students, contact us at e: scaft@tudublin.ie

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Arrow@TU Dublinarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Capan, Virna;

    The topic of this thesis is the Rivers and tourist infrastructure in the City of Karlovac, therefore the first part of the thesis describes the City of Karlovac, it's geographical location, traffic connections with other cities and the history of the city's origin. Then there is a list of rivers of Karlovac with description in detail, and there is a list of the bridges and beaches on each river. Then the tourist attractions in the city are listed and shown on the map. The connection of tourist attractions with promenades that extend through the city and along the rivers was observed. The General urban development plan for ŠRC Korana is described, which if realized, would expand the city's tourist offer and would improve the unused space along the bank of the river Korana. In the last part of the thesis, a SWOT analysis was made in order to get a detailed insight into the strengths, weaknesses, opportunities and threats that affect the development of tourism and the tourist infrastructure od the City of Karlovac. Finally, the conclusion of the entire work is written in the end. Tema ovog diplomskog rada su Rijeke i turistička infrastruktura Grada Karlovca, stoga je u prvom dijelu rada opisan Grad Karlovac, njegov geografski položaj, prometna povezanost s drugim gradovima te povijest nastanka grada. Zatim su nabrojane i detaljno opisane karlovačke rijeke, navedeni su mostovi i kupališta koji se nalaze na rijekama. Također je naglašen problem poplava te su prikazana moguća poplavna područja uz rijeke. Zatim su navedene i na mapi prikazane turističke atrakcije u gradu. Uočena je povezanost turističkih atrakcija šetnicama koje se prostiru kroz grad i uz rijeke. Opisan je Generalni urbanistički plan uređenja ŠRC Korana koji bi, ako se realizira, proširio turističku ponudu grada te bi se uredio neiskorišten prostor uz obalu rijeke Korane. U zadnje dijelu rada je napravljena SWOT analiza kako bi se dobio detaljan uvid u snage, slabosti, prilike i prijetnje koje utječu na razvoj turizma i turističku infrastrukturu grada Karlovca. Za kraj, napisan je zaključak cijelog rada.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of the Un...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Andrault, Raphaële; Bras, Anatole Le; Chauvière, Michel; Francatel, Laurent; +4 Authors

    Alors que le travail social cède aujourd’hui la place à l’intervention sociale, et que le changement de terminologie peut apparaître comme un marqueur du changement des pratiques, la question de son histoire est plus que jamais d’actualité. Que l’on s’attache aux évolutions législatives ou aux changements qui ont lieu au cœur des institutions concernées, ce sont autant de disciplines et de méthodes à l’œuvre dans la recherche académique. Si l’histoire, la sociologie ou la philosophie sont mises à contribution pour tenter de dessiner les linéaments de ce domaine, situé à bien des carrefours, comment utiliser et concilier les méthodes, les apports et les réflexions de chacune ? À quelle finalité peut ou doit répondre cette recherche et à qui peut-elle s’adresser ? À cela viennent s’ajouter la parole, les écrits, la place parfois tue ou revendiquée des principaux acteurs et actrices de cette histoire : usagers, professionnels et professionnelles. Comment la recherche peut-elle faire droit à la foule de ces expériences vécues dans et en dehors des institutions ? At a time when social work is being superseded by social intervention, and when changes in terminology can be seen as an indicator of changing practices, the issue of its history is more topical than ever. Whether we focus on legislative developments or the changes taking place at the heart of the institutions concerned, these are all disciplines and methods involved in academic research. While history, sociology and philosophy are all called upon to try and sketch the outlines of this field, which lies at the crossroads of many disciplines, how can the methods, contributions and reflections of each be used and combined? What purpose can or should this research serve, and who might it be for? Then there are the words, the writings and the sometimes tacit or asserted position of the main players in this story: users and professionals. How can research take into account the wealth of experience that exists both inside and outside institutions?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenEditionarrow_drop_down
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    OpenEdition
    Other ORP type . 2023
    Data sources: OpenEdition
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      OpenEdition
      Other ORP type . 2023
      Data sources: OpenEdition
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Boell, Sebastian Karl; Philipson, Graeme; Thorne, Peter; Riemer, Kai; +2 Authors

    This report provides insights into lasting factors that have enhanced or impeded innovations in information and communication technologies (ICT) in Australia over six decades. The study conceives of innovation as the entire process from conception of ideas to their commercial success in the market. The report summarises observations from 42 outstanding individuals in the Australian ICT sector, each admitted into the Pearcey Hall of Fame. The Pearcey Foundation’s Hall of Fame recognizes outstanding life-time contribution to ICT in Australia in business, research, the media and government. The study analyses key aspects collectively recognized by this outstanding group of individuals. It provides insights on factors that shaped ICT innovations in Australia, positive as well as negative, from the 1950s to the 2020s. Key insights into long-term strategies for a future-looking agenda supporting successful innovations in ICT in Australia are: • Insight 1 provides an overview of key stakeholders identified as important to the landscape underpinning ICT innovation in Australia. • Insight 2 presents a framework dissecting the interactions of four aspects important to the wider ecosystem underpinning ICT innovation in Australia: (1) education and basic research; (2) the development of novel ICT-based solutions to challenges in organisations and society; (3) the commercialisation of ideas into products and services; and (4) successful scaling up of Australian innovations in a national and global marketplace. • Insight 3 analyses how government initiatives including tax incentives, re-search funding, programs, and other support mechanisms are seen as being effective or limiting in providing lasting support for the Australian innovation ecosystem for ICT. • Insight 4 unpacks one aspect currently not sufficiently considered in policy: the role of government as customer supporting innovations in ICT in Australia. • Insight 5 analyses the different roles that varying levels of government have in supporting ICT innovations in Australia. Notably the federal government, state governments, as well as local government all play important but distinct roles in supporting ICT innovation in Australia, that future policy will need to take into consideration. • Insight 6 investigates in detail issues regarding the university-industry nexus, an area identified by numerous participants as requiring particular attention for strengthening ICT innovation in Australia.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Sydney eScholarshiparrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Kévin Roger; David Fiala;

    Programme des journées 2023 du cluster 6 Biblissima+ (3-4 octobre 2023, Bibliothèque musicale La Grange-Fleuret, Paris)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Zajc, Ivana;

    In the paper we propose a new paradigm for teaching literature, language and history in cross-border territories from the point of view of cross-border didactics and cross-curricular collaboration at the higher elementary school level. Based on the CoBLaLT model, we propose interdisciplinar activities for students of two cross-border classes on both sides of the Slovenian-Italian border, who, while studying picture books written in Slovenian, meet via online platforms and live. They get to know each other, learn the languages of other students, experience literature and the art of illustration, and above all experience the complex history of the area where they live.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of Univer...arrow_drop_down
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    Authors: van der Heijden, T.;

    How can we document analogue media technologies, like historical film and sound recording technologies, and the tacit knowledge involved in their practices of use? What role can digital technologies – like 3D and 360-degree photography – play in preserving media heritage? Tim van der Heijden (Open University of the Netherlands) discusses these questions while reflecting on the CRAFTED-DEMA dataset recently published on Europeana.eu.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Open University of t...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Open University of t...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Authors: Klehm, Carla Elizabeth;

    Project Name: Black Mesa Skydio 2+ Tests Project Location: Oklahoma, US Project Dates: 26-27 October 2022 Black Mesa Skydio Tests evaluated the utility of the Skydio 2+, an entry-level RBG drone, for applications in data documentation for archaeology and related field-based sciences. The Skydio 2+ has the built-in capability for object avoidance (greater than 1.27 cm) and autonomous flight planning of a user-defined volumetric study area. The project focused on testing the Skydio 2+ for basic photogrammetric documentation in remote, vegetated, and GPS-denied environments, using documentation scenarios carried out in Black Mesa, Oklahoma. The Black Mesa case study focused on a set of remote rock art sites situated around Black Mesa, located in the far western edge of the panhandle of Oklahoma. The goals of the test flights were to: 1) explore hazardously located, hard-to-document features where sUAS photogrammetry would be challenging, if not impossible; 2) attempt sUAS photogrammetry where handheld photographs would be too time-intensive to be deployed, and/or the overall context would be lost; and 3) to create and execute mission plans in the field without additional data or prior knowledge of the areas. We designed flights and built models of petroglyphs (carved rock art) that are located on freestanding boulders, along cliff faces, and within shallow caves, to explore a variety of scenarios and environments. We also captured an archaeological site that was located on a distant, hard-to access cliff promontory to explore the capabilities for a more remote launch site, with both flight planning and data acquisition conducted from a distance. The Black Mesa case study used the Skydio 2+, with a Sony IMX577 1/2.3” 12.3MP CMOS camera and 3.7 mm lens. Flight planning was conducted using 3D Scan. All flights used 80% overlap, 70% sidelap, and the 3D Capture Scan Mode for their settings. Flights took place on October 26-27, 2022 between the morning and early evening, during light-to-moderate (<20 mph) wind conditions in which flying is feasible. Between five and seven pillars were set for each flight, with flight times ranging from 10-16 minutes in length. Imagery was processed using Agisoft Metashape Professional 1.8.0. Parameters for the depth map generation included selecting a high-quality model with a mild filtering mode, and 16 set for the max number of neighbors. The sparse point cloud was cleaned up and reprocessed to remove extraneous points before building the dense point cloud. Related archived materials can be found at 10.5281/zenodo.8381408 (boulder images and products stripped of geolocation data) and 10.5281/zenodo.8381404 (additional images and videos from the project).

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    Authors: Poslon, Andrea;

    The subject of this graduate thesis is the constitutional protection of cultural property. At the very beginning, we are talking about the constitutional complaint, the deadline for bringing the lawsuit, etc. The fundamental law that governs the issue of cultural property is the Law on the protection and preservation of cultural property. In order to get a broader picture of how to protect cultural property, it is necessary to mention other regulations that are key to cultural property, so in addition to the basic law, the Constitution of the Republic of Croatia, which guarantees the preservation and protection of cultural property, is also important. Equally important is the Law on spatial planning, which in its spatial planning objectives also states the protection of cultural assets and values. And finally, judicial practice is very important to us, which is an indicator of the implementation of the constitutional protection of cultural property. Tema ovoga diplomskoga rada je ustavnosudska zaštita kulturnih dobara. U samom početku govorimo o ustavnoj tužbi, o roku za donošenje tužbe itd. Temeljni zakon koji uređuje pitanje kulturnih dobara je Zakon o zaštiti i očuvanju kulturnih dobara. Kako bismo dobili neku širu sliku u tome kako zaštititi kulturna dobra potrebno je navesti i druge propise koji su ključni za kulturna dobra, pa pored temeljnog zakona je bitan i Ustav Republike Hrvatske koji jamči očuvanje i zaštitu kulturnih dobara. Isto tako je bitan i Zakon o prostornom uređenju koji u svojim ciljevima prostornog uređenja također navodi zaštitu kulturnih dobara i vrijednosti. Sudska praksa je dobar pokazatelj provođenja ustavnosudske zaštite kulturnih dobara.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Murphy, James;

    This presentation captured the School of Culinary Arts & Food Technology, TU Dublin Awards Ceremony 2023 held in the Central Quad building on it's Grangegorman Campus, Dublin 7. The awards ceremony celebrate the magnificent achievements of the students and staff across their professional practice, new publications, research, National and International competitions, seminars, conferences and community engagement. These achievements would not be possible without the active and ongoing support of the school's sponsors (who are highlighted in this presentation). The school also remembers colleagues, students and industry figures who sadly passed away in the last year. If you interested in supporting the school or undertaking one of it's award winning courses just contact email: scaft@tudublin.ie

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    Authors: Murphy, James;

    The School of Culinary Arts and Food Technology, TU Dublin, Autumn Edition Newsletter captured the many events, research, awards, significant contributions and special civic and community activities which the students and staff members of the school have successfully completed up to the Autumn period of 2023. The successful completion of these activities would not be possible without the active and on-going support of the 'INSPIRED' friends of Culinary Arts (school supporters) and our school's industry association supporters. If you would like to support our school and the next Generation of Food, Culinary and Horticulture students, contact us at e: scaft@tudublin.ie

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    Authors: Capan, Virna;

    The topic of this thesis is the Rivers and tourist infrastructure in the City of Karlovac, therefore the first part of the thesis describes the City of Karlovac, it's geographical location, traffic connections with other cities and the history of the city's origin. Then there is a list of rivers of Karlovac with description in detail, and there is a list of the bridges and beaches on each river. Then the tourist attractions in the city are listed and shown on the map. The connection of tourist attractions with promenades that extend through the city and along the rivers was observed. The General urban development plan for ŠRC Korana is described, which if realized, would expand the city's tourist offer and would improve the unused space along the bank of the river Korana. In the last part of the thesis, a SWOT analysis was made in order to get a detailed insight into the strengths, weaknesses, opportunities and threats that affect the development of tourism and the tourist infrastructure od the City of Karlovac. Finally, the conclusion of the entire work is written in the end. Tema ovog diplomskog rada su Rijeke i turistička infrastruktura Grada Karlovca, stoga je u prvom dijelu rada opisan Grad Karlovac, njegov geografski položaj, prometna povezanost s drugim gradovima te povijest nastanka grada. Zatim su nabrojane i detaljno opisane karlovačke rijeke, navedeni su mostovi i kupališta koji se nalaze na rijekama. Također je naglašen problem poplava te su prikazana moguća poplavna područja uz rijeke. Zatim su navedene i na mapi prikazane turističke atrakcije u gradu. Uočena je povezanost turističkih atrakcija šetnicama koje se prostiru kroz grad i uz rijeke. Opisan je Generalni urbanistički plan uređenja ŠRC Korana koji bi, ako se realizira, proširio turističku ponudu grada te bi se uredio neiskorišten prostor uz obalu rijeke Korane. U zadnje dijelu rada je napravljena SWOT analiza kako bi se dobio detaljan uvid u snage, slabosti, prilike i prijetnje koje utječu na razvoj turizma i turističku infrastrukturu grada Karlovca. Za kraj, napisan je zaključak cijelog rada.

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    Authors: Andrault, Raphaële; Bras, Anatole Le; Chauvière, Michel; Francatel, Laurent; +4 Authors

    Alors que le travail social cède aujourd’hui la place à l’intervention sociale, et que le changement de terminologie peut apparaître comme un marqueur du changement des pratiques, la question de son histoire est plus que jamais d’actualité. Que l’on s’attache aux évolutions législatives ou aux changements qui ont lieu au cœur des institutions concernées, ce sont autant de disciplines et de méthodes à l’œuvre dans la recherche académique. Si l’histoire, la sociologie ou la philosophie sont mises à contribution pour tenter de dessiner les linéaments de ce domaine, situé à bien des carrefours, comment utiliser et concilier les méthodes, les apports et les réflexions de chacune ? À quelle finalité peut ou doit répondre cette recherche et à qui peut-elle s’adresser ? À cela viennent s’ajouter la parole, les écrits, la place parfois tue ou revendiquée des principaux acteurs et actrices de cette histoire : usagers, professionnels et professionnelles. Comment la recherche peut-elle faire droit à la foule de ces expériences vécues dans et en dehors des institutions ? At a time when social work is being superseded by social intervention, and when changes in terminology can be seen as an indicator of changing practices, the issue of its history is more topical than ever. Whether we focus on legislative developments or the changes taking place at the heart of the institutions concerned, these are all disciplines and methods involved in academic research. While history, sociology and philosophy are all called upon to try and sketch the outlines of this field, which lies at the crossroads of many disciplines, how can the methods, contributions and reflections of each be used and combined? What purpose can or should this research serve, and who might it be for? Then there are the words, the writings and the sometimes tacit or asserted position of the main players in this story: users and professionals. How can research take into account the wealth of experience that exists both inside and outside institutions?

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    Authors: Boell, Sebastian Karl; Philipson, Graeme; Thorne, Peter; Riemer, Kai; +2 Authors

    This report provides insights into lasting factors that have enhanced or impeded innovations in information and communication technologies (ICT) in Australia over six decades. The study conceives of innovation as the entire process from conception of ideas to their commercial success in the market. The report summarises observations from 42 outstanding individuals in the Australian ICT sector, each admitted into the Pearcey Hall of Fame. The Pearcey Foundation’s Hall of Fame recognizes outstanding life-time contribution to ICT in Australia in business, research, the media and government. The study analyses key aspects collectively recognized by this outstanding group of individuals. It provides insights on factors that shaped ICT innovations in Australia, positive as well as negative, from the 1950s to the 2020s. Key insights into long-term strategies for a future-looking agenda supporting successful innovations in ICT in Australia are: • Insight 1 provides an overview of key stakeholders identified as important to the landscape underpinning ICT innovation in Australia. • Insight 2 presents a framework dissecting the interactions of four aspects important to the wider ecosystem underpinning ICT innovation in Australia: (1) education and basic research; (2) the development of novel ICT-based solutions to challenges in organisations and society; (3) the commercialisation of ideas into products and services; and (4) successful scaling up of Australian innovations in a national and global marketplace. • Insight 3 analyses how government initiatives including tax incentives, re-search funding, programs, and other support mechanisms are seen as being effective or limiting in providing lasting support for the Australian innovation ecosystem for ICT. • Insight 4 unpacks one aspect currently not sufficiently considered in policy: the role of government as customer supporting innovations in ICT in Australia. • Insight 5 analyses the different roles that varying levels of government have in supporting ICT innovations in Australia. Notably the federal government, state governments, as well as local government all play important but distinct roles in supporting ICT innovation in Australia, that future policy will need to take into consideration. • Insight 6 investigates in detail issues regarding the university-industry nexus, an area identified by numerous participants as requiring particular attention for strengthening ICT innovation in Australia.

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    Authors: Kévin Roger; David Fiala;

    Programme des journées 2023 du cluster 6 Biblissima+ (3-4 octobre 2023, Bibliothèque musicale La Grange-Fleuret, Paris)

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    Authors: Zajc, Ivana;

    In the paper we propose a new paradigm for teaching literature, language and history in cross-border territories from the point of view of cross-border didactics and cross-curricular collaboration at the higher elementary school level. Based on the CoBLaLT model, we propose interdisciplinar activities for students of two cross-border classes on both sides of the Slovenian-Italian border, who, while studying picture books written in Slovenian, meet via online platforms and live. They get to know each other, learn the languages of other students, experience literature and the art of illustration, and above all experience the complex history of the area where they live.

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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repository of Univer...arrow_drop_down
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    Authors: van der Heijden, T.;

    How can we document analogue media technologies, like historical film and sound recording technologies, and the tacit knowledge involved in their practices of use? What role can digital technologies – like 3D and 360-degree photography – play in preserving media heritage? Tim van der Heijden (Open University of the Netherlands) discusses these questions while reflecting on the CRAFTED-DEMA dataset recently published on Europeana.eu.

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