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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    From page 2 to page 6

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    How did and does the fate of refugees unfold in internment camps? The contributors to this book facilitate an extensive engagement with the organized, state led, and forced placement of refugees in the past and present. They show the parallels and differences between the practices and types of internment in different countries - while considering the specific historical contexts. Moreover, they highlight the nexus of relationships and agencies which constitute the camps in question as transitory spaces. The contributions consist of analyses of local phenomena or case studies as well as comparative engagements from an international and/or historical perspective.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social Science Open ...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new insight into how ›diversity‹ is understood and put into action in museums and heritage. Exploring new initiatives and approaches, the book shows how these work - or do not - in practice. By doing so, it highlights ways forward - for research and action - for the future. The fieldwork locations on which this book is based include the Humboldt Forum, the Museum of Islamic Art, the Museum für Naturkunde, and the Memorial to the Murdered Jews of Europe, as well as Berlin streets and protests.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social Science Open ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Gerència d’Àrea d’Economia, Recursos i Promoció Econòmica; Fundació Barcelona Cultura;

    Aprovat entre la Gerència d’Àrea d’Economia, Recursos i Promoció Econòmica i la Fundació Barcelona Cultura el 28-12-2022

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositori Obert de ...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Schindel, Nikolaus (Hrsg.);
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Elektronisches Publi...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Manolova-Voykova, Mariya;

    The paper presents for the first time the imports of Spanish lustreware in Bulgaria. For a long time such ware remained neglected probably because there have been very few finds usually representing an insignificant segment of the ceramic assemblages from medieval settlements. However, to assume a supply of western goods is more than reasonable given the wide trade contacts of the Tarnovo Tsardom and the Dobrudzha Despotate during the 14th c., and the dominant role of the Italian maritime republics in the Black Sea trading region. The targeted search for Spanish imports in several museum collections confirmed their presence in six settlements along the Black Sea coast: Sozopol, Varna, Kastritsi, Kaliakra, the fortresses of Rusokastro and Petrich near Varna. The pottery included in the paper illustrates the 14th to 15th c. imports of the following well known in the European studies subgroups of Valencian production: loza valenciana malagueňa dorada y azul; loza valenciana dorada Pula; loza valenciana dorada clasicá. The presence of some 16th c. post-Valencian products, most probably originating from the workshops of Muel, Saragossa, is also suggested. Most of the examined finds show that Iberian imports, even though just a few, reached Bulgaria between the 1330s and the late 15th c., most likely due to Italian merchants. Numerous written sources prove that the main reason for the active policy followed by Genoa and Venice was the export of cheap cereals and raw materials. There is no explicit information about the import of ceramics but given the connections of the two maritime republics with Spanish ports, especially the Genoese ones, it can be assumed that they supplied luxury lustreware to both Bulgarian lands and cities on the North Black Sea coast.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Български портал за ...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Paap, Iken;

    Bibliografía del sitio arqueológico de Dzehkabtún, Municio de Hopelchén, Campeche, México (compilada por I. Paap)

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    Vasileva, Zheni;

    In the course of rescue archaeological excavations of site 1/1000 at Baba Velika locality, located at the foot of Vrashka chuka in Northwest Bulgaria, the remains of an Early Iron Age site were encountered. This paper is focused on the pottery assemblage found during the rescue archaeological excavations at Vrashka chuka. The study presents the main characteristic of the Early Iron Age pottery found in the features and the general characteristics of the pottery found in the Early Iron Age cultural layer. It also discusses the recognizable shapes and decorative motifs and points out synchronous parallels. The study of the pottery assemblage from Vrashka chuka provided us with the opportunity to shed a new light on the development of the Early Iron Age in Northwest Bulgaria, and especially the district of the modern city of Vidin. The intensive archaeological excavations in recent years have opened a new page in the studies of the Early Iron Age in this part of Bulgaria, which so far was not studied in details.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Български портал за ...arrow_drop_down
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    Philip Verhagen; Bjørn P. Bartholdy;

    This is part 4 of the Rchon statistics course. It continues the basics of statistical testing in R. In this tutorial, we will treat the following statistical testing methods: Mann-Whitney test Kruskal-Wallis test Kolmogorov-Smirnov test Follow the instructions in Instructions Tutorial 4.pdf to start the tutorial. This course was originally created for Archon Research School of Archaeology by Philip Verhagen (Vrije Universiteit Amsterdam) and Bjørn P. Bartholdy (University of Leiden), and consists of an instruction, a tutorial, a test and two datafiles. All content is CC BY-NC-SA: it can be freely distributed and modified under the condition of proper attribution and non-commercial use. How to cite: Verhagen, P. & B.P. Bartholdy, 2022. "Rchon statistics course, part 3". Amsterdam, ARCHON Research School of Archaeology. https://doi.org/10.5281/zenodo.7458108

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ NARCISarrow_drop_down
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    NARCIS
    Other ORP type . 2022
    Data sources: NARCIS
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    ZENODO
    InteractiveResource . 2022
    Data sources: ZENODO
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    Kelty, Christopher M;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ eScholarship - Unive...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    From page 2 to page 6

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    How did and does the fate of refugees unfold in internment camps? The contributors to this book facilitate an extensive engagement with the organized, state led, and forced placement of refugees in the past and present. They show the parallels and differences between the practices and types of internment in different countries - while considering the specific historical contexts. Moreover, they highlight the nexus of relationships and agencies which constitute the camps in question as transitory spaces. The contributions consist of analyses of local phenomena or case studies as well as comparative engagements from an international and/or historical perspective.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social Science Open ...arrow_drop_down
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    The museum and heritage sector has been shaken by debates over how to address colonialism, migration, Islamophobia, LGBTI+ and multiple other forms of difference. This major multi-researcher ethnography of museums and heritage in Berlin provides new insight into how ›diversity‹ is understood and put into action in museums and heritage. Exploring new initiatives and approaches, the book shows how these work - or do not - in practice. By doing so, it highlights ways forward - for research and action - for the future. The fieldwork locations on which this book is based include the Humboldt Forum, the Museum of Islamic Art, the Museum für Naturkunde, and the Memorial to the Murdered Jews of Europe, as well as Berlin streets and protests.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Social Science Open ...arrow_drop_down
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    Gerència d’Àrea d’Economia, Recursos i Promoció Econòmica; Fundació Barcelona Cultura;

    Aprovat entre la Gerència d’Àrea d’Economia, Recursos i Promoció Econòmica i la Fundació Barcelona Cultura el 28-12-2022

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositori Obert de ...arrow_drop_down
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    Schindel, Nikolaus (Hrsg.);
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    Manolova-Voykova, Mariya;

    The paper presents for the first time the imports of Spanish lustreware in Bulgaria. For a long time such ware remained neglected probably because there have been very few finds usually representing an insignificant segment of the ceramic assemblages from medieval settlements. However, to assume a supply of western goods is more than reasonable given the wide trade contacts of the Tarnovo Tsardom and the Dobrudzha Despotate during the 14th c., and the dominant role of the Italian maritime republics in the Black Sea trading region. The targeted search for Spanish imports in several museum collections confirmed their presence in six settlements along the Black Sea coast: Sozopol, Varna, Kastritsi, Kaliakra, the fortresses of Rusokastro and Petrich near Varna. The pottery included in the paper illustrates the 14th to 15th c. imports of the following well known in the European studies subgroups of Valencian production: loza valenciana malagueňa dorada y azul; loza valenciana dorada Pula; loza valenciana dorada clasicá. The presence of some 16th c. post-Valencian products, most probably originating from the workshops of Muel, Saragossa, is also suggested. Most of the examined finds show that Iberian imports, even though just a few, reached Bulgaria between the 1330s and the late 15th c., most likely due to Italian merchants. Numerous written sources prove that the main reason for the active policy followed by Genoa and Venice was the export of cheap cereals and raw materials. There is no explicit information about the import of ceramics but given the connections of the two maritime republics with Spanish ports, especially the Genoese ones, it can be assumed that they supplied luxury lustreware to both Bulgarian lands and cities on the North Black Sea coast.

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    Paap, Iken;

    Bibliografía del sitio arqueológico de Dzehkabtún, Municio de Hopelchén, Campeche, México (compilada por I. Paap)

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    Vasileva, Zheni;

    In the course of rescue archaeological excavations of site 1/1000 at Baba Velika locality, located at the foot of Vrashka chuka in Northwest Bulgaria, the remains of an Early Iron Age site were encountered. This paper is focused on the pottery assemblage found during the rescue archaeological excavations at Vrashka chuka. The study presents the main characteristic of the Early Iron Age pottery found in the features and the general characteristics of the pottery found in the Early Iron Age cultural layer. It also discusses the recognizable shapes and decorative motifs and points out synchronous parallels. The study of the pottery assemblage from Vrashka chuka provided us with the opportunity to shed a new light on the development of the Early Iron Age in Northwest Bulgaria, and especially the district of the modern city of Vidin. The intensive archaeological excavations in recent years have opened a new page in the studies of the Early Iron Age in this part of Bulgaria, which so far was not studied in details.

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    Philip Verhagen; Bjørn P. Bartholdy;

    This is part 4 of the Rchon statistics course. It continues the basics of statistical testing in R. In this tutorial, we will treat the following statistical testing methods: Mann-Whitney test Kruskal-Wallis test Kolmogorov-Smirnov test Follow the instructions in Instructions Tutorial 4.pdf to start the tutorial. This course was originally created for Archon Research School of Archaeology by Philip Verhagen (Vrije Universiteit Amsterdam) and Bjørn P. Bartholdy (University of Leiden), and consists of an instruction, a tutorial, a test and two datafiles. All content is CC BY-NC-SA: it can be freely distributed and modified under the condition of proper attribution and non-commercial use. How to cite: Verhagen, P. & B.P. Bartholdy, 2022. "Rchon statistics course, part 3". Amsterdam, ARCHON Research School of Archaeology. https://doi.org/10.5281/zenodo.7458108

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    InteractiveResource . 2022
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    Kelty, Christopher M;
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