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  • 2020-2024
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  • Assessing the socio-economic impact...

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Stefania Bocconi; Giovanni Caruso; Valeria Piras; Giulia Staggini; +2 Authors

    Il corso online "IA e Robotica: nuove generazioni, nuove visioni" è una delle iniziative che fanno parte del progetto STACY (Secondary TeAcher CommuniTY), coordinato dal Consiglio Nazionale delle Ricerche - Istituto per le Tecnologie Didattiche (CNR-ITD). STACY è uno degli otto progetti del Training Program di RAISE, un'iniziativa finanziata dal Ministero dell'Università e della Ricerca (MUR) per la creazione e il rafforzamento di ecosistemi dell'innovazione tecnologica e digitale, e per la promozione della collaborazione tra il sistema della ricerca, il sistema produttivo e le istituzioni territoriali. La finalità principale del corso è fornire ai docenti metodi e strumenti per stimolare in aula una riflessione critica sui temi dell'Intelligenza Artificiale e della Robotica in visione prospettica, così da permettere agli studenti e alle studentesse di approcciarsi alle nuove tecnologie in maniera consapevole. Qui di seguito gli obiettivi specifici dell'azione formativa suddivisi nei 5 moduli in cui è articolato il corso online. M1 - Introduzione a AI, Robotica e Pensiero Anticipatorio - Acquisire conoscenze di base sull'Intelligenza artificiale (AI) e la Robotica - Conoscere e comprendere le possibili applicazioni dell'AI e della Robotica alla didattica - Acquisire conoscenze di base sui Future Studies e sul concetto di Pensiero Anticipatorio (Anticipatory Thinking) M2 - Perché è importante parlare di futuro - Comprendere le motivazioni per cui si parla di futuro e si promuovono i Future Studies - Riflettere sull'impatto dei Future Studies sull'individuo e sulla società - Conoscere le possibili implicazioni fattuali ed etiche dei Future Studies in vari campi di applicazione M3 - Il Metodo Backcasting - Acquisire competenze di base sul metodo del Backcasting - Comprendere le possibili applicazioni didattiche del metodo del Backcasting M4 - Progettare attività di riflessione prospettica in classe - Progettare una breve attività didattica in grado di stimolare una riflessione critica e prospettica da parte degli studenti sulle applicazioni e le possibili evoluzioni dell'AI&R - Personalizzare la progettazione didattica in base alle esigenze del gruppo classe. M5 - Realizzare in classe l'attività progettata - Condurre e sperimentare in classe l'attività progettata nel modulo precedente; - Valutare le ricadute sugli studenti e sulle studentesse dell'attività condotta in classe.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CNR ExploRAarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    CNR ExploRA
    Other ORP type . 2024
    Data sources: CNR ExploRA
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CNR ExploRAarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      CNR ExploRA
      Other ORP type . 2024
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: sciannella lucia giuditta;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della Ricer...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della Ricer...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sacchetti, Giulia;

    La Quarta Rivoluzione Industriale ha annunciato una serie di trasformazioni culturali, economiche e sociali di profondo rilievo. L’ampia accelerazione tecnologica che stiamo vivendo, indubbiamente, crea un valore enorme, aumentando la produttività e facilitando il benessere collettivo. Tuttavia, la tecnica, oltre a stravolgere il mon- do del lavoro e della produzione, l'organizzazione del si- stema economico e, più in generale, la quotidianità, allo stesso tempo, opera una rivoluzione della coscienza uma- na, della comprensione del mondo interiore ed esteriore degli individui. Le tecnologie digitali non sono soltanto strumenti che si limitano a modificare il modo in cui inte- ragiamo con il mondo, ma sono, soprattutto, sistemi che influenzano sempre di più il modo in cui comprendiamo il mondo e ci rapportiamo ad esso, così come il modo in cui concepiamo noi stessi e interagiamo tra noi. Oggi, in maniera progressivamente accelerata, si dà atto di un’e- rosione sistematica dell’esperienza puramente umana da parte della tecnica, in particolar modo nell’ambito del nascere, vivere e morire. Seppur la tecnologia moltiplichi esponenzialmente le connessioni e le interazioni tra per- sone ed organizzazioni, tuttavia, non ha incoraggiato tendenze che vadano nella direzione del benessere collet- tivo. Inoltre, il processo di deterioramento del sistema va- loriale non ha risparmiato il diritto, fenomeno umano per eccellenza. Pertanto, un sistema che non registra, come in passato, un forte legame tra progresso tecnico-scientifico e creazione di valori che orientino al bene collettivo, ri- chiede l’innovazione parallela dei modelli di pensiero, nonché la ridefinizione delle categorie con le quali i sape- ri umanistici e scientifici approcciano la realtà. A partire dall’analisi di questo contesto, questo contributo afferma l’idea della necessarietà di etica e filosofia quali elemen- ti imprescindibili ai fini della sostenibilità della quarta rivoluzione industriale. I principi etici, invero, educano la collettività ad agire valutando gli effetti delle proprie azioni sulla natura e sugli altri, e nel lungo periodo. L’e- tica, infatti, quale filosofia morale o scienza del bene, stabilisce relazioni strutturali tra l’agire umano e i mezzi per conseguirlo, affinché si mantenga il “bene in sé” quale fine ultimo. The Fourth Industrial Revolution introduced a series of profound cultural, economic and social transformations. The wide technological accele- ration we are experiencing, undoubtedly, creates enormous value, increasing productivity and faci- litating collective well-being. However, technology, in addition to upsetting the world of work and production, the organization of the economic sy- stem and, more generally, everyday life, at the same time, brings a revolution in human consciousness, in the comprehension of the inner and outer world of individuals. Digital technologies are not just to- ols that only change the way we interact with the world, but they are, above all, systems that increa- singly influence the way we understand the world and relate to it, as well as the way we interact with it, the way we conceive of ourselves and interact with each other. Today, in a progressively accelera- ted manner, we face a systematic erosion of purely human experience by technology, especially in the context of being born, living and dying. In particu- lar, although technology exponentially multiplies the connections and interactions between people and organizations, however, it has not encouraged trends that go in the direction of collective well- being. Furthermore, the process of deterioration of the value system has not spared law, a human phe- nomenon par excellence. Therefore, a system that does not register, as in the past, a strong link betwe- en technical-scientific progress and the creation of values that orient towards the collective good, requires the parallel innovation of the models of thought, as well as the redefinition of the catego- ries with which humanities and sciences approach reality. Starting from the analysis of this context, this contribution affirms the idea of the necessity of ethics and philosophy as essential elements for the sustainability of the fourth industrial revolu- tion. Ethical principles, indeed, educate the com- munity to act by evaluating the effects of its actions on nature and on the others, and in the long term. Ethics, in fact, as a moral philosophy or science of good, establishes structural relationships between human action and the means to achieve it, so that "good in itself " is maintained as the ultimate goal.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenstarTsarrow_drop_down
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    OpenstarTs
    Article . 2022
    License: CC BY NC ND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenstarTsarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      OpenstarTs
      Article . 2022
      License: CC BY NC ND
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marchetti, Barbara; Chiti, Edoardo; Rangone, Nicoletta;

    Questo scritto mira a fotografare e analizzare l’affacciarsi delle amministrazioni italiane sul mondo dell’IA, per individuare i processi in corso e alcune tendenze generali. Si considerano tre diversi tipi di amministrazioni: le autorità indipendenti, le smart cities e le amministrazioni centrali. Per ciascun gruppo di amministrazioni, si affrontano le seguenti domande: chi decide, all’interno dell’amministrazione, di ricorrere all’IA? Quali sono i tipi di sistemi che le amministrazioni stanno concretamente sperimentando o utilizzando? Per quali compiti e con quali obiettivi? E chi assicura la sorveglianza della macchina, correggendone gli eventuali difetti di funzionamento? Particolare attenzione è posta, nell’indagine, alle effettive pratiche amministrative e alla realtà giuridica e istituzionale. BioLaw Journal - Rivista di BioDiritto, N. 2 (2022)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: vittoria;

    The digital transition suggests a paradigm shift for the public sector. Are we really overcoming, via digital transition, the paradigm of classical bureaucratic legitimacy? What does it mean to public corruption? The article deals with these challenges using both theoretical and empirical frames.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della ricer...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della ricer...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marco Rao; Laura Lezzi; Anna Rita Germani;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio della ricer...arrow_drop_down
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    Authors: Giuseppe Mincolelli; Michele Marchi; Silvia Imbesi; Filippo Petrocchi; +1 Authors
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Della Vedova, Marco;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    PubliCatt
    Article . 2021
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    PubliCatt
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Pagnutti, Simonetta;

    Sommario 1. Introduzione 3. Progetti 3.1.1 Fonte di finanziamento 3.1.2 Ambiti di ricerca 3.1.3 Repository 3.1.4 Personale 3. Competenze 3.1.1 Ambiti 3.1.2 ALTRO 3.1.3 COMPETENZE VERTICALI 3.1.4 SUGGERIMENTI 5. CONCLUSIONI ALLEGATI A. PROGETTI PER AMBITI DI RIFERIMENTO B. RICOGNIZIONE CAWI (COMPUTER ASSISTED WEB INTERVIEW) C. SCHEDE INVIATE PER LA COMPILAZIONE ON-LINE

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ENEA Open Archivearrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ENEA Open Archivearrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ENEA Open Archive
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alessio Fontepiani;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Usiena air - Univers...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Stefania Bocconi; Giovanni Caruso; Valeria Piras; Giulia Staggini; +2 Authors

    Il corso online "IA e Robotica: nuove generazioni, nuove visioni" è una delle iniziative che fanno parte del progetto STACY (Secondary TeAcher CommuniTY), coordinato dal Consiglio Nazionale delle Ricerche - Istituto per le Tecnologie Didattiche (CNR-ITD). STACY è uno degli otto progetti del Training Program di RAISE, un'iniziativa finanziata dal Ministero dell'Università e della Ricerca (MUR) per la creazione e il rafforzamento di ecosistemi dell'innovazione tecnologica e digitale, e per la promozione della collaborazione tra il sistema della ricerca, il sistema produttivo e le istituzioni territoriali. La finalità principale del corso è fornire ai docenti metodi e strumenti per stimolare in aula una riflessione critica sui temi dell'Intelligenza Artificiale e della Robotica in visione prospettica, così da permettere agli studenti e alle studentesse di approcciarsi alle nuove tecnologie in maniera consapevole. Qui di seguito gli obiettivi specifici dell'azione formativa suddivisi nei 5 moduli in cui è articolato il corso online. M1 - Introduzione a AI, Robotica e Pensiero Anticipatorio - Acquisire conoscenze di base sull'Intelligenza artificiale (AI) e la Robotica - Conoscere e comprendere le possibili applicazioni dell'AI e della Robotica alla didattica - Acquisire conoscenze di base sui Future Studies e sul concetto di Pensiero Anticipatorio (Anticipatory Thinking) M2 - Perché è importante parlare di futuro - Comprendere le motivazioni per cui si parla di futuro e si promuovono i Future Studies - Riflettere sull'impatto dei Future Studies sull'individuo e sulla società - Conoscere le possibili implicazioni fattuali ed etiche dei Future Studies in vari campi di applicazione M3 - Il Metodo Backcasting - Acquisire competenze di base sul metodo del Backcasting - Comprendere le possibili applicazioni didattiche del metodo del Backcasting M4 - Progettare attività di riflessione prospettica in classe - Progettare una breve attività didattica in grado di stimolare una riflessione critica e prospettica da parte degli studenti sulle applicazioni e le possibili evoluzioni dell'AI&R - Personalizzare la progettazione didattica in base alle esigenze del gruppo classe. M5 - Realizzare in classe l'attività progettata - Condurre e sperimentare in classe l'attività progettata nel modulo precedente; - Valutare le ricadute sugli studenti e sulle studentesse dell'attività condotta in classe.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ CNR ExploRAarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: sciannella lucia giuditta;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della Ricer...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio della Ricer...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Sacchetti, Giulia;

    La Quarta Rivoluzione Industriale ha annunciato una serie di trasformazioni culturali, economiche e sociali di profondo rilievo. L’ampia accelerazione tecnologica che stiamo vivendo, indubbiamente, crea un valore enorme, aumentando la produttività e facilitando il benessere collettivo. Tuttavia, la tecnica, oltre a stravolgere il mon- do del lavoro e della produzione, l'organizzazione del si- stema economico e, più in generale, la quotidianità, allo stesso tempo, opera una rivoluzione della coscienza uma- na, della comprensione del mondo interiore ed esteriore degli individui. Le tecnologie digitali non sono soltanto strumenti che si limitano a modificare il modo in cui inte- ragiamo con il mondo, ma sono, soprattutto, sistemi che influenzano sempre di più il modo in cui comprendiamo il mondo e ci rapportiamo ad esso, così come il modo in cui concepiamo noi stessi e interagiamo tra noi. Oggi, in maniera progressivamente accelerata, si dà atto di un’e- rosione sistematica dell’esperienza puramente umana da parte della tecnica, in particolar modo nell’ambito del nascere, vivere e morire. Seppur la tecnologia moltiplichi esponenzialmente le connessioni e le interazioni tra per- sone ed organizzazioni, tuttavia, non ha incoraggiato tendenze che vadano nella direzione del benessere collet- tivo. Inoltre, il processo di deterioramento del sistema va- loriale non ha risparmiato il diritto, fenomeno umano per eccellenza. Pertanto, un sistema che non registra, come in passato, un forte legame tra progresso tecnico-scientifico e creazione di valori che orientino al bene collettivo, ri- chiede l’innovazione parallela dei modelli di pensiero, nonché la ridefinizione delle categorie con le quali i sape- ri umanistici e scientifici approcciano la realtà. A partire dall’analisi di questo contesto, questo contributo afferma l’idea della necessarietà di etica e filosofia quali elemen- ti imprescindibili ai fini della sostenibilità della quarta rivoluzione industriale. I principi etici, invero, educano la collettività ad agire valutando gli effetti delle proprie azioni sulla natura e sugli altri, e nel lungo periodo. L’e- tica, infatti, quale filosofia morale o scienza del bene, stabilisce relazioni strutturali tra l’agire umano e i mezzi per conseguirlo, affinché si mantenga il “bene in sé” quale fine ultimo. The Fourth Industrial Revolution introduced a series of profound cultural, economic and social transformations. The wide technological accele- ration we are experiencing, undoubtedly, creates enormous value, increasing productivity and faci- litating collective well-being. However, technology, in addition to upsetting the world of work and production, the organization of the economic sy- stem and, more generally, everyday life, at the same time, brings a revolution in human consciousness, in the comprehension of the inner and outer world of individuals. Digital technologies are not just to- ols that only change the way we interact with the world, but they are, above all, systems that increa- singly influence the way we understand the world and relate to it, as well as the way we interact with it, the way we conceive of ourselves and interact with each other. Today, in a progressively accelera- ted manner, we face a systematic erosion of purely human experience by technology, especially in the context of being born, living and dying. In particu- lar, although technology exponentially multiplies the connections and interactions between people and organizations, however, it has not encouraged trends that go in the direction of collective well- being. Furthermore, the process of deterioration of the value system has not spared law, a human phe- nomenon par excellence. Therefore, a system that does not register, as in the past, a strong link betwe- en technical-scientific progress and the creation of values that orient towards the collective good, requires the parallel innovation of the models of thought, as well as the redefinition of the catego- ries with which humanities and sciences approach reality. Starting from the analysis of this context, this contribution affirms the idea of the necessity of ethics and philosophy as essential elements for the sustainability of the fourth industrial revolu- tion. Ethical principles, indeed, educate the com- munity to act by evaluating the effects of its actions on nature and on the others, and in the long term. Ethics, in fact, as a moral philosophy or science of good, establishes structural relationships between human action and the means to achieve it, so that "good in itself " is maintained as the ultimate goal.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ OpenstarTsarrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Marchetti, Barbara; Chiti, Edoardo; Rangone, Nicoletta;

    Questo scritto mira a fotografare e analizzare l’affacciarsi delle amministrazioni italiane sul mondo dell’IA, per individuare i processi in corso e alcune tendenze generali. Si considerano tre diversi tipi di amministrazioni: le autorità indipendenti, le smart cities e le amministrazioni centrali. Per ciascun gruppo di amministrazioni, si affrontano le seguenti domande: chi decide, all’interno dell’amministrazione, di ricorrere all’IA? Quali sono i tipi di sistemi che le amministrazioni stanno concretamente sperimentando o utilizzando? Per quali compiti e con quali obiettivi? E chi assicura la sorveglianza della macchina, correggendone gli eventuali difetti di funzionamento? Particolare attenzione è posta, nell’indagine, alle effettive pratiche amministrative e alla realtà giuridica e istituzionale. BioLaw Journal - Rivista di BioDiritto, N. 2 (2022)

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