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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria Margherita Mattioda; Alessandra Molino; Lucia Cinato;

    The present paper functions as an introduction to this special issue of mediAzioni, which brings together selected papers presented at the Translating Europe Workshop entitled “L'intelligenza artificiale per la traduzione verso una nuova progettazione didattica?” (3 December 2021), focusing on the pedagogical implications of Artificial Intelligence (AI), with a particular emphasis on Neural Machine Translation (NMT). The article revolves around three main themes. First, it considers the impact of emerging neural technologies on language services, redefining the traditional role of the translator and creating new responsibilities and tasks. Despite the considerable progress that NMT has made compared to previous models, it still has shortcomings that are almost "invisible" because they often lack clear grammatical or morphosyntactic marking. Such errors require a certain cognitive effort to identify, since they involve problems that are less obvious to the untrained eye, such as textuality or inadequacies at the level of discourse. Secondly, the article looks more closely at professional practices, especially those related to pre-editing, post-editing and proofreading. Particular emphasis is placed on the indispensable role of the human in translation workflows that integrate NMT not only at the level of post-editing and text revision, but also at the level of translation project management. Finally, the paper moves on to the implications of NMT for the training of translators and beyond, discussing key insights from the workshop participants regarding future teaching practices at university level. The article concludes by outlining the structure of this special issue and providing a brief synopsis of the collected papers. mediAzioni, Vol. 39 (2023): L'intelligenza artificiale per la traduzione: verso una nuova progettazione didattica?

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    AMS Acta
    Article . 2023
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      AMS Acta
      Article . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Encyclopaideia, Vol. 27 No. 67 (2023)

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Encyclopaideiaarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Encyclopaideia
    Article . 2023
    Data sources: DOAJ
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    PubliCatt
    Article . 2023
    Data sources: PubliCatt
    PubliCatt
    Article . 2023
    Data sources: PubliCatt
    AMS Acta
    Article . 2023
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Encyclopaideiaarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Encyclopaideia
      Article . 2023
      Data sources: DOAJ
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      PubliCatt
      Article . 2023
      Data sources: PubliCatt
      PubliCatt
      Article . 2023
      Data sources: PubliCatt
      AMS Acta
      Article . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Franzoni, Valentina; Biondi, Giulio; Santucci, Valentino; MILANI, Alfredo;

    RITA (Resource for Italian Tests Assessment), is a NLP dataset of academic exam texts written in Italian by second-language learners for obtaining the CEFR certification of proficiency level. RITA dataset is available for automatic processing in CSV and XML format. RITA dataset has been developed under the Italian Ministry of Research under PRIN Project “PHRAME” Grant n.20178XXKFY and directly derived from the CELI Corpus collected in the same PHRAME Project . Informations not included in RITA dataset can be obtained by interactively querying the CELI Corpus at https://apps.unistrapg.it/cqpweb/ Alfredo Milani, Valentina Franzoni, Giulio Biondi, University of Perugia. Valentino Santucci, University for Foreigners of Perugia

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: ZENODO
    ZENODO
    Dataset . 2023
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: ZENODO
      ZENODO
      Dataset . 2023
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gaetano Chiurazzi;

    Taking as a pretext the painting, exhibited in 1910 in Paris, that was signed by J.-R. Boronali but in fact painted by the donkey Lolo, this text aims to discuss the possibility that art can be made by non-human beings. The question is renewed today in the case of Artificial Intelligence, which also is supposed to paint and make art without human intervention. This strange coincidence of artistic production involving animals and Artificial Intelligence is then compared to the issue concerning acheiropoietic images, i.e. images that “have not been painted by human hand”, discussed during the Middle Ages. Like these icons, the works of animals and artificial intelligence enjoy an almost divine status, as they are believed not to have been made by any human being. The thesis supported here is that it is still the human being the one who, in any case, produces works of art, however mediated the process leading to the final product may be. Art is the work of the human, i.e. it is “made by human hand”. Trópos, Vol. 15 No. 1 (2023): Art and Artworks in the Digital Age. Philosophical Perspectives, Artistic Practices

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Spampinato, Concetto; Bellitto, Giovanni;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IRIS - Università de...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ IRIS - Università de...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Zirulia, S.;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: L. Ammannati; G. L. Greco;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Archivio Istituziona...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Davide Gianti;

    The birth of continental and common law traditions was in!uenced by Christian theology and canon law in various ways and through unexpected channels. This circumstance is shared by both and should not be overlooked because of the distinctions between them. On the one hand, the propensity to equate canon law to Roman law that was rediscovered in the early Middle Ages is inaccurate, while the exaltation of the originality of the “common law legal genius” underestimates the primacy of belonging to a common matrix of Christian thinking. In both cases, canon law’s signi"cance is reduced to obscurity; however, above all, an understanding of the role played by theology in creating new paradigms is prevented. This article aims to show how theology and classical canon law, as they were understood between the eleventh and fourteenth centuries, represented the common background used to create two new legal-theological paradigms on the continent and in England: aequitas and conscience. The Cardozo Electronic Law Bulletin, V. 29 N. 1 (2023): The Cardozo Electronic Law Bulletin / Spring-Summer 2023

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
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    Authors: A. Della Bella;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio Istituziona...arrow_drop_down
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    Authors: Bordoni, F;

    Il processo di selezione dei dipendenti da parte dei datori di lavoro privati ha subito negli ultimi trent’anni importanti cambiamenti, che hanno condotto le aziende, specialmente di grandi dimensioni, ad impiegare da tempo in questo ambito strumenti tecnologici connotati da un variabile grado di complessità. Già da alcuni anni vengono gestite in maniera automatizzata, attraverso applicazioni di intelligenza artificiale, alcune fasi del processo di selezione, che può essere inteso come una sequenza ordinata di fasi con cui il datore di lavoro ottiene informazioni sui candidati e decide chi ammettere alle fasi successive, restringendo progressivamente il novero dei potenziali futuri dipendenti fino alla scelta finale. Una volta inquadrate in uno schema di classificazione generale le moltissime diverse applicazioni di intelligenza artificiale in questo campo, è possibile dar conto con maggiore precisione della situazione del mercato italiano e internazionale di software con cui viene operata la selezione automatizzata del personale. È così possibile dar conto dei numerosi rilievi problematici in termini giuridici che riguardano questo tipo di strumenti: in particolare, appaiono fondate le preoccupazioni di possibili pericoli per il diritto alla protezione dei dati personali, per il diritto a non subire discriminazioni e, più in generale, per il diritto al lavoro. Labour & Law Issues, Vol. 9 No. 1 (2023)

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Maria Margherita Mattioda; Alessandra Molino; Lucia Cinato;

    The present paper functions as an introduction to this special issue of mediAzioni, which brings together selected papers presented at the Translating Europe Workshop entitled “L'intelligenza artificiale per la traduzione verso una nuova progettazione didattica?” (3 December 2021), focusing on the pedagogical implications of Artificial Intelligence (AI), with a particular emphasis on Neural Machine Translation (NMT). The article revolves around three main themes. First, it considers the impact of emerging neural technologies on language services, redefining the traditional role of the translator and creating new responsibilities and tasks. Despite the considerable progress that NMT has made compared to previous models, it still has shortcomings that are almost "invisible" because they often lack clear grammatical or morphosyntactic marking. Such errors require a certain cognitive effort to identify, since they involve problems that are less obvious to the untrained eye, such as textuality or inadequacies at the level of discourse. Secondly, the article looks more closely at professional practices, especially those related to pre-editing, post-editing and proofreading. Particular emphasis is placed on the indispensable role of the human in translation workflows that integrate NMT not only at the level of post-editing and text revision, but also at the level of translation project management. Finally, the paper moves on to the implications of NMT for the training of translators and beyond, discussing key insights from the workshop participants regarding future teaching practices at university level. The article concludes by outlining the structure of this special issue and providing a brief synopsis of the collected papers. mediAzioni, Vol. 39 (2023): L'intelligenza artificiale per la traduzione: verso una nuova progettazione didattica?

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    AMS Acta
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Encyclopaideia, Vol. 27 No. 67 (2023)

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    Encyclopaideia
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      Encyclopaideia
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Franzoni, Valentina; Biondi, Giulio; Santucci, Valentino; MILANI, Alfredo;

    RITA (Resource for Italian Tests Assessment), is a NLP dataset of academic exam texts written in Italian by second-language learners for obtaining the CEFR certification of proficiency level. RITA dataset is available for automatic processing in CSV and XML format. RITA dataset has been developed under the Italian Ministry of Research under PRIN Project “PHRAME” Grant n.20178XXKFY and directly derived from the CELI Corpus collected in the same PHRAME Project . Informations not included in RITA dataset can be obtained by interactively querying the CELI Corpus at https://apps.unistrapg.it/cqpweb/ Alfredo Milani, Valentina Franzoni, Giulio Biondi, University of Perugia. Valentino Santucci, University for Foreigners of Perugia

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    ZENODO
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      ZENODO
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Gaetano Chiurazzi;

    Taking as a pretext the painting, exhibited in 1910 in Paris, that was signed by J.-R. Boronali but in fact painted by the donkey Lolo, this text aims to discuss the possibility that art can be made by non-human beings. The question is renewed today in the case of Artificial Intelligence, which also is supposed to paint and make art without human intervention. This strange coincidence of artistic production involving animals and Artificial Intelligence is then compared to the issue concerning acheiropoietic images, i.e. images that “have not been painted by human hand”, discussed during the Middle Ages. Like these icons, the works of animals and artificial intelligence enjoy an almost divine status, as they are believed not to have been made by any human being. The thesis supported here is that it is still the human being the one who, in any case, produces works of art, however mediated the process leading to the final product may be. Art is the work of the human, i.e. it is “made by human hand”. Trópos, Vol. 15 No. 1 (2023): Art and Artworks in the Digital Age. Philosophical Perspectives, Artistic Practices

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    Authors: Spampinato, Concetto; Bellitto, Giovanni;
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