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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: De Giusti, Marisa Raquel; Villarreal, Gonzalo Luján; Nusch, Carlos Javier; Golfetto, Enzo;

    The following presentation outlines the activities of the Ibero-American Consortium for Education in Science and Technology and its Library Linkage initiative. It elaborates on the development of the Celsius software up to its 3.0 version and discusses the evolution of bibliographic exchange among the affiliated libraries over the past two decades. Proyecto de Enlace de Bibliotecas

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pérez, Matías Agustín; Robador Papich, Samira Elizabeth;

    La integración de tecnología en la educación universitaria se ha convertido en un tema cada vez más relevante en la actualidad. El uso de tecnología como herramienta de apoyo en el aprendizaje ha demostrado ser una forma eficiente y efectiva de mejorar la calidad de la educación y adaptarla a las necesidades de los estudiantes. Una de las tecnologías emergentes que ha despertado un gran interés en la educación es el ChatGPT. El Chat GPT es un modelo de lenguaje natural basado en inteligencia artificial que permite generar conversaciones coherentes y humanas. Este modelo ha sido utilizado en una variedad de aplicaciones, incluyendo asistentes virtuales, chatbots y sistemas de recomendación. En la educación universitaria, el Chat GPT se ha convertido en una herramienta prometedora para mejorar la interacción entre estudiantes y profesores, personalizar el aprendizaje y mejorar la eficiencia en la corrección de exámenes. En esta investigación se presentará una revisión de la literatura sobre el uso del Chat GPT y otros Chat Boot implementados en la Educación Universitaria, destacando los beneficios y desafíos de su implementación, analizando el impacto educativo tanto para Docentes como así también Estudiantes Además, se explorarán ejemplos de instituciones educativas que han adoptado esta tecnología y se presentarán los resultados obtenidos. También se reflexionará sobre el futuro de la educación universitaria con la integración de tecnologías como el Chat GPT y se plantearán posibles áreas de investigación futura. Red de Universidades con Carreras en Informática

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bifaretti, María Eugenia;

    El proyecto de investigación “Discursos para una historia de las artes escénicas platenses: archivos personales, afectos y formas documentales” aborda la problemática sobre las formas posibles de historizar, recuperar y/o archivar las prácticas escénicas en tanto acontecimientos efímeros. Como objetivo general se propone investigar los modos discursivos y la posibilidades de construcción y reflexión histórica a partir de la revisión de restos documentales materiales e inmateriales presentes en (potenciales) archivos y colecciones personales de dos artistas escénicas que produjeron y producen en el circuito independiente local (desde 1980/1990 hasta el presente) para la construcción discursiva de la(s) historia(s) de las artes escénicas platenses. Como objetivos específicos busca, por un lado, reflexionar sobre las potencias del archivo -en sus múltiples acepciones- para la recuperación e historización de las realizaciones escénicas en tanto acontecimientos efímeros y distinguir las particularidades de cada conjunto de materiales como potenciales archivos, los modos de guardarlos y reactivarlos, qué formatos de registros prevalecen en los conjuntos, cómo y por qué se deciden resguardar.Por otro lado, a partir del trabajo en conjunto con las artistas y sus memorias, experiencias y relatos, interpretar los discursos en torno a las prácticas escénicas locales que se construyen desde los restos, entendidos como material de archivo tangible e intangible. Asimismo problematizar la noción de “archivo personal” en relación a los procesos de creación colectiva y colaborativa que atraviesan a las prácticas escénicas. Por último, se propone construir una cartografía sincrónica de realizaciones escénicas acontecidas en la ciudad de La Plata en el circuito independiente desde los años 80 hasta la actualidad a partir de los documentos presentes en los archivos y desde una perspectiva histórica crítica, latinoamericana y de la diferencia que aporte a la construcción de la historia de las artes escénicas platenses. Respecto al marco teórico, a partir de una trama conceptual que enlaza diversas disciplinas como la Historia del Arte con perspectiva latinoamericana y de género, Historia del Teatro, Filosofía de la Historia, Teoría del Arte, Teoría Teatral Estudios de Performance, se busca transitar el objeto de estudio y sus posibles derivas desde y hacia una perspectiva con foco en la historiografía crítica y alternativa. Carrera: Doctorado en Artes Tipo de beca: Beca Doctoral Año de inicio de beca: 2022 Año de finalización de beca: 2026 Organismo: CONICET Apellido, Nombre del Director/a/e: Radice, Gustavo Mario Lugar de desarrollo: Instituto de Historia del Arte Argentino y Americano (IHAAA) Tipo de investigación: Desarrollo Facultad de Artes

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lopes de Oliveira, William;

    El turismo se ha consolidado como una actividad central en el ámbito de planificación y ejecución de políticas territoriales en múltiples lugares. Los destinos turísticos ya consolidados siguen manteniéndose como metas de visitación de masa, bajo las categorías tradicionales de sol y playa, montaña o mismo en la esfera hiper dinámica que cualifica las ciudades globales. Sin embargo, determinadas localidades de menor extensión demográfica/territorial afuera de los circuitos hegemónicos han ido ganando relevancia en el contexto evolutivo de dicha actividad. El interés turístico por estos territorios se revela, entre otras cosas, tras los matices temporales materializados en sus paisajes que, al evocaren la noción de patrimonio cultural, otorgan a estos lugares la posibilidad de inserción en el sistema mundo contemporáneo por medio de sus singularidades culturales. En ese sentido, el presente trabajo se concentra en analizar el programa argentino Pueblos Auténticos vigente en el quinquenio 2016-2020. Esta iniciativa ha buscado confluir diferentes instituciones nacionales hacía el desarrollo turístico de 18 localidades a lo largo del país, inspirándose en experiencias internacionales. El programa se lanzó como la primera propuesta turística a nivel nacional al abarcar específicamente pueblos de interés patrimonial, evidenciando así la heterogeneidad geográfica que describe el vasto territorio argentino. Carrera: Doctorado en Geografía Tipo de beca: Beca Doctoral Año de inicio de beca: 2019 Año de finalización de beca: 2025 Organismo: CONICET Apellido, Nombre del Director/a/e: Aliata, Fernando Apellido, Nombre del Codirector/a/e: Dornelles, Laura y Civale, Leonardo Lugar de desarrollo: Instituto de Historia, Teoría, Praxis de la Arquitectura y Ciudad (HITEPAC) Áreas de conocimiento: Bellas Artes y Humanidades Tipo de investigación: Básica Facultad de Arquitectura y Urbanismo

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Coniglio, María Sol;

    En el presente trabajo se intentará abordar cómo se llegó a configurar la situación actual de la Salud Mental, qué luchas y resistencias existieron y aún persisten para lograr la plena implementación de la Ley Nacional N° 26.657 a través de un análisis histórico-social, con el fin de acceder a un conocimiento situado y contextual de los hechos, y así llegar al análisis de las dificultades de la implementación de políticas vinculadas la Ley Nacional de Salud Mental desde una perspectiva de Derechos. De este modo, se rastreará a través de la metodología de estudio bibliográfico-exploratorio, la historia del tratamiento de la salud mental, de la psicología en Argentina y las luchas vinculadas a la redacción y sanción de la ley. Identificando las resistencias que han operado a lo largo de los distintos períodos hasta llegar a la actualidad. Nos preguntamos entonces, ¿quiénes llevan adelante estas resistencias? ¿De quiénes son? ¿Qué subyace en el impedimento de su plena implementación? Indagaremos así, los avances y retrocesos en la puja por restituir derechos a las personas con padecimiento mental, con el fin de evaluar si las resistencias han sido las mismas a lo largo de la historia o se trata de otras diferentes. In this paper we will try to work how the current situation of Mental Health was configured,what fights and resistance existed and still persist to achieve the full implementation of National Law No. 26,657 through a historical-social analysis,in order to access a situated and contextual knowledge of the facts, and thus arrive at the analysis of the difficulties of the implementation of policies linked to the National Mental Health Law from a Rights perspective. In this way, it will be traced through the methodology of bibliographic-exploratory study, the history of mental health treatment, of psychology in Argentina and the struggles linked to the drafting and sanction of the law. Identifying the resistances that have operated throughout the different periods up to the present. We ask ourselves then, who is carrying out this resistance? Whose are they? What lies behind the impediment to its full implementation? We will thus investigate the progress and setbacks in the bid to restore rights to people with mental illness, in order to assess whether the resistance has been the same throughout history or is it different. Facultad de Psicología

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Albanese, Federico; Baldonado, Juan Manuel; Feuerstein, Esteban;

    Las redes sociales han sido utilizadas como medios para la discusión política de los ciudadanos. En este trabajo nos propusimos analizar la influencia que ejerce el discurso en las redes sociales sobre la opinión pública de los candidatos políticos en contextos electorales. Para ello conformamos un dataset con 4.4 millones de tweets políticos durante las elecciones presidenciales estadounidenses entre Trump y Biden del 2020 y analizamos 229 encuestas presidenciales realizadas por 29 encuestadores. Luego, armamos series temporales con los resultados de las encuestas y con la cantidad, tópico del que hablan y sentimiento (positividad / negatividad) de los tweets que mencionan a cada candidato, usando técnicas de procesamiento del lenguaje natural de forma similar a trabajos previos. Aplicando herramientas de inferencia causal en series de tiempo como la causalidad de Granger, Información Mutua Condicional y Base de Funciones Radiales, encontramos resultados estadísticamente significativos de una relación causal. En particular, el sentimiento con el que se habla de los candidato y ciertos tópicos particulares que se debaten en Twitter impactan sobre la intención de voto que finalmente recibe cada candidato presidencial. In recent years, social networks have been the place where citizens exchange their political opinions. In this work, we analyzed the causal influence between the discourse in social networks on the opinion of political candidates in electoral contexts. Therefore, we created a dataset with 4.4 million political tweets during the 2020 US presidential election between Trump and Biden and analyzed 229 presidential polls conducted by 29 different pollsters. Then, we create time series with the poll’s results and with the quantity, topic and sentiment (positive / negative) of the tweets that mentioned the candidates, using natural language processing techniques similarly to previous works. Using time series causal inference tools such as Granger causality, conditional mutual information and radial basis function, we found significant results of causal relationships. In particular, the positivity / negativity of the tweets and some topics discussed on Twitter had a causal impact on each presidential candidate’s polling. Sociedad Argentina de Informática e Investigación Operativa

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: García Aramouni, Nicolás; Pelli, Nahuel; Soules, Lucas; De Antonio, Julieta; +3 Authors

    The importance and relevance of online commerce in society have grown uninterruptedly over the last years, with people changing their purchasing habits. The COVID-19 pandemic significantly accelerated this adoption, as quarantines forced people to stay in their homes. Under this scenario, online shopping became a more convenient option, considering product availability, the possibility to compare prices and shipping options, and door-to-door delivery. With this, e-commerce retailers and marketplaces must give excellent customer service to their customers, especially in this context when most activities are returning to their pre-COVID levels and restrictions. To manage customers that have any kind of problem, digital marketplaces and retailers usually have a team of Customer Experience (CX) agents that interact, talk and answer clients’ questions and inquiries, avoiding any potential negative situations on three different channels: voice calls, e-mails, and chat messages. Sociedad Argentina de Informática e Investigación Operativa

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Leonardi, Yamil E.;

    A spectre is haunting the archive: the spectre of death, a tanatic drive that follows it from it’s conception and occupies everything within it, it occupies the archon’s place; house, burrow, nest. And that archon can be a person, an animal, an insect. The exhibition Pececillo de plata (Silverfish) links both split parts of the art archive from Centro de Arte UNLP. By one hand, the documents and practices that make it what it is. By the other hand, the ghostly architecture: the archive`s promised space, the archive as a continuous architectural form, a tectonic structure dedicated to preservation. The exhibition explores the possibilities of that death drive. Un espectro acecha al archivo: es el espectro de la muerte, una pulsión tanática que lo acompaña desde el inicio y ocupa todo su lugar, el lugar del arconte; casa, madriguera, nido. Y ese arconte puede ser persona, animal, insecto. La exposición Pececillo de plata une las dos partes escindidas del Archivo de Arte del Centro de Arte de la UNLP. Por un lado, los documentos y las prácticas que lo construyen. Por otro lado, la infraestructura fantasma: el lugar prometido al archivo, el archivo como forma arquitectónica continua, una tectónica de la conservación. La misma indaga en las posibilidades de aquella pulsión de muerte. Facultad de Artes

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Frisón, Roxana; Moser, Mariana;

    This work is part of the Research Project "Statutes of the body in current forms of subjective presentation in puberty and adolescents of the city of La Plata. Preliminary inquiries", which had its origin in the survey of numerous ailments whose territory of expression constitutes the body, and in a certain problem linked to the categories with which it is tried to name said phenomena and their determinants. We ask ourselves: What status do the phenomena that involve the body have in the functioning of adolescent subjectivities today? What is the relationship between these phenomena and the various modes of symbolization? What impact does the social imaginary have on the bodily effects expressed in the subjectivities of adolescents? Based on the complexity of the notion of the body for Psychoanalysis, we propose to deepen the investigation by focusing on the theoretical proposal of Piera Aulagnier. The author argues that at the moment of birth, a biological body, a sensory body, arises, which becomes erogenous, gaining the status of relational from an inaugural meeting that sets off representative activity. Psychic representation that involves the inscription of pleasure and suffering, made possible by sensory activity. A real body, where the marks of a libidinal, identifying history will be inscribed. History woven into the socio-cultural field that prints its identifying proposals, values and ideals. We carry out a bibliographic review of Aulagnier's contributions to arrive at the productions of subjectivity, the psychic works carried out by the pubescent and the adolescent in their future, considering the inscription of the novelty of the body as a relevant requirement. Delimiting theoretical notions proposed by the author, allows us to pay into the theoretical framework for the research, being able to count on categories and analytical notions when interpreting the empirical ma. La complejidad que reviste la noción de cuerpo para el Psicoanálisis nos confronta con el requerimiento de arribar a la precisión conceptual que adquiere en la propuesta de Piera Aulagnier (1988). En el origen de la actividad representativa, cobran particular relevancia tanto el cuerpo propio como la presencia de los otros significativos. La autora plantea que en el momento del nacimiento adviene un cuerpo biológico, un cuerpo sensorial, que se erogeniza cobrando el estatuto de relacional a partir de un encuentro inaugural que pone en marcha la actividad representativa. Representación psíquica que supone la inscripción del placer y del sufrimiento, posibilitada por la actividad sensorial. Las experiencias somatopsíquicas de placer facilitarán la futura representación de un cuerpo unificado, tal como plantea la autora. Un cuerpo real, precedido por uno ideal construido en la psique del otro primordial y en el que se irán inscribiendo las marcas de una historia libidinal, identificatoria. Historia entramada en el campo socio-cultural que imprime sus propuestas identificatorias, valores e ideales en dicho devenir.La revisión de la metapsicología freudiana, conduce a la autora a proponer un modelo teórico-clínico cuyos tres procesos de metabolización, tres espacios psíquicos, darán lugar a tres versiones-concepciones del cuerpo. El advenimiento del yo, supone la entrada en la escena psíquica del tiempo y el espacio. La problemática de la identificación compone la cara oculta del trabajo de historización que tomará a su cargo el yo devenido instancia pensante, identificante, deseante, al tiempo que se apropia de una versión discursiva atinente a su cuerpo.Será el advenimiento puberal el que pondrá en marcha los trabajos psíquicos propios de la adolescencia. Movimientos de investidura y de desinvestidura que estarán presentes desde el origen y surcarán la relación sujeto-cuerpo. Facultad de Psicología

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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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    Authors: Delle Donne, Sofía;

    En este resumen se desarrollarán los avances del plan de beca homónimo a esta presentación, el cual ya fue introducido en el 1° Encuentro de Becaries. La primera etapa de trabajo ha permitido a la becaria cursar los seminarios del Doctorado en Artes (FDA, UNLP). A la luz de los conocimientos adquiridos se han examinado las estrategias curatoriales que, al valerse de archivos de imágenes, ponen en cuestión los sentidos históricos y la hegemonía cultural impuesta y, paralelamente, generan alternativas de relecturas. Además se ha trabajado en torno a la pregunta por el rol que cumple la reorganización del material sensible (Rancière: 2016) en las exhibiciones seleccionadas. Conjuntamente hemos avanzado en la interpretación y posterior comparación de los modos en que las exhibiciones seleccionadas abordan los sentidos y propósitos de lo político en el arte. Para ello se ha trabajado con el concepto del carácter mimético del arte (Gadamer, 1991). Además se profundizó sobre la cualidad ardiente del archivo (Didi-Huberman, 2012) y en la desnaturalización del sentido impuesto (Richard, 2007), cuestión que ha a travesado la mayoría de las publicaciones. También hemos avanzado sobre nuevos interrogantes vinculados a la cualidad epistémica de los casos trabajados. En torno a esta cuestión, elaboramos un capítulo de libro en donde desarrollamos diferentes consideraciones sobre la noción de la verdad en el arte desde el análisis de exhibiciones de arte de archivo (Delle Donne, 2019). Los avances preliminares han sido transferidos, especialmente, al área de la docencia como así también en publicaciones y eventos académicos y culturales. Actualmente la becaria cursa el último seminario del Doctorado (Taller de Tesis) y se encuentra definiendo cuestiones relativas al esquema de la tesis doctoral. Su lugar de trabajo es el Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano (IPEAL) y se encuentra bajo la dirección de Paola Sabrina Belén. Referencias bibliográficas: Delle Donne, S. (2019) La dimensión epistémica en el arte de archivo contemporáneo. En Belén, P. S. (Comp.) Epistemología de las artes. La dimensión epistémica desde la creatividad proyectiva y la recepción interactiva. La Plata, Argentina: EDULP. Didi-Huberman, G. (2012) Trad. Antonio Ennis, J. El archivo arde. Recuperado de https://filologiaunlp.files.wordpress.com/2012/05/el-archivo-arde1.pdf Gadamer, H-G. (1991). Verdad y método. Fundamentos de una hermenéutica filosófica. Salamanca, España: Ed. Sígueme. Rancière, Jacques (2016) El Malestar en la estética. Buenos Aires, Argentina: Capital Intelectual. Richard, N. (2007). Fracturas de la memoria. Arte y pensamiento crítico. Avellaneda, Argentina: Siglo XXI editores. Carrera: Doctorado en Artes Tipo de beca: Doctoral Año de inicio de beca: 2018 Año de finalización de beca: 2023 Organismo: UNLP Apellido, Nombre del Director/a/e: Paola Sabrina Belén Tipo de investigación: Básica Instituto de Investigación en Producción y Enseñanza del Arte Argentino y Latinoamericano (IPEAL) Facultad de Artes

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: De Giusti, Marisa Raquel; Villarreal, Gonzalo Luján; Nusch, Carlos Javier; Golfetto, Enzo;

    The following presentation outlines the activities of the Ibero-American Consortium for Education in Science and Technology and its Library Linkage initiative. It elaborates on the development of the Celsius software up to its 3.0 version and discusses the evolution of bibliographic exchange among the affiliated libraries over the past two decades. Proyecto de Enlace de Bibliotecas

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Pérez, Matías Agustín; Robador Papich, Samira Elizabeth;

    La integración de tecnología en la educación universitaria se ha convertido en un tema cada vez más relevante en la actualidad. El uso de tecnología como herramienta de apoyo en el aprendizaje ha demostrado ser una forma eficiente y efectiva de mejorar la calidad de la educación y adaptarla a las necesidades de los estudiantes. Una de las tecnologías emergentes que ha despertado un gran interés en la educación es el ChatGPT. El Chat GPT es un modelo de lenguaje natural basado en inteligencia artificial que permite generar conversaciones coherentes y humanas. Este modelo ha sido utilizado en una variedad de aplicaciones, incluyendo asistentes virtuales, chatbots y sistemas de recomendación. En la educación universitaria, el Chat GPT se ha convertido en una herramienta prometedora para mejorar la interacción entre estudiantes y profesores, personalizar el aprendizaje y mejorar la eficiencia en la corrección de exámenes. En esta investigación se presentará una revisión de la literatura sobre el uso del Chat GPT y otros Chat Boot implementados en la Educación Universitaria, destacando los beneficios y desafíos de su implementación, analizando el impacto educativo tanto para Docentes como así también Estudiantes Además, se explorarán ejemplos de instituciones educativas que han adoptado esta tecnología y se presentarán los resultados obtenidos. También se reflexionará sobre el futuro de la educación universitaria con la integración de tecnologías como el Chat GPT y se plantearán posibles áreas de investigación futura. Red de Universidades con Carreras en Informática

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bifaretti, María Eugenia;

    El proyecto de investigación “Discursos para una historia de las artes escénicas platenses: archivos personales, afectos y formas documentales” aborda la problemática sobre las formas posibles de historizar, recuperar y/o archivar las prácticas escénicas en tanto acontecimientos efímeros. Como objetivo general se propone investigar los modos discursivos y la posibilidades de construcción y reflexión histórica a partir de la revisión de restos documentales materiales e inmateriales presentes en (potenciales) archivos y colecciones personales de dos artistas escénicas que produjeron y producen en el circuito independiente local (desde 1980/1990 hasta el presente) para la construcción discursiva de la(s) historia(s) de las artes escénicas platenses. Como objetivos específicos busca, por un lado, reflexionar sobre las potencias del archivo -en sus múltiples acepciones- para la recuperación e historización de las realizaciones escénicas en tanto acontecimientos efímeros y distinguir las particularidades de cada conjunto de materiales como potenciales archivos, los modos de guardarlos y reactivarlos, qué formatos de registros prevalecen en los conjuntos, cómo y por qué se deciden resguardar.Por otro lado, a partir del trabajo en conjunto con las artistas y sus memorias, experiencias y relatos, interpretar los discursos en torno a las prácticas escénicas locales que se construyen desde los restos, entendidos como material de archivo tangible e intangible. Asimismo problematizar la noción de “archivo personal” en relación a los procesos de creación colectiva y colaborativa que atraviesan a las prácticas escénicas. Por último, se propone construir una cartografía sincrónica de realizaciones escénicas acontecidas en la ciudad de La Plata en el circuito independiente desde los años 80 hasta la actualidad a partir de los documentos presentes en los archivos y desde una perspectiva histórica crítica, latinoamericana y de la diferencia que aporte a la construcción de la historia de las artes escénicas platenses. Respecto al marco teórico, a partir de una trama conceptual que enlaza diversas disciplinas como la Historia del Arte con perspectiva latinoamericana y de género, Historia del Teatro, Filosofía de la Historia, Teoría del Arte, Teoría Teatral Estudios de Performance, se busca transitar el objeto de estudio y sus posibles derivas desde y hacia una perspectiva con foco en la historiografía crítica y alternativa. Carrera: Doctorado en Artes Tipo de beca: Beca Doctoral Año de inicio de beca: 2022 Año de finalización de beca: 2026 Organismo: CONICET Apellido, Nombre del Director/a/e: Radice, Gustavo Mario Lugar de desarrollo: Instituto de Historia del Arte Argentino y Americano (IHAAA) Tipo de investigación: Desarrollo Facultad de Artes

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Lopes de Oliveira, William;

    El turismo se ha consolidado como una actividad central en el ámbito de planificación y ejecución de políticas territoriales en múltiples lugares. Los destinos turísticos ya consolidados siguen manteniéndose como metas de visitación de masa, bajo las categorías tradicionales de sol y playa, montaña o mismo en la esfera hiper dinámica que cualifica las ciudades globales. Sin embargo, determinadas localidades de menor extensión demográfica/territorial afuera de los circuitos hegemónicos han ido ganando relevancia en el contexto evolutivo de dicha actividad. El interés turístico por estos territorios se revela, entre otras cosas, tras los matices temporales materializados en sus paisajes que, al evocaren la noción de patrimonio cultural, otorgan a estos lugares la posibilidad de inserción en el sistema mundo contemporáneo por medio de sus singularidades culturales. En ese sentido, el presente trabajo se concentra en analizar el programa argentino Pueblos Auténticos vigente en el quinquenio 2016-2020. Esta iniciativa ha buscado confluir diferentes instituciones nacionales hacía el desarrollo turístico de 18 localidades a lo largo del país, inspirándose en experiencias internacionales. El programa se lanzó como la primera propuesta turística a nivel nacional al abarcar específicamente pueblos de interés patrimonial, evidenciando así la heterogeneidad geográfica que describe el vasto territorio argentino. Carrera: Doctorado en Geografía Tipo de beca: Beca Doctoral Año de inicio de beca: 2019 Año de finalización de beca: 2025 Organismo: CONICET Apellido, Nombre del Director/a/e: Aliata, Fernando Apellido, Nombre del Codirector/a/e: Dornelles, Laura y Civale, Leonardo Lugar de desarrollo: Instituto de Historia, Teoría, Praxis de la Arquitectura y Ciudad (HITEPAC) Áreas de conocimiento: Bellas Artes y Humanidades Tipo de investigación: Básica Facultad de Arquitectura y Urbanismo

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Coniglio, María Sol;

    En el presente trabajo se intentará abordar cómo se llegó a configurar la situación actual de la Salud Mental, qué luchas y resistencias existieron y aún persisten para lograr la plena implementación de la Ley Nacional N° 26.657 a través de un análisis histórico-social, con el fin de acceder a un conocimiento situado y contextual de los hechos, y así llegar al análisis de las dificultades de la implementación de políticas vinculadas la Ley Nacional de Salud Mental desde una perspectiva de Derechos. De este modo, se rastreará a través de la metodología de estudio bibliográfico-exploratorio, la historia del tratamiento de la salud mental, de la psicología en Argentina y las luchas vinculadas a la redacción y sanción de la ley. Identificando las resistencias que han operado a lo largo de los distintos períodos hasta llegar a la actualidad. Nos preguntamos entonces, ¿quiénes llevan adelante estas resistencias? ¿De quiénes son? ¿Qué subyace en el impedimento de su plena implementación? Indagaremos así, los avances y retrocesos en la puja por restituir derechos a las personas con padecimiento mental, con el fin de evaluar si las resistencias han sido las mismas a lo largo de la historia o se trata de otras diferentes. In this paper we will try to work how the current situation of Mental Health was configured,what fights and resistance existed and still persist to achieve the full implementation of National Law No. 26,657 through a historical-social analysis,in order to access a situated and contextual knowledge of the facts, and thus arrive at the analysis of the difficulties of the implementation of policies linked to the National Mental Health Law from a Rights perspective. In this way, it will be traced through the methodology of bibliographic-exploratory study, the history of mental health treatment, of psychology in Argentina and the struggles linked to the drafting and sanction of the law. Identifying the resistances that have operated throughout the different periods up to the present. We ask ourselves then, who is carrying out this resistance? Whose are they? What lies behind the impediment to its full implementation? We will thus investigate the progress and setbacks in the bid to restore rights to people with mental illness, in order to assess whether the resistance has been the same throughout history or is it different. Facultad de Psicología

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Albanese, Federico; Baldonado, Juan Manuel; Feuerstein, Esteban;

    Las redes sociales han sido utilizadas como medios para la discusión política de los ciudadanos. En este trabajo nos propusimos analizar la influencia que ejerce el discurso en las redes sociales sobre la opinión pública de los candidatos políticos en contextos electorales. Para ello conformamos un dataset con 4.4 millones de tweets políticos durante las elecciones presidenciales estadounidenses entre Trump y Biden del 2020 y analizamos 229 encuestas presidenciales realizadas por 29 encuestadores. Luego, armamos series temporales con los resultados de las encuestas y con la cantidad, tópico del que hablan y sentimiento (positividad / negatividad) de los tweets que mencionan a cada candidato, usando técnicas de procesamiento del lenguaje natural de forma similar a trabajos previos. Aplicando herramientas de inferencia causal en series de tiempo como la causalidad de Granger, Información Mutua Condicional y Base de Funciones Radiales, encontramos resultados estadísticamente significativos de una relación causal. En particular, el sentimiento con el que se habla de los candidato y ciertos tópicos particulares que se debaten en Twitter impactan sobre la intención de voto que finalmente recibe cada candidato presidencial. In recent years, social networks have been the place where citizens exchange their political opinions. In this work, we analyzed the causal influence between the discourse in social networks on the opinion of political candidates in electoral contexts. Therefore, we created a dataset with 4.4 million political tweets during the 2020 US presidential election between Trump and Biden and analyzed 229 presidential polls conducted by 29 different pollsters. Then, we create time series with the poll’s results and with the quantity, topic and sentiment (positive / negative) of the tweets that mentioned the candidates, using natural language processing techniques similarly to previous works. Using time series causal inference tools such as Granger causality, conditional mutual information and radial basis function, we found significant results of causal relationships. In particular, the positivity / negativity of the tweets and some topics discussed on Twitter had a causal impact on each presidential candidate’s polling. Sociedad Argentina de Informática e Investigación Operativa

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: García Aramouni, Nicolás; Pelli, Nahuel; Soules, Lucas; De Antonio, Julieta; +3 Authors

    The importance and relevance of online commerce in society have grown uninterruptedly over the last years, with people changing their purchasing habits. The COVID-19 pandemic significantly accelerated this adoption, as quarantines forced people to stay in their homes. Under this scenario, online shopping became a more convenient option, considering product availability, the possibility to compare prices and shipping options, and door-to-door delivery. With this, e-commerce retailers and marketplaces must give excellent customer service to their customers, especially in this context when most activities are returning to their pre-COVID levels and restrictions. To manage customers that have any kind of problem, digital marketplaces and retailers usually have a team of Customer Experience (CX) agents that interact, talk and answer clients’ questions and inquiries, avoiding any potential negative situations on three different channels: voice calls, e-mails, and chat messages. Sociedad Argentina de Informática e Investigación Operativa

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Leonardi, Yamil E.;

    A spectre is haunting the archive: the spectre of death, a tanatic drive that follows it from it’s conception and occupies everything within it, it occupies the archon’s place; house, burrow, nest. And that archon can be a person, an animal, an insect. The exhibition Pececillo de plata (Silverfish) links both split parts of the art archive from Centro de Arte UNLP. By one hand, the documents and practices that make it what it is. By the other hand, the ghostly architecture: the archive`s promised space, the archive as a continuous architectural form, a tectonic structure dedicated to preservation. The exhibition explores the possibilities of that death drive. Un espectro acecha al archivo: es el espectro de la muerte, una pulsión tanática que lo acompaña desde el inicio y ocupa todo su lugar, el lugar del arconte; casa, madriguera, nido. Y ese arconte puede ser persona, animal, insecto. La exposición Pececillo de plata une las dos partes escindidas del Archivo de Arte del Centro de Arte de la UNLP. Por un lado, los documentos y las prácticas que lo construyen. Por otro lado, la infraestructura fantasma: el lugar prometido al archivo, el archivo como forma arquitectónica continua, una tectónica de la conservación. La misma indaga en las posibilidades de aquella pulsión de muerte. Facultad de Artes

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Frisón, Roxana; Moser, Mariana;

    This work is part of the Research Project "Statutes of the body in current forms of subjective presentation in puberty and adolescents of the city of La Plata. Preliminary inquiries", which had its origin in the survey of numerous ailments whose territory of expression constitutes the body, and in a certain problem linked to the categories with which it is tried to name said phenomena and their determinants. We ask ourselves: What status do the phenomena that involve the body have in the functioning of adolescent subjectivities today? What is the relationship between these phenomena and the various modes of symbolization? What impact does the social imaginary have on the bodily effects expressed in the subjectivities of adolescents? Based on the complexity of the notion of the body for Psychoanalysis, we propose to deepen the investigation by focusing on the theoretical proposal of Piera Aulagnier. The author argues that at the moment of birth, a biological body, a sensory body, arises, which becomes erogenous, gaining the status of relational from an inaugural meeting that sets off representative activity. Psychic representation that involves the inscription of pleasure and suffering, made possible by sensory activity. A real body, where the marks of a libidinal, identifying history will be inscribed. History woven into the socio-cultural field that prints its identifying proposals, values and ideals. We carry out a bibliographic review of Aulagnier's contributions to arrive at the productions of subjectivity, the psychic works carried out by the pubescent and the adolescent in their future, considering the inscription of the novelty of the body as a relevant requirement. Delimiting theoretical notions proposed by the author, allows us to pay into the theoretical framework for the research, being able to count on categories and analytical notions when interpreting the empirical ma. La complejidad que reviste la noción de cuerpo para el Psicoanálisis nos confronta con el requerimiento de arribar a la precisión conceptual que adquiere en la propuesta de Piera Aulagnier (1988). En el origen de la actividad representativa, cobran particular relevancia tanto el cuerpo propio como la presencia de los otros significativos. La autora plantea que en el momento del nacimiento adviene un cuerpo biológico, un cuerpo sensorial, que se erogeniza cobrando el estatuto de relacional a partir de un encuentro inaugural que pone en marcha la actividad representativa. Representación psíquica que supone la inscripción del placer y del sufrimiento, posibilitada por la actividad sensorial. Las experiencias somatopsíquicas de placer facilitarán la futura representación de un cuerpo unificado, tal como plantea la autora. Un cuerpo real, precedido por uno ideal construido en la psique del otro primordial y en el que se irán inscribiendo las marcas de una historia libidinal, identificatoria. Historia entramada en el campo socio-cultural que imprime sus propuestas identificatorias, valores e ideales en dicho devenir.La revisión de la metapsicología freudiana, conduce a la autora a proponer un modelo teórico-clínico cuyos tres procesos de metabolización, tres espacios psíquicos, darán lugar a tres versiones-concepciones del cuerpo. El advenimiento del yo, supone la entrada en la escena psíquica del tiempo y el espacio. La problemática de la identificación compone la cara oculta del trabajo de historización que tomará a su cargo el yo devenido instancia pensante, identificante, deseante, al tiempo que se apropia de una versión discursiva atinente a su cuerpo.Será el advenimiento puberal el que pondrá en marcha los trabajos psíquicos propios de la adolescencia. Movimientos de investidura y de desinvestidura que estarán presentes desde el origen y surcarán la relación sujeto-cuerpo. Facultad de Psicología

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Servicio de Difusión...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao