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  • 2017-2021
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  • Digital Humanities and Cultural Her...

  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lindholm, Karl-Johan; Ersmark, Erik; Hennius, Andreas; Lindgren, Sakarias; +2 Authors

    In this article, we present ongoing archaeological research into Scandinavia's forested inland region, suggesting that its people and communities were socially and economically integrated into systems of trade and in close interaction with the worlds outside, as early as the first centuries of the Common Era. The article presents a range of archaeological evidence, from ca. 500 to 1400 CE, for processes of ecological globalization, manifested by the exploitation of local landscapes and the extraction of valued products that could be transformed into commodities through crafts and trade. These forested landscapes were reliant on—and also shaped by—complex social and economic relations reflecting interrelated socio-economic systems of extraction, production, and consumption. Our main argument is that these landscapes are crucial to identifying and understanding the contours of the premodern global North. UTMA

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://kau.diva-portal.org/sma...
    Part of book or chapter of book
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    https://doi.org/10.1515/978164...
    Part of book or chapter of book . 2021 . Peer-reviewed
    Data sources: Crossref
    https://doi.org/10.2307/j.ctv2...
    Part of book or chapter of book . 2021 . Peer-reviewed
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Publikationer från K...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      http://kau.diva-portal.org/sma...
      Part of book or chapter of book
      Data sources: UnpayWall
      https://doi.org/10.1515/978164...
      Part of book or chapter of book . 2021 . Peer-reviewed
      Data sources: Crossref
      https://doi.org/10.2307/j.ctv2...
      Part of book or chapter of book . 2021 . Peer-reviewed
      Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Aronsson, Mattias;

    Nous étudions dans cet article la traduction et la médiation de l’œuvre de Jacques Brel en suédois. Les questions de recherche sont les suivantes : Quelles chansons de l’artiste belge ont été transférées en suédois ? Quand les interprétations sont-elles sorties sur le marché cible ? Quelles méthodes de traduction peut-on identifier dans les textes cibles ? Les résultats montrent que 52 chansons de Jacques Brel ont été traduites en suédois, et ces traductions ont donné lieu à 168 interprétations en langue cible. Les chansons sources les plus populaires en Suède sont « Ne me quitte pas », « Quand on n’a que l’amour » et « La chanson des vieux amants ». La plupart des textes cibles sont produits après la mort de l’artiste en 1978, et les traducteurs et les interprètes ont été particulièrement actifs pendant les années 1980. Pour l’analyse des méthodes de traduction, nous avons utilisé la typologie de Franzon (2021) et nous avons étudié les chansons qui ont introduit Brel en tant qu’auteur-compositeur dans le pays cible. La conclusion est qu’un processus de consécration de l’artiste s’est produit pendant cette période (1968-1983). Plus Jacques Brel devient connu et consacré en tant qu’auteur-compositeur en Suède, plus les paroles cibles sont fidèles aux textes sources et, par conséquent, aux intentions de l’auteur.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Dalarna University C...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Moderna Språk
    Article . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Moderna Språk
    Article . 2021 . Peer-reviewed
    License: CC BY
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Dalarna University C...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Moderna Språk
      Article . 2021 . Peer-reviewed
      License: CC BY
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Triine Nirgi; Ieva Grudzinska; Edyta Kalińska; Marge Konsa; +4 Authors

    Two unique Pre-Viking Age ship burials were found from Salme village, Saaremaa Island, eastern Baltic Sea, containing remains of seven men in the smaller and 34 men in the larger ship. According to the archaeological interpretations, these ships belonged to a viking crew possibly from the Stockholm-Mälaren region, eastern Sweden. Geoarchaeological research was conducted in the area to reconstruct Late-Holocene relative sea-level (RSL) changes and shoreline displacement to provide environmental context to these burials. In this paper we present a Late-Holocene shore displacement curve for the Saaremaa Island and GIS-based palaeogeographic reconstructions for the Salme area. The curve shows an almost linear RSL fall from 5.5 to 0.8 m a.s.l. between 1000 BC and 1300 AD with an average rate of 2 mm/year. A slowdown in regression may be attributed to accelerated sea-level rise after the Little Ice Age and during the industrial period, being consistent with the tide-gauge measurements from the 20th century. Palaeogeographic reconstructions indicate the existence of a strait in the Salme area during the burial of the ships. The eastern part of the strait with water depth up to 2.8 m was about 80–100 m wide. The relatively steep and wind-protected shores in that part of the strait were probably the best places in the area for landing the viking ships. According to sedimentological evidence and diatom data, the narrowing of Salme palaeostrait occurred between 1270 and 1300 AD. Salme I and II ships were buried at 650–770 AD into the sandy-gravelly coastal deposits which had accumulated there in the open coastal zone about 710–450 years earlier. Reconstructions show that the ships were located about 2–2.5 m above coeval sea level and more than 100 m from the coastline. Thus, both ships were probably moved from the shore to the higher ground for burial.

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Aki Siegel;

    With the availability of English as a Medium of Instruction (EMI) courses, an increasing number of international students have been joining Swedish universities. However, the language use in Swedish EMI courses may display unique features; while many Swedish students have high English language proficiency, code-switching between Swedish and English is reported as a common practice by both lecturers and students, even when international students are present. Moreover, the term “international students” is often used to include students of various statuses and linguistic abilities, and the experiences and perspectives of short-term exchange students towards the language use in Swedish EMI courses are rarely documented. The current study investigates the perspectives of short-term exchange students from Japan enrolled in EMI courses at a university in Sweden. Questionnaire and focus group interview confirmed previous studies regarding the language-use practices in the classrooms. Moreover, the rate of speech, turn-taking, and background knowledge were found to hinder the learning and participation of the exchange students. The findings suggest the need to raise awareness of the language practices in Swedish EMI courses to students, lecturers, and other universities in order to support the learning experience of short-term exchange students.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Languagesarrow_drop_down
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    Other literature type . Article . 2021 . Peer-reviewed
    License: CC BY
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Article . 2021
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Languagesarrow_drop_down
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      Other literature type . Article . 2021 . Peer-reviewed
      License: CC BY
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      Article . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Bolin, Annalisa; Nkusi, David;

    Highlighting the rural district of Nyanza in Rwanda, this article examines community relations to heritage resources. It investigates the possibilities for more ethical, engaged models of heritage management which can better deliver on agendas of decolonization and development. Our research finds that Nyanza’s heritage stakeholders highly value heritage’s social and economic roles, but communities are also significantly alienated from heritage resources. In seeking to bridge this gap, heritage professionals utilize a discourse of technocratic improvement, but community leaders emphasize ideas of ownership, drawing on higher state-level discourses of self-reliance and “homegrown solutions.” They mobilize the state’s own attempts to filter developing, decolonizing initiatives through Rwandan frameworks to advocate for communities’ right to participate in heritage. This local agency offers a roadmap for utilizing favorable aspects of existing governance to push heritage management toward community engagement and decolonization.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Linnaeus University ...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Journal of Social Archaeology
    Article . 2021 . Peer-reviewed
    License: CC BY
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Linnaeus University ...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Journal of Social Archaeology
      Article . 2021 . Peer-reviewed
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    AbstractAgriculture is the backbone of Uganda’s economy, with about 24.9% contribution to the gross domestic product (GDP) as per the Uganda National Household Survey 2016/17. Agricultural productivity (yield per hectare) is still low due to the high dependence on rain-fed subsistence farming. Climate change is expected to further reduce the yield per hectare. Therefore, this study aims to evaluate the potential impact of climate change on maize yield in the Victoria Nile Sub-basin using the AquaCrop model. It further assesses the possible adaptation measures to climate change. The Hadley Centre Global Environmental Model version 2–Earth System (HadGEM2-ES) data downloaded from the Coordinated Regional Downscaling Experiment (CORDEX) was used to simulate maize yield in the near future (2021–2040), mid future (2041–2070) and late future (2071–2099). Results show that maize yield is likely to reduce by as high as 1–10%, 2–42% and 1–39% in the near, mid and late futures, respectively, depending on the agro-ecological zone. This decline in maize yield can have a significant impact on regional food security as well as socio-economic well-being since maize is a staple crop. The study also shows that improving soil fertility has no significant impact on maize yield under climate change. However, a combined application of supplementary irrigation and shifting the planting dates is a promising strategy to maintain food security and socio-economic development. This study presents important findings and adaptation strategies that policymakers and other stakeholders such as farmers can implement to abate the effects of climate change on crop production.

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    Arabian Journal of Geosciences
    Article . 2021 . Peer-reviewed
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    Arabian Journal of Geosciences
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    https://doi.org/10.60692/3975q...
    Other literature type . 2021
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    https://doi.org/10.60692/hsk82...
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      Arabian Journal of Geosciences
      Article . 2021 . Peer-reviewed
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      Arabian Journal of Geosciences
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    Authors: Ina Lindblom;

    Abstract Through the analysis of an extensive biographical source material – the life description of Swedish clergyman Pehr Stenberg – this article examines how love was framed as a cause of illness in everyday contexts in late eighteenth-century Sweden. Love was perceived as an emotion that could cause both physical and mental forms of illness. Although lovesickness has been regarded as an illness that could be used by afflicted individuals to communicate emotions, this source material indicates that illnesses caused by love were regarded as actual afflictions. In the framing of these illnesses, conceptions of female fragility were reinforced as love was perceived to have a particularly destabilising power on women.

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    Emotions History Culture Society
    Article . 2021 . Peer-reviewed
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    Emotions History Culture Society
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      Emotions History Culture Society
      Article . 2021 . Peer-reviewed
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      Emotions History Culture Society
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    Authors: Julia Adler; Krister Bykvist; Mats Ingelström;

    According to a popular version of the person-affecting idea of morality, what is better (worse) must be better (worse) for someone. However, there seems to be a clear tension between this idea and some of our considered judgements about cases in which the existence of future people is contingent on our choice. For example, we want to say that creating a very unhappy person makes the world worse, other things being equal. In order to comply with a person-affecting morality in this case, we need to show that coming into existence can be worse for a person, but it does not seem plausible to say that it can be worse for a person to exist than not to exist. This paper discusses some recent attempts to ease this tension, and it is argued that none of these attempts is convincing. That leaves us with only one option: to reject the person-affecting constraint in its current form.

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    OSF Preprints
    Article . Preprint . 2021 . Peer-reviewed
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      OSF Preprints
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    Authors: Julia Adler; Paul Bowman; Mats Ingelström;

    This paper makes progress towards an account of moral wrongdoing for individual contributions to collectively-caused harms and substantial risks of harm, like the harms and risks stemming from climate change. To do so, this paper argues that an agent’s motivations can be relevant to whether an agent’s contribution to a collectively-caused harm or risk is morally wrong. Specifically, this paper argues that an agent’s contribution to a collectively caused harm or risk can be wrong in virtue of her motivations even when she does not intend to contribute to the harm or risk, but rather contributes to the harm or risk as a foreseeable but unintended side-effect of her otherwise good end.

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    OSF Preprints
    Preprint . Article . 2021 . Peer-reviewed
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    Authors: Julia Adler; Wlodek Rabinowicz; Mats Ingelström;

    Abstract According to the Intuition of Neutrality, there is a range of well-being levels such that adding people with lives at these levels doesn’t make the world either better or worse. As lives in the neutral range can be good for those who live them, this intuition is in conflict with one of the main tenets of welfarism; it creates a disparity between what is good for a person and what is impersonally good. Adding a person with a good life needn’t make the world better. An earlier article, “Broome and the Intuition of Neutrality” (Rabinowicz 2009) suggested but did not elaborate a reinterpretation of the neutral range that would remove the problematic disparity. On this reinterpretation, a life at a level within the neutral range is not merely impersonally neutral; it is also neutral in its personal value: neither better nor worse for its owner than non-existence. Nevertheless, among such personally neutral lives, some might still be personally better or worse than others, provided that they are incommensurable in their personal value with non-existence. The present chapter explores some of the implications of this “personalization” of the Intuition of Neutrality. In particular, it discusses its worrisome implications for neutral-range utilitarianism.

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    OSF Preprints
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    https://doi.org/10.1093/oxford...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Lindholm, Karl-Johan; Ersmark, Erik; Hennius, Andreas; Lindgren, Sakarias; +2 Authors

    In this article, we present ongoing archaeological research into Scandinavia's forested inland region, suggesting that its people and communities were socially and economically integrated into systems of trade and in close interaction with the worlds outside, as early as the first centuries of the Common Era. The article presents a range of archaeological evidence, from ca. 500 to 1400 CE, for processes of ecological globalization, manifested by the exploitation of local landscapes and the extraction of valued products that could be transformed into commodities through crafts and trade. These forested landscapes were reliant on—and also shaped by—complex social and economic relations reflecting interrelated socio-economic systems of extraction, production, and consumption. Our main argument is that these landscapes are crucial to identifying and understanding the contours of the premodern global North. UTMA

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    https://doi.org/10.1515/978164...
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      https://doi.org/10.2307/j.ctv2...
      Part of book or chapter of book . 2021 . Peer-reviewed
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    Authors: Aronsson, Mattias;

    Nous étudions dans cet article la traduction et la médiation de l’œuvre de Jacques Brel en suédois. Les questions de recherche sont les suivantes : Quelles chansons de l’artiste belge ont été transférées en suédois ? Quand les interprétations sont-elles sorties sur le marché cible ? Quelles méthodes de traduction peut-on identifier dans les textes cibles ? Les résultats montrent que 52 chansons de Jacques Brel ont été traduites en suédois, et ces traductions ont donné lieu à 168 interprétations en langue cible. Les chansons sources les plus populaires en Suède sont « Ne me quitte pas », « Quand on n’a que l’amour » et « La chanson des vieux amants ». La plupart des textes cibles sont produits après la mort de l’artiste en 1978, et les traducteurs et les interprètes ont été particulièrement actifs pendant les années 1980. Pour l’analyse des méthodes de traduction, nous avons utilisé la typologie de Franzon (2021) et nous avons étudié les chansons qui ont introduit Brel en tant qu’auteur-compositeur dans le pays cible. La conclusion est qu’un processus de consécration de l’artiste s’est produit pendant cette période (1968-1983). Plus Jacques Brel devient connu et consacré en tant qu’auteur-compositeur en Suède, plus les paroles cibles sont fidèles aux textes sources et, par conséquent, aux intentions de l’auteur.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Dalarna University C...arrow_drop_down
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    Article . 2021 . Peer-reviewed
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Triine Nirgi; Ieva Grudzinska; Edyta Kalińska; Marge Konsa; +4 Authors

    Two unique Pre-Viking Age ship burials were found from Salme village, Saaremaa Island, eastern Baltic Sea, containing remains of seven men in the smaller and 34 men in the larger ship. According to the archaeological interpretations, these ships belonged to a viking crew possibly from the Stockholm-Mälaren region, eastern Sweden. Geoarchaeological research was conducted in the area to reconstruct Late-Holocene relative sea-level (RSL) changes and shoreline displacement to provide environmental context to these burials. In this paper we present a Late-Holocene shore displacement curve for the Saaremaa Island and GIS-based palaeogeographic reconstructions for the Salme area. The curve shows an almost linear RSL fall from 5.5 to 0.8 m a.s.l. between 1000 BC and 1300 AD with an average rate of 2 mm/year. A slowdown in regression may be attributed to accelerated sea-level rise after the Little Ice Age and during the industrial period, being consistent with the tide-gauge measurements from the 20th century. Palaeogeographic reconstructions indicate the existence of a strait in the Salme area during the burial of the ships. The eastern part of the strait with water depth up to 2.8 m was about 80–100 m wide. The relatively steep and wind-protected shores in that part of the strait were probably the best places in the area for landing the viking ships. According to sedimentological evidence and diatom data, the narrowing of Salme palaeostrait occurred between 1270 and 1300 AD. Salme I and II ships were buried at 650–770 AD into the sandy-gravelly coastal deposits which had accumulated there in the open coastal zone about 710–450 years earlier. Reconstructions show that the ships were located about 2–2.5 m above coeval sea level and more than 100 m from the coastline. Thus, both ships were probably moved from the shore to the higher ground for burial.

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao The Holocenearrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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