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103 Research products

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  • Flore (Florence Research Repository)
  • Reti Medievali Open Archive
  • GNOSIS Institutional Repository
  • Digital Humanities and Cultural Heritage

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Biagini, Carlo; Bongini, Andrea; Ottobri, Paolo; Verdiani, Giorgio;

    The implementation of BIM methodologies for historical buildings presupposes not only the collection of data and information related to its geometric configuration and to the technical parameters of its constituent elements, but more generally the identification of those semantic values which make it part of the historical-cultural heritage shared in a specific context. It is therefore essential that the modelling objectives are explicitly defined in relation to the specific BIM uses required, in order to avoid risks of over-modelling. This paper proposes a process of geometric validation of building information models of high morphological complexity implemented through Scan-to-BIM procedures. By means of a controlled and interoperable workflow, a chain of software applications is defined that is able to determine the level of geometric accuracy (LOA) of the information model with respect to the numerical model derived from the point cloud. Two case studies of H-BIM modelling of historical monumental complexes dating back to the Romanesque period in Sardinia (Italy) are illustrated: the churches of Sant'Efisio a Nora (Cagliari) and Santa Maria del Regno (Sassari). In the discussion of the results, the need for a prior definition of modelling strategies in relation to the expected BIM uses is highlighted. The digital survey was carried out as a part of the research project titled, “The Romanesque and the territory. Construction materials of the Sardegna Giudicale”, and coordinated by prof. Stefano Columbu. The BIM model was developed by a students’ team as part of the teaching activities of the Architectural Drawing course at the School of Engineering, University of Florence. The imagines are extracted from the drawings of the students, Valeria Siddi, Elena Pastorelli, Liuba Gabrielli, Simone Riccio, Elisa Ricotti.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.31428/10317...
    Conference object . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    E. Pellis; A. Murtiyoso; A. Masiero; G. Tucci; +2 Authors

    The interest in high-resolution semantic 3D models of historical buildings continuously increased during the last decade, thanks to their utility in protection, conservation and restoration of cultural heritage sites. The current generation of surveying tools allows the quick collection of large and detailed amount of data: such data ensure accurate spatial representations of the buildings, but their employment in the creation of informative semantic 3D models is still a challenging task, and it currently still requires manual time-consuming intervention by expert operators. Hence, increasing the level of automation, for instance developing an automatic semantic segmentation procedure enabling machine scene understanding and comprehension, can represent a dramatic improvement in the overall processing procedure. In accordance with this observation, this paper aims at presenting a new workflow for the automatic semantic segmentation of 3D point clouds based on a multi-view approach. Two steps compose this workflow: first, neural network-based semantic segmentation is performed on building images. Then, image labelling is back-projected, through the use of masked images, on the 3D space by exploiting photogrammetry and dense image matching principles. The obtained results are quite promising, with a good performance in the image segmentation, and a remarkable potential in the 3D reconstruction procedure. International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, XLVI-2/W1-2022 ISSN:2194-9034 ISSN:1682-1777 ISSN:1682-1750

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ISPRS - Internationa...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ETH Zürich Research Collection
    Conference object . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    D. V. Brezgin; K E Aronson; F Mazzelli; A Milazzo;

    Abstract In this paper, the test supersonic ejector with conjugate heat transfer in solid bodies has been studied numerically. An extensive numerical campaign by means of open-source SU2 solver is performed to analyze the fluid dynamics of the ejector flowfield accounting for the heat conduction in solids. The fluid domain simulation is carried out by employing compressible RANS treatment whilst the heat distribution in solids is predicted by simultaneous solving the steady heat conduction equation. The working fluid is R245fa and all simulations are performed accounting for real gas properties of the refrigerant. Experimental data against numerical results comparison showed close agreement both in terms mass flow rates and static pressure distribution along the walls. Within the CFD trials, the most valuable flow parameters at a wall vicinity are compared: distribution across the boundary layer of the temperature and the turbulent kinetic energy specific dissipation rate, boundary layer displacement and momentum thicknesses. A comprehensive analysis of the simulation results cases with adiabatic walls against cases with heat permeable walls revealed the actual differences of the flow properties in the wall vicinity. However, the ejector performance has not changed noticeably while accounting for the heat conduction in solids.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Fabio Radicioni; Pietro Matracchi; Aurelio Stoppini; Grazia Tosi; +1 Authors

    The Engineering Department of the University of Perugia and the Architecture Department of the University of Florence have started a research project on the ancient city gates of Perugia, belonging to the Etruscan city, dating between the third and second centuries b.C., and to the subsequent city wall completed in the twelfth century. In this paper, focus is placed on three Etruscan gates - Porta Eburnea (also called Porta della Mandorla), Porta Cornea and Porta Trasimena – which have in common profound Middle Age transformations and further significant context changes following the loss of function as defensive walls. Due to the decommissioning of this urban infrastructure, the gates have assumed a marginal role; nowadays they are almost completely absorbed by residential buildings, almost losing the memory of their origins and of the important Etruscan remains that are still preserved in the gates. Geomatic surveys on the three Etruscan gates were carried out by the Geomatics Laboratory of Perugia University in the frame of a research project financed by the Cassa di Risparmio di Perugia Foundation. The survey was carried out by means of a coordinated use of more Geomatic techniques: GNSS, Total Station, Terrestrial LIDAR and Digital Photogrammetry. From LIDAR and photogrammetry were derived dense point clouds, beside CAD plans, sections and elevations. The information acquired with these detailed surveys provide a completely new and accurate documentary evidence of the gates’ consistency, allowing to identify the actions and interventions that have changed their structure over time.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://ocs.editorial.upv.es/in...
    Conference object
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.4995/arqueo...
    Conference object . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Alessandro Conti; Grazia Tucci; Valentina Bonora; Lidia Fiorini;

    Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summarised in a video showed in 2019 during the exhibition on tapestries dedicated to Cosimo I de' Medici. A tool was also developed to assist exhibition and museum curators in their work. Through virtual reality, they can design temporary exhibitions or modify the display of the works of art in a museum in a realistic way, using visually and metrically accurate models of the pieces and exhibition rooms.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ http://ocs.editorial...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://ocs.editorial.upv.es/in...
    Conference object
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.4995/arqueo...
    Conference object . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Carlo Biagini; Francesco Capparelli; Giorgio Verdiani;

    The paper deals with the application of Building Information Modelling (BIM) to the documentation and preservation of Archaeological Heritage. illustrating the implemantation process to a case study. The work process started from the historical analysis tighether with the geometric capturing of the built morphology. A 3D model was created by combining laser scans and a digital photogrammetric survey. To maka all 3D data sets interoperable, it was developed a BIM project execution plan focused on the restoration of Shipwreck Museum in the Kyrenia Castle in Cyprus. The HBIM approach not only allows ti represent the existing historic fabric with an effective visualization but also to lead a complex analysis of designed interventions in various scenarios. All the additional information besides the geometrical data were stored into the HBIM able ti document the manteinance and ti help the future works. It will be illustrated the procedure and the methodology by presenting the outcomes of the research.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://ocs.editorial.upv.es/in...
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    https://doi.org/10.4995/arqueo...
    Conference object . 2021
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Attilio Stella;

    Jean de Blanot, the enigmatic Iacobus Aurelianus, and Jean Blanc de Marseille are the first known French lawyers trained in Italy to have shown interest in one of the most famous custumals in medieval Europe, the Lombard book of fiefs known by the name of Libri Feudorum. Considering that this compilation was increasingly gaining authority in the Italian law schools, this chapter shows how these three lawyers re-elaborated these teachings and compared (or opposed) them to local bodies of norms. By observing how they developed different notions of custom and argued about the validity of the Libri Feudorum outside Lombardy, the chapter unveils the problematic dialectics between Civil law, local custom, and practice, and provides some insights into the making of the ius commune, its practical and historical roots, its geographical dimensions.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Reti Medievali Open ...arrow_drop_down
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    Reti Medievali Open Archive
    Part of book or chapter of book . 2021
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://www.cambridge.org/core...
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.1017/978110...
    Part of book or chapter of book . 2021
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    Carlos, Gilberto Duarte; Correia, Mariana; Dipasquale, Letizia; Mecca, Saverio;

    Considering the built environment as the most enduring receiver of human behaviour, one can easily assume vernacular heritage as an objective consequence of the essential features of specific local communities. [...]

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Repositório da Unive...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Flore (Florence Research Repository)
    Part of book or chapter of book . 2020
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    Luigi Tufano;

    ITALIANO: Attraverso le pergamene dell’archivio gentilizio, il saggio ricostruisce le vicende e i percorsi di costruzione e di consolidamento del ruolo politico e sociale degli Albertini di Cimitile, un’importante famiglia dell’élite nolana, di professionisti del diritto e dai consolidati rapporti con la dinastia comitale degli Orsini, nel periodo a cavallo tra il tardo Medioevo e la prima età moderna. / ENGLISH: Through the parchments of the aristocratic archive, the essay reconstructs the events and paths of construction and consolidation of the political and social role of the Albertini of Cimitile, an important family of the Nolan élite, of legal professionals and with consolidated relations with the Orsini count dynasty, in the period between the late Middle Ages and the early modern period.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Reti Medievali Open ...arrow_drop_down
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    Reti Medievali Open Archive
    Part of book or chapter of book . 2021
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    Enrico Faini;

    Starting from the example of San Miniato al Monte, the essay dwells on the relationship existing between Florentine aristocracy and religious institutions. These were indispensable elements for the occupation of the urban ‘political space’, thanks to the social networks they controlled. Their political role – until now poorly investigated – was clearly recognised by the new ruling groups (Popolo). For this reason, the Florentine Popolo’s regime at the end of the thirteenth century tried to break the connection between aristocratic families and religious institutions, also through the use of precise rules that had become part of the Ordinamenti di Giustizia.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ https://doi.org/10.3...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Biagini, Carlo; Bongini, Andrea; Ottobri, Paolo; Verdiani, Giorgio;

    The implementation of BIM methodologies for historical buildings presupposes not only the collection of data and information related to its geometric configuration and to the technical parameters of its constituent elements, but more generally the identification of those semantic values which make it part of the historical-cultural heritage shared in a specific context. It is therefore essential that the modelling objectives are explicitly defined in relation to the specific BIM uses required, in order to avoid risks of over-modelling. This paper proposes a process of geometric validation of building information models of high morphological complexity implemented through Scan-to-BIM procedures. By means of a controlled and interoperable workflow, a chain of software applications is defined that is able to determine the level of geometric accuracy (LOA) of the information model with respect to the numerical model derived from the point cloud. Two case studies of H-BIM modelling of historical monumental complexes dating back to the Romanesque period in Sardinia (Italy) are illustrated: the churches of Sant'Efisio a Nora (Cagliari) and Santa Maria del Regno (Sassari). In the discussion of the results, the need for a prior definition of modelling strategies in relation to the expected BIM uses is highlighted. The digital survey was carried out as a part of the research project titled, “The Romanesque and the territory. Construction materials of the Sardegna Giudicale”, and coordinated by prof. Stefano Columbu. The BIM model was developed by a students’ team as part of the teaching activities of the Architectural Drawing course at the School of Engineering, University of Florence. The imagines are extracted from the drawings of the students, Valeria Siddi, Elena Pastorelli, Liuba Gabrielli, Simone Riccio, Elisa Ricotti.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.31428/10317...
    Conference object . 2022
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    E. Pellis; A. Murtiyoso; A. Masiero; G. Tucci; +2 Authors

    The interest in high-resolution semantic 3D models of historical buildings continuously increased during the last decade, thanks to their utility in protection, conservation and restoration of cultural heritage sites. The current generation of surveying tools allows the quick collection of large and detailed amount of data: such data ensure accurate spatial representations of the buildings, but their employment in the creation of informative semantic 3D models is still a challenging task, and it currently still requires manual time-consuming intervention by expert operators. Hence, increasing the level of automation, for instance developing an automatic semantic segmentation procedure enabling machine scene understanding and comprehension, can represent a dramatic improvement in the overall processing procedure. In accordance with this observation, this paper aims at presenting a new workflow for the automatic semantic segmentation of 3D point clouds based on a multi-view approach. Two steps compose this workflow: first, neural network-based semantic segmentation is performed on building images. Then, image labelling is back-projected, through the use of masked images, on the 3D space by exploiting photogrammetry and dense image matching principles. The obtained results are quite promising, with a good performance in the image segmentation, and a remarkable potential in the 3D reconstruction procedure. International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences, XLVI-2/W1-2022 ISSN:2194-9034 ISSN:1682-1777 ISSN:1682-1750

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ISPRS - Internationa...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ETH Zürich Research Collection
    Conference object . 2022
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    D. V. Brezgin; K E Aronson; F Mazzelli; A Milazzo;

    Abstract In this paper, the test supersonic ejector with conjugate heat transfer in solid bodies has been studied numerically. An extensive numerical campaign by means of open-source SU2 solver is performed to analyze the fluid dynamics of the ejector flowfield accounting for the heat conduction in solids. The fluid domain simulation is carried out by employing compressible RANS treatment whilst the heat distribution in solids is predicted by simultaneous solving the steady heat conduction equation. The working fluid is R245fa and all simulations are performed accounting for real gas properties of the refrigerant. Experimental data against numerical results comparison showed close agreement both in terms mass flow rates and static pressure distribution along the walls. Within the CFD trials, the most valuable flow parameters at a wall vicinity are compared: distribution across the boundary layer of the temperature and the turbulent kinetic energy specific dissipation rate, boundary layer displacement and momentum thicknesses. A comprehensive analysis of the simulation results cases with adiabatic walls against cases with heat permeable walls revealed the actual differences of the flow properties in the wall vicinity. However, the ejector performance has not changed noticeably while accounting for the heat conduction in solids.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Fabio Radicioni; Pietro Matracchi; Aurelio Stoppini; Grazia Tosi; +1 Authors

    The Engineering Department of the University of Perugia and the Architecture Department of the University of Florence have started a research project on the ancient city gates of Perugia, belonging to the Etruscan city, dating between the third and second centuries b.C., and to the subsequent city wall completed in the twelfth century. In this paper, focus is placed on three Etruscan gates - Porta Eburnea (also called Porta della Mandorla), Porta Cornea and Porta Trasimena – which have in common profound Middle Age transformations and further significant context changes following the loss of function as defensive walls. Due to the decommissioning of this urban infrastructure, the gates have assumed a marginal role; nowadays they are almost completely absorbed by residential buildings, almost losing the memory of their origins and of the important Etruscan remains that are still preserved in the gates. Geomatic surveys on the three Etruscan gates were carried out by the Geomatics Laboratory of Perugia University in the frame of a research project financed by the Cassa di Risparmio di Perugia Foundation. The survey was carried out by means of a coordinated use of more Geomatic techniques: GNSS, Total Station, Terrestrial LIDAR and Digital Photogrammetry. From LIDAR and photogrammetry were derived dense point clouds, beside CAD plans, sections and elevations. The information acquired with these detailed surveys provide a completely new and accurate documentary evidence of the gates’ consistency, allowing to identify the actions and interventions that have changed their structure over time.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    http://ocs.editorial.upv.es/in...
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    https://doi.org/10.4995/arqueo...
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    Alessandro Conti; Grazia Tucci; Valentina Bonora; Lidia Fiorini;

    Three-dimensional acquisition techniques, reality-based modelling and virtual reality are tools used in Digital Humanities prevalently for displaying the results of a study, but they can also suggest new methods of investigation to humanities scholars. In a case study regarding art history, these techniques made it possible to recreate the layout of the Sala di Saturno in Pitti Palace (Florence) in the 17th century, based on information obtained from archive documents on the tapestries designed for that hall and a 3D model expressly elaborated with geomatic techniques. The results were summarised in a video showed in 2019 during the exhibition on tapestries dedicated to Cosimo I de' Medici. A tool was also developed to assist exhibition and museum curators in their work. Through virtual reality, they can design temporary exhibitions or modify the display of the works of art in a museum in a realistic way, using visually and metrically accurate models of the pieces and exhibition rooms.

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    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    https://doi.org/10.4995/arqueo...
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Carlo Biagini; Francesco Capparelli; Giorgio Verdiani;

    The paper deals with the application of Building Information Modelling (BIM) to the documentation and preservation of Archaeological Heritage. illustrating the implemantation process to a case study. The work process started from the historical analysis tighether with the geometric capturing of the built morphology. A 3D model was created by combining laser scans and a digital photogrammetric survey. To maka all 3D data sets interoperable, it was developed a BIM project execution plan focused on the restoration of Shipwreck Museum in the Kyrenia Castle in Cyprus. The HBIM approach not only allows ti represent the existing historic fabric with an effective visualization but also to lead a complex analysis of designed interventions in various scenarios. All the additional information besides the geometrical data were stored into the HBIM able ti document the manteinance and ti help the future works. It will be illustrated the procedure and the methodology by presenting the outcomes of the research.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Flore (Florence Rese...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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    Attilio Stella;

    Jean de Blanot, the enigmatic Iacobus Aurelianus, and Jean Blanc de Marseille are the first known French lawyers trained in Italy to have shown interest in one of the most famous custumals in medieval Europe, the Lombard book of fiefs known by the name of Libri Feudorum. Considering that this compilation was increasingly gaining authority in the Italian law schools, this chapter shows how these three lawyers re-elaborated these teachings and compared (or opposed) them to local bodies of norms. By observing how they developed different notions of custom and argued about the validity of the Libri Feudorum outside Lombardy, the chapter unveils the problematic dialectics between Civil law, local custom, and practice, and provides some insights into the making of the ius commune, its practical and historical roots, its geographical dimensions.

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    Reti Medievali Open Archive
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    https://www.cambridge.org/core...
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    https://doi.org/10.1017/978110...
    Part of book or chapter of book . 2021
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    Carlos, Gilberto Duarte; Correia, Mariana; Dipasquale, Letizia; Mecca, Saverio;

    Considering the built environment as the most enduring receiver of human behaviour, one can easily assume vernacular heritage as an objective consequence of the essential features of specific local communities. [...]

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    Flore (Florence Research Repository)
    Part of book or chapter of book . 2020
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    Luigi Tufano;

    ITALIANO: Attraverso le pergamene dell’archivio gentilizio, il saggio ricostruisce le vicende e i percorsi di costruzione e di consolidamento del ruolo politico e sociale degli Albertini di Cimitile, un’importante famiglia dell’élite nolana, di professionisti del diritto e dai consolidati rapporti con la dinastia comitale degli Orsini, nel periodo a cavallo tra il tardo Medioevo e la prima età moderna. / ENGLISH: Through the parchments of the aristocratic archive, the essay reconstructs the events and paths of construction and consolidation of the political and social role of the Albertini of Cimitile, an important family of the Nolan élite, of legal professionals and with consolidated relations with the Orsini count dynasty, in the period between the late Middle Ages and the early modern period.

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    Reti Medievali Open Archive
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    https://fupress.com/redir.ashx...
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    Enrico Faini;

    Starting from the example of San Miniato al Monte, the essay dwells on the relationship existing between Florentine aristocracy and religious institutions. These were indispensable elements for the occupation of the urban ‘political space’, thanks to the social networks they controlled. Their political role – until now poorly investigated – was clearly recognised by the new ruling groups (Popolo). For this reason, the Florentine Popolo’s regime at the end of the thirteenth century tried to break the connection between aristocratic families and religious institutions, also through the use of precise rules that had become part of the Ordinamenti di Giustizia.

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