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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Orengo Romeu, Hèctor A.; Nadal Lorenzo, Jordi;

    Learning material of the "Universitat Oberta de Catalunya". Material docente de la "Universitat Oberta de Catalunya". Material docent de la Universitat Oberta de Catalunya.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Alberich Pascual, Jordi; Morera Peiró, Mireia; Peist Rojzman, Nuria; Rodríguez Granell, Ana; +3 Authors

    Recurso de aprendizaje de la "Universitat Oberta de Catalunya". Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Learning material of the "Universitat Oberta de Catalunya".

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Nyong'o, Tavia;

    Dieser Vortrag behandelt Jason and Shirley von Stephen Winters, eine filmische Fabel über die Dreharbeiten zu Shirley Clarkes Portrait of Jason (1967). Für seine absichtsvoll unzuverlässige Erzählung über historisch verbürgte Ereignisse ist der Film gleichermaßen gelobt und kritisiert worden. Während die historische Rekonstruktion eine zulässige Weise der Wiedergewinnung der Vergangenheit darstellt, wird dieser Vortrag die These vertreten, dass die Fabulation eine ebenso zulässige Variante darstellt, zumal aus der Sicht derer, die dem Machtgefüge der dokumentarischen Aufzeichnung und Wiedergabe ausgesetzt sind. In dem Vortrag gehe ich von den Arbeiten des Filmtheoretikers Marc Siegel und der schwarzen feministischen Theoretikerin Hortense Spillers aus, um die Frage nach der „Normativität“ oder „Gegennormativität“ von Winters historischer Rekonstruktion zu stellen. Queer theory, so wird bisweilen gesagt, ist immer schon anti-normativ eingestellt. Sie glorifiziert rückhaltlos ihre eigene Transgressivität und ihre Regelverletzungen. Vertreter dieser Position sprechen sich mitunter für ein Sowohl-als-auch-Model der Anerkennung von Geltungsansprüchen aus, bei dem normative und anti-normative Haltungen gleichermaßen ernst genommen werden sollen. Mit seiner freihändigen Improvisation über verbürgte historische Tatsachen scheint Jason and Shirley von uns allerdings eine andere Haltung zu verlangen, eine Haltung des Weder/Noch. Dieser Haltung zufolge kann der Ethos der Wiederherstellung und der Rekonstruktion des Vergangenen ebenso wenig einen Geltungsanspruch einfordern wie die Glorifizierung der Transgression um ihrer selbst willen.

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Blättler, Christine;
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ media/rep/ - Reposit...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Carreras Monfort, César; González Reverté, Francesc; Mancini, Federica; Morro Prats, Antoni; +3 Authors

    En los últimos años, el turismo cultural ha crecido de forma exponencial tanto en nuestro país como en el mundo en general. Los turistas aprovechan los desplazamientos a otros lugares para conocer la historia, el arte y las costumbres de los sitios que visitan, y de esta manera el tiempo de ocio se ha convertido en un tiempo de aprendizaje y conocimiento. En su globalidad, la asignatura de Patrimonio Cultural plantea el estudio de las ciencias de patrimonio y los cambios que esta disciplina ha experimentado en los últimos tiempos, incluyendo el análisis de las nuevas formas patrimoniales como son el patrimonio oral, la memoria histórica, el paisaje y el territorio y su interrelación con la cultura. También se dedica un módulo entero a exponer los principios para la gestión sostenible del patrimonio con uso turístico, así como a la formulación de estrategias sostenibles para la preparación de productos de turismo cultural. La asignatura tiene un planteamiento interdisciplinario y se acerca a las nuevas herramientas de la interpretación del patrimonio y su relación con la nueva conceptualización del turismo cultural. La estructura de la asignatura de Patrimonio Cultural, se desenvuelve paralelamente a la organización y distribución de los módulos didácticos, por lo que el ámbito temático de los materiales ofrece al estudiante la relación clave y fundamental entre Patrimonio Cultural y Turismo y la definición de las nuevas formas de Turismo, muy especialmente del Turismo Cultural. En els darrers anys, el turisme cultural ha crescut de forma exponencial tant en el nostre país com en el món en general. Els turistes aprofiten els desplaçaments a d'altres indrets per conèixer la història, l'art i els costums dels llocs que visiten, i d'aquesta manera, el temps d'oci ha esdevingut un temps d'aprenentatge i coneixement. En la seva globalitat, l'assignatura de Patrimoni Cultural planteja l'estudi de les ciències del patrimoni i els canvis que aquesta disciplina ha experimentat en els darrers temps, incloent l'anàlisi de les noves formes patrimonials com són el patrimoni oral, la memòria històrica, el paisatge i el territori i la seva interrelació amb la cultura. També es dedica un mòdul sencer a exposar els principis per a la gestió sostenible del patrimoni amb ús turístic, així com a la formulació d'estratègies sostenibles per a la preparació de productes turisme cultural. L'assignatura té un plantejament interdisciplinari i s'apropa a les noves eines de la interpretació del patrimoni i la seva relació amb la nova conceptualització del turisme cultural. L'estructura de l'assignatura de Patrimoni Cultural es desenvolupa paral·lelament a l'organització i distribució dels mòduls didàctics, per la qual cosa l'àmbit temàtic dels materials ofereix a l'estudiant la relació clau i fonamental entre Patrimoni Cultural i Turisme i la definició de les noves formes de Turisme, molt especialment la del Turisme Cultural. In recent years, cultural tourism has grown exponentially in our country and the world in general. Tourists take advantage of trips to other places to know the history, art and traditions of the places they visit, and thus leisure time has become a time of learning and knowledge. Globally, the Cultural heritage course poses the study of Heritage sciences and the changes that this discipline has experienced in recent times, including the analysis of new economic forms such as oral heritage, historical memory, landscape and territory and their relationship to culture.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Recolector de Cienci...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Armada, Xosé-Lois;

    [ES] La reunión científica “Del taller al cuerpo: el metal como expresión de poder en la protohistoria del Noroeste” es una iniciativa del proyecto de investigación del mismo título, financiado por el Programa de Promoción Xeral da Investigación de la Xunta de Galicia. Este proyecto, liderado por el Instituto de Ciencias de Patrimonio del CSIC, cuenta con la participación de nueve investigadores pertenecientes al CSIC, la Universidad de Durham y la Universidad de Coimbra. El objetivo de esta reunión es presentar a la comunidad científica, y a todo el público interesado, el trabajo realizado hasta la fecha, situándolo en el contexto de discusión más amplio que proporcionan varios participantes invitados. [GA] A reunión científica “Do obradoiro ó corpo: o metal como expresión de poder na protohistoria do Noroeste” é unha iniciativa do proxecto de investigación do mesmo título, financiado polo Programa de Promoción Xeral da Investigación da Xunta de Galicia. Este proxecto, liderado polo Instituto de Ciencias do Patrimonio do CSIC, conta coa participación de nove investigadores pertencentes ó CSIC, a Universidade de Durham e a Universidade de Coimbra. O obxectivo desta reunión é presentar á comunidade científica, e a todo o público interesado, o traballo realizado ata a data, situándoo no contexto de discusión máis amplo que proporcionan varios participantes convidados. Programas, en versión gallega y castellana, de la reunión científica ´Del taller al cuerpo: el metal como expresión de poder en la protohistoria del NW´ (Santiago de Compostela, 3-4 de julio de 2012) Programa de Promoción Xeral da Investigación de la Xunta de Galicia.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DIGITAL.CSIC; Recole...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ DIGITAL.CSIC; Recole...arrow_drop_down
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    Authors: Criado-Boado, Felipe; Bóveda López, María del Mar;

    [ES]

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    Authors: Mateos Rusillo, Santos Miguel;

    Recurso de aprendizaje de la Universitat Oberta de Catalunya. Material publicado con licencia Creative Commons pasados 6 semestres desde la fecha de publicación. Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Material publicat amb llicència Creative Commons passats 6 semestres des de la data de publicació. Learning resource of the Universitat Oberta de Catalunya. Material published under a Creative Commons license after 6 semesters from the date of publication.

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    Authors: De Boeck, Filip;

    ispartof: Sacred texts/Profane images Dynamics of transmission of religious knowledge: in dialogue with Congolese popular painting location:U of Cosenza, Calabria, Italia date:4 Jun - 6 Jun 2024 This presentation deals with the artisitic output of Mfumu'eto, one of Congo's best-known comic strip artists. Invited lecture, invited by: Rosario Giordano, University of Cosenza status: published

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    Authors: Gradmann, Stefan;

    ispartof: Seminario Internacional de la Biblioteca de Galicia location:Santiago de Compostela date:7 Apr - 7 Apr 2011 status: published

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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Orengo Romeu, Hèctor A.; Nadal Lorenzo, Jordi;

    Learning material of the "Universitat Oberta de Catalunya". Material docente de la "Universitat Oberta de Catalunya". Material docent de la Universitat Oberta de Catalunya.

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    Authors: Alberich Pascual, Jordi; Morera Peiró, Mireia; Peist Rojzman, Nuria; Rodríguez Granell, Ana; +3 Authors

    Recurso de aprendizaje de la "Universitat Oberta de Catalunya". Recurs d'aprenentatge de la Universitat Oberta de Catalunya. Learning material of the "Universitat Oberta de Catalunya".

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    Authors: Nyong'o, Tavia;

    Dieser Vortrag behandelt Jason and Shirley von Stephen Winters, eine filmische Fabel über die Dreharbeiten zu Shirley Clarkes Portrait of Jason (1967). Für seine absichtsvoll unzuverlässige Erzählung über historisch verbürgte Ereignisse ist der Film gleichermaßen gelobt und kritisiert worden. Während die historische Rekonstruktion eine zulässige Weise der Wiedergewinnung der Vergangenheit darstellt, wird dieser Vortrag die These vertreten, dass die Fabulation eine ebenso zulässige Variante darstellt, zumal aus der Sicht derer, die dem Machtgefüge der dokumentarischen Aufzeichnung und Wiedergabe ausgesetzt sind. In dem Vortrag gehe ich von den Arbeiten des Filmtheoretikers Marc Siegel und der schwarzen feministischen Theoretikerin Hortense Spillers aus, um die Frage nach der „Normativität“ oder „Gegennormativität“ von Winters historischer Rekonstruktion zu stellen. Queer theory, so wird bisweilen gesagt, ist immer schon anti-normativ eingestellt. Sie glorifiziert rückhaltlos ihre eigene Transgressivität und ihre Regelverletzungen. Vertreter dieser Position sprechen sich mitunter für ein Sowohl-als-auch-Model der Anerkennung von Geltungsansprüchen aus, bei dem normative und anti-normative Haltungen gleichermaßen ernst genommen werden sollen. Mit seiner freihändigen Improvisation über verbürgte historische Tatsachen scheint Jason and Shirley von uns allerdings eine andere Haltung zu verlangen, eine Haltung des Weder/Noch. Dieser Haltung zufolge kann der Ethos der Wiederherstellung und der Rekonstruktion des Vergangenen ebenso wenig einen Geltungsanspruch einfordern wie die Glorifizierung der Transgression um ihrer selbst willen.

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    Authors: Blättler, Christine;
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    Authors: Carreras Monfort, César; González Reverté, Francesc; Mancini, Federica; Morro Prats, Antoni; +3 Authors

    En los últimos años, el turismo cultural ha crecido de forma exponencial tanto en nuestro país como en el mundo en general. Los turistas aprovechan los desplazamientos a otros lugares para conocer la historia, el arte y las costumbres de los sitios que visitan, y de esta manera el tiempo de ocio se ha convertido en un tiempo de aprendizaje y conocimiento. En su globalidad, la asignatura de Patrimonio Cultural plantea el estudio de las ciencias de patrimonio y los cambios que esta disciplina ha experimentado en los últimos tiempos, incluyendo el análisis de las nuevas formas patrimoniales como son el patrimonio oral, la memoria histórica, el paisaje y el territorio y su interrelación con la cultura. También se dedica un módulo entero a exponer los principios para la gestión sostenible del patrimonio con uso turístico, así como a la formulación de estrategias sostenibles para la preparación de productos de turismo cultural. La asignatura tiene un planteamiento interdisciplinario y se acerca a las nuevas herramientas de la interpretación del patrimonio y su relación con la nueva conceptualización del turismo cultural. La estructura de la asignatura de Patrimonio Cultural, se desenvuelve paralelamente a la organización y distribución de los módulos didácticos, por lo que el ámbito temático de los materiales ofrece al estudiante la relación clave y fundamental entre Patrimonio Cultural y Turismo y la definición de las nuevas formas de Turismo, muy especialmente del Turismo Cultural. En els darrers anys, el turisme cultural ha crescut de forma exponencial tant en el nostre país com en el món en general. Els turistes aprofiten els desplaçaments a d'altres indrets per conèixer la història, l'art i els costums dels llocs que visiten, i d'aquesta manera, el temps d'oci ha esdevingut un temps d'aprenentatge i coneixement. En la seva globalitat, l'assignatura de Patrimoni Cultural planteja l'estudi de les ciències del patrimoni i els canvis que aquesta disciplina ha experimentat en els darrers temps, incloent l'anàlisi de les noves formes patrimonials com són el patrimoni oral, la memòria històrica, el paisatge i el territori i la seva interrelació amb la cultura. També es dedica un mòdul sencer a exposar els principis per a la gestió sostenible del patrimoni amb ús turístic, així com a la formulació d'estratègies sostenibles per a la preparació de productes turisme cultural. L'assignatura té un plantejament interdisciplinari i s'apropa a les noves eines de la interpretació del patrimoni i la seva relació amb la nova conceptualització del turisme cultural. L'estructura de l'assignatura de Patrimoni Cultural es desenvolupa paral·lelament a l'organització i distribució dels mòduls didàctics, per la qual cosa l'àmbit temàtic dels materials ofereix a l'estudiant la relació clau i fonamental entre Patrimoni Cultural i Turisme i la definició de les noves formes de Turisme, molt especialment la del Turisme Cultural. In recent years, cultural tourism has grown exponentially in our country and the world in general. Tourists take advantage of trips to other places to know the history, art and traditions of the places they visit, and thus leisure time has become a time of learning and knowledge. Globally, the Cultural heritage course poses the study of Heritage sciences and the changes that this discipline has experienced in recent times, including the analysis of new economic forms such as oral heritage, historical memory, landscape and territory and their relationship to culture.

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    Authors: Armada, Xosé-Lois;

    [ES] La reunión científica “Del taller al cuerpo: el metal como expresión de poder en la protohistoria del Noroeste” es una iniciativa del proyecto de investigación del mismo título, financiado por el Programa de Promoción Xeral da Investigación de la Xunta de Galicia. Este proyecto, liderado por el Instituto de Ciencias de Patrimonio del CSIC, cuenta con la participación de nueve investigadores pertenecientes al CSIC, la Universidad de Durham y la Universidad de Coimbra. El objetivo de esta reunión es presentar a la comunidad científica, y a todo el público interesado, el trabajo realizado hasta la fecha, situándolo en el contexto de discusión más amplio que proporcionan varios participantes invitados. [GA] A reunión científica “Do obradoiro ó corpo: o metal como expresión de poder na protohistoria do Noroeste” é unha iniciativa do proxecto de investigación do mesmo título, financiado polo Programa de Promoción Xeral da Investigación da Xunta de Galicia. Este proxecto, liderado polo Instituto de Ciencias do Patrimonio do CSIC, conta coa participación de nove investigadores pertencentes ó CSIC, a Universidade de Durham e a Universidade de Coimbra. O obxectivo desta reunión é presentar á comunidade científica, e a todo o público interesado, o traballo realizado ata a data, situándoo no contexto de discusión máis amplo que proporcionan varios participantes convidados. Programas, en versión gallega y castellana, de la reunión científica ´Del taller al cuerpo: el metal como expresión de poder en la protohistoria del NW´ (Santiago de Compostela, 3-4 de julio de 2012) Programa de Promoción Xeral da Investigación de la Xunta de Galicia.

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