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Cet article rappelle les principaux points qui marquent les propositions de changements législatifs qui ont cours dans de nombreux pays. En montrant ainsi le type de transformations en train de se produire, il permet de mieux cerner le contexte médical et social qui conduit à poser la question de l’euthanasie. Une dernière partie expose les principaux arguments utilisés dans le débat ainsi que leurs forces et faiblesses. Enfin, il montre qu’aucun argument n’est entièrement convaincant mais que chacun renferme des richesses dont il faut tenir compte pour que les mourants soient respectés comme des personnes humaines.

The history of California is in many ways a story about water, and the outsized effect that droughts, floods, and seasonal precipitation rates have had on the political and economic development of the state over the past 170 years. This thesis uses discourse analysis of historical and ongoing negotiations that have been presented in federal and state reports, narratives, case laws and legislation to explore how the discourse around water politics has been shaped in the state. From this, an antiessentialist environmental history develops around the relationship between overdrafted groundwater basins in the Central Valley and the agriculture industry located there. Finally, this thesis explores what the future of a waterscape built during the capitalization of modern society may look like as we move towards a new regime of nature.

System log files are filled with logged events, status codes, and other messages. By analyzing the log files, the systems current state can be determined, and find out if something during its execution went wrong. Log file analysis has been studied for some time now, where recent studies have shown state-of-the-art performance using machine learning techniques. In this thesis, document classification solutions were tested on log files in order to classify regular system runs versus abnormal system runs. To solve this task, supervised and unsupervised learning methods were combined. Doc2Vec was used to extract document features, and Convolutional Neural Network (CNN) and Long Short-Term Memory (LSTM) based architectures on the classification task. With the use of the machine learning models and preprocessing techniques the tested models yielded an f1-score and accuracy above 95% when classifying log files.

Migratory trajectory and oral history of English-speakers in the city of Pau

The paper studies how various shades of love respond to precarity in anarchic times by comparing the narrative representation of the aftermath of the Partition of the British colonized Subcontinent into independent countries of India and Pakistan in 1947 with particular focus on Sikh-Muslim relationships in Punjab as presented in Khushwant Singh’s novel Train to Pakistan and Saadat Hasan Manto’s short story “Gurmukh Singh ki Wasiyat.” Employing Judith Butler’s concept of precarity, the paper analyzes how both the writers sketch precarity in partition times ensuing in post-Partition communal violence and effacement of love. The selection of the texts is significant because Singh presents precarity in the multi-ethnic village of Mano Majra whereas Manto presents the city of Amritsar on fire, thus encompassing rural and urban life. Both the texts gradually unleash how the love between communities fades away precipitated by the increasing violence while personal love unflinchingly last even during the times of anarchy, irrespective of communal and religious differences. Jugga who is a Sikh by ethnicity sacrifices his life for his Muslim beloved Nooran and Gurmukh Sing assigns the responsibility of his unflinching gratitude for Mr Abdul Hayee to his son after his death. Whereas before the Partition personal and communal commitments were equally strong, the divergence takes place between the two due to the precarity after Partition that rifts communities apart but personal love remains resilient to socio-political pressures.

This presentation demonstrates the wide variety of publicly accessible U.S. Government national security information resources. It includes information on the U.S. constitutional foundations of national security policy, a recent annual defense spending bill, documents from the White House/National Security Council, Department of Defense, various military branches including professional military educational institutions, assorted U.S. intelligence agencies, congressional legislation, congressional committee reports on legislation, congressional committee hearings, and reports from congressional support agencies such as the Congressional Budget Office. It concludes by stressing the multiple benefits provided by having public access to these information resources.

In this article, I examine how Sissieretta Jones (frequently described as America’s first Black superstar, among other superlatives) strategically leveraged her European performance reviews in order to increase her listenership and wages in the United States. Jones toured Europe for the first (and only) time from February until November in 1895. According to clippings that she provided to African American newspapers, the singer performed at the renowned Winter Garden in Berlin for three months. Sissieretta Jones also claimed that she performed for Wilhelm II, the last German Emperor and King of Prussia, at his palace and was subsequently presented with an elaborate diamond brooch for her performance. Afterward, the singer told the African American newspaper the Indianapolis Freeman that she would like to live in Europe permanently. Her biographers frequently cite the success of this trip and its symbolic importance for African Americans. And yet, evidence of these events in the archives of major German newspapers is elusive and contradictory at best, if it exists at all. Nevertheless, after the much-hyped tour, her career would take many twists and turns. Sissieretta Jones eventually performed in venues like Carnegie Hall and Madison Square Garden. She was the highest-paid Black female performer of the nineteenth century and a role model for future generations of Black performers.