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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Haley, Cambria; Dozier, Crystal A.;

    The Boxed Springs site (41UR30) is an Early Caddo site located in East Texas near the Sabine River. This site covers roughly 15.6 acres and contained at least four mounds, middens, and an extended cemetery. The site's location has been known since the late 1950s, with a series of unconnected avocational and professional archaeological investigations as well as unfortunate looting. As one of the few Early Caddo sites in Texas that contain multiple mounds, the Boxed Springs site is poised to provide great insight into Early Caddo mound construction technologies, settlement patterns, subsistence strategies, and trade and exchange.

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    In this article, I examine how Sissieretta Jones (frequently described as America’s first Black superstar, among other superlatives) strategically leveraged her European performance reviews in order to increase her listenership and wages in the United States. Jones toured Europe for the first (and only) time from February until November in 1895. According to clippings that she provided to African American newspapers, the singer performed at the renowned Winter Garden in Berlin for three months. Sissieretta Jones also claimed that she performed for Wilhelm II, the last German Emperor and King of Prussia, at his palace and was subsequently presented with an elaborate diamond brooch for her performance. Afterward, the singer told the African American newspaper the Indianapolis Freeman that she would like to live in Europe permanently. Her biographers frequently cite the success of this trip and its symbolic importance for African Americans. And yet, evidence of these events in the archives of major German newspapers is elusive and contradictory at best, if it exists at all. Nevertheless, after the much-hyped tour, her career would take many twists and turns. Sissieretta Jones eventually performed in venues like Carnegie Hall and Madison Square Garden. She was the highest-paid Black female performer of the nineteenth century and a role model for future generations of Black performers.

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    Article . 2021 . Peer-reviewed
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      Performance Matters
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      Performance Matters; Érudit
      Article . 2021 . Peer-reviewed
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    Authors: Roy, Parama;

    Review of An Archive of Taste, by Lauren Klein

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    Authors: Perttula, Timothy K.; Stingley, Kevin;

    The Long site is principally an ancestral Caddo site dating primarily to the Early Caddo period, and the Alto phase, on Box’s Creek in the Neches River basin in the East Texas Pineywoods. A few diagnostic decorated ceramic vessel sherds and radiocarbon dates also indicate that there is a Middle Caddo period (ca. A.D. 1200-1400) component there as well, along with a mid-19th century Anglo-American component on only one part of the site.

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    Authors: Doucet, Hubert;

    Cet article rappelle les principaux points qui marquent les propositions de changements législatifs qui ont cours dans de nombreux pays. En montrant ainsi le type de transformations en train de se produire, il permet de mieux cerner le contexte médical et social qui conduit à poser la question de l’euthanasie. Une dernière partie expose les principaux arguments utilisés dans le débat ainsi que leurs forces et faiblesses. Enfin, il montre qu’aucun argument n’est entièrement convaincant mais que chacun renferme des richesses dont il faut tenir compte pour que les mourants soient respectés comme des personnes humaines.

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      Other literature type . Article . 2020 . Peer-reviewed
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    Authors: Małgorzata Bujak; Marek Liszka;

    The article explores the second wave of Polish immigration to Southeast Texas during the 19th century, focusing on the cultural heritage of the Polish diaspora, particularly from Greater Poland and Galicia. It examines the foundational figures of the Polish ethnic community in Texas, including Meyer Levy, Father Feliks Orzechowski, and Josef Bartula. Utilizing content analysis of 4,358 pages across 124 volumes from the Polish Genealogical Society Texas (PGST), published between 1984 and 2021, the study reveals the significant contributions of these individuals – Jewish merchants, Catholic clergymen, and community leaders – to the history of Polish settlement in Texas. The article also underscores the impact of Polish immigrants on the state’s agricultural development and their role in enriching the ethnically diverse fabric of Texas. Additionally, it highlights the crucial roles played by women and children in the early success of these immigrant communities.

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    Perspektywy Kultury
    Article . 2024 . Peer-reviewed
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      Article . 2024 . Peer-reviewed
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    Authors: Sarich, Steve; Haefner, Josh;

    The United States Forest Service (USFS) is proposing to reconstruct perimeter fencing surrounding three Grasslands units located within the Lyndon B. Johnson National Grassland (LBJ National Grassland) in Wise County, Texas. As part of the proposed perimeter fence reconstruction within the three proposed Grasslands units, the USFS is seeking a general inventory of cultural resources which includes background and historic research, archeological field survey, site delineation, a determination of the condition of recorded cultural resources, and recommendation of eligibility for listing on the National Register of Historic Places (NRHP) of any sites encountered. The overall project tracts are subject to federal jurisdiction and falls under the regulations of Section 106 of the National Historic Preservation Act (NHPA) of 1966, as amended (U.S. Code 16, §470, et seq.). To ensure compliance with Section 106 of the NHPA, the USFS contracted with TRC Environmental Corporation (TRC) to conduct any necessary field investigations required as determined during the coordination process. The Area of Potential Effects (APE) consists of three Grasslands units where proposed perimeter fence reconstruction will occur. The three Grasslands units include Unit 48, Unit 62, and Unit 63. Together, the three Grasslands units measure 399 acres. A cultural resources survey of these three Grasslands units was performed under Section 106 of the NHPA. For these investigations, Josh Haefner served as the Principal Investigator and Steve Sarich was the Project Archeologist. Field work was conducted by Josh Haefner, Steve Sarich, Benjamin Johnson, Gregg Cestaro, and Haley Wilkerson, the latter two individuals employed by Hicks & Company, the small-business subconsultant for this project. Results of the background review, completed prior to the field investigation determined that one previously recorded site, 41WS105, is located within the APE; no cemeteries or historic structures were noted within the APE; while one previous cultural resources survey has been performed within or within the vicinity of the APE. This previous survey was a limited seismic survey of Unit 48 and resulted in the discovery of 41WS105. Prior to survey, TRC coordinated with the USFS on the proposed survey methodology and research design. TRC archeologists performed survey supplemented with shovel testing at the three Grasslands units on October 31– November 08 and December 04 – 06, 2019. During the investigations, a total of 412 shovel tests were excavated. Of these tests, 405 were negative for cultural materials. In addition to these tests 65 points were recorded as “No Dig” locations due to ground disturbance, slope, or other impediment. Seven shovel tests were positive for cultural materials. Three new sites were recorded within the APE and an extension to previously recorded 41WS105 (forest service number: 08130800055) was delineated as a result of the survey. As shovel testing at two of the new sites, 41WS160 (08130800526) and 41WS161 (08130800527), noted no buried cultural deposits and historic cultural materials were observable on the ground surface, these boundaries were established by the mapping of the horizontal distribution of artifacts along the ground surface. Boundaries for the 41WS105 and 41WS159 (08130800525) were based on both the distribution of positive shovel tests and the presence of cultural materials on the ground surface. Based on the results of the cultural resources survey, TRC recommends that no further investigations are necessary and the project may proceed as planned with no historic properties affected.

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    Authors: Fithriyah Inda Nur Abida;

    Abstract---This paper attempts to investigate the use of humour inrevealing the idea of corruption in Dickens’ novel Oliver Twist.Corruption was a huge problem in London in the 1830s when Dickenswas writing. Oliver Twist was one of his best novels that portrayedhow corruption lived. Through this novel, he also wanted to show howsocial and cultural at that time created corrupt behavior in thesociety. The art of humour created by Dickens is an interestingstrategy to deliver the message of corruption. By understanding theart of humour that consists of idiomatic expression, social andcultural context, would help the translator to capture a distinctivecreative process that incorporates the linguistic structures andcultural environment of the target language while at the same timeremaining as faithful as possible to the original.Keywords---corruption, distinctive creative process, humour,linguistic structures, novels.

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    Authors: Čerče, Danica;

    In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”

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    Authors: Tucker-Abramson, Myka;
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Haley, Cambria; Dozier, Crystal A.;

    The Boxed Springs site (41UR30) is an Early Caddo site located in East Texas near the Sabine River. This site covers roughly 15.6 acres and contained at least four mounds, middens, and an extended cemetery. The site's location has been known since the late 1950s, with a series of unconnected avocational and professional archaeological investigations as well as unfortunate looting. As one of the few Early Caddo sites in Texas that contain multiple mounds, the Boxed Springs site is poised to provide great insight into Early Caddo mound construction technologies, settlement patterns, subsistence strategies, and trade and exchange.

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    In this article, I examine how Sissieretta Jones (frequently described as America’s first Black superstar, among other superlatives) strategically leveraged her European performance reviews in order to increase her listenership and wages in the United States. Jones toured Europe for the first (and only) time from February until November in 1895. According to clippings that she provided to African American newspapers, the singer performed at the renowned Winter Garden in Berlin for three months. Sissieretta Jones also claimed that she performed for Wilhelm II, the last German Emperor and King of Prussia, at his palace and was subsequently presented with an elaborate diamond brooch for her performance. Afterward, the singer told the African American newspaper the Indianapolis Freeman that she would like to live in Europe permanently. Her biographers frequently cite the success of this trip and its symbolic importance for African Americans. And yet, evidence of these events in the archives of major German newspapers is elusive and contradictory at best, if it exists at all. Nevertheless, after the much-hyped tour, her career would take many twists and turns. Sissieretta Jones eventually performed in venues like Carnegie Hall and Madison Square Garden. She was the highest-paid Black female performer of the nineteenth century and a role model for future generations of Black performers.

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    Performance Matters; Érudit
    Article . 2021 . Peer-reviewed
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    Authors: Roy, Parama;

    Review of An Archive of Taste, by Lauren Klein

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    Authors: Perttula, Timothy K.; Stingley, Kevin;

    The Long site is principally an ancestral Caddo site dating primarily to the Early Caddo period, and the Alto phase, on Box’s Creek in the Neches River basin in the East Texas Pineywoods. A few diagnostic decorated ceramic vessel sherds and radiocarbon dates also indicate that there is a Middle Caddo period (ca. A.D. 1200-1400) component there as well, along with a mid-19th century Anglo-American component on only one part of the site.

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