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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Onuch, Olga; Arkwright, Cressida; Bodini, Astrid; Doyle, David; +9 Authors

    The MOBILISE project examines why some people respond to discontent by protesting, others by migrating while yet others stay immobile. It focuses on four countries that have seen outmigration and protest in recent year (Ukraine, Poland, Morocco and Argentina) and migrants from these countries who live in Germany, the United Kingdom and Spain. The main body of MOBILISE survey data are nationally representative face-to-face surveys in Ukraine, Poland, Morocco and Argentina. As these surveys are unable to capture (current) migrants from these countries – a group that is crucial to answering the MOBILISE research question – MOBILISE employs a migrant survey targeted at three destination countries; Germany, the UK and Spain. MOBILISE migrant surveys were closely oriented to the national surveys in order to achieve the longitudinal nature of the data. All of the surveys thoroughly ask for political views and beliefs as well as socio economic background, the reasons and motivations to (or not) migrate and the reason to (or not) protest. The migrant survey was run online. We also ran two supplementary online national surveys targeting the general population in Ukraine and Argentina. All MOBILISE national and migrant surveys are set-up as a two wave panel. The first wave of data collection for the migrant and national survey started in September 2019 and finished in March 2020. The second wave started between December 2020 and December 2021. This data deposit contains wave one and two of the migrant and national online surveys (the nationally representative surveys are deposited separately).

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Universiteit van Ams...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    UK Data Archive
    Dataset . 2023
    Data sources: Datacite
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Universiteit van Ams...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      UK Data Archive
      Dataset . 2023
      Data sources: Datacite
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Ali, Ayesha;

    The history of California is in many ways a story about water, and the outsized effect that droughts, floods, and seasonal precipitation rates have had on the political and economic development of the state over the past 170 years. This thesis uses discourse analysis of historical and ongoing negotiations that have been presented in federal and state reports, narratives, case laws and legislation to explore how the discourse around water politics has been shaped in the state. From this, an antiessentialist environmental history develops around the relationship between overdrafted groundwater basins in the Central Valley and the agriculture industry located there. Finally, this thesis explores what the future of a waterscape built during the capitalization of modern society may look like as we move towards a new regime of nature.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Digitala Vetenskapli...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: E. Rova; D. Kvavadze;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archivio istituziona...arrow_drop_down
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    https://doi.org/10.13173/97834...
    Part of book or chapter of book . 2023 . Peer-reviewed
    Data sources: Crossref
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Tucker-Abramson, Myka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
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    Purdue E-Scholar
    Other literature type . 2020
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    CLCWeb
    Article . 2020 . Peer-reviewed
    Data sources: Crossref
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Purdue E-Scholar
      Other literature type . 2020
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
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      CLCWeb
      Article . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Doucet, Hubert;

    Cet article rappelle les principaux points qui marquent les propositions de changements législatifs qui ont cours dans de nombreux pays. En montrant ainsi le type de transformations en train de se produire, il permet de mieux cerner le contexte médical et social qui conduit à poser la question de l’euthanasie. Une dernière partie expose les principaux arguments utilisés dans le débat ainsi que leurs forces et faiblesses. Enfin, il montre qu’aucun argument n’est entièrement convaincant mais que chacun renferme des richesses dont il faut tenir compte pour que les mourants soient respectés comme des personnes humaines.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontièresarrow_drop_down
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    Data sources: Érudit
    Frontières
    Article . Other literature type . 2020 . Peer-reviewed
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Frontièresarrow_drop_down
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      Frontières
      Article . Other literature type . 2020 . Peer-reviewed
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    In this article, I examine how Sissieretta Jones (frequently described as America’s first Black superstar, among other superlatives) strategically leveraged her European performance reviews in order to increase her listenership and wages in the United States. Jones toured Europe for the first (and only) time from February until November in 1895. According to clippings that she provided to African American newspapers, the singer performed at the renowned Winter Garden in Berlin for three months. Sissieretta Jones also claimed that she performed for Wilhelm II, the last German Emperor and King of Prussia, at his palace and was subsequently presented with an elaborate diamond brooch for her performance. Afterward, the singer told the African American newspaper the Indianapolis Freeman that she would like to live in Europe permanently. Her biographers frequently cite the success of this trip and its symbolic importance for African Americans. And yet, evidence of these events in the archives of major German newspapers is elusive and contradictory at best, if it exists at all. Nevertheless, after the much-hyped tour, her career would take many twists and turns. Sissieretta Jones eventually performed in venues like Carnegie Hall and Madison Square Garden. She was the highest-paid Black female performer of the nineteenth century and a role model for future generations of Black performers.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Performance Mattersarrow_drop_down
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    Performance Matters
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    Performance Matters; Érudit
    Article . 2021 . Peer-reviewed
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      Performance Matters
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      Performance Matters; Érudit
      Article . 2021 . Peer-reviewed
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    Authors: Gustavo Zvirtes; Ruy Paulo Philipp; David Healy; Antonio Grippa; +5 Authors

    Abstract The presence of sand injections has been shown to enhance the likelihood of hydrocarbon traps within siliciclastic successions. Through the development of large interconnected networks of sills and dykes, sand injection complexes provide a volume of porous and permeable rocks within the low permeability host units. Overall, the formation of sand injection complexes requires extensive fracturing and hydrofracturing, which can be particularly pronounced when sand injections are coupled with brittle tectonic deformation. In some circumstances, this process may threaten the integrity of the reservoir top seal thereby preventing further hydrocarbon accumulation. Studying exceptional exposures along the coastal area of Santa Cruz in California, we report evidence for top seal failure associated with injection episodes. Two distinct sand injection episodes are proposed. The first event, datable to the Late Miocene, resulted in large volumes of sand being emplaced within the top-seal units, and was followed by accumulation of hydrocarbons within the newly injected sandstones. Later, a series of brittle tectonic events, associated with the San Andreas/San Gregorio Fault System, caused remobilization and accumulation of sand along newly formed fault planes. Our case study documents this combination of pervasive brittle deformation and sandstone injection along fault structures, which can ultimately disrupt the integrity of a host unit leading top seal failure and leakage of hydrocarbons.

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    Marine and Petroleum Geology
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    Marine and Petroleum Geology
    Article . 2020 . Peer-reviewed
    License: Elsevier TDM
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      Marine and Petroleum Geology
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
      Marine and Petroleum Geology
      Article . 2020 . Peer-reviewed
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    Authors: Čerče, Danica;

    In her article, “Hanay Geiogamah’s Body Indian and Foghorn as ‘Plays with a Purpose,’” written against the backdrop of critical whiteness studies, Danica Čerče discusses how Geiogamah’s theatrical rhetoric intervenes in the assumptions about whiteness as a static, privilege-granting category and system of dominance. By focusing on various techniques and strategies mobilized to define and affirm Native Americans’ authentic rather than imposed identities, the article shows that humor is one of the prime textual devices in Geiogamah’s plays to renegotiate what Walter Mignolo calls “the racist structure of power.”

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    Article . 2021 . Peer-reviewed
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    Purdue E-Scholar
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      Purdue E-Scholar
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    Authors: Johansson, Daniel;

    Under året 2020 sker tre större händelser som får relevans och utrymme över hela västvärlden. Dessa tre händelser komplicerar det för potentiella ställningstaganden inom respektive fråga då de många gånger ligger i motsättning med varandra. Denna undersökning fann att vid TV4:s rapportering av Black Lives Matter i USA så skedde en rad val och indirekta ställningstaganden.Denna upptäck tyder på att man bör som lärare, och medborgare, idka källkritik även vid rapporteringar som förmedlas av traditionella svenska medier. 

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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Patrizia Guarnieri;
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Flore (Florence Rese...arrow_drop_down
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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Onuch, Olga; Arkwright, Cressida; Bodini, Astrid; Doyle, David; +9 Authors

    The MOBILISE project examines why some people respond to discontent by protesting, others by migrating while yet others stay immobile. It focuses on four countries that have seen outmigration and protest in recent year (Ukraine, Poland, Morocco and Argentina) and migrants from these countries who live in Germany, the United Kingdom and Spain. The main body of MOBILISE survey data are nationally representative face-to-face surveys in Ukraine, Poland, Morocco and Argentina. As these surveys are unable to capture (current) migrants from these countries – a group that is crucial to answering the MOBILISE research question – MOBILISE employs a migrant survey targeted at three destination countries; Germany, the UK and Spain. MOBILISE migrant surveys were closely oriented to the national surveys in order to achieve the longitudinal nature of the data. All of the surveys thoroughly ask for political views and beliefs as well as socio economic background, the reasons and motivations to (or not) migrate and the reason to (or not) protest. The migrant survey was run online. We also ran two supplementary online national surveys targeting the general population in Ukraine and Argentina. All MOBILISE national and migrant surveys are set-up as a two wave panel. The first wave of data collection for the migrant and national survey started in September 2019 and finished in March 2020. The second wave started between December 2020 and December 2021. This data deposit contains wave one and two of the migrant and national online surveys (the nationally representative surveys are deposited separately).

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    UK Data Archive
    Dataset . 2023
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      UK Data Archive
      Dataset . 2023
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    Authors: Ali, Ayesha;

    The history of California is in many ways a story about water, and the outsized effect that droughts, floods, and seasonal precipitation rates have had on the political and economic development of the state over the past 170 years. This thesis uses discourse analysis of historical and ongoing negotiations that have been presented in federal and state reports, narratives, case laws and legislation to explore how the discourse around water politics has been shaped in the state. From this, an antiessentialist environmental history develops around the relationship between overdrafted groundwater basins in the Central Valley and the agriculture industry located there. Finally, this thesis explores what the future of a waterscape built during the capitalization of modern society may look like as we move towards a new regime of nature.

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    Authors: E. Rova; D. Kvavadze;
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    https://doi.org/10.13173/97834...
    Part of book or chapter of book . 2023 . Peer-reviewed
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    Authors: Tucker-Abramson, Myka;
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Purdue E-Scholararrow_drop_down
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