• 2015-2024close
• Restricted close
• Embargo close
• Publications close
• Research data close
• Research software close
• Other research products close
• CZ close
• Czech close
• Digitální knihovna VUT close
• North American Studies close

High Line je jedním z nejnavštěvovanějších veřejných prostorů na světě. Denně sem směřují tisíce lidí, aby si ověřili zážitek z přírodně koncipovaného parku, procházejícího napříč galerijní čtvrtí západního Manhattanu. V době, kdy ho architekti Ricardo Scofi dio a Matthew Johnson ze studia Diller Scofi dio + Renfro, ve spolupráci s Pietem Oudolfem a s Jamesem Cornerem (Field Operations) koncipovali, neexistovalo ještě velké množství obdobných příkladů. Sedm let po dokončení první fáze parku lze již hovořit o téměř šedesáti realizovaných projektech inspirovaných úspěchem High Line (Corner et al., 2015). O tom, jaké byly záměry autorů při rekonstrukci této jedinečné dopravní konstrukce a jaká byla úskalí designu celé realizace v kontextu její udržitelnosti, mnohé napoví rozhovor, který se uskutečnil s architekty Ricardem Scofi diem a Matthew Johnsonem 2. listopadu 2015 v newyorském studiu Diller Scofi dio + Renfro se sídlem v budově Starrett–Lehigh (v západní části Chelsea na 26. ulici). Rozhovor s autory architektonického řešení parku High Line, architekty Ricardem Scofi diem a Matthew Johnsonem, uzavírá sérii tří interview s tvůrci a plánovači veřejných prostorů a parků v New Yorku. New York’s High Line is one of the most visited public areas in the world. Thousands of people go there every day to experience a nature-based park in the gallery quarter of West Manhattan. There had not been many of such places at the time when Ricardo Scofi dio and Matthew Johnson of the Diller Scofidio + Renfro studio designed the park in cooperation with Piet Oudolf and James Corner. It is said that almost sixty projects, inspired by the success of High line Park, were carried out over the fi rst seven years after the completion and opening of the High Line. The intentions of the designers for the reconstruction of this unique transportation structure and the difficulties with implementing the project in the context of sustainability were the focus of an interview with designers Ricardo Scofi dio and Matthew Johnson, conducted on 2 November 2015 in the Diller Scofidio + Renfro studio in the Starrett–Lehigh Building in Chelsea, New York. This interview concludes a series of three interviews with the planners and developers of public areas and parks in New York.

This work is focused on the image processing using the OpenCV library and detectingmoving objects in video using convolutional neural networks. The created application can detectmoving objects in the video and contains additional functionality. The application includes theYOLO convolutional model, which helps to detect moving objects.

The contribution deals with design and analysis of controllable second-order frequency filter which operates in the current mode and where the main element is the current amplifier DACA (Digitally Adjustable Current Amplifier) and also MOTA (Multiple Output Transconductance Amplifier) is used. The paper presents a description of the proposed circuit and results of computer simulations for circuit in single-ended and fully-differential variant. Four simulation models with different properties were used for simulating of the DACA active element in the proposed circuit.

Phoebe Apperson Hearst měla velmi úspěšného vlastního syna Williama, který byl ale více jako jeho otec: tvrdý obchodník. Našla však jemnou, uměleckou duši v malíři Orrinu Peckovi (1860–1921), který byl údajně gay a který ji, ještě za života své vlastní matky, začal oslovovat „má druhá mámo.“ Na základě podrobného výzkumu jejich vzájemné korespondence v Peckově pozůstalosti se můžeme ptát, jak moc si byla progresivní, bohatá žena 19. století, jakou byla Phoebe Hearst, vědoma Peckovy sexuality a pokud ano, jestli s tím neměla problém, nebo šlo o nevyřčené tajemství mezi nimi? Jejich příběh představí historik umění Ladislav Zikmund-Lender. Phoebe Apperson Hearst had a very successful son of William, but he was more like his father: a tough businessman. However, she found a delicate, artistic soul in the painter Orrin Peck (1860–1921), who was allegedly gay and who, while still his own mother's life, began to address her as “my second mother.” Based on a detailed study of their correspondence in Peck's estate, we may ask how much a progressive, rich 19th-century woman like Phoebe Hearst was aware of Peck's sexuality, and if so, if she had no problem with it, or was it an unspoken secret between them? Their story will be presented by art historian Ladislav Zikmund-Lender.

This paper presents an evaluation of deep learning architectures designed for modulationrecognition. The evaluation inspects, whether the architectures behave in the same way as they didon the dataset they were designed on. The architectures are trained and tested on two different radiomodulation datasets. This results in proposing additional binary classification as a method to reducemisclassification of QAM modulation types in one of the datasets.

The article deals with basic concepts in the sector of image processing using neural networks.It describes the basic principles and methods of object recognition and image segmentationusing neural network architectures based on R-CNN architecture. Specifically the work focuses onhuman body segmentation from static images, resulting in individual segments in the output maskcorresponding to each limb of a human body