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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Martin Kuna; Andrea Němcová; Ondřej Chvojka;

    Nálezy z archeologického výzkumu v Březnici (okr. Tábor) v letech 2005-2009 a 2019. Výzkum provedl O. Chvojka (Archeologický ústav FF JU v Českých Budějovicích). Data zahrnují údaje o keramice a dalších nálezech použitých k depoziční analýze sídlištních objektů mladší doby bronzové, zejména tzv. žlabů. Výsledky analýzy jsou publikovány v Chvojka et al. 2021. Popis databáze je obsažen v přiloženém PDF souboru. Podpořeno Grantovou agenturou ČR (18-10747S). Finds from the archaeological excavations in Březnice (Tábor district, South Bohemia, Czech Republic) in 2005-2009 and 2019. The fieldwork was directed by O. Chvojka (Institute of Archaeology, South Bohemian University in České Budějovice). Data concern the pottery fragments and other finds (daub, loom weights) used for the analysis of deposition processes in the Late Bronze Age settlement features. Based on this material, a model of house biography and the concept of closing rituals were formulated (see Chvojka et al. 2021). These models suggest an interpretation for the so-called trenches, specific sunken features filled with an unusually rich content of secondary-burnt pottery and other finds. Details of the database are given in the attached PDF file. Supported by the Czech Sceince Foundation (18-10747S). Chvojka, O. – Kuna, M. – Menšík, P. et al. 2021: Rituály ukončení a obnovy. Sídliště mladší doby bronzové v Březnici u Bechyně – Rituals of termination and renewal. The Late Bronze Age settlement in Březnice near Bechyně. České Budějovice – Praha – Plzeň. ISBN 978-80-7394-899-3; ISBN 978-80-7581-039-7; ISBN 978-80-261-1083-5.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: ZENODO
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ ZENODOarrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: ZENODO
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      ZENODO
      Dataset . 2022
      License: CC BY
      Data sources: Datacite
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ilič, Risto;

    The diploma thesis I Am The One Who's Gonna Steal Your Job deals with the transitional period in the life of a young artist who dreams of career realization in his field. He thinks about how to achieve this when he realizes that even a less established painters can often sell their paintings for thousands of czech crowns, because paintings can be easily commodified and, as a result, placed in the interior. He thus decides to leave his area of practice and tries to get into the market with traditional artistic media with the help of artificial intelligence and marketing. He doesn't go far for visual inspiration, as he tries to recycle and distort photos (so-called visual smog) of a corner store on the other side of the street. The thesis deals with the issue of the emergence of artificial intelligence in the field of visual arts and with the eternal question of the ethics of the authorship of a work of art and its authenticity. It also deals with the question of the employment of art school graduates. Therefore, the work does not only provide a subversive analysis of the art market but also a reflection of the position of the artist participating in this market. Diplomová práce I Am The One Who’s Gonna Steal Your Job se zabývá přechodným obdobím života mladého umělce, který sní o kariérní realizaci ve svém oboru. Přemýšlí jak toho dosáhnout, když si uvědomí že často i méně etablovaný malíř může prodávat své obrazy v řádech tisíců korun, protože se dají jednoduše komodifikovat a v důsledku umístit v interiéru. Rozhodne se tak opustit jemu blízkou sféru tvorby a pokusí se uplatnit na trhu s tradičními uměleckými médii, avšak za pomocí umělé inteligence a marketingu. Pro vizuální inspiraci nejde daleko, jelikož se pokusí recyklovat a deformovat obrazy (takzvaný vizuální smog) z výlohy protější večerky. Práce se věnuje problematice nástupu umělé inteligence v oblasti výtvarného umění, věčné otázce etiky autorství uměleckého díla a jeho autenticity, ale také třeba otázce uplatnění absolventů vysokých uměleckých škol na trhu práce. Jedná se tak nejen o subverzivní analýzu trhu s uměním, ale také o úvahu na téma poptávky, role současného umění ve vztahu k uměleckému trhu a o pozici umělce participujícího na tomto trhu. A

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dvořáková, Dana;

    Cryptids, video which is studying animals, its shapes, moves and the environment , where they find themselves. The video is looking equal to all entity without any difference, document varied life as same as passing death or rot as well. It also speaks about collaboration and the microworld, which creates perfect unit. Silent mutual conversations. Kryptidy, video, které zkoumá zvířata, jejich tvary, pohyby a prostředí, ve kterých se objevují. Na všechny entity se dívá rovnocenně a nerozdílně, dokumentuje bujarý život tak stejně, jako nahlíží na přicházející smrt nebo již rozklad. Mluví také o spolupráci a mikrosvětě, který vytváří společný dokonalý celek. Jsou to tiché vzájemné rozhovory. C

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Staněk, Pavel;

    This contribution discusses the building form of the medieval convent in Doubravník that, together with its exact location, was not known until research in 2011–2013. On the basis of new information and with the use of the results of earlier research into the form of the complex, the most probable version of its ground plan was drawn up. Analyses of pottery and stratigraphic relations were employed to determine the building development of the convent. Příspěvek se zabývá podobou středověkého kláštera v Doubravníku, která společně s jeho lokalizací nebyla až do výzkumu z let 2011–2013 známa. Na základě nově zjištěných skutečností a s využitím starších prací zabývajících se podobou církevního areálu byla rekonstruována nejpravděpodobnější verze jeho půdorysného řešení. Rozborem získané keramiky a pozorovaných stratigrafických vztahů byl učiněn pokus o stanovení stavebního vývoje.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archaeologia histori...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Archaeologia historica
    Other ORP type . 2015
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archaeologia histori...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Archaeologia historica
      Other ORP type . 2015
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Růžička, Jiří;

    The project is design a house with a small establishment. The project includes the layout and the design of the house. The house has three floors with an attic and one basement floor. It is designed as a stand-alone. The first floor of the establishment of the background and the main entrance to the house. The rest of the house is designed for family living. This part is a utility room, basement and garage in the basement. Living room with household equipment is then in the upper part of the house. The house is run by two separate entrances with wheelchair access to the premises and the entrance to the garage in the basement. The house is designed as a brick building of brick masonry Porotherm in modular size 250 (125) mm with ceramic ceilings MIAKO a cylinder. Roofed by a gabled roof. The house is located on a private plot of 1200 m2 with built up area of 120 m2. The land is gently sloping. Projekt řeší návrh rodinného domu s malou provozovnou. Součástí projektu je dispoziční řešení a konstrukční návrh domu. Dům je třípodlažní s obytným podkrovím a jednom podzemním podlaží. Je řešený jako samostatně stojící. V prvním nadzemním podlaží se nachází provozovna se zázemím a hlavní vstup do domu. Zbytek domu je určený pro rodinné bydlení. Součástí této části je technická místnost, sklepy a garáž v suterénu. Obytné místnosti s domovním vybavením je pak ve vrchní části domu. Do domu vedou dva samostatné vstupy s bezbariérovým přístupem do provozovny a vjezd do garáže v suterénu. Dům je navržen jako zděná stavba z cihelných zdiva Porotherm v modulovém rozměru 250 (125) mm s keramickými vložkovými stropy miako. Zastřešení tvoří sedlová polokřížová střecha. Dům se nachází na vlastním pozemku o velikosti 1200 m2 se zastavěnou plochou 120 m2. Pozemek je mírně svažitý. C

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Nossek, Radim;

    Budova galerie se nachází hned vedle historického centra Brna, na místě, spadající do tzv. brněnské „Ringstrasse“. Parcela sousedí s Palácem Morava a s Magistrátem města Brna. Tato lokalita je po vídeňském vzoru zasvěcována stavbám s kulturním významem. V nejbližším sousedství najdeme jak Mahenovo divadlo, tak i o kus dál Janáčkovo divadlo. Tudíž vybudovat zde adekvátní Galerii moderního umění zapadá do koncepce tohoto urbanistického celku. Řešené území svým charakterem chce vytvořit přechod mezi zastavěnou částí „Ringstrasse“ a částí s parky určenou k rekreaci. Inspirací byl objekt obraného bastionu z období barokního opevnění města Brna. Jeden z hlavních těchto prvků se v minulosti nacházel právě na tomto území. Navracím do území hmotu, kolem které se formovalo současné historické jádro města. Tudíž do tamějších souvislostí zapadne. Budova tvoří plynulý přechod zástavby, přes odskákané zelené terasy, do ploch parků, typických pro okružní třídy. Gallery of modern art is located in the historical center of the Brno city. This part is known as "Ringstrasse". Following the Wiena ringstrasse, in Brno, this part is a place for important culture buildings. Close to the gallery, we can find several culture institutions, such as Mahen's theatre, Janacek's theatre, or House of culture. So, Gallery of modern art make's sense in these parts of the city. Main goal was to create a step between city part and city parks. The main inspiration, for me, was an old fortification object called bastion. It was build during baroco era and demolished in the times of Napoleon's wars. I want to bring back an object that formed old city and its surroundings, so its replacement will fit in. It's cascades with green teracces goes down towards the parks, that are next to the gallery. C

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/

    Corpus consisting of 10,000 Facebook posts manually annotated on sentiment (2,587 positive, 5,174 neutral, 1,991 negative and 248 bipolar posts). The archive contains data and statistics in an Excel file (FBData.xlsx) and gold data in two text files with posts (gold-posts.txt) and labels (gols-labels.txt) on corresponding lines.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LINDAT/CLARIAH-CZ re...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    LINDAT/CLARIAH-CZ repository
    Other ORP type . 2013
    Data sources: B2FIND
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ LINDAT/CLARIAH-CZ re...arrow_drop_down
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      LINDAT/CLARIAH-CZ repository
      Other ORP type . 2013
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    Authors: Konkol, Michal; Konopík, Miloslav; Ševčíková, Magda; Žabokrtský, Zdeněk; +1 Authors

    This is a Czech Named Entity Corpus 1.0 transformed into the CoNLL format. The original corpus can be downloaded from: http://hdl.handle.net/11858/00-097C-0000-0023-1B04-C. The CoNLL transformation is described in this publication: https://link.springer.com/chapter/10.1007/978-3-642-40585-3_20.

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    Other ORP type . 2013
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      Other ORP type . 2013
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Bačiková, Lenka;

    The aim of this work was to create a study of revitalization and restoration of the manor house and park in Veľké Leváre. During the creation of the design it was necessary to re-evaluate the cultural-historical values of the manor house, the construc- tional-technical condition, the requirements of the potential investor and the demand for functions in the village’s proximity. I have realized that placement of a mono-function in a mansion is almost impossible, considering its extensive ground plan. The manor house, thus, creates a complex of functions that overlap each other. The result of the entire design is a com- prehensive solution of the full use of the manor house with the park. Hence, the park will have a relaxing and recreational function. In the proposal, I have also offered a possible plan of stages of project’s works. The manor house and the adjacent park can, thus, fulfill the full function in the society again. Cieľom práce bolo vytvorenie štúdie revitalizácie a obnovy kaštieľa a parku vo Veľkých Levároch. Pri návrhu bolo nutné prehodnotiť kultúrno-historické hodnoty kaštieľa, stavebno-technický stav, požiadavky potenciálneho investora a dopyt po funkciách v okolí obce. Zistila som, že umiestnenie mono-funkcie do kaštieľa je takmer nemožné, vzhľadom na jeho rozsiahly pôdorys. Kaštieľ tak vytvára komplex funkcií, ktoré sa navzájom prekrývajú. Výsledkom celého návrhu je komplexné riešenie plnohodnotného využitia kaštieľa s parkom. Park tak bude tvoriť hlavne funkciu oddychovú a rekreačnú. V návrhu som taktiež ponúkla prípadný plán postupov prác na projekte. Kaštieľ a priľahlý park tak môžu znova plniť plnohodnotnú funkciu v spoločnosti. C

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Maixner, Miroslav;

    The dissertation focuses on the phenomenon of a new presence of references to traditional folk culture in contemporary Czech and Slovak art. Emphasis is placed on the period from the year 2000 to the present. The core of the work consists of chapters devoted to artists who in this period significantly thematized various aspects of traditional folk culture, either as a partial element of specific projects or in the form of continuous interest in the field. The essence of this part is to show the breadth and heterogeneity of the examined manifestations across the media spectrum. The main purpose of the work is to analyze and place the researched phenomena in a relevant context within the theory and history of art. The reason is their different nature from thematically similar manifestations in the 19th and 20th centuries. In addition, when compared with current trends abroad, a number of connections are shown, such as links to environmental issues, criticism of the state of society and, above all, to new issues related to personal and collective identification. Therefore, I base the analysis of these phenomena on a hybrid interdisciplinary basis using theoretical approaches to identity in the social sciences and humanities. I do so in the introductory theoretical chapters, but the main focus is on the final analytical synthesis. To a large extent, it also builds on data obtained from interviews with artists, the transcripts of which the reader will find in the appendix. Finally, the documentation of curatorial projects and exhibitions realized as a practical part of the dissertation project is attached. Disertační práce se zaměřuje na fenomén nové přítomnosti odkazů k tradiční lidové kultuře v současném českém a slovenském umění. Důraz je přitom kladen na období od roku 2000 po současnost. Jádro práce tvoří kapitoly věnované umělkyním a umělcům, kteří v tomto období výrazněji tematizovali různé aspekty tradiční lidové kultury, a to buď coby dílčí prvek konkrétních projektů, nebo v podobě kontinuálního zájmu o danou oblast. Podstatou této části je ukázat šíři a heterogenitu zkoumaných projevů napříč mediálním spektrem. Hlavním záměrem celé práce je pak analýza a zasazení zkoumaných jevů do relevantního kontextu v rámci teorie a historie umění. Důvodem je jejich odlišná povaha od tematicky podobných projevů v 19. a 20. století. Při srovnání s aktuálními tendencemi v zahraničí se navíc ukazuje řada spojitostí, jako jsou vazby na environmentální problematiku, kritiku stavu společnosti a především na nové otázky spojené s osobní i kolektivní identifikací. Analýzu těchto fenoménů proto stavím na hybridním interdisciplinárním základě s využitím teoretických přístupů k identitě v sociálních a humanitních vědách. Činím tak jednak v úvodních teoretických kapitolách, hlavní těžiště ale spočívá v závěrečné analytické syntéze. Ta do značné míry staví též na datech získaných z rozhovorů s umělci, jejichž přepisy najde čtenář v příloze. V závěru je přiložena dokumentace kurátorských projektů a výstav realizovaných coby praktická část dizertačního projektu. P

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Martin Kuna; Andrea Němcová; Ondřej Chvojka;

    Nálezy z archeologického výzkumu v Březnici (okr. Tábor) v letech 2005-2009 a 2019. Výzkum provedl O. Chvojka (Archeologický ústav FF JU v Českých Budějovicích). Data zahrnují údaje o keramice a dalších nálezech použitých k depoziční analýze sídlištních objektů mladší doby bronzové, zejména tzv. žlabů. Výsledky analýzy jsou publikovány v Chvojka et al. 2021. Popis databáze je obsažen v přiloženém PDF souboru. Podpořeno Grantovou agenturou ČR (18-10747S). Finds from the archaeological excavations in Březnice (Tábor district, South Bohemia, Czech Republic) in 2005-2009 and 2019. The fieldwork was directed by O. Chvojka (Institute of Archaeology, South Bohemian University in České Budějovice). Data concern the pottery fragments and other finds (daub, loom weights) used for the analysis of deposition processes in the Late Bronze Age settlement features. Based on this material, a model of house biography and the concept of closing rituals were formulated (see Chvojka et al. 2021). These models suggest an interpretation for the so-called trenches, specific sunken features filled with an unusually rich content of secondary-burnt pottery and other finds. Details of the database are given in the attached PDF file. Supported by the Czech Sceince Foundation (18-10747S). Chvojka, O. – Kuna, M. – Menšík, P. et al. 2021: Rituály ukončení a obnovy. Sídliště mladší doby bronzové v Březnici u Bechyně – Rituals of termination and renewal. The Late Bronze Age settlement in Březnice near Bechyně. České Budějovice – Praha – Plzeň. ISBN 978-80-7394-899-3; ISBN 978-80-7581-039-7; ISBN 978-80-261-1083-5.

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    ZENODO
    Dataset . 2022
    License: CC BY
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    ZENODO
    Dataset . 2022
    License: CC BY
    Data sources: Datacite
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      ZENODO
      Dataset . 2022
      License: CC BY
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      ZENODO
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Ilič, Risto;

    The diploma thesis I Am The One Who's Gonna Steal Your Job deals with the transitional period in the life of a young artist who dreams of career realization in his field. He thinks about how to achieve this when he realizes that even a less established painters can often sell their paintings for thousands of czech crowns, because paintings can be easily commodified and, as a result, placed in the interior. He thus decides to leave his area of practice and tries to get into the market with traditional artistic media with the help of artificial intelligence and marketing. He doesn't go far for visual inspiration, as he tries to recycle and distort photos (so-called visual smog) of a corner store on the other side of the street. The thesis deals with the issue of the emergence of artificial intelligence in the field of visual arts and with the eternal question of the ethics of the authorship of a work of art and its authenticity. It also deals with the question of the employment of art school graduates. Therefore, the work does not only provide a subversive analysis of the art market but also a reflection of the position of the artist participating in this market. Diplomová práce I Am The One Who’s Gonna Steal Your Job se zabývá přechodným obdobím života mladého umělce, který sní o kariérní realizaci ve svém oboru. Přemýšlí jak toho dosáhnout, když si uvědomí že často i méně etablovaný malíř může prodávat své obrazy v řádech tisíců korun, protože se dají jednoduše komodifikovat a v důsledku umístit v interiéru. Rozhodne se tak opustit jemu blízkou sféru tvorby a pokusí se uplatnit na trhu s tradičními uměleckými médii, avšak za pomocí umělé inteligence a marketingu. Pro vizuální inspiraci nejde daleko, jelikož se pokusí recyklovat a deformovat obrazy (takzvaný vizuální smog) z výlohy protější večerky. Práce se věnuje problematice nástupu umělé inteligence v oblasti výtvarného umění, věčné otázce etiky autorství uměleckého díla a jeho autenticity, ale také třeba otázce uplatnění absolventů vysokých uměleckých škol na trhu práce. Jedná se tak nejen o subverzivní analýzu trhu s uměním, ale také o úvahu na téma poptávky, role současného umění ve vztahu k uměleckému trhu a o pozici umělce participujícího na tomto trhu. A

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Dvořáková, Dana;

    Cryptids, video which is studying animals, its shapes, moves and the environment , where they find themselves. The video is looking equal to all entity without any difference, document varied life as same as passing death or rot as well. It also speaks about collaboration and the microworld, which creates perfect unit. Silent mutual conversations. Kryptidy, video, které zkoumá zvířata, jejich tvary, pohyby a prostředí, ve kterých se objevují. Na všechny entity se dívá rovnocenně a nerozdílně, dokumentuje bujarý život tak stejně, jako nahlíží na přicházející smrt nebo již rozklad. Mluví také o spolupráci a mikrosvětě, který vytváří společný dokonalý celek. Jsou to tiché vzájemné rozhovory. C

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    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Authors: Staněk, Pavel;

    This contribution discusses the building form of the medieval convent in Doubravník that, together with its exact location, was not known until research in 2011–2013. On the basis of new information and with the use of the results of earlier research into the form of the complex, the most probable version of its ground plan was drawn up. Analyses of pottery and stratigraphic relations were employed to determine the building development of the convent. Příspěvek se zabývá podobou středověkého kláštera v Doubravníku, která společně s jeho lokalizací nebyla až do výzkumu z let 2011–2013 známa. Na základě nově zjištěných skutečností a s využitím starších prací zabývajících se podobou církevního areálu byla rekonstruována nejpravděpodobnější verze jeho půdorysného řešení. Rozborem získané keramiky a pozorovaných stratigrafických vztahů byl učiněn pokus o stanovení stavebního vývoje.

    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archaeologia histori...arrow_drop_down
    image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
    Archaeologia historica
    Other ORP type . 2015
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      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/ Archaeologia histori...arrow_drop_down
      image/svg+xml art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos Open Access logo, converted into svg, designed by PLoS. This version with transparent background. http://commons.wikimedia.org/wiki/File:Open_Access_logo_PLoS_white.svg art designer at PLoS, modified by Wikipedia users Nina, Beao, JakobVoss, and AnonMoos http://www.plos.org/
      Archaeologia historica
      Other ORP type . 2015
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Růžička, Jiří;

    The project is design a house with a small establishment. The project includes the layout and the design of the house. The house has three floors with an attic and one basement floor. It is designed as a stand-alone. The first floor of the establishment of the background and the main entrance to the house. The rest of the house is designed for family living. This part is a utility room, basement and garage in the basement. Living room with household equipment is then in the upper part of the house. The house is run by two separate entrances with wheelchair access to the premises and the entrance to the garage in the basement. The house is designed as a brick building of brick masonry Porotherm in modular size 250 (125) mm with ceramic ceilings MIAKO a cylinder. Roofed by a gabled roof. The house is located on a private plot of 1200 m2 with built up area of 120 m2. The land is gently sloping. Projekt řeší návrh rodinného domu s malou provozovnou. Součástí projektu je dispoziční řešení a konstrukční návrh domu. Dům je třípodlažní s obytným podkrovím a jednom podzemním podlaží. Je řešený jako samostatně stojící. V prvním nadzemním podlaží se nachází provozovna se zázemím a hlavní vstup do domu. Zbytek domu je určený pro rodinné bydlení. Součástí této části je technická místnost, sklepy a garáž v suterénu. Obytné místnosti s domovním vybavením je pak ve vrchní části domu. Do domu vedou dva samostatné vstupy s bezbariérovým přístupem do provozovny a vjezd do garáže v suterénu. Dům je navržen jako zděná stavba z cihelných zdiva Porotherm v modulovém rozměru 250 (125) mm s keramickými vložkovými stropy miako. Zastřešení tvoří sedlová polokřížová střecha. Dům se nachází na vlastním pozemku o velikosti 1200 m2 se zastavěnou plochou 120 m2. Pozemek je mírně svažitý. C

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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  • image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
    Authors: Nossek, Radim;

    Budova galerie se nachází hned vedle historického centra Brna, na místě, spadající do tzv. brněnské „Ringstrasse“. Parcela sousedí s Palácem Morava a s Magistrátem města Brna. Tato lokalita je po vídeňském vzoru zasvěcována stavbám s kulturním významem. V nejbližším sousedství najdeme jak Mahenovo divadlo, tak i o kus dál Janáčkovo divadlo. Tudíž vybudovat zde adekvátní Galerii moderního umění zapadá do koncepce tohoto urbanistického celku. Řešené území svým charakterem chce vytvořit přechod mezi zastavěnou částí „Ringstrasse“ a částí s parky určenou k rekreaci. Inspirací byl objekt obraného bastionu z období barokního opevnění města Brna. Jeden z hlavních těchto prvků se v minulosti nacházel právě na tomto území. Navracím do území hmotu, kolem které se formovalo současné historické jádro města. Tudíž do tamějších souvislostí zapadne. Budova tvoří plynulý přechod zástavby, přes odskákané zelené terasy, do ploch parků, typických pro okružní třídy. Gallery of modern art is located in the historical center of the Brno city. This part is known as "Ringstrasse". Following the Wiena ringstrasse, in Brno, this part is a place for important culture buildings. Close to the gallery, we can find several culture institutions, such as Mahen's theatre, Janacek's theatre, or House of culture. So, Gallery of modern art make's sense in these parts of the city. Main goal was to create a step between city part and city parks. The main inspiration, for me, was an old fortification object called bastion. It was build during baroco era and demolished in the times of Napoleon's wars. I want to bring back an object that formed old city and its surroundings, so its replacement will fit in. It's cascades with green teracces goes down towards the parks, that are next to the gallery. C

    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
    image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Digitální knihovna V...arrow_drop_down
      image/svg+xml Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao Closed Access logo, derived from PLoS Open Access logo. This version with transparent background. http://commons.wikimedia.org/wiki/File:Closed_Access_logo_transparent.svg Jakob Voss, based on art designer at PLoS, modified by Wikipedia users Nina and Beao
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